SKU: HL.49044547
ISBN 9783795749422. UPC: 841886023338. 9.0x12.0x0.106 inches.
Separate bass part for performance e.g. with cello accompaniment.Schott Violin Library includes eleven contrasting Baroque sonatas for violin and continuo bass. Besides popular and well-known sonatas by Corelli, Vivaldi, Handel and Telemann there are also delightful less familiar compositions by Dall'Abaco, Pepusch and Finger, among others. All these pieces are at lower to intermediate level. Some of them can be played in first position throughout, while others require just a few position changes, but the sonatas by Dall'Abaco, Kirchhoff, Vivaldi and Handel require fluent use of the first three positions. The pieces brought together in this book are the best-loved works from the popular series Schott Violin Library (VLB) and other violin repertoire published by Schott.
SKU: BA.BA07566
ISBN 9790006544066. 31 x 24.3 cm inches. Preface: Schwemer, Bettina.
Antonio Vivaldiâ??s twelve concertos op. 4 known by the name of â??La Stravaganzaâ? were first mentioned as a collection of â??Concerti a 4â? in the 1711 Foreword of â??Lâ??Estro Armonicoâ? op. 3. Their publication had to wait until 1716, when Estienne Roger issued them in two volumes of six concertos each. However, unlike the original announcement, â??La Stravaganzaâ? is more than a collection of concertos for solo violin with string accompaniment: in five of the concertos the soloist is joined by a second solo violin or even by a solo violoncello (Concerto No. 7).The many reprints of â??La Stravaganzaâ? bear witness to its popularity and widespread dissemination well into the 1730s. Besides the surviving prints, there is a significant body of handwritten sources containing alternative versions for seven of the concertos. Some of these manuscripts stem from the music library of Johann Georg Pisendel.This edition of â??La Stravaganzaâ? is not only the first scholarly-critical edition, it is also the only complete edition available. In addition to the twelve concertos handed down in the Roger edition, Bärenreiter offers an additional concerto in full score, piano reduction and parts contained in the 1728 print issued by the English publishers Walsh and Hare, as well as alternative versions (without viola) found in handwritten sources for Concertos No. 6 (Volume 1) and No. 11 (Volume 2).
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What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: HL.49012370
ISBN 9790001102575. UPC: 073999177879. 9.0x12.0x0.115 inches.
SKU: HL.49012302
ISBN 9790001102667. UPC: 073999488944. 8.25x11.75x0.085 inches.
SKU: HL.49012360
ISBN 9790001102568. UPC: 073999367669. 9.25x12.0x0.115 inches.
SKU: HL.49016283
ISBN 9790001102582.
Louis-Gabriel Guillemain (1705-1770) was born in Paris and entered the court orchestra of Versailles as a violinist in 1737. As a composer he was influenced by Corelli and apparently self-taught.This Chasse comes from Jean-Baptiste Cartier's compendium L'Art du violin (1798). Hunt pieces of this type were very common in eighteenth-century French violin music.
SKU: HL.49016284
ISBN 9790001102797. 8.25x11.75x0.092 inches.
SKU: HL.49012304
ISBN 9790001102681. UPC: 196288056492. 9.0x12.0x0.1 inches.
SKU: HL.49042418
ISBN 9790001103237. 9.0x12.0x0.082 inches.
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