SKU: IS.VA4754EM
ISBN 9790365047543.
Though born in the Netherlands, composer Marinus de Jong (1891 - 1984) traded his Dutch citizenship for a Belgian one in 1926, and is considered one of Belgium's most prominent composers and pianists of the 20th century. He began his studies at the Royal Conservatory of Music in Antwerp, Belgium, at the age of 15, studying under Lodewijk Mortelmans and Emile Bosquet. His Sonata for Viola Solo, Op. 106 (Sonate voor altviool solo), published by Metropolis Music Publishers in 1973, is a masterful work in four movements. It demonstrates not only his compositional style, sometimes playful and jazzy, other times plaintive and improvisatory, but also his familiarity with the viola, an instrument which he also played.
SKU: BA.BA10208-79
ISBN 9790006491827. 32.5 x 25.5 cm inches.
Congratulatory Cantata for the Birthday of Duke Christian of Saxony-Weissenfels and of Duke Ernst August of Saxony-Weimar.
About Barenreiter Urtext Orchestral Parts
Why musicians love to play from Bärenreiter Urtext Orchestral Parts
- Urtext editions as close as possible to the composer’s intentions - With alternate versions in full score and parts - Orchestral parts in an enlarged format of 25.5cm x 32.5cm - With cues, rehearsal letters, and page turns where players need them - Clearly presented divisi passages so that players know exactly what they have to play - High-quality paper with a slight yellow tinge which does not glare under lights and is thick enough that reverse pages do not shine through
SKU: HL.339744
ISBN 9780876392089. UPC: 840126916744. 9.0x12.0x0.336 inches.
Develop mastery and control over the viola fingerboard, in all keys. Whether you are playing classical, jazz, fiddle tunes, or other styles, these twenty-first century strategies can significantly improve your technique and musicality, and provide the foundation for improvisation. Play-along audio tracks are included for accompaniment, as you begin to explore this previously uncharted but essential territory. This approach is core to Berklee's viola curriculum. The book covers: Fingering strategies for comfortably playing in all keys; Scale diagrams for easily visualizing your fingerboard; Major, minor, and pentatonic scales, modes, and arpeggios; Etudes applying these scales and arpeggios in an improvisational context; Essential chord and scale relationships that are useful for improvising; Exercises to help memorize and internalize the scales; and more! Rob Thomas is a professor in the Berklee College of Music String Department, where he has taught since 2002. He has performed and recorded with the String Trio of New York, the Jazz Passengers, Chuck Owen's Jazz Surge big band, the Mahavishnu Project, the Chris Parker Quintet, Gypsy Jazz Caravan, and many others.
SKU: FH.VA3
ISBN 978-1-55440-565-7.
This groundbreaking series for viola offers a sound and progressive collection of Repertoire, Recordings, Etudes, Technique, and Orchestral Excerpts for the aspiring virtuoso. Representing all major style periods and a variety of genres, Viola Series, 2013 Edition offers all the music and tools needed to support a comprehensive course of study from the beginner to advanced levels. A rich and varied selection of music in each of these nine progressive volumes of repertoire appeals to violists of all ages. From the Preparatory Level through Level 8, students will be exposed to quality selections originally written for viola, fun arrangements of traditional fiddle and folk tunes, as well as contemporary pieces by notable composers such as Violet Archer, Carey Cheney, and Fritz Kriesler.Concertinos, Airs Varies, and Divertimentos:Divertimento in D Major - Haydn, Franz Joseph arr. Gregor Piatigorsky- Third MovementAir varie (Air with Variations), op 23, no. 3 - Rieding, OskarConcertino NO. 5 in D Major -Breval, Jean-Baptiste arr. Pierre Ruyssen- First MovementSonatas:Sonata in D Minor, op. 5, no. 8 - Corelli, Arcangelo arr. Jason Noble- First Movement: Prelude- Second Movement: AllemandaSonata in A Major, TWV 41:E1 - Telemann, Georg Philipp arr. Kathleen Wood- First Movement- Fourth MovementConcert Repertoire:Three Miniatures (complete) - Miller, MichaelWaltz, op. 12, no. 2 - Grieg, EdvardToy Soldiers' March - Kreisler, FritzAbracadabra - Duke, DavidMusette and Air de ballet - Gluck, Christoph Willibald arr. Kathleen WoodBoston Fancy - American folk dance arr. Harold BirstonAve Verum Corpus, K 618 - Mozart, Wolfgang Amadeus arr. Jason GrayConte serieux (Solemn Story), op. 62, no. 6 - Mendelssohn, LudwigAlla Greco - Baxter, Timothy.
SKU: CA.5506313
ISBN 9790007242091. Language: English/German. Text: Eschenburg, J. J. / Loy, Felix.
First critical edition. The oratorio Judas Maccabaeus is one of George Frideric Handel's most popular choral works. It was performed over fifty times during the composer's lifetime and was one of his first works to be performed in Germany (1772). The frequent performances given by Handel himself resulted in a particularly large number of reworkings, reflecting local conditions. This new edition therefore offers the work in two performable versions: firstly, the version of the first performance in 1747, and the one from the last oratorio season during Handel's lifetime (1758/59). This makes available all the choruses and arias which Handel ever wrote for Judas Maccabaeus. Reflecting the latest Handel research, the edition is based for the first time throughout on Handel's conductor's score, thereby eradicating not only long-perpetuated mistakes, but also providing clarity about which pieces were actually performed by Handel. By contrast with the Chrysander edition obligatory until now, the aria Father of heav'n which introduces Part III is included here in its original, longer version. Score and part available separately - see item CA.5506300.
SKU: BA.BA10706-79
ISBN 9790006544417. 32.5 x 25.5 cm inches.
SKU: HL.49019919
ISBN 9790001195324. UPC: 840126938838. 9.0x12.0x0.085 inches.
The title goes back to the illustrated book 'Kamfu mir helfen?' by Dirk Schmidt & Barbara Schmidt. The charming story inspired the composer to write music which, according to tradition, is based on the seventh and second intervals, using the common string techniques such as scale, arpeggio, double stop and trill.Naske is one of the most successful female composers in the field of children's theatre. This is why there is a lot of theatricality combined with humour and irony in this virtuoso solo piece, which is also rewarding for viola and violoncello.
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