SKU: DY.DO-1525
ISBN 9782897963057.
J'aime les formes musicales concises telles que le Prélude et la Fugue, où il y a une idée claire et directe, suivie d'une autre plus complexe et développée.Conformément à cette idée, cette œuvre se compose de deux pièces distinctes, la première - Transfigured Life - vise à attirer l'auditeur avec son rythme rapide et dansant et sa partie de violon simple et mélodique. Il se «transfigure» via quelques courts intermèdes au piano solo en seulement deux notes alternées pour terminer - qui sont le cœur de l'idée originale, maintenant clarifiée en effaçant tout le reste.Le deuxième morceau - Still Life - conserve son sentiment de quiétude grâce à une ligne de piano simple qui laisse beaucoup d'espace à la partie contrastée (mais encore une fois simple) du violon. En tant que pièce absolue et non programmatique, le titre fait référence uniquement à la couleur et au rythme atmosphériques ; c'est à l'auditeur de voir la « nature morte » de son choix dans son esprit.Une note sur les performances :Malgré ma référence à des lignes « simples » et l'évitement déterminé par l'œuvre des grincements modernistes traditionnels, l'œuvre présente certains défis d'exécution en termes de phrasé et d'ensemble qui nécessitent des compétences et une musicalité considérables. L'œuvre a eu le privilège d'être récemment enregistrée par le violoniste Ezgi Sarıkcıoğlu et la pianiste Rossitza Stoycheva, et est disponible sur toutes les principales plateformes :https://open.spotify.com/album/6p5YIe17ci0UMuo2RqZgjRhttps://music.apple.com/gb/album/transfigured-life-still-life-world-premiere-recording/1738035953Envoyer des commentairesTransfigured Life - Still Life, Op. 165 (violin and piano) - David BraidI am keen on concise musical forms such as Prelude and Fugue, where there is one clear straightforward idea, followed by another that is more involved and developed. In keeping with that idea, this work consists of two distinct pieces, the first - Transfigured Life - aims to draw in the listener with its quick, dancing rhythm and simple, melodic violin part. It 'transfigures' via a few short solo piano interludes into just two alternating notes to end - which are the core of the original idea, now made clear by clearing everything else out of the way.The second piece - Still Life - retains its sense of stillness through an uncomplicated piano line that gives lots of space for the violin's contrasting (but again simple) part. As an absolute, not programmatic, piece the title refers to the atmospheric colour and pacing only; it's up to the listener to see 'Still life' of their choosing in their own mind.A note on performance: Despite my reference to 'simple' lines, and the work's determined avoidance of mainstream modernist squeak - the work has certain performance challenges of phrasing and ensemble that requires considerable skill and musicianship. The work has had the privilege of being recently recorded by violinist Ezgi Sarıkcıoğlu and pianist Rossitza Stoycheva, and is available on all major platforms:https://open.spotify.com/album/6p5YIe17ci0UMuo2RqZgjRhttps://music.apple.com/gb/album/transfigured-life-still-life-world-premiere-recording/1738035953.
SKU: BT.DHP-1115209-400
ISBN 9789043142304. 9x12 inches. English-German-French-Dutch.
