Edited by Patrick Sky. For fiddle. All styles. Level: Multiple Levels. Book. Songbook. Size 8.75x11.75. 176 pages. Published by Mel Bay Pub., Inc.

For Violin. By Various. Instrumental Folio. Christmas. Softcover. 96 pages. Published by Hal Leonard

By Bonnie Rideout. For Fiddle. Solos. Encyclopedia. Scottish. Level: Intermediate. Book. Size 8.75x11.75. 136 pages. Published by Mel Bay Publications, Inc.

Edited by Paul Stewart Cranford. Arranged by Melissa Emmons. For Fiddle. Solos. Cranford Publications. Canadian-Maritime. Intermediate. Book. 80 pages

Saddle-stitched, Solos. World. Book. 76 pages. Mel Bay Publications, Inc #30839. Published by Mel Bay Publications, Inc

99 Traditional Pieces. Composed by Pete Cooper. Arranged by Pete Cooper. This edition: Saddle stitching. Sheet music with CD. Edition Schott. Diese Ausgabe enthalt 99 traditionelle englische Geigenmelodien. Der Band ist versehen mit Akkorden und Hinweisen zur Bogenfuhrung. Ausserdem ist ihm eine CD von Pete Cooper beigelegt. Folk, Classical, English. Edition/Softcover with CD. 12758. 68 pages. Schott Music #ED12758. Published by Schott Music

(Violin). For Violin. Book; CD; Play-Along; String Series. Ultimate Pop Instrumental Solos Series. Pop. Grade 2; Grade 3. 88 pages. Published by Alfred Music Publishing

Collection for solo violin. With bowings. 44 pages. Published by Alfred Publishing.

Violin - intermediate

SKU: BT.DHP-1114985-400

16 tangos for violin. Composed by Myriam Mees. Arranged by Nico Dezaire. Book with CD. Composed 2010. 56 pages. De Haske Publications #DHP 1114985-400. Published by De Haske Publications (BT.DHP-1114985-400).

ISBN 9789043135023. 9x12 inches. English-German-French-Dutch.

The tango - vigorous and comforting dance music full of emotion, passion and love! Tango Delight is the follow-up to Tango Time! The pieces are a bit more challenging and expansive. They are intended for violonists of an intermediate level who wish to enjoy the real tango. The enclosed demo and play-along CD is a source of inspiration.

De tango - krachtige en troostrijke dansmuziek boordevol emotie, passie en liefde! Tango Delight is de opvolger van Tango Time! De stukken zijn iets uitdagender en verder uitgewerkt. Ze zijn bedoeld voor violisten van een gemiddeldniveau die willen genieten van de echte tango. De bijgevoegde demo- en play-along-cd is een bron van inspiratie. Voor samenspel met een pianist zijn op deze cd ook printklare pdf-bestanden van de begeleiding toegevoegd.

Der Tango - lebhafte und tröstliche Tanzmusik voll Gefühl, Leidenschaft und Liebe! Tango Delight ist die Fortsetzung von Tango Time! Die Stücke sind ein wenig anspruchsvoller und ausgedehnter. Sie richten sich an Geiger im mittleren Spielniveau, die gerne den echten Tango erleben möchten. Die beiliegende Demo- und Mitspiel-CD ist eine Quelle der Inspiration! Für das Zusammenspiel mit einem Pianisten sind auf der CD PDF-Dateien der Begleitung in Notenform enthalten.

Le tango est une danse émotionnelle puissante et profonde qui exprime la passion et lâ??amour. Tango Delight fait suite au recueil Tango Time! Les douze pièces sont plus conséquentes et un peu plus exigeantes. Elles sâ??adressent aux violonistes de niveau élémentaire-moyen qui souhaitent découvrir lâ?? me du vrai tango. Les symboles dâ??accords permettent de jouer avec dâ??autres instruments. Laissez-vous séduire par les sons fascinants de lâ??accompagnement musical sur compact disc (version intégrale version play-along).

Il seguito di Tango Time! con brani più esigenti per violinisti di livello medio. Il CD, che propone sia una traccia demo che una play-along, è una vera fonte di ispirazione! Se si desidera suonare assieme ad un pianista basta scaricare dal CD lo spartito in formato PDF.

