SKU: RM.RUBIN3156
ISBN 9790560143156.
SKU: HL.49004569
ISBN 9790001047876. UPC: 884088599744. 9.0x12.0x0.067 inches.
SKU: M7.AST-7200
ISBN 9790203872009.
SKU: FL.FX073657
Instruments: 1 Violin 1 Piano; Difficuly Level: Grade 5.
SKU: MA.EMR-33826
Possible instrumentations:Violin and CD Play Back / Play AlongViolin and Organ ( Play Back / Play Along CD optional)Violin and Piano ( Play Back / Play Along CD optional).
SKU: HL.49044153
ISBN 9790001197748.
Die Sonate op. 38 entstand im November und Dezember 2000 und ist das einzige unmittelbar autobiographische Stuck, das ich bisher komponiert habe. Es ist dem Gedenken eines toten Freundes gewidmet, den ich 17 Jahre lang aus den Augen verloren und im Sommer 2000 auf dem Friedhof wiedergefunden habe. Ein wahrend der Zeit unserer Freundschaft im Herbst 1983 entstandener Plan fur eine Violinsonate konnte nun verwirklicht werden. Die Initialen des Widmungstragers - A.F. - beherrschen die gesamte Struktur des Werkes. Der erste, in unaufhaltsamer, wilder Bewegung voransturmende Satz speist sich aus zwei ausladenden gesanglichen Themen, das erste aus dem Intervall A - F, das zweite aus dem Intervall (E)S - H gewonnen, die von unaufhorlichen Sechzehntelbewegungen des Klaviers vorangetrieben werden. Der zweite Satz schweisst drei Formteile in einen grossen Variationssatz zusammen: Zunachst Thema und funf Variationen uber Brahms' Volkslied Da unten im Tale, dann ein variierter Scherzosatz uber eben dieses Thema und schliesslich eine gedrangte Passacaglia, die auf der Basis des Klanges A - F die vergangenen musikalischen Ereignisse zusammenpresst. Zum Schluss erscheint noch einmal das Brahms-Lied in entruckter Klanggestalt in der entfernten Tonart E-Dur. Der Text dieses Liedes lautet: Da unten im Tale laufts Wasser so trub,Und i kann dirs net sagen, i hab di so lieb. Sprichst allweil von Lieb, sprichst allweil von Treu,und a bissele Falschheit is au wohl dabei. Und wenn i dirs zehnmal sag, dass i di lieb,und du willst nit verstehen, muss i halt weiterziehen. Fur die Zeit, wo du g'liebt mi hast, dank i dir schon,und i wunsch, das dirs anderswo besser mag gehen. - Stefan Heucke.
SKU: SU.96050230
Violin & Piano Duration: 24' Composed: 2023 Published by: Subito Music Publishing.
SKU: BA.BA04540-01
ISBN 9790006450237. 33 x 26.1 cm inches.
Urtext der Neuen Mozart Ausgabe.
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: PR.114410410
UPC: 680160015214. 8.5 x 11 inches.
SKU: SU.94010210
Violin, Piano Duration: 17' Composed: 2000 Published by: Subito Music Publishing.
SKU: FL.FX072645
A nice blue shark in calm waters for exams or auditions of young instrumentalists... - Pascal PROUST ; A perfect Piece for exams or auditions - for students playing violin for 2 or 3 years onwards ; Instruments: 1 Violin 1 Piano; Difficuly Level: Grade 2; Duration: 2 mn 35 s; Musical Style: Classical, Educational; Category: Original Composition; Composer: Pascal PROUST;.
SKU: BR.EB-10708
In Cooperation with G. Henle Verlag
ISBN 9790201807089. 9.5 x 12 inches.
Bruch's evergreen for the first time in Urtext Thanks to the premiere performance by Joseph Joachim and to the release of the printed edition in 1868, Max Bruch's Violin Concerto no. 1 zipped onto the road to success and has never left it since. Yet from the preface of the BreitkopfUrtext edition,one can infer how things looked like behind the dazzling facade. After the world premiere, the composer struggled for the definitive form. He wrote 3, 4 development sections in the finale, and sought the advice of celebrated virtuosi such as Joseph Joachim and Ferdinand David to revise the solo part. And after all this was done (see above), Bruch suffered under the work's popularity: Have I written nothing but this one concerto? The new Urtext edition is based primarily on the first edition. Next to the main source and the autograph, what is supremely interesting is a solo part with entries by Joachim and Bruch. It confirms how intensively the two men collaborated on honing the final form of the work.In Cooperation with G. Henle Verlag.
SKU: FL.FX072848
Instruments: 1 Violin 1 Piano; Difficuly Level: Grade 4; Duration: 4 mn 10 s; Musical Style: Classical, Educational; Category: Original Composition; Composer: Franz RIES; Arranger: Sarah LABROUSSE-BAERT.
SKU: SU.21010320
Facsimile Manuscript EditionViolin & Piano Duration: 30’ Composed: 1940 Published by: Estate of Edward T. Cone.
