SKU: BT.EMBZ12051
English-German-Hungarian.
The present edition contains Twelve Sonatas for Violin Solo and Basso Continuo, Op. 5 by Arcangelo Corelli. The first part of the series (Z. 12050: Sonatas No. 1-3, Z. 12051: Sonatas Nos. 4-6) comprises church sonatas (sonate da chiesa), while the second one (Z. 12265: Sonatas Nos. 7-12) chamber sonatas (sonate da camera). The present edition is based on the first edition of the work published in Rome in 1700. Der vorliegende Band enthält die zwölf Sonaten für Solo-Violine mit Basso continuo, Op. 5 von Arcangelo Corelli. Die erste Teil (Z. 12050: Sonaten 1-3, Z. 12051: Sonaten 4-6) umfasst die Kirchensonaten (sonate da chiesa), der zweite Teil (Z. 12265: Sonaten 7-12) die Kammersonaten (sonata da camera). Die vorliegende Ausgabe stützt sich auf die 1700 in Rom erschienene Erstausgabe des Werkes.
SKU: IS.VLP6394EM
ISBN 9790365063949.
François Glorieux was born in Belgium in 1932, and acclaimed throughout Europe, the USA, Latin America, Canada, Japan, China, the Middle East and Africa. He is one of the most widely accomplished and versatile musicians traveling the international circuit today: pianist composer conductor, commentator, entertainer, honorary professor of chamber music at the Royal Music Conservatory of Ghent and guest professor at Yale University (USA). His particular art was the rare one of improvisation presented in five languages. Glorieux practices all musical styles and has been highly considered by great artists such as André Cluytens, Arthur Rubinstein, Yves Nat, Hiroyuki Iwaki, Enrique Jorda, Raphael Frühbeck de Burgos, but also Michael Jackson, Stan Kenton, Stéphane Grappelli, Paul McCartney, Toots Thielemans, Jacky Collins, Annie Girardot, Dionne Warwick, A.C. Jobim, and so on.
SKU: HL.14003914
8.25x11.75x0.058 inches.
Benedictus is a work of depth and feeling that some listeners claim 'out-Elgars Elgar.'Composer, conductor and educator Alexander MacKenzie is perhaps best known for his Choral works and his works inspired by Scottish melodies and themes, as in this well-known work Benedictus . Benedictus is extracted from Benedictus is a work of depth and feeling that some listeners claim 'out-Elgars Elgar.'Composer, conductor and educator Alexander MacKenzie is perhaps best known for his Choral works and his works inspired by Scottish melodies and themes, as in this well-known work Benedictus . Benedictus is extracted from Six Pieces for Violin and is dedicated to Lady Halle. During hislifetime - 1847 to 1935 - MacKenzie's programmatic Scottish-inflected work was extremely popular, and he is regarded as one of those who set the scene for the British musical renaissance of the late 19th century. and is dedicated to Lady Halle. During his lifetime - 1847 to 1935 - MacKenzie's programmatic Scottish-inflected work was extremely popular, and he is regarded as one of those who set the scene for the British musical renaissance of the late 19th century.
SKU: PR.164002390
UPC: 680160038091.
