SKU: PR.41641366L
UPC: 680160585755.
From my early years studying violin at the Tehran Music Conservatory, I was captivated by the sound of the kamancheh, an ancient Persian bowed instrument considered one of the ancestors to the modern violin. I was pleased when the National Endowment for the Arts awarded me a grant to write a violin concerto as it provided me with an occasion to rekindle my fascination with the kamancheh. The notion of writing a violin concerto that would incorporate the power and brilliance of a modern instrument with the delicate and lyrical character of an ancient one was simply irresistible. Moreover, the inspiration from the kamancheh also informed my use of Persian modes, melodic, and rhythmic figures. The notes of the violins open strings (G, D, A, E) also influenced many of the melodic and harmonic elements of my violin concerto. The opening tutti is mostly based on intervals of a perfect 4th and 5th. The primary material for each movement incorporates notes of two of the open strings of the violin, creating a three-note melodic motif as the basis of themes: 1 st movement: A-D-A 2nd movement: D-G-D 3rd movement: E-A-E The overall structure of the concerto is organic and cyclical, as themes are shared between the three movements. For example, the main musical idea of the third movement is a transformation of the first movements primary theme. While the movements share similar musical materials, each one is defined by distinguishing characters. The first movement is conflicted; alternating between sections of unabashed lyricism and unforgiving ferocity. The second movement is haunting, mysterious, and expressive with long melodic lines that vary continuously. It moves through different moods and characters including a reimagining of a traditional Persian wedding tune played by the orchestra (m. 98). The third movement is festive in character and features much brilliant passagework for the solo violin. At the climax of this movement, themes from the previous movements re-emerge simultaneously with greater intensity, propelling the concerto to an energetic finale. The Concerto was composed in 1994 and is dedicated to Joshua Bell.From my early years studying violin at the Tehran Music Conservatory, I was captivated by the sound of the kamancheh, an ancient Persian bowed instrument considered one of the ancestors to the modern violin. I was pleased when the National Endowment for the Arts awarded me a grant to write a violin concerto as it provided me with an occasion to rekindle my fascination with the kamancheh. The notion of writing a violin concerto that would incorporate the power and brilliance of a modern instrument with the delicate and lyrical character of an ancient one was simply irresistible. Moreover, the inspiration from the kamancheh also informed my use of Persian modes, melodic, and rhythmic figures. The notes of the violinas open strings (G, D, A, E) also influenced many of the melodic and harmonic elements of my violin concerto. The opening tutti is mostly based on intervals of a perfect 4th and 5th. The primary material for each movement incorporates notes of two of the open strings of the violin, creating a three-note melodic motif as the basis of themes: 1 st movement: A-D-A 2nd movement: D-G-D 3rd movement: E-A-E The overall structure of the concerto is organic and cyclical, as themes are shared between the three movements. For example, the main musical idea of the third movement is a transformation of the first movementas primary theme. While the movements share similar musical materials, each one is defined by distinguishing characters. The first movement is conflicted; alternating between sections of unabashed lyricism and unforgiving ferocity. The second movement is haunting, mysterious, and expressive with long melodic lines that vary continuously. It moves through different moods and characters including a reimagining of a traditional Persian wedding tune played by the orchestra (m. 98). The third movement is festive in character and features much brilliant passagework for the solo violin. At the climax of this movement, themes from the previous movements re-emerge simultaneously with greater intensity, propelling the concerto to an energetic finale. The Concerto was composed in 1994 and is dedicated to Joshua Bell.From my early years studying violin at the Tehran Music Conservatory, I was captivated by the sound of the kamancheh, an ancient Persian bowed instrument considered one of the ancestors to the modern violin. I was pleased when the National Endowment for the Arts awarded me a grant to write a violin concerto as it provided me with an occasion to rekindle my fascination with the kamancheh. The notion of writing a violin concerto that would incorporate the power and brilliance of a modern instrument with the delicate and lyrical character of an ancient one was simply irresistible. Moreover, the inspiration from the kamancheh also informed my use of Persian modes, melodic, and rhythmic figures. The notes of the violin's open strings (G, D, A, E) also influenced many of the melodic and harmonic elements of my violin concerto. The opening tutti is mostly based on intervals of a perfect 4th and 5th. The primary material for each movement incorporates notes of two of the open strings of the violin, creating a three-note melodic motif as the basis of themes: 1 st movement: A-D-A 2nd movement: D-G-D 3rd movement: E-A-E The overall structure of the concerto is organic and cyclical, as themes are shared between the three movements. For example, the main musical idea of the third movement is a transformation of the first movement's primary theme. While the movements share similar musical materials, each one is defined by distinguishing characters. The first movement is conflicted; alternating between sections of unabashed lyricism and unforgiving ferocity. The second movement is haunting, mysterious, and expressive with long melodic lines that vary