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Hall
Violin and Piano
INSTRUMENTS
INSTRUMENTS
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL - CHOIR
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUITAR
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BAND
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER KEYBOARD
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDLE
VIOLONCELLO - CELLO
XYLOPHONE
ZITHER
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Favorite Christmas Carols for Classical Players: Violin and Accomp.:
Violin and Piano
[Sheet music + Audio access]
Hal Leonard
With online audio of piano accompaniments-Twenty favorite Christmas carols arran...
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With online audio of piano accompaniments-Twenty favorite Christmas carols arranged for solo instrumentalists with online accompaniments available for download or streaming. Songs: Angels We Have Heard on High - Away in a Manger - Coventry Carol - Deck the Hall - The First Noel - God Rest Ye Merry Gentlemen - Good Christian Men Rejoice - He Is Born - In the Bleak Midwinter - Infant Holy Infant Lowly - Joy to the World - Lo How a Rose E'er Blooming - O Come All Ye Faithful - O Come O Come Emmanuel - O Holy Night - Once in Royal David's City - Silent Night - Still Still Still - Sussex Carol - What Child Is This?
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Ronde
Français
Violin and Piano
[Sheet music]
Billaudot
La référence PN5610 de l'éditeur Billaudot dont l'auteur célèbre est Challa...
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La référence PN5610 de l'éditeur Billaudot dont l'auteur célèbre est Challan Henri, qui a pour titre RONDE, a été écrite et composée pour Violon et plus particulièrement pour Violon Et Piano. Cette partition musicale appartient à la catégorie Classique. / Violon Et Piano / Partition
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Edward Gregson: Serenata Notturna: Violin: Instrumental Work
Violin and Piano
[Sheet music]
Novello & Co Ltd.
Serenata Notturna by Edward Gregson was first performed by Helena Smart (violin)...
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Serenata Notturna by Edward Gregson was first performed by Helena Smart (violin) and Caroline Jaya-Ratnam (piano) at the String Final of BBC Young Musicians 2000 Royal Northem College of Music Manchester 23 February 2000.'As the title suggests my Serenata Notturna evokes the atmosphere of night music. Following a reflective opening where the pitch development outlines a twelve-note series the music gradually becomes more agitated developing into a kind of danse macabre eventually reaching a powerful climax. The music then subsides into a much more tranquil atmosphere and the previous dissonant material transposes itself into a simple melody(like a lullaby) uttered by the violin the outline of which both melodically and in terms of the accompaniment figuration has already been present in the piece since the beginning. Thus the turmoil of the first part of the work becomes transfigured into something much more peaceful - hence the quotation that prefaces the score: ?out of darkness cometh light?. After I finished the work it became apparent to me that it might become the sketch for the slow movement of a Violin Concerto on which I had just begun working. It did indeed form the basis of that slow movement and the concerto was premiered by Lyn Fletcher and the Halle Orchestra conducted by Kent Nagano at Bridgewater Hall Manchester in February 2000 the same month as Serenata Notturna itself was first played in public.'Edward Gregson
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A.C. MacKenzie: Benedictus for Violin and Piano: Violin: Score and Parts
Violin and Piano
[Sheet music]
Novello & Co Ltd.
Benedictus is a work of depth and feeling that some listeners claim ?out-Elgars ...
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Benedictus is a work of depth and feeling that some listeners claim ?out-Elgars Elgar.?Composer conductor and educator Alexander MacKenzie is perhaps best known for his Choral works and his works inspired by Scottish melodies and themes as in this well-known work Benedictus . Benedictus is extracted from Benedictus is a work of depth and feeling that some listeners claim ?out-Elgars Elgar.?Composer conductor and educator Alexander MacKenzie is perhaps best known for his Choral works and his works inspired by Scottish melodies and themes as in this well-known work Benedictus . Benedictus is extracted from Six Pieces for Violin and is dedicated to Lady Hallé. During hislifetime 1847 to 1935 MacKenzie?s programmatic Scottish-inflected work was extremely popular and he is regarded as one of those who set the scene for the British musical renaissance of the late 19th century. and is dedicated to Lady Hallé. During his lifetime 1847 to 1935 MacKenzie?s programmatic Scottish-inflected work was extremely popular and he is regarded as one of those who set the scene for the British musical renaissance of the late 19th century.
