SKU: MB.21315M
ISBN 9780786694242. 8.75 x 11.75 inches.
This is a collection of twelve sacred pieces from the classical repertory, arranged for viola solos with piano accompaniment. All-time favorites like the Pachelbel Canon, Jesu, Joy of Mans Desiring and Ave Maria are included. The viola part is intermediate level, with occasional use of third position. This collection offers a valuable source of solos that can be used in a variety of performance circumstances. Includes access to online PDF of piano accompaniment.
SKU: AP.48276
ISBN 9781470643287. UPC: 038081556116. English.
Adaptable and flexible to your unique needs, Solos, Duets & Trios for Strings is a versatile series that encourages playing in a variety of combinations. Featuring three written parts for every song, the arrangements are designed so that the top line is the melody (Part 1), the second line (Part 2) creates a duet, and the third line (Part 3) forms a trio. You can play solo parts alone or form small string ensembles by mixing and matching instrumentation, as well as mixing the parts played. Students will gain the opportunity to learn how to play in a small chamber group setting. Solos, Duets & Trios for Strings: Movie Favorites features 19 of the most familiar and popular movie themes ever. Titles: As Time Goes By * Can You Read My Mind? (Love Theme from Superman) * Cantina Band * Family Portrait * From Russia with Love * Gonna Fly Now (Theme from Rocky) * Hedwig's Theme * The Great Escape March * The Imperial March (Darth Vader's Theme) * In Dreams * May the Force Be with You * James Bond Theme * The Magnificent Seven (Main Title) * Newt Says Goodbye to Tina/Jacob's Bakery * Over the Rainbow * Shallow * Song from M*A*S*H (Suicide Is Painless) * Star Wars (Main Title) * Theme from Superman.
SKU: HL.48024561
ISBN 9781784543518. 0.078 inches.
This Sonata for Viola (unaccompanied) was written in 1999. The soloists C-string is tuned down a semitone for the entire piece, giving a duskier quality to the tone-colour, and setting up in the very first bar the characteristic melodic/harmonic shape that infiltrates all four movements. I - slowish and thoughtful - gradually expands this opening idea into cantilena and pattern, as prelude to II - Vivacissimo - played muted throughout, a tremolando tarantella, with contrasting section, chunky double-stops, alternating withsomething of a gigue. III - adagio - rhapsodic and quasi-improvisando, enclosing a simple self-contained melody, and linking into IV, where the gigue-like material from the scherzo provides the principal substance, expanding into an ardent cantabile, and calminginto the Coda not just the finale but, in its reminiscences of I, to the sonata as a whole.
SKU: KU.GM-1120
© 2000 - 2024 Home - New realises - Composers Legal notice - Full version
