SKU: SU.80600920
Violin, Piano Composed: 1987 Published by: E.B. Marks.
SKU: SU.80601780
Parts on rentalViolin solo, Piano and Percussion Sextet Composed: 1980 Published by: E.B. Marks.
SKU: SU.80601560
Violin and String Orchestra Composed: 2008 Published by: E.B. Marks Solo part and Piano Reduction available from Hal Leonard. Parts available on rental only.
SKU: AP.12-0571523617
ISBN 9780571523610. English.
The previously unpublished Two Pieces was released to mark the 2013 centenary of the Benjamin Britten's birth, who founded the publisher Faber Music. These trios were written in late 1929, after Britten composed the Rhapsody for String Quartet (March 1929). This edition was edited by David Matthews, who spent three years as an assistant to Benjamin Britten at Aldeburgh in the late 1960s.
SKU: HL.14043635
ISBN 9788759815823. 9.75x14.25x0.2 inches. English.
Piano Trio, Phantasmagoria is in five movements. Originally comissioned by Franz Schubert Society Denmark and dedicated to Trio con Brio Copenhagen.
SKU: HL.233289
12.0x9.25x0.43 inches.
Score and separate parts with spiral-bound keyboard/organ part. Number 5, 1950 was Mark Rothko's last painting before the breakthrough into his mature format. In it the luminous color fields of a classic Rothko are inscribed across the middle with three delicate lines. Describing this painting and its pivotal position in Rothko's work, Brian O'Doherty observes: 'After this, the lines disappear completely.' In recent years gesture and figuration have disappeared from my music. What used to be background has emerged to become a musical world composed entirely of floating color fields. In this new world I've changed media, moving from the orchestra to smaller combinations of acoustical instruments and electronically-processed sounds. I still think in orchestral terms, but this hybrid medium allows me to create orchestral textures for more practical and readily available ensembles. Initially I imagined this as a kind of monolithic music -an entire piece as one rich and complex sound. Then I came to hear it as homophonic or heterophonic. And now - in this musical world that I thought was completely free of lines - I've come to hear a polyphony of harmonic clouds. Maybe the lines never disappear completely. Maybe Christian Wolff was right when he quipped: 'No matter what we do, sooner or later it all sounds melodic.' - John Luther Adams.
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