I became interested in the work of Plato through my friend and collaborator, the writer and philosopher Paul Woodruff. Paul's new translation, with Alexander Nehamas, of the Symposium gave me insights into ancient Greek ways of thinking about Love, Beauty, and Wisdom -- and managed to keep the earthy, and often bawdy side of it all in full view. But their new translation of Plato's later dialogue Phaedrus went even further: the beauty of the speeches is breathtaking, and the discourse itself is enough to keep one awake at night. Basically the Great Speech of Socrates in the Phaedrus dialogue has to do with the place of Eros in the world, and with the conflict in the soul between fleshly pleasure and philosophic discovery. I will not attempt to encapsulate this brilliant discourse in a program note: suffice it to say that reading it gave rise to my two-sided work for clarinet, violin, and piano, Phaedrus. The first movement represents the Philosophic life, and is thus subtitled Apollo's Lyre (Invocation and Hymn). It begins with an unaccompanied melody for the clarinet, which (after a pair of harp-like flourishes for the piano, expands into an accompanied canon. The voices in the dialogue (clarinet and violin) follow each other by a prescribed number of beats, but the music is totally devoid of any meter at all. The piano, representing the lyre, accompanies this lyric love-feast with repeated strummed chords. The canon has three large sections, and ends with violin echoing the unaccompanied clarinet invocation as the sound of the lyre fades. The second movement, called Dionysus' Dream-Orgy (Ritual Dance) presents, after a brief introduction, another kind of unmetered music. Rather than long lyric flights of philosophic song, however, this time we hear a unison dance of unbridled energy and sensual transport. The piece soon forms itself into a loose arch form, with contrasting metered dance sections divided by the unison unmetered orgy tune. Midway through the movement, Apollo's melody returns from the first movement, but it is a temporary reminiscence. The orgiastic dance returns, reaches a climax, and ends with a stomping of feet. While Plato asserts that a proper balance between lust and reason is necessary in all men, he (naturally) gives the nod to Philosophy as the better choice in which to live. Not so in my music: the two sides are meant to coexist and to complement each other. No sides are taken. Phaedrus was commissioned of the Verdehr Trio by Michigan State University. It is dedicated to the Vedehr Trio with great affection and admiration.
SKU: BR.EB-9250
World premiere: Toronto, November 17, 2016Written for the Duo Wapiti (Genevieve Liboiron, Daniel Anez)
ISBN 9790004185506. 10 x 12.5 inches.
Whereas Nono considered the world to be only fragmentarily analyzable, so-called consumer capitalism increasingly intrudes upon ego structures, by fragmenting them to the point of: assumed insufficiency, i.e., was consumption a form of infiltration?, or: in television you can see models licking face cream because it's so rich etc. (retranslated), as Meredith Haaf cited in her book review (SZ / 23.05.2016 Alexandra Kleeman: You Too Can Have A Body Like Mine) , and to the point of similar perfection-senselessness. Music doesn't do things by halves. Even when events or notes are puffed up, they can retain elegance and significance. Other ego amplitudes are of violinistic nature or are favourite memories - Paganini's Capricci, Stockhausen's Studie I, Steve Reich, the tone C and similar things. The craziest egos are quantums, because at no time are they identical with themselves. They can entangle and superpose, are nonlocal, etc. Although the sound character in this Duo is fairly open, I believe I succeeded in making probability waves of harmonic stopovers perceptible. This means hearing without analyzing and without constantly measuring. Nonlocality - without messenger particles - means no harmonic steps, but with the capacity to interact. (Nicolaus A. Huber, May 2016)World premiere: Toronto, November 17, 2016 Written for the Duo Wapiti (Genevieve Liboiron, Daniel Anez).
SKU: AP.36-60710008
ISBN 9798888522028. UPC: 676737624248. English.
Ralph Vaughan Williams, ever fond of poetry, found creative impetus for his beautiful romance The Lark Ascending, IRV 39, in an 1881 poem by George Meredith. Marie Pauline Hall, to whom the work was dedicated, gave the first performance of the original violin and piano version, here presented in a Masters reprint edition, at Shirehampton Public Hall on December 15, 1920, beside pianist Geoffrey Mendham. After World War I, the composer expanded the work for soloist and full orchestra. This has become the version most familiar to listeners. The violin, lifting its silvery tones above the stage, captures the soaring nature of Meredith's couplet: Till lost on his aerial rings/In light, and then the fancy sings. Reprint edition.
These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.
SKU: HL.49030434
ISBN 9790220119873.
Apres un silence was originally written as a work for violin and piano. The piano part was subsequently orchestrated in such a way that the work may be performed with a chamber orchestra or with an ensemble of the same forces using strings. 'The violin's opening interval of a rising sixth is the gem from which everything is developed into one extended movement.' This will become a regular presence in the violin and piano repertoire.
SKU: HL.49017923
ISBN 9790220131141. UPC: 884088567217. 9.0x12.0x0.125 inches.
