SKU: BA.BA09045-79
ISBN 9790006537686. 32.5 x 25.5 cm inches. Key: B minor.
About Barenreiter Urtext Orchestral Parts
Why musicians love to play from Bärenreiter Urtext Orchestral Parts
- Urtext editions as close as possible to the composer’s intentions - With alternate versions in full score and parts - Orchestral parts in an enlarged format of 25.5cm x 32.5cm - With cues, rehearsal letters, and page turns where players need them - Clearly presented divisi passages so that players know exactly what they have to play - High-quality paper with a slight yellow tinge which does not glare under lights and is thick enough that reverse pages do not shine through
SKU: BA.BA10422-79
ISBN 9790260108141. 32.5 x 25.5 cm inches. Key: A minor.
SKU: BA.BA10401-79
ISBN 9790260108202. 32.5 x 25.5 cm inches. Key: D major.
SKU: BA.BA10419-79
ISBN 9790006564750. 32.5 x 25.5 cm inches. Key: E minor.
SKU: BA.BA10418-79
ISBN 9790006564675. 32.5 x 25.5 cm inches. Key: G major.
SKU: BA.BA10402-79
ISBN 9790260108264. Key: G minor.
SKU: HL.49004266
ISBN 9790001044196. UPC: 073999745740. 9.0x12.0x0.015 inches.
SKU: HL.49004359
ISBN 9790001045285. UPC: 073999359060. 9.0x12.0x0.012 inches.
SKU: HL.101915
ISBN 9781476812724. UPC: 884088669898. 9x12 inches.
SKU: CA.3710413
ISBN 9790007214319. Language: German.
He was without argument our greatest church composer, wrote the lexicographer E. L. Gerber a few years after Homilius's death in 1785. As a result of the destruction of the Kreuzkirche during the Seven Years War, the longtime Kreuzkantor, a pupil of Bach, performed his professional musical duties primarily at the Frauenkirche in Dresden. The Passionskantate was well received and widely disseminated during the 18th and 19th centuries: Thanks to its popularity it was published in 1775 by Breitkopf as a full score - a rare honor, accorded to only one other Passion in the 18th century (Graun's Tod Jesu). The text describes the events of the Passion from a very personal point of view: The story focuses less on the actual events, then upon the feelings of the observers of these events. The subjective nature of the narrative is reflected in a very dramatically marked style of recitative, which presents a charming contrast to the expressive choral writing and the melodically accented arias. With the release of a new music editions and a SACD/CD the Passionskantate can now be rediscovered.. Score and part available separately - see item CA.3710400.
SKU: FH.VA7
ISBN 978-1-55440-569-5.
This groundbreaking series for viola offers a sound and progressive collection of Repertoire, Recordings, Etudes, Technique, and Orchestral Excerpts for the aspiring virtuoso. Representing all major style periods and a variety of genres, Viola Series, 2013 Edition offers all the music and tools needed to support a comprehensive course of study from the beginner to advanced levels. A rich and varied selection of music in each of these nine progressive volumes of repertoire appeals to violists of all ages. From the Preparatory Level through Level 8, students will be exposed to quality selections originally written for viola, fun arrangements of traditional fiddle and folk tunes, as well as contemporary pieces by notable composers such as Violet Archer, Carey Cheney, and Fritz Kriesler.Level 7:Holberg Suite, op. 40: I,V - Grieg, EdvardSymphony No. 5, op. 67: II - Beethoven, Ludwig vanSymphony No. 4 (Italian), op. 90: II - Mendelssohn, FelixBrandenburg Concerto No. 3, BWV 1048: I - Bach, Johann SebastianSymphony No. 35 (Haffner), K 385: I - Mozart, Wolfgang AmadeusLevel 8:Ruslan and Ludmilla: Overture - Glinka, MikhailSymphony No. 35 (Haffner), K 385: IV - Mozart, Wolfgang AmadeusSymphony No. 6 (Pathetique), op. 75: I - Tchaikovsky, Pyotr Il'yichSymphony No. 9, op. 125: IV - Beethoven, Ludwig vanSymphony No. 3 (Eroica), op. 55: IV - Beethoven, Ludwig vanSymphony No. 1, op. 68: I - Brahms, JohannesSymphony No. 9 (New World), op. 95: IV - Dvorak, AntoninLevel 9:Symphony No. 5, op. 67: III - Beethoven, Ludwig vanDie Zauberfloete, K 620: Overture - Mozart, Wolfgang AmadeusThe Hebrides, op. 26: Overture - Mendelssohn, FelixVariations on a Theme by Haydn, op. 56a - Brahms, JohannesLe