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The Violin: A Collection: Violin: Instrumental Album
Violin and Piano
[Sheet music]
-
Intermediate
Chester
In February 2005 the Music Sales Group presented a concert of music for the Vio...
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In February 2005 the Music Sales Group presented a concert of music for the Violin at the Wigmore Hall London to launch the Wigmore Hall New Music Fund set up to promote the commissioning and performance of new works for theimportant international recital venue. This title contains works from that performance by fourteen of the very best contemporary composers including Philip Glass Kaija Saariaho and Peter Maxwell Davies as well asworld premieres from Joby Talbot Craig Armstrong John Tavener and Judith Weir. The pieces in this programme have been specially selected for their accessibility making this folio suitable for players of a wide rangeof abilities from elementary level (1st to 3rd position only) to shorter but more challenging adventurous and unusual works. The set as a whole represents the large amount of variety and character alive in today's top-levelcomposition. An excellent repertoire source that is fresh exciting and highly accessible.
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Helen Grime: Romance for Violin and Piano: Violin: Instrumental Work
Violin and Piano
[Sheet music]
Chester
'Romance for violin and piano is a short reflective piece that exploits the lyr...
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'Romance for violin and piano is a short reflective piece that exploits the lyrical qualities inherent in the combination. Originally written for a very young but talented violinist Romance travels through numerous moods andcolours within a continuous musical development of the opening material. At first gentle and reflective with increasing dramatic outbursts outlined by the violin sforzandi and parallel sixths in the piano writing numerous shortsolo passages in both instruments culminate in a fiery climax. Quickly subsiding into the calmer yet now more melancholy strains of the earlier stages of the piece the ending is somewhat incomplete. This seems to suggest acontinuous turn of events alluded to in the music.'???????????? - Helen GrimeBorn in 1981 Helen studied oboe with JohnAnderson and composition with Julian Anderson and Edwin Roxburgh at the Royal College of Music. She graduated from the BMus course with First Class Honours and completed her Masters with Distinction in 2004. From 2005-07 Helenwas a Legal & General Junior Fellow at the Royal College of Music. In 2003 she won a British Composer Award for her Oboe Concerto and was awarded the intercollegiate Theodore Holland Composition Prize in 2003 as well as allthe major composition prizes in the RCM. In 2008 she was awarded a Leonard Bernstein Fellowship to study at the Tanglewood Music Center where she studied with John Harbison Michael Gandolfi Shulamit Ran and Augusta Read Thomas.Helen has had works commissioned by some of the most established performers and organisations including ENO London Symphony Orchestra BCMG Britten Sinfonia BBC Scottish Symphony Orchestra and the Tanglewood Music Center.Conductors who have performed her work include Daniel Harding Oliver Knussen Pierre Boulez and Yan Pascal Tortelier. Helen is the 2010 recipient of the Lili Boulanger Memorial Fund and Associate Composer of The Hall? from the
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John McCabe: Concerto For Violin (Sinfonia Concertante): Violin: Instrumental
Violin and Piano
[Sheet music]
Novello & Co Ltd.
This was first performed by Martin Milner with the Hallé Orchestra conducted by...
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This was first performed by Martin Milner with the Hallé Orchestra conducted by Maurice Handford in the Free Trade Hall Manchester in March 1963 being broadcast some months later. The work and its general shape were suggested by T. S. Eliot's poem The Hollow Men and the scoring includes a large percussion section
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Philip Glass: Violin Concerto: Violin: Instrumental Work
Violin and Piano
[Sheet music]
-
Intermediate/advanced
Chester
A Violin and Piano arrangement of the Philip Glass Violin Concerto with the Pia...
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A Violin and Piano arrangement of the Philip Glass Violin Concerto with the Piano reduction by Charles Abramovich. The original concerto for Violin and Orchestra was commissioned by the American Composer's Orchestra who gave thefirst performance at Carnegie Hall New York on 5th April 1987.