continuously. It moves through different moods and characters including a reimagining of a traditional Persian wedding tune played by the orchestra (m. 98). The third movement is festive in character and features much brilliant passagework for the solo violin. At the climax of this movement, themes from the previous movements re-emerge simultaneously with greater intensity, propelling the concerto to an energetic finale. The Concerto was composed in 1994 and is dedicated to Joshua Bell.From my early years studying violin at the Tehran Music Conservatory, I was captivated by the sound of the kamancheh, an ancient Persian bowed instrument considered one of the ancestors to the modern violin. I was pleased when the National Endowment for the Arts awarded me a grant to write a violin concerto as it provided me with an occasion to rekindle my fascination with the kamancheh. The notionof writing a violin concerto that would incorporate the power and brilliance of a modern instrument with the delicate and lyrical character of an ancient one was simply irresistible. Moreover, the inspiration from the kamancheh also informed my use of Persian modes, melodic, and rhythmic figures.The notes of the violin’s open strings (G, D, A, E) also influenced many of the melodic and harmonic elements of my violin concerto. The opening tutti is mostly based on intervals of a perfect 4th and 5th. The primary material for each movement incorporates notes of two of the open strings of the violin, creating a three-note melodic motif as the basis of themes:1 st movement: A-D-A2nd movement: D-G-D3rd movement: E-A-EThe overall structure of the concerto is organic and cyclical, as themes are shared between the three movements. For example, the main musical idea of the third movement is a transformation of the first movement’s primary theme. While the movements share similar musical materials, each one is definedby distinguishing characters. The first movement is conflicted; alternating between sections of unabashed lyricism and unforgivingferocity. The second movement is haunting, mysterious, and expressive with long melodic lines that vary continuously. It moves through different moods and characters including a reimagining of a traditional Persian wedding tune played by the orchestra (m. 98). The third movement is festive in character and features much brilliant passagework for the solo violin. At the climax of this movement, themes fromthe previous movements re-emerge simultaneously with greater intensity, propelling the concerto to an energetic finale. The Concerto was composed in 1994 and is dedicated to Joshua Bell.
SKU: HL.844286
ISBN 9780793533008. UPC: 073999442861. 9x12 inches.
60 of McCartney and Lennon's greatest, including: All My Loving* Eleanor Rigby* Help!* I Want To Hold Your Hand* Yesterday* more. Includes discography.
SKU: SU.00220210
The CD Sheet Musicâ?¢ collection brings together over 350 works by 83 composers for violin solo, violin and piano, and 2 violins from all periods and at all levels of technical proficiency. Composers include: Albéniz, Bach, Bartók, Beethoven, Boccherini, Brahms, Bruch, Busoni, Chaminade, Chopin, Corelli, Debussy, DvoÅ?ák, Elgar, de Falla, Fauré, Franck, Gluck, Godard, Granados, Handel, Haydn, JanáÄek, Kodály, Kreisler (36 arrangements and original works), Lalo, Liszt, Massenet, Mendelssohn, Milhaud, Mozart, Paganini, Purcell, Rachmaninoff, Ravel, Saint-Saëns, Sarasate, Satie, Schubert, Schumann, Sibelius, Stravinsky, Suk, Tartini, Tchaikovsky, Telemann, Vieuxtemps, Viotti, Wieniawski and Ysaÿe, among others Also includes composer biographies and related articles from the 1911 edition of Grove's Dictionary of Music and Musicians 2600 pages Companion collections for violin include: Violin Concertos (#00220549); Violin Methods and Studies(#00220546); Violin Sonatas (#00220548). Each is a comprehensive collection in its own right; together they encompass a unique and comprehensive anthology of music for the violin.
Please note, customers using Macintosh computers running macOS Catalina (version 10.5) have reported hardware compatibility issues with this product. If you encounter these issues, we recommend copying the entire contents of the disk to a contained folder on a thumb drive or other storage device for use on your Mac.
SKU: SU.00220546
This CD Sheet Musicâ?¢ collection bring together the numerous violin methods and studies from the 18th and 19th centuries. Includes works by: Bang, Hrimaly, Kreutzer, Sevcik and many more Also includes relevant articles from the 1911 edition of Grove's Dictionary of Music and Musicians 2000 pages Companion collections for violin include: Violin Concertos(#00220549); Violin Solos and Duets (#00220210); Violin Sonatas (#00220548). Each is a comprehensive collection in its own right; together they encompass a unique and comprehensive anthology of music for the violin.
SKU: HL.49047321
UPC: 196288201380.
Violin Junior is a fun and creative violin method for children from the age of 5 years upwards. The repertoire covers a wide rangeof styles from classical music to folk, world and popular music. Join Fiocco the Frog in this new approach and find out just how much fun playing the violin can be! Lesson Books include many duets for two students to play together as well as imaginative technical, aural, rhythm and improvisation exercises. Piano and Violin Accompaniments are available for the Lesson Books. Theory Books cover fun games and creative exercises on music reading, music writing, aural training, composition and music theory. Concert Books provide additional repertoire and enjoyable concert pieces. Audio tracks (full version and play-along mp3s) are available for the Lesson Books, Theory Books and Concert Books. Tutorial videos are also available with technical and musical advice on many of the pieces and exercises in the Lesson Books. Additional online materials round off the method. The series will be continued (5 levels). Please visit www.violin-junior.com.
