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MARCH
Violin and Piano
INSTRUMENTS
INSTRUMENTS
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL - CHOIR
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUITAR
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BAND
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER KEYBOARD
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDLE
VIOLONCELLO - CELLO
XYLOPHONE
ZITHER
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FANTASIES FROM OPERA FOR VIOLIN AND PIANO
Violin and Piano
[Sheet music]
Dover Publications
Par . This single-volume compilation features four popular opera fantasies arran...
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Par . This single-volume compilation features four popular opera fantasies arranged for Violin with Piano accompaniment. Each of these frequently performed pieces was arranged by a world-class artist and offers the convenience of a separate Violin part: Carmen Fantasy from the Opera by Georges Bizet, Op. 25, transcribed by Jenö Hubay. Fantasia on Themes from Gounod's Faust, Op. 20, transcribed by Henri Wieniawski. Fantasie from Mozart's The Magic Flute, Op. 54, transcribed by Pablo Sarasate. Fantasie Brillante on the March and the Romance from Rossini's Otello, Op. 11, by Heinrich Wilhelm Ernst. This collection is ideal for practice, performance, teaching, and independent study bystudents, professional performers, and amateur ensembles. / Date parution : 2023-03-15/ Recueil / Violon et Piano
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Franz Schubert: Marcha Militar Op.15 For Violin And Piano: Violin: Instrumental
Español
Violin and Piano
[Sheet music]
Unión Musical Ediciones
Marcha Militar Op.15 For Violin And Piano
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Petite Aubade (MARCHETTI F)
Français
Violin and Piano
[Sheet music]
Combre
Par MARCHETTI F.D.. / Niveau : Elémentaire / classique / Répertoire / Viol...
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Par MARCHETTI F.D.. / Niveau : Elémentaire / classique / Répertoire / Violon et Piano
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Fascination (Valse Tzigane) (MARCHETTI F)
Français
Violin and Piano
[Sheet music]
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Easy
Combre
Par MARCHETTI F.D.. / Niveau : Assez Facile / classique / Répertoire / Viol...
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Par MARCHETTI F.D.. / Niveau : Assez Facile / classique / Répertoire / Violon et Piano
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Arioso et marche en ut mineur (QUERLEUX ALAIN)
Français
Violin and Piano
Editions Buissonnieres
Par QUERLEUX ALAIN. Pièce de concert en deux mouvements s?enchaînant par un «...
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Par QUERLEUX ALAIN. Pièce de concert en deux mouvements s?enchaînant par un « Attaca », le tout d?une durée d?environ quatorze minutes. L?Arioso est un mouvement lent de style vocal ; la Marche est un thème varié, de tempo modéré, avec des épisodes menés alternativement par chaque instrument. Inspiré, ce Duo fait appel à toute l?expressivité des interprètes : - par sa tonalité, sombre et intense, d?ut mineur (et ses modulations en ut majeur et mi mineur) ; - par sa manière personnelle de faire chanter le piano, dans la simplicité, et en dialogue avec un violon très mélodique. La partie de violon est accessible à partir de la fin du 2e cycle ; celle de piano à partir de la fin du 1er cycle des Conservatoires./ Répertoire / Violon et Piano
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Marche Des Troubadours
Français
Violin and Piano
[Sheet music]
Billaudot
La référence CC3012 de l'éditeur Billaudot dont l'auteur célèbre est Roubie...
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La référence CC3012 de l'éditeur Billaudot dont l'auteur célèbre est Roubier Henri, qui a pour titre MARCHE DES TROUBADOURS, a été écrite et composée pour Violon et plus particulièrement pour Violon Et Piano. Cette partition musicale appartient à la catégorie Classique. / Violon Et Piano / Partition
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Labrousse-baert S. - Le Violon Classique - Niveau 1 - Violon Et Piano
Français
Violin and Piano
Flex Editions
A collection of 11 classical masterpieces arranged for Violin and Piano: 1 - BAC...