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Seven (EOTVOS PETER)
Violin and Piano
Schott
(Memorial for the Columbia Astronauts). Par EOTVOS PETER. Eötvös wrote this pi...
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(Memorial for the Columbia Astronauts). Par EOTVOS PETER. Eötvös wrote this piece in memory of the seven astronauts who lost their lives in the Space Shuttle Columbia tragedy in 2003. The number 7 determines the musical, rhythmic and formal structure of the work: 49 musicians are divided into seven groups, and as well as the solo violin there are six further violins arranged correspondingly around the hall; and the solo violin itself portrays each of the astronauts and their different origin, from America via Israel to India, in folkloristically tinged cadenzas. 'The violin concerto Seven is a very personal monologue and the musical expression of my sympathy towards the seven astronauts who lost their lives while exploring space in fulfilment of a fundamental dream of mankind.' (Peter Eötvös)/ Répertoire / Violon et Piano
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Wolfgang Amadeus Mozart: Concerto in D KV Anh.56: Violin: Instrumental Work
Violin and Piano
[Sheet music]
Chester
This reconstruction of the Concerto in D K.315f was first performed on 15th Aug...
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This reconstruction of the Concerto in D K.315f was first performed on 15th August 1985 at the Dartington Hall Summer School of Music by Ernst Kovacic (Violin) and Bernard Roberts (Piano) with the Dartington Chamber Orchestra conducted by Diego Masson. Instrumentation includes SOLO VIOLIN; SOLO PIANO; 2 FLUTES; 2 OBOES; 2 HORNS IN D AND G; 2 TRUMPETS; TIMPANI; STRINGS. The duration of this work is 25 minutes. Full score solo and orchestral parts are available on hire from the publishers.
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Henri Vieuxtemps: Violin Concerto no. 5 a minor op. 37: Violin: Instrumental
Violin and Piano
[Reduction]
G. Henle
Piano reduction-Of all of Henry Vieuxtemps' Violin concertos his fifth in a min...
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Piano reduction-Of all of Henry Vieuxtemps' Violin concertos his fifth in a minor is the best known and most popular by far. The Violin Concerto No. 5 In A Minor Op. 37 was composed between 1860-61 as anobligatory examination piece for the students of Vieuxtemps' friend Hubert Léonard at the Brussels Conservatory. The work soon made its way into the concert hall and owes its popularity not only to the brilliant Violinpart but also to the distinguished form of the three movements that combine without interruption. This Henle Urtext edition has been edited by the The violinist and musicologist Ray Iwazumi who also undertook thebowings for the solo part. The preface was penned by the Belgian expert on Vieuxtemps Marie Cornaz.
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Lennox Berkeley: Five Pieces Op.56: Violin: Instrumental Work
Violin and Piano
[Sheet music]
-
Intermediate/advanced
Chester
Five Pieces for Violin and Orchestra was commissioned by Frederick Grinke and co...
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Five Pieces for Violin and Orchestra was commissioned by Frederick Grinke and completed on 20 December 1961. The BBC Symphony Orchestra with Frederick Grinke (violin) and conducted by the composer gave the first performanceon 31 July 1962 at the Royal Albert Hall London during the BBC Proms season.This work is so constructed that each piece is complete in itself and can be played separately while at the same time the whole set of fiveconstitutes a structural unit. A basic motif consisting of a rising semitone followed by a falling tone and its inversion plays an important part in every piece. Thus the first piece which is of a slow and meditativecharacter begins with this theme in the bass. It is also heard in the first entry of the solo part and thereafter every episode is in some way derived from it. The next piece a vigorous and strongly marked ‘allegro’ uses thesemitone of the original figure as its starting point. A second theme appears first on the horns and is later taken up by the solo violin while a third section has the initial idea as its accompaniment. Next comes an extendedscherzo in free form very closely based on initial motif. The fourth is a purely melodic piece containing allusions in its middle section to the basic figure. Here the strings only are used for accompaniment. In the firstsection violas and cellos are divided in the middle section and all the strings are used in the last which is otherwise an almost exact repetition of the opening. The Finale is a lighter movement than the others concernedmainly with giving the soloist material for display but not unconnected with what has gone before.
