First violin (1. Violin)

SKU: BA.BA08966-74

Composed by Charles Francois Gounod. Edited by Hans Schellevis. This edition: urtext edition. Stapled. Barenreiter Urtext. Single part. 15 pages. Baerenreiter Verlag #BA08966_74. Published by Baerenreiter Verlag (BA.BA08966-74).

ISBN 9790006564057. 32.5 x 25.5 cm inches.

Sacred works occupy a large part of Charles Gounod's oeuvre. It was the Messe solennelle en l'honneur de Sainte Cecile that established his fame as a church composer. Its melodic invention and effective handling of the orchestra reveal a close proximity to opera. This Urtext edition is based not only on the original print of 1856 but also on copyists' manuscripts and autograph sources. Rounding off this well-researched Urtext edition are an informative Introduction and a detailed Critical Commentary. The edition is being published to celebrate the 200th anniversary of Gounod's birth.

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Violin-second solo (2. Violin solo)

SKU: BA.BA04202-78

Composed by George Frideric Handel. Edited by Frederik Hudson. This edition: urtext edition. Stapled. Barenreiter Urtext. Single part. Opus 3/2, HWV 313. 4 pages. Baerenreiter Verlag #BA04202_78. Published by Baerenreiter Verlag (BA.BA04202-78).

ISBN 9790006444946. 32.5 x 25.5 cm inches. Key: B-flat major.

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Second violin (2. Violin) - Level 4

SKU: BA.BA07590-75

Composed by Giuseppe Verdi. Edited by Marco Uvietta. This edition: urtext edition. Stapled. Barenreiter Urtext. Single part. 27 pages. Baerenreiter Verlag #BA07590_75. Published by Baerenreiter Verlag (BA.BA07590-75).

ISBN 9790006541621. 32.5 x 25.5 cm inches. Preface: Marco Uvietta.

For this scholarly-critical edition, the editor has consulted no less than 16 sources, many more than were ever used for any other edition of the Requiem; some of these sources were never evaluated before and one source, a hand-written vocal score, particularly relevant to the evaluation of the Liber scriptus, was newly discovered.

As such, this edition offers new philological and editorial decisions regarding phrasing, articulation and dynamics and succeeds in presenting practical suggestions to solve musical problems and those concerning the interpretation of this famous work.

This edition comprises a concise Critical Commentary in the score as well as a detailed one on the Barenreiter website. The most important editions published in the 19th century are compared with regard to musicological questions in the work. The genesis of some misunderstandings included in the 1913 and 1964 Ricordi editions is traced. The first version of the Liber scriptus for chorus is included in the appendix while the later version for mezzosoprano solo is to be found in the main part of the edition.

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First violin (1. Violin)

SKU: BA.BA08841-74

Composed by Claude Debussy. Edited by Douglas Woodfull-Harris. This edition: urtext edition. Folded. Barenreiter Urtext. Single part. 4 pages. Duration 10 minutes. Baerenreiter Verlag #BA08841_74. Published by Baerenreiter Verlag (BA.BA08841-74).

ISBN 9790006541218. 32.5 x 25.5 cm inches.

Prelude a l'apres-midi d'un faune, often referred to as the first composition of the modern era, is one of Debussy's most popular and frequently performed orchestral works. The piece comes down to us in an array of sources, and several important ones are drawn upon for the first time in Baerenreiter's new scholarly-critical edition. Most of the currently available editions are based on the first edition from 1895 which, however, contains many engraver errors. When the corresponding orchestral parts are also taken into consideration, countless discrepancies are revealed.

Baerenreiter's Urtext edition incorporates readings of a printed copy of the score from c. 1908 which shows corrections and emendations by the composer. These important changes, found in no other source, include metronome markings, different pitches and additional notes, as well as added tempo and articulation markings, which all subtly enhance Debussy's finely sculpted work. There is even a breath mark added to the famous solo flute passage which opens the work.

* Scholarly critical edition with many corrections in the score and orchestral parts * Clear presentation of orchestral parts in an enlarged format.

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