SKU: NR.85643
SKU: HL.49044181
ISBN 9790001197939. 9.25x12.0x0.263 inches.
Die zweite Violinsonate op. 58 entstand im November und Dezember 2009 und ist als freundliches Gegenstuck zu der duster-aufgewuhlten ersten Violinsonate op. 38 (2000) konzipiert. Die helle Grundstimmung des Werkes ist sicherlich nicht zuletzt durch seinen Enstehungsort Cervo an der ligurischen Riviera, meiner italienischen Wahlheimat, buchstablich bei Sonnenschein unter blauem Himmel entstanden, beeinflusst.Dem ganzen Werk liegt ein musikalisches Motto zugrunde, das jedoch erst im abschliessenden zehntaktigen Adagio amoroso, das aus einer versunkenen Welt zu entstammen scheint, verraten wird. Alles Material ist darauf bezogen und die ganze Sonate scheint eigentlich nur komponiert worden zu sein, um diese Schlussaussage formulieren zu konnen.Der erste Satz ist ein breit angelegtes Moderato mit zwei Themen in strenger Sonatenhauptsatzform. Sowohl thematisches Material als auch alle formalen Verbindungsglieder sind harmonisch wie melodisch aus den Intervallen der kleinen und grossen Terz und deren Komplementarintervallen, der grossen und kleinen Sext gebildet. Dieses beinahe serielle Verfahren wird allerdings von dem uberschwanglich romantischen Gestus der Musik vollkommen kaschiert.Der sehr schnelle, federleicht schwebende zweite Scherzosatz wird beherrscht vom luftigen Pizzicato der Violine und fluchtigen Klavierfiguren, nur im gesanglichen Trio erhebt sich die Violine zu einer vierphrasigen, langsam aufsteigenden Kantilene auf choralartig akkordischem Untergrund des Klaviers.Die langsame Einleitung des Finalsatzes nahert sich dem abschliessenden Motto bereits sehr deutlich ohne es ganz erklingen zu lassen. Diese Introduktion wird in die Mitte des zweithemigen, feurig dahinsturmenden Allegro anstelle einer Durchfuhrung wieder aufgenommen und in den lebhaften Gestus des Schlusssatzes umgewandelt. Mit dem Erklingen des eigentlichen Herzstuck des Werkes als Adagio amoroso schliesst das Werk, sicherlich sehr uberraschend fur Neue Musik.- Stefan Heucke.
SKU: BT.EMBZ2524
English-German-Hungarian.
An Evening in the Village was composed in 1908 as no. 5 of the Ten Easy Piano Pieces. It has become one of Bartók s favorite works, which the composer himself was fond of playing at recitals. As he explained in an American interview, it was an original composition that is ... with themes of my own invention but ... the themes are in the style of the Hungarian-Transylvanian folk tunes. There are two themes. The first one is a parlando-rubato-rhythm and the second one is more in a dance-like rhythm. The second one is more or less the imitation of a peasant flute playing. Bartók also orchestrated the piece in 1931 as no. 1 of Hungarian Sketches.
SKU: BT.ALHE29553
French.
Having been considered as a 'fashionable' and 'cliché' composer of his day, Hahn's compositions are possibly not as well-known as they ought to be. Sonata In C Major for Violin andPiano, however, shatter these prejudices held, representing the engaging diversity of the composer's music. Venezuelan-born Reynaldo Hahn (1875-1947) entered the Paris Conservatoire at 10 years old. Hereceived a high standard of musical education from Decombes, Lavignac, Dubois and Massenet, before becoming a prolific and versatile composer himself, writing works for all genres. For Hahn, music was a magical art andhiscompositions often contain expressions of his otherwise hidden emotions and moods. Sonata In C Major contains a variety of different features, making for a pleasant and evocative piece for advancedviolinists.
SKU: BT.EMBZ13745
SKU: HL.48018651
UPC: 073999997965. 9.0x12.0x0.033 inches.
SKU: HL.1336638
ISBN 9798350114041. UPC: 196288187950. 9.0x12.0x0.105 inches.
Dedicated to violinist Valeriy Sokolov. Movements: I. Night forest pastoral; II. Midnight dances of forest chimeras; III. First rays.
SKU: BR.EB-8035
ISBN 9790004174388. 9 x 12 inches.
SKU: PR.114423360
UPC: 680160686285.
When the Newport Music Festival commissioned me for a piano trio in honor of their 2021 season, I looked for a topic that would celebrate an aspect of the Newport community. While researching the area, I was struck by the nine lighthouses situated around the island. The dual nature of lighthouses was particularly appealing to me: not only do they serve a vital role in the navigation of ships around rocks and land, but they are also a beautiful sight, particularly at night when their blinking beacons are clearly visible to the eye. It occurred to me that lighthouses link the past with the present, and will endure long into the future, with their beacons serving the same purpose for every generation.I became fascinated with the lighthouse on the property of Castle Hill Inn, located at the opening of the East Passage of the Narragansett Bay. This squat thirty-four foot granite structure was erected in 1890 on a very picturesque spot, right at the water’s edge. Its “characteristic,†the nautical term for each lighthouse’s unique light sequence that allows ships to identify the lighthouse, is to alternate on for three seconds, then off for three seconds. The lighthouse has also served as the starting and finish line for numerous high profile yacht races, as well as survived a massive hurricane in 1938, though the lighthouse keeper’s nearby residence wasn’t so lucky. American novelist Thornton Wilder wrote much of his 1973 novel Theophilus North while staying at the Castle Hill Inn; a passage from the book perfectly captures the dual nature of lighthouses:“At a later visit I was able to engage the pentagonal room in a turret above the house; from that magical room I could see at night the beacons of six lighthouses and hear the booming and chiming of as many sea buoys.â€In Beacon of the Bay, we first hear the lighthouse’s characteristic as its ruby light blinks on and off. This is followed by a simple theme that represents the lighthouse performing its solitary duty. As the piece progresses, we hear waves playfully lapping around its base, then yachts gracefully floating by; this is followed by a violent storm that churns the waves with so much force that they crash against the lighthouse’s granite body. But the steadfast lighthouse holds firm to the rocks, grandly blinking its ruby light. The music quiets back down to its simple theme, with yachts sailing by once more as the piece concludes.
SKU: HG.GH-11713
ISBN 9790202825020.
Notenformat, Violinheft 28 Seiten, Klavierbeilage 36 Seiten, mit CD (Demoversion und Play Along) Wer traumt nicht von einem Urlaub zwischen blauen Lagunen und Sandstranden? Am besten noch mit einem Korb tropischer Fruchte daneben ... Zumindest musikalisch kommt man diesem Traum mit der Ausgabe Latin, Tropical & More sehr nahe. Die Ausgabe prasentiert 12 exotische Fruchte. Wie jede Frucht etwas anders schmeckt, so hat auch jedes Stuck seinen eigenen Charakter. Allesamt stehen sie in der Latin-Tradition. Die meisten Stucke stehen in der 1. bis 3. Lage, in wenigen Fallen in der 4. Lage, der Schwierigkeitsgrad ist mittelschwer (geeignet fur fortgeschrittene Schuler(innen) aus dem Unterstufe II- sowie Mittelstufenbereich (in Anlehnung an den VdM)). Die Stucke eignen sich fur verschiedene Anlasse, ob als Vorspielstucke, als Muggenzugabe oder einfach zum lustvollen Spiel zuhause..
SKU: NR.83897
Palaschko, Johannes, ed.
SKU: NR.108609
I a Enescu, II a Bartok, III a Shostakovich, IV a Mozart, V a Schumann, VI a Joachim, VII a Liszt.
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