Chamber Music violin

SKU: PO.PE121

Composed by Christos Hatzis. Sws. Performance Score. Promethean Editions #PE121. Published by Promethean Editions (PO.PE121).

ISBN 9781877564215.

Christos Hatzis Dystopia was written especially for two-time Grammy Award-winning violinist Hilary Hahn. Hatzis considers this work to be a meditation on the causes of religious intransigence, disenchantment and ultimately, jihad. Within the work Hatzis evokes a Middle-Eastern sound world by incorporating a microtonally altered modal scale. These exotic sounds subtly transforms into the equal- temperament of the Western European music tradition, and thereby juxtaposes these traditions and creates a dramatic interplay within the work. Dystopia is highly virtuosic and lends itself well to individual expression, making it an exciting addition to solo violin repertoire as an encore or recital work.

Chamber Music Violin

SKU: PR.144407380

Composed by Ellen Taaffe Zwilich. Performance Score. 4 pages. Duration 4 minutes. Merion Music #144-40738. Published by Merion Music (PR.144407380).

ISBN 9781491133903. UPC: 680160683475. 9 x 12 inches.

In her powerful Foreword to the music, violinist Kelly Hall-Tompkins has written: “There are great works which give voice to important moments for generations, and this is one of them.” The tragedy of Elijah McClain’s murder has moved us all, and for many musicians the image of this gentle young man playing his violin for kittens at an animal shelter has added a poignant extra layer. Zwilich was a professional violinist before turning exclusively to composing, and A LITTLE VIOLIN MUSIC is a memorial from the heart of one violinist to another.
[THESE NOTES MAY NOT BE REPRODUCED OUTSIDE OF THE PUBLICATION; OK TO QUOTE A BIT AND GIVE AUTHOR CREDIT]We often research important pieces of music to gain some glimpse into the mind of the composer by understanding the times in which a piece was written. The times that brought this piece into being, 2020, has been a year like no other in our lifetimes.With the suffering of a once in a century pandemic raging in ever higher waves, and millions of people around the world confined to their homes with a shared attention span for the first time in generations, we watched in horror the 8 minute 46 second killing of George Floyd, a man previously unknown to us, but now unwillingly joining a long list of names of unarmed African Americans killed by police. The anguished backlash of citizens around the world, from Japan to New Zealand to Germany to the United States, of every age, color, and creed, has rallied for weeks and months on end to demand enough and that “Black Lives Matter.”And yet, in the midst of it all is an America starkly divided against itself with some defiantly pushing back, emboldened by authoritarian-style government actions against its own citizens occurring all over the country. It is against this backdrop that we ever had a chance to know of Elijah McClain. Here in quarantine I sometimes practice my scales in front of the news. And one day the mirror image looking back at me from the screen was a slight young man, warm, affable brown eyes, and also a violin under his chin. The newsreel-style camera pan so familiar now, I knew the only reason we were gazing upon his unfamous face was that he too had been killed by police nearly a year before. But the revelation of it in the broadcast hit me particularly hard.Ellen Taaffe Zwilich, who is not only one of the great composers of our time, is also a dear friend, and called me the next day, also deeply saddened by the news. It was from Ellen that I learned that Elijah used to play for the kittens at the local animal shelter so they wouldn’t be lonely. This kind, gentle soul was aggressively taken into police custody while saying, “I am an introvert. Please respect the boundaries that I am speaking... I’m going home.” He was never seen alive again.Ellen and I spoke of the sadness and the injustice of this several times. She felt a powerful calling to contribute something in a statement and the result is the piece you now hold in your hands. I am deeply honored to be the dedicatee of the piece, to have worked together with Ellen on some of the final details, and to pen this score note. As an invited alumna of the Eastman School of Music, I premiered the work for their virtual event on Diversity and Inclusion. Each time I play it, there is a persistent lump in my throat because Ellen has captured something poignant and powerful here.There are great works which give voice to important moments for generations, and this is one of them. We humbly offer this piece in memory of Elijah McClain.Foreword © 2021 by Kelly Hall-Tompkins. Used by permission.