Sir Peter Maxwell Davies is universally acknowledged as one of the foremost composers of our time and as he reaches his 75th birthday in 2009 he remains prolific.The sonata for violin and piano was written for the virtuoso violinist, Ilya Gringolts and first performed at the St Magnus Festival in Orkney in 2008. The work is principally concerned with Italian architecture and the music takes both performers and audience across an imaginary walkway over Rome as proposed by the architect Giuseppe Rebecchini. Starting at the 17th Century Chiesa Nuova the exceptional journey passes Renaissance churches, exhibition spaces, the river Tiber, glass facades, sculptures and even a prison where a Lazio folk tune can be heard echoing from behind the walls. The journey ends 15 minutes later at Gianicolo, an area where one can take in breathtaking views over the whole city.
SKU: HL.49017523
SKU: BR.EB-9407
ISBN 9790004188811. 9 x 12 inches.
With his Six Morceaux , Raff created a collection of six short pieces with the aim of pleasantly entertaining many a listener and demonstrating that he was also capable of writing something easy. After all, he had made a name for himself in the years before with extremely demanding chamber music for renowned dedicatees. The Six Morceaux , dedicated to the violinist Ludwig Straus, on the other hand, are probably related to Raff's teaching activities at a private piano school in Wiesbaden at that time. Therefore, with the individual pieces varying in difficulty they are well suited for violin lessons without losing any of their musical ambition. The most famous piece is probably the Cavatina. Arranged for various scorings during Raff's lifetime, it continues to be one of the most popular Encore pieces altogether - Fritz Kreisler, Yehudi Menuhin and Itzhak Perlman have made recordings of the piece. They say that a piano quintet version was even heard on the Titanic . This modern Urtext edition is based on the first printing, supervised and initiated by Raff himself. In collaboration with the Joachim-Raff-Archiv Lachen (CH).
SKU: PR.144407050
UPC: 680160655519. 9 x 12 inches.
Celebrating 30 years, the Philadelphia Chamber Music Society commissioned a work of 20-25 minutes for violin and piano from James Primosch, University of Pennsylvania professor of music. Primosch had originally thought to create a new sonata, but what developed is more appropriately a set of five character pieces, two of which were directly inspired by poems. Five Poems was premiered in May, 2016, and Primosch's thoughts are recorded at his website: https://jamesprimosch.com/2016/05/10/five-poems-premiere/.Upon receiving a commission from the Philadelphia Chamber MusicSociety for a violin and piano piece in honor of its 30th anniversary, myplan was to write a sonata, a term suggesting a relatively abstractdiscourse. But as the piece developed, the movements struck me ascharacter pieces rather than music employing a more “symphonicâ€approach. When specific poems started to attach themselves in my mindwith two of the movements, the overall title Five Poems became clear.The title of the second movement is a line from Susan Stewart’s“Descentâ€, which deals with Aeneas’s visit to the underworld. The musicis alternately fiercely driving and quite still, though tense. RobertFrost’s Nothing Gold Can Stay summons fleet scale passages framinglyrical counterpoint. The remaining movements do not refer to specificpoems, but have titles reflecting their expressive tone. Dreamscape ismusing with an improvisatory violin line over shifting pairs of pianochords. Nightsong is a bluesy lullaby that turns highly dramatic.Vision begins with a closely argued struggle but breaks through tosomething spacious and clear.
SKU: HL.48024317
ISBN 9780851626932. UPC: 888680748180. 9.0x12.0x0.35 inches. Ed. Edward Huws Jones Book/CD Pack.
Edward Huws Jones' popular series of traditional fiddle repertoire, now available with expertly-recorded audio CD. Containing colorful instrumental backing tracks and full demonstrations, the new audio resource will aid and inspire your private practice and public performance alike. These generous collections of authentic music, some familiar, some more exotic, but all of it faithfully arranged, enable you to create your own ceilidh, bluegrass club or charanga band. The violin edition includes optional easy violin part and guitar chords, while the complete edition also includes both keyboard and violin accompaniments. Either format is highly flexible, which means the music can be played as solos, duets or trios as well as with larger ensembles. Edwards Huws Jones has travelled extensively researching fiddle-playing traditions. In each book he explains the background of the particular musical style, giving his own suggestions for a lively performance.