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André Previn: Violin Concerto (Anne-Sophie): Violin: Instrumental Work
Violin and Piano
[Sheet music]
Schirmer
for Violin and Piano Reduction-The multi-talented Andre Previn composed this thr...
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for Violin and Piano Reduction-The multi-talented Andre Previn composed this three-movement concerto on commission from the Boston Symphony Orchestra for violinist Anne-Sophie Mutter. The concerto was actually written during the months before the marriage ofMutter and Previn. It was premiered on March 14 2002 at Symphony Hall Boston. The composer's feelings and admiration for Mutter and the BSO come through in this expansively tuneful warm music. The piece reflects Previn's earlychildhood memories of Germany incorporating a German children's song in the third movement.
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John Tavener: Fragment For The Virgin (Part): Violin: Instrumental Work
Violin and Piano
[Sheet music]
-
Intermediate
Chester
John Tavener's Fragment For The Virgin for Violin with piano accompaniment. It ...
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John Tavener's Fragment For The Virgin for Violin with piano accompaniment. It was first performed on 6th February 2005 as part of the Music Sales Stradivarius Concert at the Wigmore Hall London by Nicola Benedetti(violin) and Alison Rhind (piano).
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Happy Birthday Variations (IGUDESMAN ALEKSEY)
Violin and Piano
Universal Edition
Par IGUDESMAN ALEKSEY. Aleksey Igudesman might reasonably be described as a mode...
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Par IGUDESMAN ALEKSEY. Aleksey Igudesman might reasonably be described as a modern day Victor Borge. With his cabaret partner, Hyung-ki Joo, he has toured concert halls all over the world, wringing all that is humorous out of classical music with just the basic tools of violin and piano. The “Happy Birthday Variations” for violin and piano are dedicated to his good friend, the late Sir Roger Moore and are typical of Igudesman’s brand of humour. They take the internationally known musical greeting on a world-wide tour, from a Viennese Waltz, through a Big Band number, a Bulgarian Vivace in 7/8, a Russian Presto, a Tango and an Alpine Air to conclude in a Paganini-esque finale that’s not quite as difficult as it looks. A great concert showpiece for intermediate students, not least if someone in the audience is celebrating a special day! Or, if the teacher prefers to play the violin, Igudesman’s “The Soloist’s Ultimate Happy Birthday” (UE37199) does a different but equally funny job for violin duet./ Recueil / Violon et Piano
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In My Garden 1 (IGUDESMAN ALEKSEY)
Violin and Piano
Universal Edition
Take A Walk Through Aleksey Igudesman'S Imaginary Garden!. Par IGUDESMAN ALEKSEY...
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Take A Walk Through Aleksey Igudesman'S Imaginary Garden!. Par IGUDESMAN ALEKSEY. Aleksey Igudesman might reasonably be described as a modern day Victor Borge. With his cabaret partner, Hyung-ki Joo, he has toured concert halls all over the world, wringing all that is humorous out of classical music with just the basic tools of violin and piano. 'In my Garden 1” shows Igudesman in another light, that of a violin teacher, providing excellent material for younger violin students. Each piece depicts a fruit or vegetable to be found growing in the garden and includes a short poem (in English, French and German) and pictures to inspire the pupil and help them to interpret the music. But these are not just fun to play - they conceal useful study material to improve technique like staccato or lyrical smooth bowing. Clever use of double stops (one note always an open string) will help the student make a more rewarding sound and inspire confidence. Grade 1 students can enjoy some of the pieces and still be dipping into it a year or two later. A piano part is included to make these pieces ideal for an end-of-term concert and, for more ideas, Igudesman has also depicted animals in similar fashion in his two volumes 'In the Zoo”./ Recueil / Violon et Piano
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Judith Blezzard: Borrowings In English Church Music 1550-1950
Violin and Piano
Stainer and Bell
Judith BlezzardThis book looks at English church music from a new standpoint. It...