Study and Play is ideal for developing your playing in an enjoyable and musically sound way. Each edition within this concept features a CD to add something extra to your study routine. When you play this Concertino Op. 96 the CD allows you to practise at a slower study tempo, as well as the normal tempo, so that you can improve your insight into the music. The carefully edited volume also contains a violin part and a piano part. Of course, the superb CD is also great to play along with if thereâ??s no pianist available. You will find this is a fun and instructive enrichment of your repertoire.Study and Play is het ideale concept om je spel op een plezierige en verantwoorde manier te ontwikkelen. Bij elke uitgave onder deze noemer wordt een cd meegeleverd die iets extraâ??s toevoegt aan je studiemethode. In het geval van dit Concertino op.96 biedt de cd je de mogelijkheid om te studeren in zowel het gewone tempo als een rustig oefentempo, waardoor je je inzicht in de muziek kunt verbeteren. De verzorgde set bestaat verder uit een vioolpartij en pianopartij. Natuurlijk is de sublieme cd ook geschikt om mee samen te spelen als er geen pianist beschikbaar is. Dit is beslist een leuke en leerzame verrijking van je repertoire.Study and Play ist das ideale Konzept, um auf vergnügliche und sinnvolle Weise ein gutes Spiel zu entwickeln. Jedem Buch mit diesem Konzept ist eine CD beigefügt, welche die tägliche Ã?bungsroutine individuell ergänzt.Mit Hilfe der CD kann dieses Concertino Op. 96 im langsameren Ã?bungstempo sowie auch im normalen Tempo gespielt werden, so dass man sich zunächst ganz auf das Violinspiel konzentrieren kann und dabei die Musik kennen lernt. Diese sorgfältig ausgearbeitete Ausgabe enthält auÃ?erdem eine Violin- und eine Klavierstimme. Die exzellente CD eignet sich selbstverständlich auch bestens zum Mitspielen, wenn kein Pianist zur Verfügung steht. DiesesConcertino Op. 96 ist eine ebenso reizvolle wie lehrreiche Erweiterung des Repertoires. Study and Play est le concept idéal pour développer votre jeu dans un environnement plaisant et solidement structuré. Chaque recueil basé sur ce concept est accompagné dâ??un compact disc qui apporte un plus votre routine de travail. Le compact disc vous permet de jouer ce Concertino Op. 96 tant dans le tempo normal que dans un tempo dâ??étude plus lent afin que vous puissiez vous concentrer sur votre technique de jeu tout en ayant un meilleur aperçu de la structure de la pièce. Ce recueil réalisé avec soin propose, hormis la partie de violon, la partie dâ??accompagnement de piano pour tous ceux qui disposent dâ??un pianiste accompagnateur. Si tel nâ??est pas le cas, utilisezsimplement le superbe accompagnement enregistré sur le compact disc. Concertino Op.96 constitue un enrichissement ludique et pédagogique de votre répertoire. Study and Play è il concetto ideale per sviluppare il vostro modo di suonare in un contesto piacevole e solidamente strutturato. Il CD vi permette di suonare sia a tempo normale che più lento, al fine di migliorare la concentrazione sullo studio della tecnica e avere un migliore approccio con le varie parti del brano. Le parti dellâ??accompagnamento al pianoforte incluse nelle pubblicazioni (versione cartacea) vi permettono di suonare con un pianista accompagnatore.
SKU: MA.EMR-45000
Scotland / Fleas Jumping / There Is A Green Hill Far Away / Cadet Rousselle / Dangerous Liaisons / Sadness / Toys' Procession / Home On The Range / The Blue Danube / Can-Can / Farther and Farther / Going Up / The King of Sliding / Swanee River...
SKU: PR.14440517S
UPC: 680160667888. 9 x 12 inches.
In 1979, Martin produced a set of three quintets, in consideration of Gorky's piece Nighttime Enigma Nostalgia. Each is scored for flute, clarinet, violin, cello, and piano. There are passages in Nostalgia that build using two layers, a louder foreground and a quieter background. Both of these layers are independent of specific instruments, in other words, the various instruments jump in to play a role in either layer, then jump to the other layer. It is as if the ensemble has doubled. The technical musical term for multiple instruments interweaving to produce a single thread or idea is called Klangfarbenmelodie (tone-color-melody). Because there are two layers (louder and softer), both using this technique, Nostalgia is a unique example of 'double Klangfarbenmelodie.' The piece ends with a series of intense rhythmic pulsations and several apocalyptic fanfares. (From the performance notes.).
SKU: PR.414411630
ISBN 9781491114551. UPC: 680160089956. 9.5 x 13 inches.
