SKU: BR.OB-5509-19
The concertos in A minor and B flat major were first written as violoncello concertos between 1750 and 1753. They thus rank among the very first concertos for solo cello in Germany.
ISBN 9790004338483. 9 x 12 inches.
The concertos in A minor, B flat major and A major were first written as violoncello concertos between 1750 and 1753. They thus rank among the very first concertos for solo cello in Germany. The A minor Concerto, composed in 1750, is performed quite frequently today. C. P. E. Bach most likely wrote the Concerto in B flat major Wq. 171 as the last of the little work group in 1753 in Potsdam, at the court of King Frederick the Great. He reworked the composition for flute and harpsichord shortly thereafter. Various sources prove that copies of the work had made it known quite extensively in the second half of the 18th century. In his new Urtext edition, Ulrich Leisinger bases himself on two reliable manuscripts.
SKU: CA.5483813
ISBN 9790007226367. Key: B flat major. Language: Latin.
The Requiem in B flat major is Johann Michael Haydn's second setting of the liturgical text of the Mass of the dead (another Requiem, MH 599, has since been identified as the work of Father Georg Pasterwiz) and it is also his last work, his Opus ultimum. On commission from Empress Maria Theresia he began the composition in 1805, but due to a serious illness he made only slow progress with the work. Like W. A. Mozart, he could not complete this Requiem. In 1839 Father Gunther Kronecker, Benedictine Father in the monastery of Kremsmunster in Upper Austria, completed the torso in the spirit and style of Haydn. During his student days in Vienna Father Gunther belonged to the circle of friends who were associated with Franz Schubert. Score and part available separately - see item CA.5483800.
SKU: BA.BA10039-79
ISBN 9790006541423. 32.5 x 25.5 cm inches.
Partitur siehe TP 1039.
About Barenreiter Urtext Orchestral Parts
Why musicians love to play from Bärenreiter Urtext Orchestral Parts
- Urtext editions as close as possible to the composer’s intentions - With alternate versions in full score and parts - Orchestral parts in an enlarged format of 25.5cm x 32.5cm - With cues, rehearsal letters, and page turns where players need them - Clearly presented divisi passages so that players know exactly what they have to play - High-quality paper with a slight yellow tinge which does not glare under lights and is thick enough that reverse pages do not shine through
SKU: BA.BA07677-79
ISBN 9790006526239. 30 x 23 cm inches.
SKU: BA.BA10132-79
ISBN 9790006491049. 32.5 x 25.5 cm inches.
SKU: BA.BA10045-79
ISBN 9790006490189. 32.5 x 25.5 cm inches.
Study score = TP 1045.
SKU: BA.BA10166-79
ISBN 9790006491384. 32.5 x 25.5 cm inches.
SKU: BA.BA10176-79
ISBN 9790006491674. 32.5 x 25.5 cm inches.
Study score = TP 1176.
SKU: BA.BA10056-79
ISBN 9790006503292. 32.5 x 25.5 cm inches.
Study score = TP 1056.
SKU: BA.BA10021-79
ISBN 9790006538072. 32.5 x 25.5 cm inches.
Study score = TP 1021.
SKU: CA.5505613
ISBN 9790007226763. Language: English/German. Text: Jennens, Charles. Text: Charles Jennens.
George Frideric Handel is considered England's first and foremost composer of oratorios. Above all, the Messiah is regarded as the epitome of sacred music and in German-speaking countries it is also one of the most often performed works in the genre. The version of the Messiah which is most often performed today is a combination of various versions. Consequently, the present critical edition by Ton Koopman contains all the surviving alternative versions of the solo movements. A concordance makes it possible to assign these movements to those various performances of the work conducted by Handel between the Dublin premiere in 1742 and the London concerts which took place up to 1759. In accordance with the wishes voiced by many choral conductors and singers, the vocal score is available in separate English and German versions. Score and part available separately - see item CA.5505600.
SKU: XC.SB2009
ISBN 9781644020548. UPC: 812598035520. 9 x 12 inches.
Adaptable Quartets contains 21 newly-composed or arranged quartets that can be flexibly used with any combination of string instruments, making them an invaluable resource in the modern orchestra room! Written at an accessible 1.5-3 grade level, Adaptable Quartets follow the popular Adaptable Duets and Trios books by the same composers. Tyler Arcari and Matthew R. Putnam bring with them a wealth of educational experience as music educators to craft quartets that are fun to play and musically stimulating. Adaptable Quartets are sure to become an instant favorite. String editing by Diana Traietta.CONTENTSAbide with Me (Monk) Agincourt Carol (English Folk Song) The Barber of Seville (Rossini) Be Thou My Vision (Trad. Irish) Capstone (Arcari) Chorale - Jupiter (Holst) Country Gardens (Trad. Morris Dance) Curse of Tortuga (Arcari) Dawn of the Century - March (Paull) Fortune Favors the Bold (Putnam) Gesu Bambino (Yon) Go Tell It on the Mountain (Spiritual) Greensleeves (Trad. English Folk Song) Home on the Range (Kelly) In the Hall of the Mountain King (Grieg) Les Toreadors - Carmen (Bizet) Scimitar! (Matthew R. Putnam) Sea Shanty (19th Century Sea Shanty) Song Without Words - Second Suite in F (Holst) The Emperor Waltz (Strauss II) When Johnny Comes Marching Home (American Folk Song).
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