SKU: BR.OB-5293-19
The Six Three-Part Preludes and Fugues are regarded as a unique testimony to Mozart's profound interest in the works of Bach.
ISBN 9790004337998. 9 x 12 inches.
I am presently collecting the fugues of Bach - not only of sebastian, but also of Emanuel and friedeman, wrote Mozart to his father in April 1782. This could be a hint that the Six Three-Part Preludes and Fugues were derived from this collection: Mozart wrote string-trio arrangements of two preludes and five fugues by Johann Sebastian Bach, and of one fugue by Wilhelm Friedemann Bach. This apparently plunged him into such a creative mood that he simply wrote the missing preludes himself. It is to Johann Nepomuk David that we owe the first edition of this work, which introduced this unique document to a broad public for the first time. The present edition has retained David's basic editorial decision to adapt the divergent passages of Mozart's arrangement to Bach's original music text.Contents:No. 1 - Adagio by Wolfgang Amadeus Mozart Fuga Mozart's arrangement of Johann Sebastian Bach, Das Wohltemperirte Clavier I, Fuga 8 in D# minor BWV 853No. 2 - Adagio by Wolfgang Amadeus Mozart Fuga Mozart's arrangement of Johann Sebastian Bach, Das Wohltemperirte Clavier II, Fuga 14 in F# minor BWV 883No. 3 - Adagio by Wolfgang Amadeus Mozart Fuga Mozart's arrangement of Johann Sebastian Bach, Das Wohltemperirte Clavier II, Fuga 13 in F# major BWV 882.
SKU: HL.48024693
ISBN 9781540059420. UPC: 888680953874. 9.0x12.0x0.147 inches.
A triptych is a three-part altarpiece. In the middle of these fantasies for viola stands a biblical psalm, on the sides each a poem from the 20th century, which refers to psalms. After Georg Trakl's De Profundis, the first fantasy captures the lonely landscape at the beginning of the poem and the yearning voice of the orphan girl. In the second fantasy (after the 23rd Psalm Davids) pastoral-comforting mood frames the heaviness of the Wandering in the dark valley. The third fantasy of Paul Celan's Psalm lets the music emerge from the void, unfolding a melody with discreet allusions to psalmodody and Jewish music, which, despite shadowy clouding, ultimately allows for flowering (above the thorn).
© 2000 - 2024 Home - New realises - Composers Legal notice - Full version