SKU: BA.BA07590-75

ISBN 9790006541621. 32.5 x 25.5 cm inches. Preface: Marco Uvietta.

For this scholarly-critical edition, the editor has consulted no less than 16 sources, many more than were ever used for any other edition of the Requiem; some of these sources were never evaluated before and one source, a hand-written vocal score, particularly relevant to the evaluation of the Liber scriptus, was newly discovered.

As such, this edition offers new philological and editorial decisions regarding phrasing, articulation and dynamics and succeeds in presenting practical suggestions to solve musical problems and those concerning the interpretation of this famous work.

This edition comprises a concise Critical Commentary in the score as well as a detailed one on the Barenreiter website. The most important editions published in the 19th century are compared with regard to musicological questions in the work. The genesis of some misunderstandings included in the 1913 and 1964 Ricordi editions is traced. The first version of the Liber scriptus for chorus is included in the appendix while the later version for mezzosoprano solo is to be found in the main part of the edition.

About Barenreiter Urtext Orchestral Parts

SKU: BA.BA07896-74

ISBN 9790006563357. 32.5 x 25.5 cm inches. Key: C minor.

In this work I gave everything I had to give. [...] What I did here I will never do again.
Camille Saint-Saens was justifiably proud of his Symphony No. 3 in C minor op. 78, dedicated to the memory of Franz Liszt. Like Beethoven's Ninth, this so-called Organ Symphony was commissioned by the Philharmonic Society in London, where it received its premiere on 19 May 1886.

In this first scholarly-critical edition of the symphony, a great many inconsistencies and mistakes inherent in the previously used edition have been unveiled and corrected.

The edition of Symphony No. 3 marks the launch of a large-scale project: the publication of Camille Saint-Saens - Complete Edition of the Instrumental Works. This performing Urtext edition is based on volume BA 10303 from that series.

* First scholarly-critical edition of this famous symphony based on Camille Saint-Saens aEUR Complete Edition of the Instrumental Works
* Now with separate parts for all winds
* Orchestral parts in a large format (25.5 cm x 32.5 cm).

About Barenreiter Urtext Orchestral Parts

SKU: BA.BA07895-74

ISBN 9790006564255. 32.5 x 25.5 cm inches.

Incidental music with the famous Sicilienne

Faure wrote Pelleas et Melisande in 1898 originally as incidental music to Maurice Maeterlinck's like-named play. After the premiere and subsequent performances, he set about reworking the musical material into an orchestral suite. The premiere of the originally three-movement suite took place in February 1901 under the baton of Camille Chevillard.

In December 1912, the four-movement version of Pelleas et Melisande was finally premiered. The additional movement, the Sicilienne, was taken from the third interlude of the incidental music. This delightful piece would later become one of Faure's most popular compositions and now exists in countless arrangements.

BA$?renreiter's new scholarly-critical edition of the four-movement orchestral suite Pelleas et Melisande op. 80 is based on Gabriel Faure The Complete Works, Volume IV/2 which appeared in 2016.

* First Urtext edition
* Based on Gabriel Faure The Complete Works
* Score and orchestral parts in a large format (25.5 x 32.5 cm).

About Barenreiter Urtext Orchestral Parts

SKU: BA.BA08966-75

ISBN 9790006564064. 32.5 x 25.5 cm inches.

Sacred works occupy a large part of Charles Gounod's oeuvre. It was the Messe solennelle en l'honneur de Sainte Cecile that established his fame as a church composer. Its melodic invention and effective handling of the orchestra reveal a close proximity to opera. This Urtext edition is based not only on the original print of 1856 but also on copyists' manuscripts and autograph sources. Rounding off this well-researched Urtext edition are an informative Introduction and a detailed Critical Commentary. The edition is being published to celebrate the 200th anniversary of Gounod's birth.

About Barenreiter Urtext Orchestral Parts

SKU: BA.BA07894-74

ISBN 9790006564200. 32.5 x 25.5 cm inches.

In the style of commedia dell'arte

In 1918 Gabriel Faure, then 73 years old, received a commission from Prince Albert I of Monaco to write stage music invoking the atmosphere of the commedia dell'arte.
The four-movement orchestral suite op. 112, consisting of Ouverture, Menuet, Gavotte and Pastorale, combines previously unpublished parts of this stage music. The Pastorale of 1919 was Faure's last composition for orchestra, the Ouverture originated in a piece of 1864 for piano duet and the original version of the Gavotte was written for piano as early as 1869. The
op. 112 orchestral suite demonstrates how the composer, now older and more experienced, reworked and improved his earlier music.

This scholarly-critical edition of the four-movement Masques et Bergamasques op. 112 is based on Gabriel Faure The Complete Works, Volume IV/2.

About Barenreiter Urtext Orchestral Parts

SKU: BA.BA08841-74

ISBN 9790006541218. 32.5 x 25.5 cm inches.

Prelude a l'apres-midi d'un faune, often referred to as the first composition of the modern era, is one of Debussy's most popular and frequently performed orchestral works. The piece comes down to us in an array of sources, and several important ones are drawn upon for the first time in Baerenreiter's new scholarly-critical edition. Most of the currently available editions are based on the first edition from 1895 which, however, contains many engraver errors. When the corresponding orchestral parts are also taken into consideration, countless discrepancies are revealed.

Baerenreiter's Urtext edition incorporates readings of a printed copy of the score from c. 1908 which shows corrections and emendations by the composer. These important changes, found in no other source, include metronome markings, different pitches and additional notes, as well as added tempo and articulation markings, which all subtly enhance Debussy's finely sculpted work. There is even a breath mark added to the famous solo flute passage which opens the work.

* Scholarly critical edition with many corrections in the score and orchestral parts * Clear presentation of orchestral parts in an enlarged format.

About Barenreiter Urtext Orchestral Parts