EXCURSIONS is a one-movement work exploring two “characters.†A rhapsodic, descending passage is introduced by the cello, followed by a static, chorale-like phrase for the violin and cello. Their individual developments are separated by a slow, contrasting middle section. The composer has written: “This is analogous to situations in life: we stand by a crossroad, choosing one option and forfeiting the other. But in art, the realm of the imagination, we can perhaps afford to pursue more than one route to its ultimate destination… or can we? It is symbolic that in this work both roads eventually lead to the same place.â€.Excursions for violin, cello and piano, is a one-movement work of tripartite structure in which materials explored in the first of three large sections are brought back in the last section. The traditional statement-contrast-restatement form, which is readily suggested by such a description, is, however, not at all in the mold in which the work is cast. Rather, my aim was to subject the essential materials of the piece (two “characters†–the rhapsodic, descending passage played by the cello in the very opening and, later, a static, slow moving, chorale-like phrase for the violin and cello) to two entirely different developments separated by a slow, contrasting middle section. This is analogous to an exploration of the ramifications that two divergent choices made by the same person might lead to. In life, as we stand by a crossroad, choosing one option usually means having to forfeit the other. But in art, the realm of the imagination, we can perhaps afford to pursue more than one route to its ultimate destination…or can we? It is, I believe, symbolic that in this work both roads eventually lead to the same place: in composing Excursions, it seemed absolutely inescapable that at the end the slow, contrasting middle sections – both more resigned and peaceful than the battling spirits of the outer parts – should return briefly to end the work. The piano trio combination (once highly favored, but to this composer still as challenging today) is approached here as a collaborative effort of three equal soloists – partners. Of the available pairings, the two strings find themselves occasionally approached as a team pitted against the piano. The cello-piano combination is also not uncommon here, and there is an extended violin cadenza toward the end of the piece. The writing for the three instruments is closely and at times interlinked, but the players are all instructed to play from scores. Excursions was first performed at Brandeis University in 1982.
SKU: HL.14004213
9.0x12.0x0.175 inches.
Five Pieces for Violin and Orchestra was commissioned by Frederick Grinke and completed on 20 December 1961. The BBC Symphony Orchestra with Frederick Grinke (violin) and conducted by the composer, gave the first performance on 31 July 1962 at the Royal Albert Hall, London during the BBC Proms season. This work is so constructed that each piece is complete in itself and can be played separately, while at the same time the whole set of five constitutes a structural unit. A basic motif consisting of a rising semitone followed by a falling tone, and its inversion plays an important part in every piece. Thus the first piece, which is of a slow and meditative character, begins with this theme in the bass. It is also heard in the first entry of the solo part, and thereafter every episode is in some way derived from it. The next piece, a vigorous and strongly marked 'allegro', uses the semitone of the original figure as its starting point. A second theme appears, first on the horns and is later taken up by the solo violin, while a third section has the initial idea as its accompaniment. Next comes an extended scherzo in free form very closely based on initial motif. The fourth is a purely melodic piece containing allusions in its middle section to the basic figure. Here the strings only are used for accompaniment. In the first section, violas and cellos are divided in the middle section, and all the strings are used in the last, which is otherwise an almost exact repetition of the opening. The Finale is a lighter movement than the others, concerned mainly with giving the soloist material for display, but not unconnected with what has gone before.
SKU: HL.51481275
UPC: 888680991661. 9.25x12.25x0.157 inches.
“Memory of a dear place†is the title given to this collection of three enchanting pieces for violin and piano. The “place†in question was the country estate of Brailov that belonged to Tchaikovsky's patron and friend Nadezhda von Meck. He stayed there in idyllic seclusion in May 1878 and completed this work. These pieces were composed very close in time to his Violin Concerto, and they too demonstrate Tchaikovsky's matchless gifts as a Romantic master of melody. For this edition, the Russian Tchaikovsky specialist Alexander Komarov offers the highest degree of editorial precision, having drawn on all the relevant sources from both Russian and international archives. In the course of his work he has also been able to disprove beyond a doubt the view held up to now that the title Souvenir d'un lieu cher was only added after Tchaikovsky's death.
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SKU: AP.36-52710047
ISBN 9781628762655. UPC: 746241220431. English.
Eight beautiful arrangements of well-known American hymns and spirituals. Hymns included: 1. How Firm a Foundation 2. Come Thou Fount of Every Blessing 3. Spiritual 4. Simple Gifts 5. There is a Fountain 6. Be Thou My Vision 7. Holy Manna 8. Shall We Gather at the River?
These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.
SKU: HL.48024685
ISBN 9781784545406. UPC: 888680952594. 9.0x12.0x0.323 inches.
Dating from 2015, this work was a commission from the London Philharmonic Orchestra, Stiftung Berliner Philharmoniker, Swedish Radio Symphony Orchestra, Radio France and New York Philharmonic. Its dedicatee is Frank Peter Zimmermann, whose performance suggestions have been incorporated into the score. Cast in a single 25-minute span, the concerto falls into three movements, plus cadenza. London's Financial Times commented,...there is no lack of technical discipline. The atmosphere, though, is brooding...a panoramic vista opens up of dark clouds over forests and lakes, of repressed passions and baleful desires..
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