SKU: RM.AZ1632
ISBN 9790231076325.
SKU: HL.49015068
ISBN 9790001046411. 9.0x12.0x0.097 inches.
SKU: HL.50565697
8.25x12.0x0.14 inches.
SKU: BT.SLB-02032701
230 X 305 inches. French-English-Italian.
Henri Casadesus was passionate about early instruments, as we know from a number of photographs showing him with viola d’amore, the subject of a manual he wrote entitled Tecnique de la viole d’amour. The Concerto en Ut mineur was first published in 1947 by Mica Salabert. The first edition gives the so-called “original†part for solo violocello together with the score which, according to the preface, has been adapted for viola or cello or violin by Casadesus. However, stylistic analysis of the piece, together with some musicological research carried out after the appearance of the first edition reveals that the “original†version for violoncello, on which the adaptation was supposed to be based, cannot be attributed to Johann Christian Bach, but is rather a work imitating his style written two centuries later. In spite of this, Concerto en Ut mineur encountered considerable success and continues to be studied and performed by both violinists and violoncellists today.Henri Gustave Casadesus nourrissait une profonde passion pour les instruments anciens, qu’illustrent notamment plusieurs photographies qui le représentent avec la viole d’amour, un instrument pour lequel il écrivit le traité Technique de la viole d’amour. Le Concerto en ut mineur fut publié pour la première fois en 1947 par Mica Salabert. Dans la première édition imprimée du Concerto en ut mineur, la partie du violoncelle soliste était qualifiée d’« originale » tandis que la partition, d’après la préface citée, est la version d’Henri Casadesus, réadaptée pour alto, violon ou violoncelle. Toutefois, d’après l’analyse du style de la pièce et des recherches musicologiques successives jamais contestées du reste par la famille Casadesus il apparaît que la version « originale » pour violoncelle, de laquelle découlerait l’adaptation, n’est pas attribuable non plus Johann Christian Bach, mais aurait été composée selon sa manière deux siècles après. En dépit de cela, ce concerto a connu une bonne fortune et est encore étudié et interprété aujourd’hui par les altistes et les violoncellistes.
SKU: BT.ALHE33327
French.
Second of the series of _x001A_Four Faces_x001A_ by Darius Milhaud, II. The Wisconsonian is a short piece for Alto and Piano. Easy to play, it requires some technique of the instrument and some theory knowledge to read in different keys. Thebook includes the parts for Viola and Piano and for Viola only. The music is cheerful and quite fast, with the Viola part playing mainly semisquavers alternating up and down every two bars. It is supposed to represent anAmerican girl coming from Wisconsin. She is part of the four faces with: I. The Californian girl, II. The Wisconsonian and IV. The Parisian girl. Darius Milhaud (1892-1974) was a French modernist composer and a teacher. He wasalso part of the Les Six and was strongly influenced by Jazz. His opus list ended at 443.
SKU: HL.48188752
UPC: 888680884000. 9.0x12.0x0.111 inches.
“Second of the series of ?Four Faces? by Darius Milhaud, II. The Wisconsonian is a short piece for Alto and Piano. Easy to play, it requires some technique of the instrument and some theory knowledge to read in different keys. The book includes the parts for Viola and Piano and for Viola only. The music is cheerful and quite fast, with the Viola part playing mainly semisquavers alternating up and down every two bars. It is supposed to represent an American girl coming from Wisconsin. She is part of the four faces with: I. The Californian girl, II. The Wisconsonian and IV. The Parisian girl. Darius Milhaud (1892-1974) was a French modernist composer and a teacher. He was also part of the Les Six and was strongly influenced by Jazz. His opus list ended at 443.â€.
SKU: AP.36-M174891
UPC: 660355078255. English.
Reprint edition of Four Poems for Voice, Viola and Piano (Quatre poèmes pour voix, alto et piano), Op. 5, written by Charles Martin Loeffler (1861-1935) and published in 1904. The first poem was written by Charles Baudelaire while the last three were written by Paul Verlaine. Songs: 1. La Cloche fêlée; 2. Dansons la giguel; 3. Le son du cor s'afflige vers les bois; 4. Sérénade. An English translation by Henry G. Chapman of each of the poems is included.
These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.
SKU: PO.PE126
ISBN 9781877564260.
Meditation is an ideal recital work for advanced secondary school students and above looking to perform contemporary music. It was originally written for viola and piano and later was adapted for both alto saxophone and clarinet. The work was written to highlight the lyrical qualities of the solo instrument with a piano accompaniment. As such, Meditation provides an opportunity for the soloist to shine through individual expression making it perfect for solo recitals and competitions.
SKU: BT.ALHE31598
Darius Milhaud: Concerto No.2, Op.340 (Viola & Piano).
SKU: HL.50579600
SKU: HL.50578800
SKU: HL.50573903
SKU: HL.14041051
SKU: LM.JJ07975
ISBN 9790230807975.
SKU: RM.AUBI05750
ISBN 9790231057508.
SKU: LM.C06706
ISBN 9790230367066.
Ines, l'anesse (arpeges, 1ere position) - Maelys, l'ecrevisse (quintes et sixtes, 1ere et 2eme positions) - Camille, la chenille (chromatismes, 1ere position) - Marjorie, la souris (doubles cordes, petites notes, 1ere position) - Pauline, la sardine (1ere et 3eme positions).
SKU: RM.BACH04375
ISBN 9790231043754.
SKU: RM.JOUB02172
ISBN 9790231021721.
SKU: RM.JOUB01981
ISBN 9790231019810.
SKU: RM.COIT04603
ISBN 9790231046038.
© 2000 - 2024 Home - New realises - Composers Legal notice - Full version
