SKU: FZ.50532
ISBN 9782360950041. 17.00 x 24.00 cm inches.
Dans la collection Mnemosis, Anne Fuzeau Classique presente le premier volume d'une serie d'ouvrages consacres aux instruments de musique. Chaque volume traitera de tous les aspects d'un instrument des origines a nos jours : histoire, facture, pedagogie, repertoire, interpretes, role dans l'orchestre et dans la musique de chambre. . . Le plan d'ensemble etant toujours chronologique. C'est donc le compagnon indispensable de tous les instrumentistes professionnels ou amateurs, historiens, musicologues. Ce premier ouvrage, consacre a l'alto, est l'oeuvre de Frederic Laine, brillant pedagogue, interprete et historien de cet instrument. Cet ouvrage presente, en une soixantaine de chapitres, un parcours chronologique de l'alto, des origines au XXe siecle. L'histoire de l'alto est singuliere comme l'est le parcours de cet instrument trop proche du violon, et qui pour cette raison a ete tardivement considere comme une specialite. Tout violoniste peut jouer facilement de l'alto, sans etudes particulieres, pense-t-on jusqu'a l'oree du XXe siecle. Ainsi, il parait inutile de s'y consacrer exclusivement et il est souvent considere au mieux comme un instrument d'appoint. Son histoire est donc ecrite par des violonistes qui le servent au gre des occasions, parfois avec enthousiasme, souvent sans grande conviction. Longtemps voue au second role, il va pourtant entamer, en particulier a partir du derniers tiers du XVIIIe siecle, une veritable quete d'identite qui va lui permettre peu a peu de s'echapper de la tutelle violonistique. Ainsi, grace a ceux qui ont percu la richesse de son timbre et de son potentiel (Bach, Mozart, Berlioz, Wagner, Richard Strauss. . . ), aux interpretes qui ont servi sa cause (Rolla, Urhan, Tertis, Hindemith, Vieux, Primrose. . . ), l'alto est aujourd'hui un instrument reconnu, desormais servi par une brillante generation d'interpretes. Cet ouvrage traite les differentes facettes de l'histoire de l'alto (facture, repertoire, interpretes, pedagogie). Il consacre notamment une partie importante au groupe (orchestre et musique de chambre), element essentiel de l'evolution de l'alto et du role musical de l'altiste. Il est complete par un chapitre anatomie de l'instrument (figures et glossaire des termes de lutherie) ainsi que par une importante bibliographie, des illustrations et de nombreux exemples musicaux. L'auteur: Frederic Laine. Apres des etudes d'alto au CNSM de Lyon et d'histoire de la musique au CNSM de Paris, Frederic Laine mene une triple activite d'altiste, d'enseignant et de musicologue. Docteur en musicologie de l'universite de Tours, il a publie en 2002 corpus pedagogique pour l'alto chez Mardaga, et a contribue a plusieurs ouvrages edites chez Fayard, Buchet-Chastel, Symetrie ou par la Cite de la Musique et les Presses universitaires de France. Altiste du trio Cappa, auteur de nombreuses publications pedagogiques (dont une ecole de l'alto en six volumes), il enseigne l'alto et la musique de chambre dans les conservatoires du centre et du XIIIe arrondissement de Paris et au Cefedem de Rueil-Malmaison. Delve into the memory of music with the Mnemosis collection from Anne Fuzeau Classique. Only in French. Delve into the memory of music with the Mnemosis collection from Anne Fuzeau Classique.
SKU: CA.3710313
ISBN 9790007214265. Language: German.
The oratorio Passions by Homilius were among the last compositions of their kind in the 18th century. In an oratorio Passion the chorus is restricted mainly to singing the chorales and the interjections of the crowd; only the conclusion of a Passion provides an opportunity for an extensive choral movement. In the St. John Passion the final chorus emphasizes the supreme importance of the Crucifixion as the climax of St. John's Gospel. The free elements of the composition take the forms customary at the time: da capo arias are predominant. Score and part available separately - see item CA.3710300.
SKU: FZ.5859
ISBN 9790230658591. 24.00 x 33.00 cm inches.
These early music methods are in facsimile in three books. Hector BERLIOZ (1-2) - Jacques MARTINN (1-2) - August Mathieu PANSERON - Joseph VIMEUX. Table of contents: Martinn Jacques: Nouvelle methode d'alto - 1826. Martinn Jacques: Nouvelle methode d'alto pour apprendre sans maitre - 1835. Berlioz Hector: Grand Traite d'instrumentation - 1844. Panseron August Mathieu: Solfege du violoniste - 1845. Vimeux Joseph: Methode d'alto - 1851. Berlioz Hector: Lettre a M. Humbert Ferrand - 1865. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Facsimile of copies from: - British Library of London (England). - National Library of Paris (France). - In Private collection. Anne Fuzeau Classique propose the complete theoretic documentation, methods, classical music scores on the viola.
SKU: SU.28040230
The title of this work came from an acquaintance who used the phrase while discussing the importance of fully living the moments we are given. I. Where Was I? II. If Only For a Moment III. Soaring IV. Do Flies Have Wings? V. Dorian Flow Pieces of Time was composed for, and is dedicated to, violist Anne Black. She gave the first performance in August, 2022 in Eastport, Maine. Audio and score previews are available at: johnnewellmusic.com/works/instrumental-solo/ Viola Duration: 19' Composed: 2022 Published by: Abierto Music.
SKU: FH.VA1
ISBN 978-1-55440-563-3.