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A collection of 11 classical masterpieces arranged for Violin and Piano: 1 - BACH - Gavotte from Suite No. 3 in D Major, 2 - TCHAIKOVSKI - Chanson Triste, 3 - BACH - Aria from Suite No. 3 in D Major, 4 - SCHUBERT - Ave Maria, 5 - VIVALDI - Winter - Extract from the Four Seasons, 6 - MENDELSSOHN - Wedding March, 7 - WAGNER - Wedding March from Lohengrin, 8 - MOZART - Romanza - A Little Night Music, 9 - MOZART - Allegro - A Little Night Music, 10 - GOUNOD - Ave Maria (with opt. Violin 2), 11 - PACHELBEL - Canon in D Major (2 violins & piano) Instruments: Violon, Piano Difficuly Level: Medium Duration: >15 Musical Style: Classical, Educational Category: Arrangement Composer: LABROUSSE-BAERT Sarah Arranger: LABROUSSE-BAERT Sarah
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Wieniawski H. - 2eme Polonaise Brillante Op. 21 - Violon Et Piano
Violin and Piano
PWM (Polskie Wydawnictwo Muzyczne)
2me Polonaise brillante pour violon avec acompagnement de piano op.21 Henryk Wi...
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2me Polonaise brillante pour violon avec acompagnement de piano op.21 Henryk Wieniawski wrote only two polonaises. The first one, op. 4 in D minor, is one of his youthful works; the other, op. 21 in A major, is one of the last works he composed. Moreover, H. Wieniawski is the co-author of another polonaise, op. 8, for violin and piano, which he wrote with his brother Józef Wieniawski, a pianist. The latter polonaise, like the Polonaise in D minor op. 4, is also a youthful composition (1852). The polonaise as a genre, therefore, does not occupy much space in Wieniawskis heritage. Nonetheless, both polonaises, in D minor and A major, constitute an essential part of his artistic inheritance. Likewise, both polonaises had been composed in two versions: for violin and orchestra, and for violin and piano. The Polonaise in A major was completed in 1870. It is not known precisely which of the versions, the one with the piano, or the one with the orchestra first came into being. It was the version with orchestra that the composer performed for the first time on 17 March 1870, in the Grand Theatre in St. Petersburg. But merely two months later he performed the Polonaise in Warsaw, accompanied by his brother Józef at the piano. It is quite possible that Wieniawski had already performed this version of the Polonaise. It is certain, nonetheless, that both versions either appeared simultaneously, or one was composed shortly after the other. From its first public performance until the end of his concert career, Wieniawski often included this Polonaise in his concert repertoire, playing one version or another, the choice depending on the needs and circumstances. Just to mention one occasion, he played the orchestral version during a concert tour of Sweden in 1870, when he dedicated and presented a manuscript of this piece to King Charles XV of Sweden. The dedication, however, was changed in print, and both versions were eventually dedicated to François van Hal. Both versions were published simultaneously, by Schott Publishers in Mainz, with the same plate number, though the orchestral version appeared only in parts, which was a common practice in those days. The piece was most probably not published earlier than 18751. The Polonaise was praised by the critics. The reviews reported that it was a magnificent piece2, and this opinion was shared by later critical reviews, both Russian and West European. The Polonaise remained popular after the composer had died, which is evident from the number of later editions of the piece (more than ten) issued by different publishers, mostly German, and prepared by different editors. In Poland, the Polonaise was published twice after the Second World War. All the editions introduced some more or less significant changes into the text, mostly concerning performance indications, but in a sense blurring the composers intentions. All those changes were pertinent to the violin and piano version, and it was mostly in this form that the piece appeared in concert and teaching repertoires. The performances with an orchestra were much more seldom which was, among other factors, due to limited availability of the orchestral version, as it had never been published again after the first edition, until now. The Polonaise in A major was composed approximately at the same time as the Violin Concerto No. 2 in D minor3. This convergence