SKU: BA.BA09057-79
ISBN 9790006523313. 32.5 x 25.5 cm inches.
About Barenreiter Urtext Orchestral Parts
Why musicians love to play from Bärenreiter Urtext Orchestral Parts
- Urtext editions as close as possible to the composer’s intentions - With alternate versions in full score and parts - Orchestral parts in an enlarged format of 25.5cm x 32.5cm - With cues, rehearsal letters, and page turns where players need them - Clearly presented divisi passages so that players know exactly what they have to play - High-quality paper with a slight yellow tinge which does not glare under lights and is thick enough that reverse pages do not shine through
SKU: HL.44007368
ISBN 9789043128407. UPC: 884088246167. 9.0x12.0x0.135 inches. English-German-French-Dutch.
More Viola Fun picks up where Viola Fun left off - with 15 easy viola pieces for the second year student. The lower string is not used and the fingering patterns - while still simple - are now combined. Several new rhythmic challenges are explored. The attractive accompaniments on the CD and the wonderful illustrations give this book extra appeal.
SKU: HL.48180293
UPC: 888680794705. 9.0x12.0x0.119 inches.
German composer, violinist and violist Johannes Palaschko (1877-1932) wrote significantly for his instruments. 24 Melodic Studies for Viola is still frequently used today. Palaschko studied in Berlin and is best remembered for his contributions to violin and viola studies. 24 Melodic Studies addresses rhythm, intervals, dynamics, harmonics, ornamentation, scales, chromaticism and arpeggios, amongst other aspects. For all advanced violists, Palaschko's 24 Melodic Studies provide a helpful aid to progressive technique.
SKU: CA.5162613
ISBN 9790007225247. Key: D minor. Language: Latin.
The history of the genesis of the Requiem is entwined with legends and anecdotes. The burdens of the composition and performance of La Clemenza di Tito and Die Zauberflote, and an acute infection led to the collapse and death of the composer following a short illness. Mozart left his wife in considerable debt. Constanze therefore turned to Mozart's friends, asking them to complete the fragment. After two failed attempts, the task passed to Mozart's pupil Franz Xaver Sussmayr, who completed the Requiem in the form known today, using working materials that are no longer extant, and perhaps verbal instructions from the composer. Today the Sussmayr version is still the most well known, and it is doubtless the one with the closest historical ties to Mozart. This work is now available in carus music, the choir app! Score and part available separately - see item CA.5162600.
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