This groundbreaking series for viola offers a sound and progressive collection of Repertoire, Recordings, Etudes, Technique, and Orchestral Excerpts for the aspiring virtuoso. Representing all major style periods and a variety of genres, Viola Series, 2013 Edition offers all the music and tools needed to support a comprehensive course of study from the beginner to advanced levels. A rich and varied selection of music in each of these nine progressive volumes of repertoire appeals to violists of all ages. From the Preparatory Level through Level 8, students will be exposed to quality selections originally written for viola, fun arrangements of traditional fiddle and folk tunes, as well as contemporary pieces by notable composers such as Violet Archer, Carey Cheney, and Fritz Kriesler.Baroque and Classical Repertoire:Minuetto and Trio - Albrechtsberger, Johann Georg arr. Paul JenkinsVittoria, mio core! (Win My Heart!) - Carissimi, Giacomo arr. Christine DonkinTambourin - Rameau, Jean-Philippe arr. Christine DonkinHornpipe a l'inglese - Galliard, John Ernest arr. Christine DonkinMusette in D Major, BWV Anh. 126 - Bach, Johann Sebastian arr. Kathleen WoodIf Love's a Sweet Passion, from The Fairy Queen - Purcell, Henry arr. Kathleen WoodGerman Dance - Haydn, Franz Joseph arr. Jason NobleTraditional and 19th-century Repertoire:Linstead Market - Jamaican folk song arr. Harold BirstonNocturne - Alard, Jean-DelphinBig Foot Lou - Gearen, Joseph arr. Forrest KinneySakura (Cherry Blossoms) - Japanese folk song arr. Joanne MartinShe's Like the Swallow - Canadian folk song arr. Forrest KinneyNouvelle agreable! (Good News!) - 18th-century French carol arr. Christine Donkin20th-century Repertoire:The Underworld of Worms and Other Crawlies - Wilkinson, Marguerite and Philip BassDill Pickles - Johnson, Charles L. arr. Zav RT and Christine DonkinBudapesto - Cheney, CareyFull Steam Ahead - Jones, KennethThe Puppet Show, op. 5, no. 1 - Trott, Josephine transc. Barbara BarberThe Caissons Go Rolling Along - Gruber, Edmund L. arr. Forrest KinneyCasting the Nets - Jones, Kenneth.
SKU: HL.50603728
ISBN 9781705133248. UPC: 840126957341. 10.5x14.0x0.043 inches.
Anna Thorvaldsdottir's Sola for solo viola and pre-recorded electronics was composed for Anne Leilehua Lanzilotti. The music, which features extended techniques, was inspired by the search for calm amidst chaos and turmoil. To obtain the pre-recorded electronics, please contact promotion@wisemusic.com.
SKU: FZ.5794
ISBN 9790230657945. 24.00 x 33.00 cm inches.
These early music methods are in facsimile in one book. ANCELET - Jean Laurent de BETHISY - C. R. BRIJON - Michel CORRETTE - Francois, le jeune CUPIS - Encyclopedie - FRAMERY N. E. et GINGUENE P. L. : Encyclopedie methodique - Francois-Alexandre-Pierre de GARSAULT - Jean-Benjamin de LABORDE - Marin MERSENNE - Michel WOLDEMAR. Table of contents: VIOLA. Mersenne Marin: Harmonie universelle - 1636. Bethisy Jean Laurent de: Exposition de la theorie - 1754. Garsault Francois-Alexandre-Pierre de: Notionnaire ou Memorial raisonne - 1761. Corrette Michel: Methode pour apprendre [. . . ] de la quinte ou alto - 1773. Laborde Jean-Benjamin de: Essai sur la musique - 1780. Framery N. E. et Ginguene P. L. : Encyclopedie methodique (reprend le texte de l'Encyclopedie de Diderot) - 1785. Cupis Francois, Le jeune: Methode d'alto - 1800 (ca). Woldemar Michel: Methode d'alto - 1800/1805 (ca). PAR-DESSUS DE VIOLE. Corrette Michel: Methode pour apprendre facilement a jouer du par-dessus de viole - 1748. Ancelet: Observations sur la musique - 1757. Garsault Francois-Alexandre-Pierre de: Notionnaire ou Memorial raisonne - 1761. Brijon C. R. : Methode nouvelle et facile pour apprendre a jouer du par-dessus de viole - 1766. Laborde Jean-Benjamin de: Essai sur la musique - 1780. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Facsimile of copies from: - Bayerische Staatsbibliothek of Munich (Germany). - National Library of Paris (France). - British Library of London (England). - Det Kongelike Bibliothek of Copenhagen (Denmark). - Gemeente Museum of The Hague (Netherlands). Anne Fuzeau Classique propose the complete theoretic documentation, methods, classical music scores on the viola and pardessus de viole.
SKU: CA.3124513
ISBN 9790007211400. Language: German/English.
With the unfinished revision (1739) as an appendix. The St. John Passion ranks among the great vocal works from Bach's Leipzig years. In contrast to his other large-scale choral works, however, Bach never gave this work a definitive final form. Rather, for every performance he made numerous changes. All previous editions of the St. John Passion have combined readings from various layers of sources. The wish often expressed by conductors to perform an authentic version is made possible for the first time with the present edition in this fourth and final version which was performed under Bach's direction in 1749. At the same time, with the aid of the appendix it is possible to perform the work in the traditional mixed version.. Score and part available separately - see item CA.3124500.
SKU: M7.VHR-3428
ISBN 9783864340253.
Alle Stücke können in der ersten Lage gespielt werden und sind für den Anfangsunterricht geeignet. Der Klavierpart ist leicht gesetzt. Dadurch besteht die Möglichkeit, dass Spielerinnen und Spieler früh die Freude am gemeinsamen Musizieren finden.
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