Violin & Guitar

SKU: SU.97030040

For Violin & Guitar. Composed by James Cohn. Guitar, Chamber Music with Guitar, Strings, Violin. Accompanied by guitar. Score & Parts. Subito Music Corporation #97030040. Published by Subito Music Corporation (SU.97030040).

Instrumentation: Violin & Guitar
Duration: 2'30
Composed: 2018
Published by: Subito Music Publishing.

Violin - difficult

SKU: HL.49007299

Violin Solo. Composed by Karl Amadeus Hartmann. This edition: Saddle stitching. Sheet music. Edition Schott. Classical. Composed 1927. 11 pages. Duration 15'. Schott Music #ED7521. Published by Schott Music (HL.49007299).

ISBN 9790001078580. UPC: 073999651744. 9.0x12.0x0.049 inches.

Violin solo

SKU: SU.95010250

For Violin solo. Composed by Judith Lang Zaimont. Strings, Violin. Score. Composed 2006. Duration 2'. Subito Music Corporation #95010250. Published by Subito Music Corporation (SU.95010250).

Violin Duration: 2' Composed: 2006 Published by: Subito Music Publishing.

By Johann Sebastian Bach. Edited by Heinrich Besseler. For Violin 2. Single Part. BWV 1047. Duration 11'. Published by Baerenreiter-Ausgaben (German import). (BA5202 75)

By Johann Sebastian Bach (1685-1750). Edited by Heinrich Besseler; Hans Gruss. For violin 2. This edition: Stapled, Urtext edition. Single part. BWV 1066. 8 pages. Duration 28'. Published by Baerenreiter Verlag

Violin & Keyboard

SKU: SU.17150330

For Violin & Keyboard. Composed by Daniel Bernard Roumain. Strings, Violin. Score & Parts. Composed 2007. Duration 7'. Subito Music Corporation #17150330. Published by Subito Music Corporation (SU.17150330).

This CD Sheet Music™ collection brings together over 600 songs and song cycles (in alternate keys for low voice) by composers from the Classical and Romantic eras: Wolfgang Amadeus Mozart, Ludwig van Beethoven, Felix Mendelssohn, Johannes Brahms, and Hugo Wolf. Beethoven: over 70 songs including: Ah! Perfido, An die ferne Geliebte, Songs, Op. 75; 2 Songs from Egmont, Op. 84; plus 29 songs without opus Brahms: over 200 songs including: An den Mond, Mädchenlied, Mondscheinen, Nachtigall, Sommerabend, Ständchen, Four Serious Songs Mendelssohn: over 70 songs including Frühlingslied, Morgenslied, Der Mond, Geistlisches Lied, Der Blumenkranz Mozart: over 20 individual songs including: Lied zur Gesellenreise, K. 468; Lied der Freiheit, K. 506; Das Kinderspiel, K. 598 Wolf: over 100 songs including: from Mörike Songs, Eichendorff Songs, Goethe Songs, Michelangelo Songs, Spanish Songbook (Spiritual Songs & Wordly Songs) The Italian Songbook (Volumes I & II) Added features: alphabetical indexes for searching by title, first line or poet Also includes: composer biographies and relevant articles from the 1911 edition of Grove's Dictionary of Music and Musicians 1800+ pages

Please note, customers using Macintosh computers running macOS Catalina (version 10.5) have reported hardware compatibility issues with this product. If you encounter these issues, we recommend copying the entire contents of the disk to a contained folder on a thumb drive or other storage device for use on your Mac.

Orchestra Bass Clarinet, Bassoon 1, Bassoon 2, Bongos, Cello, Clarinet, Contrabass, Crotales, Cymbals, English Horn, Field Drum, Flute, Glockenspiel, Horn 1, Horn 2, Oboe 1, Oboe 2, Percussion, Piano, Snare Drum, Triangle, Trumpet, Vibraphone, Viola and more.

SKU: PR.416411770

For Violin, Piano, and Chamber Orchestra. Composed by William Kraft. Full score. With Standard notation. Duration 17 minutes. Theodore Presser Company #416-41177. Published by Theodore Presser Company (PR.416411770).

UPC: 680160091508.

I was tempted to call the piece Throw Back because it consciously employs rhythmic and harmonic approaches characteristic of the earlier part of the twentieth century, much of which plays a part in forging my musical personality. Going along with the impetus, I have paid homage by subtly interpolating stylistic or actual references to such unexpected bedfellows as Scriabin, Ravel, Debussy, Piston, Roussel, and Ysaye. I hope I will be musically forgiven. In one continuous movement, there are three definite internal sections: Presto-Largo-Allegro. The first section opens with a very soft percussion cadenza. If the acoustics allow it, the player will use sponge pottery mallets (sponge-headed mallets employed to smooth the interior of a pot as it is being spin-dried). No matter how hard the percussionist strikes the drums, the dynamic cannot go above pp (pianissimo). This cadenza serves as a basis for the first movement. The elements of the cadenza are taken by the orchestra to make the first major statement, similar to the classical concerto; but rather than making a restatement, the soloists, when they come in, begin with variational ideas. The second section is given over to the soloists, and is lyrical. The third section begins with an alternation between strict rhythmic pulsation and free-sounding timbres, as if reluctant to leave the second section behind. The rhythmic aspect takes over more and more as the piece progresses toward its conclusion. Double Play was commissioned by the Saint Paul Chamber Orchestra with financial assistance from the Northwest Area Foundation. It received its premiere on January 7, 1983, in St. Paul, with the St. Paul Chamber Orchestra; Pinchas Zukerman, violinist; Marc Neikrug, piano; and the composer conducting.