SKU: PR.14440516S
UPC: 680160667864. 9 x 12 inches.
In 1979, Martin produced a set of three quintets, in consideration of Gorky's piece Nighttime Enigma Nostalgia. Each is scored for flute, clarinet, violin, cello, and piano. As the title suggests, the music is in a state of perpetual questioning using a variety of approaches. For example, Enigma opens using ostinati (plural of ostinato) that do not match in length, like a staircase with each step a different height. Additionally, the music has sudden starts and stops, again unexplained. There are dramatic and powerful explosive passages that are interrupted. The technique, used to create this feeling of a perplexed music world where things seem often not to make sense and to be left unresolved, is called in poetry and literature, anticlimax. In Enigma, the music suggests one direction; then refuses to continue, striking out in another direction. Artists use approaches such as this to force themselves into creative circumstances that they otherwise might not have discovered. (From the performance notes.).
SKU: IS.VLP4190EM
ISBN 9790365041909.
In 1901, Flor Alpaerts finished his music studies at the Flemish School of Music of Antwerp, which later became the Royal Flemish Conservatory. He studied harmony and composition with Jan Blockx. In 1903 he became professor at this institute and from 1934 until 1941 its director. For one season (1922-1923) he was also director of the Royal Flemish Opera House of Antwerp together with the bass Arthur Steurbaut. His fame, as a composer and a conductor, came shortly after World War I, when he succeeded Eduard Keurvels in 1919 as conductor of the concerts organized by the Royal Zoological Society of Antwerp and as artistic director of the Peter Benoit Fonds. He also conducted the choral group Arti Vocali. As a composer, Flor Alpaerts was the leading figure in the Flemish impressionistic movement, utilizing an impressionism that came closer to Richard Strauss and Ottorino Respighi than to Claude Debussy. A highlight in this direction was the symphonic poem Pallieter (1921-1924). With his suite James Ensor, inspired by four works of the Ostend painter, he created an expressionistic work. In his later compositions he turned to neo-classicism.
SKU: HG.GH-11712
ISBN 9790202823774.
Welche Geigerin, welcher Geiger hatte nicht Lust, neben der klassischen Violinliteratur einmal etwas Neues und Mitreissendes auszuprobieren? Der erfahrene Geiger, Musiker und Musikpadagoge Joachim Johow legt mit Swing & More eine abwechslungsreiche Sammlung von 13 swingenden Stucken vor, die es ermoglicht, auch mit der Geige Swing zu spielen. Violinheft mit 32 Seiten, Klavierbeilage 40 Seiten. Mit CD: - Bassstimme ad. lib. als PDF auf der CD - Demoversion und Play Along als zuverlassiger Ubungspartner fur Konzert, Klassenvorspiel oder eigene Hausmusik Die Charakterstucke in Joachim Johows 'Swing & More' fur Geige und Klavier tonen auf der CD noch differenzierter, als sie aufgeschrieben sind. Man sollte also gut zuhoren und sich anregen lassen. Schweizer Musikzeitung.
SKU: BT.DHP-1084518-400
ISBN 9789043130240. 340 X 250 inches. English-German-French-Dutch.
Op subtiele wijze reikt Millies in dit eenvoudige concertino de vernuftige structuren van de meester aan, hij verweeft veelvuldig kenmerkende drieklank- en toonladderloopjes. De muziek is speelbaar in de eerste positie, daarbij iser veel aandacht voor frasering en boogtechnieken. De mooie pianobegeleiding maakt dit stuk bijzonder geschikt voor een uitvoering.Deze boeken zijn gemaakt binnen het Study and Play-concept, dat de leerling helpt om zijn/haarspel op een plezierige en verantwoorde manier te ontwikkelen. Bij elke uitgave onder deze noemer worden één of twee cdâ??s meegeleverd die iets extraâ??s toevoegen aan de studie-methode. In het geval van de onderstaande uitgaven biedende cdâ??s de mogelijkheid om te studeren in zowel het gewone tempo als een rustig oefentempo. De verzorgde set bestaat verder steeds uit een vioolpartij en pianopartij. De cd bevat tevens de begeleiding, waardoor een pianist nietbeslist noodzakelijk is.Hans Millies (1883-1957) war ein bekannter deutscher Geiger und Dozent, der die Ansicht vertrat, dass Schüler schon von klein an mit dem Klangidiom von groÃ?en Komponisten wie Wolfgang Amadeus Mozart vertraut gemacht werden sollten. Im vorliegenden schlichten Concertino präsentiert Millies geschickt die genialen Strukturen des Meisterkomponisten. Die Musik ist in der ersten Lage spielbar; ein Hauptaugenmerk liegt auf Phrasierung und Bogentechniken. Dank der reizvollen Klavierbegleitungen ist dieses Stück wie geschaffen zur Aufführung.