in time had influenced a certain similarity with regard to both composition and technical means, and also to the themes. In particular, the similarity becomes quite obvious in the second theme of the Allegro in the Concerto, and in the theme of the Polonaise. The Polonaise in A major is also in a certain way similar to the first Polonaise (in D minor), the motifs of the themes in both polonaises are alike. However, both pieces differ in style. The Polonaise in D minor shows the composers fascination with technical writing. Wieniawski makes the most of double-stops, chords, and all other sophisticated virtuoso techniques. The Polonaise in A major, written 18 years later, is much more mature. Although it is a virtuosic piece as well, the techniques used are somewhat more limited and subordinated to the expression. The virtuoso character of this piece is more fragile, much closer to the brillant style. At the same time, the Polonaise is typical of Wieniawskis violin playing technique. Here the composer uses the means regarded by his contemporaries to be typical of him, e.g., long staccato fragments played with one bow. The Polonaise is a concert piece in one movement extended form with a considerably abbreviated return of the first section at the end. The middle section is contrasting in character, due to the modulation to F major, change of tempo (meno mosso) and the reduction in the number of instruments (in the orchestral version). All the sections show thematic similarity. The first section, too, consists of three subsections, including a contrasting middle subsection (in E major). Zofia Chechlińska Footnotes 1. See The Critical Commentary, p. ? and onward. 2. See V. Grigoriev, Henryk Wieniawski. Życie i twórczość. [Life and Work] Warszawa - Poznań 1986, p. 184. 3. The first version of the Concerto No. 2 in D minor was completed in 1862, but in 1870, i.e., not until the Polonaise in A major was completed, Wieniawski had been working on the Concerto and implemented quite a few changes. Publisher: PWM/Towarzystwo Muzyczne im. Henryka Wieniawskiego w Poznaniu Series: Henryk Wieniawski - Complete Works Cover: softback Nr ISMN: 979-0-2740-0753-9 Number of pages: 34+8 Format: N4 stoj. 235x305 Language version of text: pol., Eng.
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Benjamin Britten: 3 Pieces From Suite Op.6: Violin: Instrumental Work
Violin and Piano
Boosey & Hawkes
Britten's Suite Op.6 for Violin and Piano was composed during 1934-35 and the f...
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Britten's Suite Op.6 for Violin and Piano was composed during 1934-35 and the first performance of the complete work was given in March 1936 as part of a BBC broadcast. Three pieces from the original Suite are presented here - March Lullaby and Waltz.
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Souvenir D'Un Lieu Cher (Violin And Piano) (TCHAIKOVSKI PIOTR ILITCH)
Violin and Piano
[Sheet music]
Faber Music Limited
Par TCHAIKOVSKI PIOTR ILITCH. Souvenir d'un Lieu Cher (Memories of a Dear Place)...
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Par TCHAIKOVSKI PIOTR ILITCH. Souvenir d'un Lieu Cher (Memories of a Dear Place) is a collection of three pieces for violin and piano. The first - Méditation - was written in Clarens in Switzerland in March 1878. Tchaikovsky originally intended it to be the slow movement of his violin concerto, but later replaced it with the more substantial Canzonetta and recast it for violin and piano. The other two movements were composed in May of the same year on the estate of his benefactress, Nadeja von Meck at Brailovo in Ukraine which is the 'dear place' of the title. It was published in in May 1879. The work is very characteristic of Tchaikovsky's style. It is built on beautiful melodies, with a Russian folk inflection, and contains a variety of contrasting sections. The outer movements are written in a gentle lyrical style, whereas the scherzo is fast and furious creating a mood of stormy anger. The trio section is based on a simple melody with a tinge of sadness about it. The solo part exemplifies Tchaikovsky's mastery of violin writing, using as it does a wide range of timbres and effects. / Répertoire / Violon et Piano
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Jones: Viennese Fiddler: Violin: Instrumental Album
Violin and Piano
[Score and Parts]
Boosey and Hawkes
Viennese music has become almost synonymous with Johann Strauss II and his great...