carnaval romain - Berlioz, HectorSymphony No. 8, op. 88: I - Dvorak, AntoninSymphony NO. 4 (Romantic): II - Bruckner, AntonLevel 10:Symphony No. 4 (Italian), op. 90: I,IV - Mendelssohn, FelixSymphony No. 4, op. 98: II,IV - Brahms, JohannesPeer Gynt Suite No. 1, op. 46: I - Grieg, EdvardConcerto for Orchestra: IV,V - Bartok, BelaSymphony No. 40, K 550: I,IV - Mozart, Wolfgang AmadeusSerenade for Strings, op. 48: I,II - Tchaikovsly, Pyotr Il'yichSymphony No. 5, op. 47: I - Shostakovich, DmitriAssociate:Group 1: Ochestral Tutti Parts (Viola):Daphnis et Chloe: III - Ravel, MauriceDon Juan, op. 20 - Strauss, RichardSymphony No. 9, op. 125: II,IV - Beethoven, Ludwig vanIncidental Music to A Midsummer Night's Dream, op. 61: Scherzo - Mendelssohn, FelixThe Bartered Bride: Overture - Smetana, Bed_ichGroup 2: Viola Solos:Don Quixote, op. 35 - Strauss, RichardHarold en Italie: I - Berlioz, Hector.
SKU: HL.44011233
ISBN 9789043133883. 9.0x12.0x0.217 inches. English-German-French-Dutch.
5 collections to give a structured training scheme for the viola player to play in position. Positions 3-2-1/2 - a collection of over 30 pieces, some well-know and some not to develop playing between position 3 and 2 and 1/2. Positions 3-2- 1/2 is een leerzame en prettige kennismaking met de verschillende vingerstanden zoals die voorkomen in de derde, tweede en halve positie. Deze uitgave is een logisch vervolg op Position 3 en Position 2,waarin een basis wordt gelegd voor het spelen in de derde en tweede positie. Op het gebied van de verschillende vingerstanden en de lees- en speelvaardigheid gaat Positions 3-2- 1/2 verder. Het boek bevat 17 oefeningen en32 speelstukken in diverse stijlen. De begeleidings-cd maakt het boek compleet en zorgt voor extra speelplezier.Positions 3, 2 & 1/2 behandelt den Zusammenhang zwischen den unterschiedlichen Tonarten mit bis zu drei Vorzeichen und den verschiedenen Griffmustern in der dritten und zweiten Lage. Danach kommt die halbe Lage an die Reihe. Mit den Postition - Viola Buchern machen Lagenwechsel bald keine Probleme mehr! Cet ouvrage est consacre a l'etude des relations entre les tonalites dont l'armature presente jusqu'a 3 dieses ou 3 bemols et les differents schemas de doigts en troisieme et deuxieme positions. Un chapitre entier est reserve a l'etude de la demi-position. Positions 3-2- 1/2 contient 17 exercices et 32 pieces variees avec accompagnement sur compact disc. 5 pubblicazioni per apprendere facilmente a suonare con le prime posizioni.Positions 3-2-1/2 e il nuovo libro della serie. Affronta il cambio di tonalita fino a tre alterazioni e i vari esempi di impugnatura nella terza e seconda posizione. Viene quindi trattata la mezza posizione. La pubblicazione, corredata di due CD, contiene numerosi esercizi e brani in vari generi musicali.
SKU: HL.14046104
ISBN 9788438712696. Spanish.
The Viola First Steps collection, is divided into four volumes and is aimed at young violists who want to start learning the instrument together with musical language and theory. Each book is divided into different teaching sections, every one containing the musical language necessary for exercises and works. Alongside the exercises, this volume contains popular songs, pieces from classical authors in different periods and cultural context - consisting of quotations, anecdotes relating to the Viola and information on the origin of the instrument, composers and curiosities . Beside technique and theory, this book will help violists to develop their rhythm skills,prepare for auditions and more. The MP3 CD is fundamental to the method and will help students to achieve the objectives in each section. Each song is recorded in three different ways. The first track is the complete song accompanied by another instrument with a slow tempo. The second track is the same piece with its real tempo. The third track is only the accompaniment so that the student can play along. Francisco Serra studied Viola and Chamber music at the Conservatory of Oscar Espla in Alicante, Spain. Since 2003 he has been an official professor at the Conservatory of Music of Villena (Alicante).
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