SKU: HL.50499300
UPC: 884088951306. 9x12 inches.
This collection, the result of a cooperation with the Verlag Sonus Mundi, contains selected solos for violin by twelve contemporary composers: Robert HP Platz, Lucia Papanetzova, Mela Meierhans, Klaus Huber, Jacqueline Fontyn, Jean-Luc Darbellay, Karel Reiner, Cergio Prudencio, Lucia Konakovska, Maki Ishii, Rachel Fortin and Yoram Paporis. This collection, the result of a cooperation with the Verlag Sonus Mundi, contains selected solos for violin by twelve contemporary composers: Robert HP Platz, Lucia Papanetzova, Mela Meierhans, Klaus Huber, Jacqueline Fontyn, Jean-LucDarbellay, Karel Reiner, Cergio Prudencio, Lucia Konakovska, Maki Ishii, Rachel Fortin and Yoram Paporis.In Zusammenarbeit mit dem Verlag Sonus Mundi entstand diese Sammlung ausgewahlter Solowerke fur Violine von zeitgenossischen Komponisten: Robert HP Platz, Lucia Papanetzova, Mela Meierhans, Klaus Huber, Jacqueline Fontyn, Jean-Luc Darbellay, Karel Reiner, Cergio Prudencio, Lucia Konakovska, Maki Ishii, Rachel Fortin und Yoram Paporis. Questa raccolta, frutto di una collaborazione con la casa editrice Sonus Mundi, contiene una selezione di brani per violino solo di dodici compositori contemporanei: Robert HP Platz, Lucia Papanetzova, Mela Meierhans, Klaus Huber, Jacqueline Fontyn, Jean-Luc Darbellay, Karel Reiner, Cergio Prudencio, Lucia Konakovska, Maki Ishii, Rachel Fortin e Yoram Paporis.
SKU: KJ.123VN
ISBN 9780849735776.
String BasicsTM Solos Book 2 features a collection of 19 solos for recitals, festivals, informal gatherings, or just for fun. This collection includes a mix of classical themes, folk songs, and original solos by Jeremy Woolstenhulme. The solos correlate with String BasicsTM Book 2 and most level 2 method books. Solos progress in difficulty from beginning to end. All instruments have the same set of solos. This solo collection is the perfect supplement for students who do not have a private studio teacher and want to play solo literature.The piano accompaniments by Kirt Mosier are available in a separate book and recorded audio tracks are available for download by using the Kjos Interactive Practice Studio (IPS). The IPS features three tracks for each solo. Track 1 is a complete performance performed by a professional violinist with piano accompaniment. Track 2 is a complete performance of the solo played by either a violist, cellist, or bassist with piano accompaniment. Track 3 is an accompaniment-only track provided for play-along opportunities.
SKU: HL.50499695
ISBN 979080148853. 9.0x12.0x0.063 inches. Andras Szollosy; Mihaly Barta.
Andras Szollosy (1921-2007) was one of the most significant Hungarian composers of the second half of the 20th century, yet his oeuvre has not become as well-known as that of Gyorgy Ligeti, two years his junior, or of Gyorgy Kurtag, five years his junior. Szollosy did not compose many works and he was strict about which of them he would allow to go public. As a younger colleague of his once remarked: He only composed his good works. Szollosy's Sonata for Solo Violin, which was written at the age of 26 and was publicly performed only in 2006, almost 60 years after its composition, fell victim to his self-criticism. Although the model of Bartok's Sonata for Solo Violin of just three years earlier was obviously on the young composer's mind, he was no epigone of the great master. From the aspect of both composition and instrumental technique, the 11-minute Sonata for Solo Violin represents exacting and prominent music, and is a remarkable piece among works written for the violin in 20th-century Hungarian music. The score of the posthumously published work was edited by the soloist of its world premiere, Michael Barta.
SKU: SU.00220602
This NEW CD Sheet Music collection on USB flash drive is a combination of 2 separate CDSM products - Violin Solos and Duets AND Violin Methods and Studies. Violin Solos and Duets brings together over 350 works by 83 composers for violin solo, violin and piano, and 2 violins from all periods and at all levels of technical proficiency. Violin Methods and Studies brings together together the numerous violin methods and studies from the 18th and 19th centuries.
SKU: AP.48274
ISBN 9781470643270. UPC: 038081556109. English.
Adaptable and flexible to your unique needs, Solos, Duets & Trios for Strings is a versatile series that encourages playing in a variety of combinations. Featuring three written parts for every song, the arrangements are designed so that the top line is the melody (Part 1), the second line (Part 2) creates a duet, and the third line (Part 3) forms a trio. You can play solo parts alone or form small string ensembles by mixing and matching instrumentation, as well as mixing the parts played. Students will gain the opportunity to learn how to play in a small chamber group setting. Solos, Duets & Trios for Strings: Movie Favorites features 19 of the most familiar and popular movie themes ever. Titles: As Time Goes By * Can You Read My Mind? (Love Theme from Superman) * Cantina Band * Family Portrait * From Russia with Love * Gonna Fly Now (Theme from Rocky) * Hedwig's Theme * The Great Escape March * The Imperial March (Darth Vader's Theme) * In Dreams * May the Force Be with You * James Bond Theme * The Magnificent Seven (Main Title) * Newt Says Goodbye to Tina/Jacob's Bakery * Over the Rainbow * Shallow * Song from M*A*S*H (Suicide Is Painless) * Star Wars (Main Title) * Theme from Superman.
