SKU: LM.29352
ISBN 9790230993524.
Gigue du troll qui sent mauvais - Un farfadet d'Indonesie - Molly, la fee au gros nez - Momo, un lutin africain - Chant du lutin aux grands pieds - Une sorciere vraiment tres moche - Zaza, la licorne qui louche, qui est triste (mais pas trop) - Lucioles et pillywiggins dans la nuit - Bob, le gnome sur une balancoire.
SKU: AP.48274
ISBN 9781470643270. UPC: 038081556109. English.
Adaptable and flexible to your unique needs, Solos, Duets & Trios for Strings is a versatile series that encourages playing in a variety of combinations. Featuring three written parts for every song, the arrangements are designed so that the top line is the melody (Part 1), the second line (Part 2) creates a duet, and the third line (Part 3) forms a trio. You can play solo parts alone or form small string ensembles by mixing and matching instrumentation, as well as mixing the parts played. Students will gain the opportunity to learn how to play in a small chamber group setting. Solos, Duets & Trios for Strings: Movie Favorites features 19 of the most familiar and popular movie themes ever. Titles: As Time Goes By * Can You Read My Mind? (Love Theme from Superman) * Cantina Band * Family Portrait * From Russia with Love * Gonna Fly Now (Theme from Rocky) * Hedwig's Theme * The Great Escape March * The Imperial March (Darth Vader's Theme) * In Dreams * May the Force Be with You * James Bond Theme * The Magnificent Seven (Main Title) * Newt Says Goodbye to Tina/Jacob's Bakery * Over the Rainbow * Shallow * Song from M*A*S*H (Suicide Is Painless) * Star Wars (Main Title) * Theme from Superman.
SKU: PR.144407530
ISBN 9781491136614. UPC: 680160687992.
A violinist herself, Lauren Bernofsky has described SONATA FOR SOLO VIOLIN as drawn from autobiographical inspiration, including gestures from Bachâ??s beloved Partita in E Major. Bernofsky opens with a Preludio movement whose references to Bach may be disguised, but they are surely lurking. The second movement is lusciously contrapuntal with the idiomatic finesse of a violinist composing for her own instrument, while musically journaling the emotional pain of living through 2020. The third and final movement is aptly marked â??white-hot,â? and the music certainly is.My SONATA FOR SOLO VIOLIN was commissioned by violinist Megan Healy as part of The Maud Powell Project, which celebrated the 100th anniversary of the ratification of the 19th Amendment. The project included the creation of five new works for solo violin inspired by and dedicated to the memory of pioneering American violinist Maud Powell (1867-1920). Healy premiered the sonata on May 8, 2021 at PianoForte Studios in Chicago.Among the works Powell most frequently performed in her recitals was the â??Preludioâ? movement from Bachâ??s E major Partita, and I decided to refer to that music in my own first movement, also titled â??Preludio.â? The beginning subtly reflects Bachâ??s opening three-note motive, wherein the music dips down a semitone and then comes back up. This melodic material returns throughout the movement in various forms. I also refer to Bachâ??s sixteenth-note dominated texture, and the gesture in the third measure, which outlines a perfect fifth and then fills it in with notes that alternate between a scale and a pedal tone. The corresponding passage in my piece occurs in the same place, measure 3. Apart from these references to Bach, my sonata is much more modern sounding, especially in its chromatic character.I was still thinking of Bachâ??s solo violin writing while composing the second movement, particularly the polyphonic nature of the slow movements, where the melodic interest moves around between the voices. Emotionally, I wanted my movement to reflect the acute sadness I had been experiencing over the political and social situation in the United States as I wrote the piece. I realized that this is a historically noteworthy time in U.S. history, marked not only by political unrest, but also by a challenge to the very values that I consider essential to what makes a person fundamentally human. I wanted to create a record of that pain in my music.The final movement is marked â??White-hot.â? It is imbued with a relentless, passionate intensity. Wanting again to reflect aspects of our own time, I included glissandi that refer to rock music, specifically the â??fall-offsâ? I frequently hear played by electric guitarists. I borrowed from another (completely different) musical tradition as well, one that is near-and-dear to my heart: Klezmer. Klezmer (Eastern European Jewish folk music) is characterized in part by scales colored by augmented seconds, and is often performed by solo instrumentalists who improvise embellishments like quick grace notes. The second, more lyrical theme in this movement is my nod to Klezmer style.While this piece is an homage to Maud Powell, I also think of it as my own musical autobiography, as it combines some of my favorite aspects of music, and is played on my own instrument.
SKU: HL.367910
ISBN 9781705140451. UPC: 840126966787. 11.0x17.0x0.456 inches.