SKU: M7.AST-7271
ISBN 9790203872719.
SKU: M7.AST-7002
ISBN 9790203870029.
SKU: M7.AST-7022
ISBN 9790203870227.
SKU: HL.49045418
ISBN 9784890664856. 9.0x12.0x0.135 inches.
Four Imaginary Landscapes from Basho for violin and piano was commissioned by Concert Hall Shizouka. This work consists of four pices which can be performed independently. Three pieces: 2. Spring (Petal by petal fluttering down yellow mountain roses-, Sound of the rapids.) 3. Summer (The summer grass-, holding still the dreams of the stalwart warriors.), and 4. Autumn (Chrysanthemum scent..., in Nara Ancient statues of Momo Kodama (piano) in Shizouka on March 9th, 2007. 1 Winter (Sound of oar hitting waves in the dead of night, Freezing bowels..., tears.) was premiered by Keiko Urushibara (violin) and Shigeo Neriki (piano) in Shizouka on January 14th, 2011. Hisako Takahashi (violin) and Kyoko Sasaki (piano) performed all of the pieces on March 13th, 2011.
SKU: BR.EB-9413
ISBN 9790004188873. 9 x 12 inches.
For a long time after Romanticism had come to the fore, it was generally agreed that Brahms somehow did not get it: History and Progress - it was thought - were proceeding along one clear path and Brahms - who was composing sonatas and symphonies instead of nocturnes and symphonic poems - had taken the wrong way. Almost one century later, Schonberg wrote an essay, Brahms, der Fortschrittliche (Brahms, the progressive), in which he explained that it wasn't like that at all.Fully assuming the risk to appear somehow irreverent, I have to confess: Over the years, I came to the conclusion that the present - and the future - can be created only by loving the past. As Brahms had shown us, it is only by accepting the challenge of taking our heritage into our own hands, that we can create something new. We cannot avoid engaging with the past. Therefore, starting with my Sinfonia n. 1, I began to flirt with such a strong and effective musical structure like the sonata form. I re-read and freely transformed it, because it is a sturdy and resilient structure, but also a theatrical and colorful one. For me, it is a happy structure. And I think that today more than ever we need something like this: We need to find places - even imaginary ones - where we can give happiness a form of its own.Nicola Campogrande, December 2020World premiere: Bologna/Italy, Streaming, April 11, 2021Commissioned by the Fondazione Musica Insieme.
SKU: PR.114419280
ISBN 9781491132357. UPC: 680160676125.
Inspired by Chinese tradition, this concerto-like dance suite includes: 1. Lion Dance, 2. YangKo, and 3. Muqam. Each movement draws from melodies and rhythms characteristic of various regions of China many centuries ago. CHINESE FOLK DANCE SUITE is available for violin with full orchestra, or as a recital work with piano.Supported by a major commissioning award from the Serge Koussevitzky Music Foundation in the Library of Congress, Chinese Folk Dance Suite is written for solo violin and orchestra; it was premiered by The Women’s Philharmonic with violin soloist Terrie Baune, conducted by Apo Hsu, on March 10, 2001, at Yerba Buena Center For the Arts Theater in San Francisco.Inspired by various Chinese traditional folk dances, the suite has three movements:I. Lion Dance. Traditionally, people dance with richly decorated hand-made lions, accompanied by percussion ensemble, to celebrate happy occasions and major festivals throughout the country. In this composition, I use Chinese drum and other percussion instruments in the background, to form a dynamic and rhythmic texture responding to the solo part, which imitates the tunes played on the suona (traditional Chinese trumpet). The pitch materials came from the traditional Guangdong tune “Dragon Boat Racing,†and the Chaozhou tune “Lion Playing Ball.â€II. YangKo. Originating in northern China, this is a major folk dance form in mass performance popularized in the country. In YangKo performance, people play rhythmic patterns on the drums hung around their waists while singing and dancing. In the second movement, I imagined a warm scene of YangKo dancing in distance. The solo violin plays a sweet and gracious melodic line while all members of the orchestra sing non-pitched syllables in different layers as the soft background, to imitate the percussion sound which produces the ever-going pulse.III. Muqam. This large-scale music and dance form, from the Uygur nationality in Xinjiang province, originated in the 15th century. My third movement use a 7/8 meter and the melodic style of Muqam music. The fiery dancing gesture culminates in the sustained climax section at the end of the work, after a colorful violin cadenza in both improvisational singing style and polyphonic writing with woven lines.
SKU: FL.FX074205
A little wordplay for our young string instrumentalists of the 1st cycle, always very attached to their luthier... The music can evoke at the same time the walk of the cat always on the alert, but also the departure of a heavy fishing boat... - Pascal PROUST ; Instruments: 1 Violin 1 Piano; Difficuly Level: Grade 2; Duration: 2 mn 20 s; Musical Style: Classical, Educational; Category: Original Composition; Composer: Pascal PROUST.
SKU: HL.49044134
ISBN 9790001192880. UPC: 888680097493. 9.0x12.0x0.251 inches.