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Judith BlezzardThis book looks at English church music from a new standpoint. It examines the relationship between English church music and the various types of other music that have influenced its development revealing a vigorous tradition of interplay with extraneous musical material that is seldom apparent from the ways in which music is presented for church use. The borrowing of music from churches outside England is explored and a large section is devoted to the often surprisingly ingenious ways in which secular music has since the beginnings of the English church been appropriated as music for worship - often with controversial results. From madrigal tomusic-hall from plainsong to popular styles: these and many other kinds of music have lent both styles and material to sacred music with English texts. By examining these musical transformations this book demonstrates that English church music is far from being an exclusively insular and retrospective repertory as is often presumed to be the case. Although the book with its use of musical examples is designed primarily for the general musical reader - both amateur and professional its broadly historical approach will appeal to those interested in English cultural heritage the church and its worship.ISBN 0 85249 784 9
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Wolfgang Amadeus Mozart: Violin Concerto No.3 In G K.216: Violin: Instrumental
Violin and Piano
[Sheet music]
-
Easy
Barenreiter
Mozart composed the majority of his works for solo String Instruments and Orches...
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Mozart composed the majority of his works for solo String Instruments and Orchestra during the years 1773 to 1779. Especially important in this context are the years 1773 and 1775 which witnessed the creation of the five concertos for Violin and Orchestra as well as several single movements for the same scoring. The reasons for this flourish of activity in this domain lie partly in the fact that Mozart who still occupied the post of concertmaster to the Prince-Archbishop was either obliged or inspired to provide such works for special occasions during this long period spent in Salzburg. But another reason was certainly the possibility of experimenting withall the new compositional techniques acquired during his third trip to Italy and his stay of several months in Vienna from July to September 1773.The Piano reduction of Mozart?s G Major Violin Concerto is easier to play uncluttered and practical with page turns where you need them and where necessary fold-out pages.The solo part gives players the critical Urtext of the New Mozart Edition. The tutti passages are all presented in normal size print for players wanting to perform these sections with the first Violins. An ossia has been included in small print for the last four measures before the first solo passage to allow for the transition to the solo section.A prepared performance part is also included with bowings fingerings and performance practice comments. An additional brochure is included with todays most performed cadenzas ?Eingänge? and fermata embellishments by Eugène Ysaÿe Leopold Auer Sam Franko and Martin Wulfhorst.This collection offers players a spectrum of styles available in no other publication.Urtext of the New Mozart EditionFull score and parts (BA4865) Violin and Piano reduction (BA4865-90) and study score format 22.5 x 16.5cm (TP272) available for sale.
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Kevin Volans: Kevin Volans: violin:piano: Violin: Instrumental Work
Violin and Piano
[Sheet music]
Chester
violin:piano is a work by Kevin Volans for Violin and Piano in which the two in...
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violin:piano is a work by Kevin Volans for Violin and Piano in which the two instruments play at different tempi. This unusual and challenging piece was commissioned by Chris Alexander and premieredby himself and Waldo Alexander at the Ultraschall Festival Berlin in 2012. A full performance of this work lasts around 25 minutes. This includes both the Violin and Piano parts.
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Wolfgang Amadeus Mozart: Sinfonia concertante in E-flat major K.364: Violin &
Violin and Piano
Barenreiter
for Violin Viola and Orchestra-There is no reference to the origin occasion or...
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for Violin Viola and Orchestra-There is no reference to the origin occasion or a performance of the Sinfonia concertante in E-flat for Violin Viola and Orchestra K. 364 (320d) because in all probability it was composed in Salzburg (presumably in summer or early autumn 1779): Mozart seems to have had no reason to write about it. It was apparently in Paris that he first had the occasion of giving the genre of the ?Symphonie concertante? his special attention. On April 5 1778 he wrote to his father: ?Now I shall write a sinfonie concertante for flute wendling oboe Ramm Punto horn and Ritter bassoon?.Even more discouraging must have been the fact that he had similardifficulties in Paris in having the works performed as he had in Mannheim. After the organizier of the Concerts spirituels Le Gros contrary to his promise did not include the mentioned ?sinfonie concertante? in his program.Mozart had no reason to compose any more for this genre in Paris. After Mozart?s return to Salzburg he might have been eager to introduce the new genre there especially since adequate instrumentalists were available. Also the choice of the solo instruments (violin and viola) in the work presented here was probably influenced by the popularity of this instrumental combination in Salzburg at that time.- Urtext of the New Mozart Edition- Full score
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Max Bruch: Concert g-moll Opus 26: Violin: Instrumental Work
Violin and Piano
G. Henle
It made its creator world-famous and added a towering masterpiece to the standar...
