SKU: HL.49044934
ISBN 9790220135521. UPC: 841886024670. 9.0x12.0x0.055 inches.
The original version of Triorchic Blues for solo piano was later transformed into this short virtuosic piece for solo violin. Lively and aggressive, the work explores the extremes of the instrument and would make an impressive opener or encore to a recital.
SKU: HL.48181697
Part of the collection ?Concert Solo?, Ninth Concerto is a contemporary and modern piece by Raymond Gallois Montbrun, for Violin and Piano. Quite difficult, this piece should prepare upper-intermediate players to play classical concertos. This really nice piece is composed of a main theme, four variations and a final. The theme is quite lyrical and has an Allegretto tempo. The fourth theme stands out by its extensive use of harmonies. The Piano accompaniment also evolves based on the variations. The piece finishes on a really harmonious final. Raymond Gallois Montbrun (1918-1994) was a French violinist and composer who won the Premier Grand Prix de Rome and the Grand Prix de Paris. He later became the director of the Paris Conservatoire. He composed many symphonic pieces, an opera, a quartet and many pieces for Solo Piano, Violin and Piano and other instruments..
SKU: BT.WH31276
ISBN 9788759821916. English.
Commissioned by The Royal Danish Orchestra and The Swedish Chamber Orchestra. Full Score. Ensemble Violin Solo Piano Solo bring a Marimba mallet for playing inside the Piano String Orchestra (6-6-4-4-2) the number of string players may be doubled, 12-12-8-8-4 if doubling the strings then Desk 1 means Desk 1+2, Desk 2 means 3+4 etc. Performance Notes General: The set-up on stage is important, with two Violin groups on each side on the platform: Vilin 1 lefts and Violin 2 right, as seen from the audience 1st Movement : In bar 1 &, 7 the entire string group should adjust their intonation to the Double Basses and their natural harmonics. In the rest of the movement normalintonation should be used. The slow and rhythmical vibrato pulse should follow the accents 2nd Movement : The 10/5 meter is divided into two beats, and the dotted lines show the position of the second beat in each bar 3rd Movement : no comment 4th Movement : The very high harmonics are intended as mostly a high 'airy' sound. The small gliss/portamenti that will invariably occur in the fast shofts of positions are intended.
SKU: CF.BF132
ISBN 9781491158678. UPC: 680160917310.
The 17 masterworks contained in this collection have been carefully arranged for any combination of string trio. The selections span nearly 200 years and feature works from the baroque, classical, and romantic periods of music. The arrangements are drawn from a variety of sources, including piano solos, chamber works, and symphonies. Each work was selected for its quality, musical interest, and appropriateness in a chamber setting. All pieces in this collection have stood the test of time and are worthy of both study and performance. Arranged specifically for a chamber setting, the trios may be performed at recitals, contests, weddings, and social events. The various moods created through these works will work for any setting.The 17 masterworks contained in this collection have been carefully arranged for any combination of string trio. The most standard instrumentation for voicing is violin, viola, and cello. However, three of the same instruments work well as do other groupings, given that the higher-pitched instrument plays the higher part.The selections have been arranged in chronological order. They span nearly 200 years and feature works from the baroque, classical, and romantic periods of music. The arrangements are drawn from a variety of sources, including piano solos, chamber works, and symphonies. Each work was selected for its quality, musical interest, and appropriateness in a chamber setting.All pieces in this collection have stood the test of time and are worthy of both study and performance. Arranged specifically for a chamber setting, the trios may be performed at recitals, contests, weddings, and social events. The various moods created through these works will work for any setting. Some repeats are marked in the music, but any selection may be repeated for the appropriate amount of music needed. Bowings have been added as suggestions, while fingerings have been left to the individual performers to decide.
SKU: HL.49003044
ISBN 9790001032674. UPC: 884088072018. 9.0x12.0x0.09 inches.
SKU: PR.416411770
UPC: 680160091508.
I was tempted to call the piece Throw Back because it consciously employs rhythmic and harmonic approaches characteristic of the earlier part of the twentieth century, much of which plays a part in forging my musical personality. Going along with the impetus, I have paid homage by subtly interpolating stylistic or actual references to such unexpected bedfellows as Scriabin, Ravel, Debussy, Piston, Roussel, and Ysaye. I hope I will be musically forgiven. In one continuous movement, there are three definite internal sections: Presto-Largo-Allegro. The first section opens with a very soft percussion cadenza. If the acoustics allow it, the player will use sponge pottery mallets (sponge-headed mallets employed to smooth the interior of a pot as it is being spin-dried). No matter how hard the percussionist strikes the drums, the dynamic cannot go above pp (pianissimo). This cadenza serves as a basis for the first movement. The elements of the cadenza are taken by the orchestra to make the first major statement, similar to the classical concerto; but rather than making a restatement, the soloists, when they come in, begin with variational ideas. The second section is given over to the soloists, and is lyrical. The third section begins with an alternation between strict rhythmic pulsation and free-sounding timbres, as if reluctant to leave the second section behind. The rhythmic aspect takes over more and more as the piece progresses toward its conclusion. Double Play was commissioned by the Saint Paul Chamber Orchestra with financial assistance from the Northwest Area Foundation. It received its premiere on January 7, 1983, in St. Paul, with the St. Paul Chamber Orchestra; Pinchas Zukerman, violinist; Marc Neikrug, piano; and the composer conducting.
SKU: HL.49045156
ISBN 9790001151658. 9.0x12.0x0.071 inches.
Das Concertino classico fur Violine und Klavier oder Streicher von Bertold Hummel entstand im Sommer 1999 als sein Enkelkind Fabian auf der Geige gerade die erste Lage beherrschte. Die Idee war, beginnenden GeigerInnen ein kleines Violinkonzert zur Verfugung zu stellen, um die wenigen technischen Fertigkeiten musizierender Weise zu erproben. Je nach Gelegenheit kann es mit einem begleitenden Klavier, einem Streichquartett oder zusammen mit dem Schulorchester aufgefuhrt werden. Der Titel verrat schon, dass sich Hummel an Form und Tonsprache des klassischen Solokonzertes orientiert. In drei Satzen werden einfache, volkstumlich anmutende Themen vorgestellt und variiert. Eine grossere Kadenz im Allegro wird von Hummel - je nach Charakter des geigenden Kindes - nur ad libitum angeboten. Die kurze uberleitende Kadenz im Presto muss dagegen gespielt werden. Mit dem wehmutigen Finnischen Volkslied, das in der Elegie variiert wird, uberbruckte das Ehepaar Hummel gerne raumliche Entfernungen.
SKU: BT.DOW-04016-400
UPC: 632977040163. International.
DOWANI 3 Tempi Play Along is an effective and time-tested method of practicing that offers more than conventional play-long editions. DOWANI 3 Tempi Play Along enables you to learn a work systematically and with accompaniment at different tempi.The first thing you hear on the CD is the concert version in a first-class recording with solo instrument and orchestral, continuo, or piano accompaniment. Then the piano or harpsichord accompaniment follows in slow and medium tempo for practice purposes, with the solo instrument heard softly in the background at slow tempo. Finally, you can play at the original tempo to the accompaniment of an orchestra, piano, or basso continuo.Allversions appearing on the CD were recorded live by renowned soloists, accompanists, and orchestras. There are no synthesised sounds in a DOWANI edition! Nachfolgeartikel: DOW 04511.
© 2000 - 2024 Home - New realises - Composers Legal notice - Full version