SKU: BR.EB-32058
ISBN 9790004186503. 9 x 12 inches.
Sonata No. 2 op. 23 was composed around 1859 in Cologne. At that time, Franck was working as a teacher of music theory at the Cologne Conservatory. The 2nd violin sonata was published in print together with the 1st sonata op. 19. This is an early proof of the composer's later tendency to combine several works in one cycle.
SKU: HL.14019075
ISBN 9788759854327. Danish.
The Piano score and complete instrumental parts for Karl Aage Rasmussen's Liederkreis. Rasmussen organised five songs by Robert Schumann into a large cycle, within which each song is rotating forwards and backwards in several tempo-layers at the same time. The circle consists of two independent but complimentary orbits - one for each singer. Written in 1986, it was commissioned by, and dedicated to, the Washington New Music Ensemble. The full instrumentation consists of Soprano and Baritone voices with Flute, Violin, Clarinet, Vibraphone and an amplified Piano.
SKU: BT.ALHE20707
French.
Composed by Reynaldo Hahn, Romance in A major is a chamber piece for Violin and Piano, for upper-intermediate players. This melodious piece is written in one main movement and is perfect for a recital. Starting Très modéré withthe main theme, the piece later become quieter calme with some variations of this main theme. Really romantic, it is sometimes indicated which string to play and the Piano accompanies the Violin with some flawless arpeggiatedsemiquavers. Reynaldo Hahn was a naturalised French composer, conductor, theatre director and singer. Best known as a composer of songs, he also wrote many pieces and melodies for different instruments.
SKU: BT.PWM10192
Written within throughly romantic style Melody is a highly attractive example of the composers typically elegant melodic writing, strong sense of structural proportion and lush romantic harmonies. The totally idiomatic violin writing reflects ahigh degree of attainment in its composers violin studies with J. Hornziel and A. Ktski. [Tyrone Greive].
SKU: PR.144405810
ISBN 9781491101407. UPC: 680160614127.
In this ballad, Reise ponders the Red Sea Swallow, of which only one was ever found (and dead, at that). The Flight of the Red Sea Swallow imagines the final flight of what may have been the last of its kind. Originally written for violin and piano, and premiered by Maria Bachmann, Flight has also been transcribed for flute and piano. For advanced performers. Duration: 17'.
SKU: HL.49047090
ISBN 9783795726966. UPC: 196288120612. 9.0x12.0x0.195 inches.
25 easy pieces from the Baroque, Classical and Romantic eras, playable in the first three finger patterns in the first position, forviolin pupils from the second year of learning. Apart from lesser known works, this edition also contains many popular pieces, such as themes from Vivaldi's Four Seasons, Handel's Fireworks Music and Water Music, Mozart's Magic Flute or Beethoven's Symphony No. 9.This volume's intention is to grant access to classical masterpieces of concert literature with the help of such easy arrangements and spread the joy of classical music. The approach to the pieces is made easier by the accompanying audio tracks which, on the one hand, offers the opportunity to listen to and get to know the pieces beforehand, and, on the other hand, thanks to the separate piano accompaniments, provides first experience in ensemble playing and conveys the vivid joy of music-making. When the tracks were recorded by Prof. Benjamin Bergmann, violin, and Leonid Dorfman, piano, they deliberately decided in favour of moderate tempos to make it easier for the young violinists to play along with the piano part. A treasure trove for auditions at schools and music schools.
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