SKU: SU.00220548
This CD Sheet Musicâ?¢ collection brings together a wides range of music for violin by 28 composers from the Baroque, Classical and Romantic periods. Includes: Bach, Mozart, Grieg, Mendelssohn and more Also includes relevant articles from the 1911 edition of Grove's Dictionary of Music and Musicians 3200 pages Companion collections for violin include: Violin Concertos (#00220549); Violin Methods and Studies(#00220546); Violin Solos and Duets (#00220210). Each is a comprehensive collection in its own right; together they encompass a unique and comprehensive anthology of music for the violin.
SKU: HL.49047296
ISBN 9783795715243. UPC: 196288194477. 9.0x12.0x0.277 inches.
Violin Junior is a fun and creative violin method for children from the age of 5 years upwards. The repertoire covers a wide range of styles from classical music to folk, world and popular music. Join Fiocco the Frog in this new approach and find out just how much fun playing the violin can be! Lesson Books include many duets for two students to play together as well as imaginative technical, aural, rhythm, and improvisation exercises. Piano and violin accompaniments are available for the Lesson Books. Theory Books cover fun games and creative exercises on music reading, music writing, aural training, composition, and music theory. Concert Books provide additional repertoire and enjoyable concert pieces. Audio tracks (full version and play-along mp3s) are available for the Lesson Books, Theory Books and Concert Books. Tutorial videos are also available with technical and musical advice on many of the pieces and exercises in the Lesson Books. Additional online materials round off the method. The series will be continued (5 levels). Please visit www.violin-junior.com.
SKU: HL.49047334
UPC: 196288201854.
SKU: HL.49047256
ISBN 9783795714925. UPC: 196288175834. 9.0x12.0x0.223 inches.
Violin Junior...is a fun and creative violin method for children from the age of 5 years upwards. The repertoire covers a wide rangeof styles from classical music to folk, world and popular music. Join Fiocco the Frog in this new approach and find out just how much fun playing the violin can be! Lesson Books include many duets for two students to play together as well as imaginative technical, aural, rhythm and improvisation exercises. Piano and Violin Accompaniments are available for the Lesson Books. Theory Books cover fun games and creative exercises on music reading, music writing, aural training, composition and music theory. Concert Books provide additional repertoire and enjoyable concert pieces. Audio tracks (full version and play-along mp3s) are available for the Lesson Books, Theory Books and Concert Books. Tutorial videos are also available with technical and musical advice on many of the pieces and exercises in the Lesson Books. Additional online materials round off the method. The series will be continued (5 levels). Please visit www.violin-junior.com.
SKU: PE.EP73465
ISBN 9790577019635.
The Freiburg Diptych by James Dillon is a contemporary work for Solo Violin, Tape and Live Electronics. The two parts of the diptych are balanced around certain polarities between reality and illusion such as analogue/digital or live/recorded. The work was commissioned by Musik des Jahrhunderte, Stuttgart and Huddersfield Contemporary Music Festival and was first performed by Irvine Arditti and the SWR Experimental Studio at the Eclat Festival, Stuttgart on 9 February 2020. This product is printed on demand and may take several weeks to fulfill. Please order from your favorite retailer.
SKU: PE.EP68557A
ISBN 9790300766928.
This product is Printed on Demand and may take several weeks to fulfill. Please order from your favorite retailer.
SKU: PE.EP68557B
ISBN 9790300766911.
SKU: SU.17150330
This CD Sheet Music™ collection brings together over 600 songs and song cycles (in alternate keys for low voice) by composers from the Classical and Romantic eras: Wolfgang Amadeus Mozart, Ludwig van Beethoven, Felix Mendelssohn, Johannes Brahms, and Hugo Wolf. Beethoven: over 70 songs including: Ah! Perfido, An die ferne Geliebte, Songs, Op. 75; 2 Songs from Egmont, Op. 84; plus 29 songs without opus Brahms: over 200 songs including: An den Mond, Mädchenlied, Mondscheinen, Nachtigall, Sommerabend, Ständchen, Four Serious Songs Mendelssohn: over 70 songs including Frühlingslied, Morgenslied, Der Mond, Geistlisches Lied, Der Blumenkranz Mozart: over 20 individual songs including: Lied zur Gesellenreise, K. 468; Lied der Freiheit, K. 506; Das Kinderspiel, K. 598 Wolf: over 100 songs including: from Mörike Songs, Eichendorff Songs, Goethe Songs, Michelangelo Songs, Spanish Songbook (Spiritual Songs & Wordly Songs) The Italian Songbook (Volumes I & II) Added features: alphabetical indexes for searching by title, first line or poet Also includes: composer biographies and relevant articles from the 1911 edition of Grove's Dictionary of Music and Musicians 1800+ pages
SKU: HL.14044749
French.
**Please note: The CD included with this title can only be played through an MP3 compatible program.**
SKU: PE.EP68552
ISBN 9790300766829.
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