Die Struktur musikalischer Hierarchien in drei Satzen: 'Do' fur die westliche, 'Mi' fur die ostliche, pentatonische Musikkultur, 'Re' im Wechsel. Eotvos baut in seinem zweiten Violinkonzert komplexe Weltbilder; gewidmet ist das Werk der Geigerin Midori.3 (2. auch Picc., 3. auch Altfl.) * 2 (2. auch Engl. Hr.) * 3 (2. auch Es-Klar., 3. auch Bassklar.) * 2 (2. auch Kfg.) - 2 * 2 * 1 * 0 - S. (I [links]: Glsp. * Trgl. [t.] * Bong. (sehr h.) * 2 Rohren (Metall) * Sizzle-Beck. * Marac. * 3 Woodbl. * Chin. Dom-Beck. [t.] - II [Mitte]: Crot. * Xyl. * Trgl. [m.] * Rohrengl. * 2 Gongs * Caxixi * Guiro [m./h.] * Chin. Dom-Beck. [m.] - III [rechts]: Cowbells * 2 Beck. [t./m.] * Trgl. [h.] * Bong. [h.]* Sizzle-Beck. * Marac. * Tamb. * Chin. Dom-Beck. [h.] * Tamt. [t.]) (3 Spieler) - Hfe. * Cel. - Str. (8 * 6 * 6 * 6 * 4 [3./4. 5-Saiter]).
SKU: FL.FX072767
Bright and colorful composition, with melodic lines based on a set of syncopes and provided with a cadence. It is intended for interpreters with technical and musical levels already confirmed. - Alain LOPEZ ; A Piece for students from 7 years of instrument practice ; Instruments: 1 Violin 1 Piano; Difficuly Level: Grade 4.
SKU: HL.49044589
ISBN 9790001202145. UPC: 841886024205. 9.25x12.0x0.1 inches.
Edited from the text of the Carl Maria von Weber Complete Edition by Claudia Theis.
SKU: BR.EB-6794
World premiere Dusseldorf, December 6, 1976CDIgor Ozim (Violine), Gunter Ludwig (Klavier)CD Koch 3-1198-2 BibliographyGudelhofer, Matthias: Jurg Baur. Die spate Kammermusik, Koln: Dohr 2002
ISBN 9790004169919. 9 x 12 inches.
1. Satz Ritornell - Perpetuum mobile 2. Satz Ritornell - Fantasia 3. Satz Mesto 4. Satz Ritornell - Burletta - Ritornell Ein Ritornell (kurz, melodios) umschliesst das ganze Stuck wie eine Rahmenerzahlung, leitet zum 1. , 2. und 4. Satz, steht wie eine besinnliche Frage am Ende (Es war einmal). Die Musik des ganzen Werks ist von allen Zwangen befreit; eine quasi improvisierte Reihung von Formteilen in jedem Satz. Dodekaphonik, Aleatorik, Klangspiele, Cluster wechseln, als Farbe, -als Felder eingesetzt. Das Klavier ubernimmt verschiedene Aufgaben, Begleitung, Gegenrhythmen, Klangfelder, Dialoge mit der Violine; diese wiederum dominiert meist technisch und musikalisch - aber unaufdringlich, fuhrt wie selbstverstandlich den Reigen an. Jeder einzelne Satz ist charakteristisch-typisch gepragt wie ein ,,moment musical. Satz 1 Perpetuum mobile. Technisch sehr anspruchsvoll fur die Violine, - will immer im Spiel bleiben - endet in insistierenden dreifachen Kanon ff - bricht ab - Satz 2 Klangspiele flag. pizz, gliss. , alternierend in Geige und Klavier (Saiteneffekte), Satz 3 Trauermarschahnliches Mesto Klopfgerausche fur Violine und Klavier als Metron, Ausdrucksstarke Kantilenen Satz 4 Mehrteilige humorvolle Burletta endet auf kreisender Violinfigur, fuhrt unmerklich ins Ritornell zuruck. CD Igor Ozim (Violine), Gunter Ludwig (Klavier) CD Koch 3-1198-2 Bibliography Gudelhofer, Matthias: Jurg Baur. Die spate Kammermusik, Koln: Dohr 2002World premiere Dusseldorf, December 6, 1976CD Igor Ozim (Violine), Gunter Ludwig (Klavier)CD Koch 3-1198-2 BibliographyGudelhofer, Matthias: Jurg Baur. Die spate Kammermusik, Koln: Dohr 2002.
SKU: PR.114417660
ISBN 9781491107966. UPC: 680160636211. 9x12 inches.
A microcosmic masterpiece in its own right and defined by the composer as an encore piece, Bitten at the Opera is all that and more. Carter Pann may leave us guessing about some of the references in his music and title - yet we do feel the bite, the melodramatic thrill, the references to Carmen, and the drama of the great Italian tragic operas. Parody aside, Bitten at the Opera is a brilliant 4 1/2 minute showpiece full of lyricism and fire, ideal for punctuating a recital. For advanced performers.
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