SKU: MB.30878M
ISBN 9781513470535. 8.75X11.75 inches.
You may not fall in love, but the 257 online piano accompaniment tracks that come witháI Love My Scalesáare likely to change your attitude towards playing tetrachords, scales, arpeggios, and double stops on the violin. In fact, anyone who plays a C instrument with a comparable range will enjoy playing along with these imaginative and elegant recordings.áWhile this book was written primarily for violinists to enhance intonation, agility, overall musicianship, and the sense of time essential to playing with an ensemble in any style, mandolinists will benefit equally in improving sight reading and fretboard knowledge. Like the famous Hanon studies for piano, once these exercises become a part of muscle memory, improved technical, ear training and improvisation skills will follow.Useful for violinists of any skill level, this book and its extensive companion recordings offer a complete workout for 1 to 3-octave major and minor scales and arpeggios in commonly used violin keys. The book also addresses scales in various intervals plus chromatic, modal, and exotic scalesùall with piano accompaniment that makes scale practice a labor of love.Includes access to online audio.
SKU: BT.DHP-1185780-400
ISBN 9789043153836. English-German-French-Dutch.
For over three hundred years, great opera singers have held entire audiences under their spell. In so doing, they can call on an etensive repertoire of arias by many important composers. Live at the Opera now makes this precious treasure trove available to instrumentalists, too. Twelve of the most beautiful operatic melodies of all time have been specially arranged for violin and are performed by the renowned violinist Maximilian Lohse. The accompanying audio is performed by an authentic opera orchestra, which also includes a play-along version without soloist. Additionally, this unique collection also includes background info and tips on performance for theindividual arias. Al meer dan driehonderd jaar weten grote operazangers en -zangeressen hun publiek te betoveren. Wanneer ze voor ons op het podium staan, vertolken ze melodieën die behoren tot de allermooiste van de klassieke muziek. Live at the opera maakt deze schat aan melodieën nu ook toegankelijk voor instrumentalisten: twaalf Italiaanse opera-ariaâ??s zijn speciaal gearrangeerd voor viool en opgenomen door de gerenommeerd violist Maximilian Lohse. Een echt operaorkest neemt de begeleiding voor zijn rekening, die op de meespeelversie ook zonder solo-instrumentalist beschikbaar is. Verder zijn in deze unieke collectie muziekhistorische achtergrondinformatie bij iedere aria entips voorde uitvoering opgenomen. Schon seit mehr als dreihundert Jahren ziehen groÃ?e Opernsängerinnen ein ganzes Opernpublikum in seinen Bann. Dabei können sie sich aus einem umfangreichen Arienrepertoire aus der Feder zahlreicher bedeutender Komponisten bedienen. Live at the Opera macht diesen kostbaren Melodienschatz nun auch Instrumentalisten zugänglich: 12 der schönsten Opernmelodien aller Zeiten wurden hier eigens für Violine eingerichtet und werden von dem renommierten Geiger Maximilian Lohse vorgespielt. Ein echtes Opernorchester übernimmt dabei die Begleitung, welche zusätzlich auch in einer Mitspielversion ohne den Solisten zur Verfügung steht. Hintergrundwissen undAusführungstipps zu den einzelnen Arien sind weitere Pluspunkte dieser einzigartigen Sammlung. Les grandes chanteuses lyriques nous captivent depuis plus de trois siècles. Lorsque nous les voyons sur scène, nos oreilles se délectent de mélodies qui comptent parmi les plus belles de tous les temps. Live at the Opera permet aux instrumentistes dâ??accéder également ces trésors : 12 arias dâ??opéras ont été individuellement arrangées pour le violon et enregistrées par le violoniste de renommée internationale Maximilian Lohse. Interprété par un authentique orchestre dâ??opéra, lâ??accompagnement est également fourni sous forme de playback, sans le soliste. Cette collection unique sâ??accompagne dâ??informations sur lâ??histoire des opéras sélectionnés, ainsi que deconseilsdâ??interprétation.
SKU: XC.SB2219
ISBN 9781644021286. 9 x 12 inches.
Adaptable Quartets for Christmas contains 22 newly arranged quartets written at grades 1.5 to 3. Since it’s creation in 2019, Tyler Arcari and Matthew R. Putnam’s Adaptable Ensemble series has emerged as a leading resource in flexible instrumentation and this new addition to the series for Christmastime is no exception. Designed to be used with any combination of four instruments, the possible combinations are endless! Play these quartets as traditional four instrument chamber works, or expand your instrumentation to include the entire ensemble. Tyler and Matthew use their experience as music educators to craft quartets that are fun to play, and musically stimulating.
SKU: HL.233289
12.0x9.25x0.43 inches.
Score and separate parts with spiral-bound keyboard/organ part. Number 5, 1950 was Mark Rothko's last painting before the breakthrough into his mature format. In it the luminous color fields of a classic Rothko are inscribed across the middle with three delicate lines. Describing this painting and its pivotal position in Rothko's work, Brian O'Doherty observes: 'After this, the lines disappear completely.' In recent years gesture and figuration have disappeared from my music. What used to be background has emerged to become a musical world composed entirely of floating color fields. In this new world I've changed media, moving from the orchestra to smaller combinations of acoustical instruments and electronically-processed sounds. I still think in orchestral terms, but this hybrid medium allows me to create orchestral textures for more practical and readily available ensembles. Initially I imagined this as a kind of monolithic music -an entire piece as one rich and complex sound. Then I came to hear it as homophonic or heterophonic. And now - in this musical world that I thought was completely free of lines - I've come to hear a polyphony of harmonic clouds. Maybe the lines never disappear completely. Maybe Christian Wolff was right when he quipped: 'No matter what we do, sooner or later it all sounds melodic.' - John Luther Adams.
SKU: HL.239841
ISBN 9781780382531.
This collection of 50 popular tunes has been carefully arranged and graded to provide attractive repertoire for young violinists. The familiarity of the material will stimulate pupils' enthusiasm and encourage theirpractice.The technical demands of the solo part increase progressively up to the standard of Associated Board Grade 3. The piano accompaniments are simple yet effective and should be within the range of most pianists.
SKU: HL.49047398
ISBN 9798350127898. UPC: 842819121244. 9.0x12.0x0.061 inches.
This work for solo violin was commissioned by American Violinist Wendy Case for her CD of works for solo violin by living composers titled The Tiger and The Clover released in February 2022 by the label Blue Griffin. Just as Wendy proposed this new work, I heard the news that the Polish poet Adam Zagajewski who I had met through mutual friends, had died. I had long admired his essays that thoughtfully and with grace and ease, merged the past with the present in the way that only a poet can, lifting the reader onto a plain of images, thoughts and words that conjure seamless journeys through time, space and the imagination. His essays often refer to the music of Bach and I found myself writing this piece inhabited by the physical pleasure of playing Bach's suites for Lute transposed for the guitar. The piece revolves around a simple repetitive semiquaver motif playing with the Aeolian mode starting on G. The motif ascends and descends playing with and against the low G string to extend itself away from the home mode, then returning and gradually extending into quavers to reach the key of E major while hinting at A minor. The repetitive nature of the piece invites the player to explore variations in sound quality and dynamics and to enjoy the effect of the notes playing against each other as they rise and fall away but always maintain a constant tempo and rhythm.
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