SKU: SU.00220210
The CD Sheet Musicâ?¢ collection brings together over 350 works by 83 composers for violin solo, violin and piano, and 2 violins from all periods and at all levels of technical proficiency. Composers include: Albéniz, Bach, Bartók, Beethoven, Boccherini, Brahms, Bruch, Busoni, Chaminade, Chopin, Corelli, Debussy, DvoÅ?ák, Elgar, de Falla, Fauré, Franck, Gluck, Godard, Granados, Handel, Haydn, JanáÄek, Kodály, Kreisler (36 arrangements and original works), Lalo, Liszt, Massenet, Mendelssohn, Milhaud, Mozart, Paganini, Purcell, Rachmaninoff, Ravel, Saint-Saëns, Sarasate, Satie, Schubert, Schumann, Sibelius, Stravinsky, Suk, Tartini, Tchaikovsky, Telemann, Vieuxtemps, Viotti, Wieniawski and Ysaÿe, among others Also includes composer biographies and related articles from the 1911 edition of Grove's Dictionary of Music and Musicians 2600 pages Companion collections for violin include: Violin Concertos (#00220549); Violin Methods and Studies(#00220546); Violin Sonatas (#00220548). Each is a comprehensive collection in its own right; together they encompass a unique and comprehensive anthology of music for the violin.
Please note, customers using Macintosh computers running macOS Catalina (version 10.5) have reported hardware compatibility issues with this product. If you encounter these issues, we recommend copying the entire contents of the disk to a contained folder on a thumb drive or other storage device for use on your Mac.
SKU: ST.Y274
ISBN 9790220223358.
1st perf: Keisuke Okazaki, Tokyo Opera City Recital Hall, Tokyo, Japan, 22 April 2008 1st UK perf: Darragh Morgan, Schott Recital Room, Bauer & Hieber, London, 5 February 2009 Though the jagged figures and phrases of Lucky's Dream by Morgan Hayes are unmistakably those of a contemporary musical expressionist, the shadow of Bach also falls on this work, inspired by the virtuosity of the young Japanese soloist Keisuke Okazaki and his playing of the E major Partita. In fact, though 'standard' contemporary techniques are widely used in the piece - left-hand pizzicato, harmonics and microtones, all deployed in edgy, unpredictable rhythms - there is also a classical shape to the structure. In this two-part form, lasting around four minutes, the first section is reflective, dwelling on single notes, phantoms as it were of pitches that are subtly deflected through slow glissandi. Then a spectral dance ensues, delivered largely on plucked strings, ethereal, disembodied, strange. The 'Lucky' in question is a character from Samuel Beckett's play Waiting for Godot, and Lucky's Dream is a complementary work to the earlier, impassioned Lucky's Speech (2006). The two items can stand alone or may be performed consecutively. Both are to be found on the recent all-Hayes CD released on the NMC label (NMC D163), which also features the composer's 17-minute Violin Concerto as further evidence for his original approach to writing for the instrument.
SKU: PR.144407530
ISBN 9781491136614. UPC: 680160687992.
A violinist herself, Lauren Bernofsky has described SONATA FOR SOLO VIOLIN as drawn from autobiographical inspiration, including gestures from Bachâ??s beloved Partita in E Major. Bernofsky opens with a Preludio movement whose references to Bach may be disguised, but they are surely lurking. The second movement is lusciously contrapuntal with the idiomatic finesse of a violinist composing for her own instrument, while musically journaling the emotional pain of living through 2020. The third and final movement is aptly marked â??white-hot,â? and the music certainly is.My SONATA FOR SOLO VIOLIN was commissioned by violinist Megan Healy as part of The Maud Powell Project, which celebrated the 100th anniversary of the ratification of the 19th Amendment. The project included the creation of five new works for solo violin inspired by and dedicated to the memory of pioneering American violinist Maud Powell (1867-1920). Healy premiered the sonata on May 8, 2021 at PianoForte Studios in Chicago.Among the works Powell most frequently performed in her recitals was the â??Preludioâ? movement from Bachâ??s E major Partita, and I decided to refer to that music in my own first movement, also titled â??Preludio.â? The beginning subtly reflects Bachâ??s opening three-note motive, wherein the music dips down a semitone and then comes back up. This melodic material returns throughout the movement in various forms. I also refer to Bachâ??s sixteenth-note dominated texture, and the gesture in the third measure, which outlines a perfect fifth and then fills it in with notes that alternate between a scale and a pedal tone. The corresponding passage in my piece occurs in the same place, measure 3. Apart from these references to Bach, my sonata is much more modern sounding, especially in its chromatic character.I was still thinking of Bachâ??s solo violin writing while composing the second movement, particularly the polyphonic nature of the slow movements, where the melodic interest moves around between the voices. Emotionally, I wanted my movement to reflect the acute sadness I had been experiencing over the political and social situation in the United States as I wrote the piece. I realized that this is a historically noteworthy time in U.S. history, marked not only by political unrest, but also by a challenge to the very values that I consider essential to what makes a person fundamentally human. I wanted to create a record of that pain in my music.The final movement is marked â??White-hot.â? It is imbued with a relentless, passionate intensity. Wanting again to reflect aspects of our own time, I included glissandi that refer to rock music, specifically the â??fall-offsâ? I frequently hear played by electric guitarists. I borrowed from another (completely different) musical tradition as well, one that is near-and-dear to my heart: Klezmer. Klezmer (Eastern European Jewish folk music) is characterized in part by scales colored by augmented seconds, and is often performed by solo instrumentalists who improvise embellishments like quick grace notes. The second, more lyrical theme in this movement is my nod to Klezmer style.While this piece is an homage to Maud Powell, I also think of it as my own musical autobiography, as it combines some of my favorite aspects of music, and is played on my own instrument.
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