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Viennese music has become almost synonymous with Johann Strauss II and his great waltzes. But of course there were other luminaries: his father Johann Strauss I his talented brothers Josef and Eduard as well as their colleagues friends and rivals. This collection includes music by some of these; and apart from waltzes we have polkas (slow and fast) a couple of melodies from operettas and a march. The selection ranges from shorter eminently playable miniatures to a handful of more extended and challenging arrangements. The waltz kings were first and foremost fiddlers. They led their orchestras from the front instrument and bow in hand. As a young man JohannStrauss II used to practise his Violin in a full-length mirror so he would look every inch the part. They knew how to write for the Violin how to make it sing and dance and this helps to make the repertoire a perfect foil to the other volumes in this series. The arrangements in this collection can be performed as solos duets or trios or by larger ensembles. In fact here are all the resources to recreate a Viennese café orchestra! The full range of traditional fiddle repertoire is now at your fingertips! Using these generous collections you can create your own ceilidh barn dance jazz club Sarajevo street-café or Gypsy gathering. Some of this music is familiar some more exotic but all of it is absolutely authentic faithfully arranged and above all hugely enjoyable. Each title in the series is available in two formats: the Violin edition (with an optional easy Violin part and Guitar chords); or the complete edition which also includes both Keyboard and Violin accompaniments. Either format is hugely flexible which means the music can be played as solos duets or trios as well as with larger ensembles. Edward Huws Jones has travelled extensively researching fiddle-playing traditions. In each book he explains the background of the particular musical style giving his own suggestions for a lively performance. And to help recreate the spirit of the music every book in the series is beautifully illustrated.
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Fantasies From Opera For Violin And Piano: Violin: Instrumental Album
Violin and Piano
[Sheet music]
Dover Publications
Carmen Faust The Magic Flute And Otello-This single-volume compilation feature...
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Carmen Faust The Magic Flute And Otello-This single-volume compilation features four popular opera fantasies arranged for Violin with Piano accompaniment. Each of these frequently performed pieces was arranged by a world-class artist and offers the convenience of aseparate Violin part:Carmen Fantasy from the Opera by Georges Bizet Op. 25 transcribed by Jenö Hubay.Fantasia on Themes from Gounod's Faust Op. 20 transcribed by Henri Wieniawski.Fantasie fromMozart's The Magic Flute Op. 54 transcribed by Pablo Sarasate.Fantasie Brillante on the March and the Romance from Rossini's Otello Op. 11 by Heinrich Wilhelm Ernst.This collection is ideal forpractice performance teaching and independent study by students professional performers and amateur ensembles.
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André Previn: Violin Concerto (Anne-Sophie): Violin: Instrumental Work
Violin and Piano
[Sheet music]
Schirmer
for Violin and Piano Reduction-The multi-talented Andre Previn composed this thr...
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for Violin and Piano Reduction-The multi-talented Andre Previn composed this three-movement concerto on commission from the Boston Symphony Orchestra for violinist Anne-Sophie Mutter. The concerto was actually written during the months before the marriage ofMutter and Previn. It was premiered on March 14 2002 at Symphony Hall Boston. The composer's feelings and admiration for Mutter and the BSO come through in this expansively tuneful warm music. The piece reflects Previn's earlychildhood memories of Germany incorporating a German children's song in the third movement.
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Williams John - Indiana Jones - Crystal Skull + Cd - Violin And Piano
Violin and Piano
[Sheet music + CD]
Alfred Publishing
In the Summer of 2008, the long-awaited Indiana Jones And The Kingdon Of The Cry...
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In the Summer of 2008, the long-awaited Indiana Jones And The Kingdon Of The Crystal Skull hit our cinemas. Filled with the intrigue and drama characteristic of all the classic Indiana Jones films, Harrison Ford once again reprised his role as our adventerous hero. This book includes selections from that film arranged for violin with a fully orchestrated CD accompaniment as well as a piano accompaniment part. The book contains a carefully edited part that is appropriate for the intermediate level player. The CD includes a demo track, which features a live instrumental performance, followed by the play-along track itself. Also included are eight pages of colour photographs from the movie. Raider's March; Marion's Theme; The Adventures Of Mutt; Irina's Theme; The Journey To Akator.
