| Berlin Music Violin and Piano Bote and Bock
Piano Accompaniment; Violin (Violin/Piano) SKU: HL.48025035 Violin and...(+)
Piano Accompaniment; Violin (Violin/Piano) SKU: HL.48025035 Violin and Piano. Composed by Brett Dean. Boosey & Hawkes Chamber Music. Classical. Softcover. 52 pages. Duration 1020 seconds. Bote & Bock #M202535639. Published by Bote & Bock (HL.48025035). ISBN 9783793142607. UPC: 196288020790. 9.0x12.0x0.171 inches. With Berlin Music, Brett Dean wrote a threefold homage: to the classical duo consisting of violin and piano; to the violin virtuoso Midori, for whom the piece was written; and to the city of Berlin, where he lived between the mid-1980s and 2000 and whose rich cultural life he owes much to his development as a musician and composer. The first four, relatively short movements of the five-movement work form a suite of character pieces, which is followed by a longer final movement. In summary, this turns out to be the actual main movement from which all motifs and harmonies emerged in a compositional manner. This includes tuning down the G side by a whole tone - an apparently small difference, but one that has a major effect on the timbre and resonance of the instrumentand suddenly makes previously impossible interval sequences playable. In addition, the violin in the third movement (a moto perpetuo in which Dean bows to Ravel's violin sonata) has to play with a practice damper, while the pianist changes the instrument and plays on a standing piano that is dampened by a pedal and placed next to the concert grand Expressing nervous energy in tight college spaces. $46.00 - See more - Buy online | | |
| Suite for violin and piano, op. 82 Violin and Piano Barenreiter
Violin, Piano SKU: BA.BA11086 Composed by Thomas Daniel Schlee. Stapled. ...(+)
Violin, Piano SKU: BA.BA11086 Composed by Thomas Daniel Schlee. Stapled. Urauffuhrung 24.10.2017, Wien. Performance score, Part (1). Opus 82. 20/9 pages. Baerenreiter Verlag #BA11086_00. Published by Baerenreiter Verlag (BA.BA11086). ISBN 9790006564446. 32.5 x 25.5 cm inches. A suite whose movements always deliver something other than what they seem to promise. But throughout, the two instruments and respectively their players act like two people in very specific situations:
I.: The opening movement is reserved for the piano; the initially earnest, solitary cantilena intensifies creating expectation. Suddenly II.: the violin sounds. Its moving figures replace the now silent piano, also soloistically. III. „Passacaglia“: The title is taken literally – the two instruments/persons encounter each other in the street. Two musical characters who meet at a specific point, recognize each other, but move on again, each one by itself. IV. „Rondo“: The two of them dance together. Before me, I saw people dancing the Sardana – a round dance – in front of the cathedral of Barcelona. Four themes in different time signatures circle ceaselessly between the two instruments. V. „Fuga“: At last, regardless, panic flight – again the title is taken literally ... Human, only too human …
$37.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Enigma Violin and Piano Theodore Presser Co.
Chamber Music Cello, Clarinet, Flute, Piano, Violin SKU: PR.14440516S Com...(+)
Chamber Music Cello, Clarinet, Flute, Piano, Violin SKU: PR.14440516S Composed by Robert Martin. Full score. With Standard notation. 44 pages. Duration 9 minutes, 15 seconds. Theodore Presser Company #144-40516S. Published by Theodore Presser Company (PR.14440516S). UPC: 680160667864. 9 x 12 inches. In 1979, Martin produced a set of three quintets, in consideration of Gorky's piece Nighttime Enigma Nostalgia. Each is scored for flute, clarinet, violin, cello, and piano. As the title suggests, the music is in a state of perpetual questioning using a variety of approaches. For example, Enigma opens using ostinati (plural of ostinato) that do not match in length, like a staircase with each step a different height. Additionally, the music has sudden starts and stops, again unexplained. There are dramatic and powerful explosive passages that are interrupted. The technique, used to create this feeling of a perplexed music world where things seem often not to make sense and to be left unresolved, is called in poetry and literature, anticlimax. In Enigma, the music suggests one direction; then refuses to continue, striking out in another direction. Artists use approaches such as this to force themselves into creative circumstances that they otherwise might not have discovered. (From the performance notes.). $32.99 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
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