Premiere Slovak Radio Orchestra, June 30, 1992, Bratislava, Slovakia, Robert Black, conductor; Lydia Forbes, violin. Henry V is an overture, but with a violin protagonist. This is a concerto, but the density of interaction between soloist and orchestra is far more intense than in any previous work, whether classical or modern. Its form is somewhat analogous to sonata, but it middle sectionbreaks away completely from what has come before into an exhilarating 5-8 ostinato. There is a joy in dissonance here, an embracing of pain, and all the sorrow of existence, as part a Gita-like vision of the horrible, terrifying beauty of men throwing themselves into the slaughter, straining their utmost in a joyous ‘dance’of mud and death. As such, the energy of the piece is compact, and onfirst listen, potentially overwhelming. Metaphors of the individual coming out of a society, being influenced by and then interacting with that society, and then finally leading it are strongly evoked by this work in a non-specific, archetypal way. Winner of Marin Symphony (CA) Composers Symposium Competition (1993).
SKU: HL.233289
12.0x9.25x0.43 inches.
Score and separate parts with spiral-bound keyboard/organ part. Number 5, 1950 was Mark Rothko's last painting before the breakthrough into his mature format. In it the luminous color fields of a classic Rothko are inscribed across the middle with three delicate lines. Describing this painting and its pivotal position in Rothko's work, Brian O'Doherty observes: 'After this, the lines disappear completely.' In recent years gesture and figuration have disappeared from my music. What used to be background has emerged to become a musical world composed entirely of floating color fields. In this new world I've changed media, moving from the orchestra to smaller combinations of acoustical instruments and electronically-processed sounds. I still think in orchestral terms, but this hybrid medium allows me to create orchestral textures for more practical and readily available ensembles. Initially I imagined this as a kind of monolithic music -an entire piece as one rich and complex sound. Then I came to hear it as homophonic or heterophonic. And now - in this musical world that I thought was completely free of lines - I've come to hear a polyphony of harmonic clouds. Maybe the lines never disappear completely. Maybe Christian Wolff was right when he quipped: 'No matter what we do, sooner or later it all sounds melodic.' - John Luther Adams.
SKU: FZ.5852
ISBN 9790230658522. 24.00 x 33.00 cm inches.
These early music methods are in facsimile in four books. Anonyme (3-4) - Louis, L'aine BORNET - Joseph DEMAR - Louis-Antoine DURIEU - Encyclopedie methodique - LABADENS (2) - J. J. O. de MEUDE-MONPAS. Table of contents: Anonyme: La parfaite connoissance - 1782. Bornet Louis, l'aine: Nouvelle methode de violon - 1786. Meude-Monpas J. J. O. de: Dictionnaire de musique - 1787. Encyclopedie methodique: Article sur les outils de lutherie et complements a l'Encyclopedie de Diderot - 1788. Anonyme: Principes pour apprendre facilement - c. 1790. Labadens: Nouvelle methode pour apprendre a jouer du violon - 1790. Durieu Louis-Antoine: Methode de violon - 1794. Demar Joseph: Nouvelle methode abregee - c. 1797. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Facsimile of copies from:- British Library of London (England). - National Library of Paris (France). Anne Fuzeau Classique propose the complete theoretic documentation, methods, classical music scores on the violin.
SKU: HL.239841
ISBN 9781780382531.
This collection of 50 popular tunes has been carefully arranged and graded to provide attractive repertoire for young violinists. The familiarity of the material will stimulate pupils' enthusiasm and encourage theirpractice.The technical demands of the solo part increase progressively up to the standard of Associated Board Grade 3. The piano accompaniments are simple yet effective and should be within the range of most pianists.
SKU: HL.49047398
ISBN 9798350127898. UPC: 842819121244. 9.0x12.0x0.061 inches.
This work for solo violin was commissioned by American Violinist Wendy Case for her CD of works for solo violin by living composers titled The Tiger and The Clover released in February 2022 by the label Blue Griffin. Just as Wendy proposed this new work, I heard the news that the Polish poet Adam Zagajewski who I had met through mutual friends, had died. I had long admired his essays that thoughtfully and with grace and ease, merged the past with the present in the way that only a poet can, lifting the reader onto a plain of images, thoughts and words that conjure seamless journeys through time, space and the imagination. His essays often refer to the music of Bach and I found myself writing this piece inhabited by the physical pleasure of playing Bach's suites for Lute transposed for the guitar. The piece revolves around a simple repetitive semiquaver motif playing with the Aeolian mode starting on G. The motif ascends and descends playing with and against the low G string to extend itself away from the home mode, then returning and gradually extending into quavers to reach the key of E major while hinting at A minor. The repetitive nature of the piece invites the player to explore variations in sound quality and dynamics and to enjoy the effect of the notes playing against each other as they rise and fall away but always maintain a constant tempo and rhythm.
SKU: M7.VOGG-675
ISBN 9783802406751. English.
The ideal way of getting into playing the violin!This violin method provides the beginning as well as the advanced violinist with the main step-by-step information on playing the violin. Many photos show the correct way of holding the violin and bow.Musical notation and music theory are explained in an easy-to-understand manner.The well-chosen musical pieces teayh the basics of playing the violin from the very first notes to well-known pieces. Fingering diagrams and scales help the student to quickly feel at home on the violin.The encluded CD contains all songs wirh accompaniment.Practicing with a jazz trio is a lot of fun and will pep up your playing.
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