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Peter Martin: Little Suites for Unison Violins and Piano Bk 3: Violin:
Violin and Piano
Stainer and Bell
Violin part and Piano part-March; Hornpipe; Hoedown.
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Peter Martin: Little Suites for Unison Violins and Piano Bk 1: Violin:
Violin and Piano
Stainer and Bell
Violin part and Piano part-Foxtrot; Valse Triste; March; Beguine.
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Wedding Music for Classical Players - Violin: Violin and Accomp.
Violin and Piano
[Sheet music + Audio access]
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Intermediate
Hal Leonard
Intermediate level arrangements with piano accompaniment, in a range flattering ...
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Intermediate level arrangements with piano accompaniment, in a range flattering to each instrument. The music has been edited with added dynamics, - articulations and phrasing, making it appropriate for lessons or performances. The accompaniments have been recorded on an acoustic grand piano and are available online for download or streaming. Selections include: Ave Maria (Bach/Gounod) ? Ave Maria (Schubert) ? Bridal Chorus from Lohengrin (Wagner) ? Bist du Bei Mir (Stölzel) ? Canon (Pachelbel) ? Gymnopédie No. 1 (Satie) ? Hornpipe (Handel) ? Jesu, Joy of Man's Desiring (Bach) ? Minuet (Boccherini) ? Wedding March (Mendelssohn) ? and more.
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Little Suites For Solo Or Unison Violins And Piano. Book 3: Extra Violin Part (MARTIN PETER)
Violin and Piano
[Sheet music]
Stainer and Bell
Extra Violin part. Par MARTIN PETER. March; Hornpipe; Hoedown/ Feuillet / Violon...
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Extra Violin part. Par MARTIN PETER. March; Hornpipe; Hoedown/ Feuillet / Violon et Piano
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Vienna Forever
Violin and Piano
[Sheet music]
Schott
Waltzes, Polkas and Marches by Strauss and Others. For a New Year's concert with...
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Waltzes, Polkas and Marches by Strauss and Others. For a New Year's concert with a small ensemble: lively polkas, hearty marches and fast waltzes are included in this volume. Wolfgang Birtel has written more than 20 wonderful and rousing arrangements for violin and piano of well-known and lesser-known pieces. In addition to important composers such as Strauss father and Strauss son, the collection also includes lesser-known names such as Fucik or Komzák./ Recueil / Violon et Piano
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THE NUTCRACKER FOR CLASSICAL PLAYERS - VIOLON and PIANO + AUDIO ACCESS
Violin and Piano
[Sheet music + Audio access]
Hal Leonard
Selections from Tchaikovsky's beloved Nutcracker ballet are now available in aut...
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Selections from Tchaikovsky's beloved Nutcracker ballet are now available in authentic, detailed arrangements for solo instrument and piano. Perfect for the holiday season! Includes online piano accompaniments for download or streaming. Contents: Arabian Dance (Coffee) · Chinese Dance (Tea) · Dance of the Reed Flutes · Dance of the Sugar Plum Fairy · March · Miniature Overture · Pas de deux · Spanish Dance · Russian Dance (Trepak) · Waltz of the Flowers
1. Arabian Dance ('Coffee'), Op. 71A
2. Chinese Dance ('Tea'), Op. 71A
3. Dance Of The Reed Flutes, Op. 71a
4. Dance Of The Sugar Plum Fairy, Op. 71A
5. March, Op. 71a
6. Miniature Overture, Op. 71A
7. Waltz Of The Flowers, Op. 71a
8. Pas De Deux
9. Spanish Dance
10. Trepak
/ Partitions classique / Cordes / Violon / HAL LEONARD
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