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It made its creator world-famous and added a towering masterpiece to the standard repertoire: Max Bruch’s First Violin Concerto In G Minor. Now it’s appearing at last in an urtext edition from Henle.Bruch himself was not always overjoyed at his work’s popularity: 'I can’t listen to this concerto anymore ' he once complained to his publisher Simrock 'do you suppose I’ve only written one concerto?' By now theBruch Concerto has found a permanent place in the world’s concert halls. Henle’s edition provides not only a razor-sharp urtext for the solo part but a preface that alone is worth the price of the volume: who could haveguessed that the concerto went through a convoluted genesis with multi-layered revisions and that some of the changes go back to the famous violinist Joseph Joachim?
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Niccolò Paganini: Cantabile: Violin
Violin and Piano
Ricordi
The Cantabile in D major for violin and piano (M.S. 109) is one of Paganiniâ€...
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The Cantabile in D major for violin and piano (M.S. 109) is one of Paganini’s most popular and famous compositions. This brief piece - a short tripartite ‘aria variata’ - is particularly spontaneous and lighthearted reminiscent of the lyricalnature of the Italian bel canto tradition. It has an intimate feel to it bringing us closer to this composer from Genoa.The main aim of this critical edition based on the autograph source held at the Casanatense Library in Rome and collated withall the key printed editions is to provide both performers and scholars with a text containing a philologically authoritative original reading.
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The Nordic Fiddler
Violin and Piano
[Sheet music + CD]
-
Intermediate
Boosey and Hawkes
Another addition to the hit series, making authentic folk music available in a f...
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Another addition to the hit series, making authentic folk music available in a flexible format suitable for teaching, busking and performance. Traditional music from Scandinavia - Denmark, Finland, Iceland, Norway, Sweden. Explore the rich variety of the Nordic tradition, from the Polish-influenced polska dances to a Norwegian Wedding Song. The Complete edition includes a violin part, keyboard accompaniment with optional violin accompaniment, easy violin part and guitar chords. / 2 Violons Et Guitare
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Nordic Fiddler (Complete)
Violin and Piano
[Sheet music + Audio access]
Boosey and Hawkes
Traditional fiddle music from around the world. Par . Le répertoire complet de ...
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Traditional fiddle music from around the world. Par . Le répertoire complet de musique traditionnelle pour violon est maintenant à votre portée ! Avec ce grand choix de recueils vous pourrez recréer l\'ambiance de votre propre \'ceilidh\', des danses folkloriques, du club de jazz, des cafés concerts comme à Sarajevo. Certains de ces morceaux de musiques sont connus, d\'autres sont plus exotiques, mais tous sont absolument authentiques et leurs arrangements sont faits sans compromis, mais ce qu?il y a de plus important, c\'est qu\'ils vous donneront énormément de plaisir. Chaque titre de la série est disponible en deux versions : la Violin Edition (avec en option une partie violon simplifiée et des accords de guitare), ou la Complete Edition qui comprend des accompagnements pour clavier et pour violon. Chaque version permet de jouer la musique en solo, en duo ou en trio aussi bien que dans des ensembles plus importants. Edward Huws Jones a beaucoup voyagé lors de sa recherche de styles traditionnels pour violon. Dans chaque livre il explique l\'histoire d\'un style particulier, offrant ses propres suggestions pour obtenir une exécution vivante. / Date parution : 2022-10-12/ Recueil / Violon et Piano
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