SKU: BT.EMBZ14935
Hungarian-English-German-French.
It's an unforgettable experience to go on stage for the first time and win applause with your playing. This album encourages children to make a first appearance and gives effective help in doing so. It brings together pieces that can be used to achieve real success they comprise easy arrangements of favorite works by Dowland, Vivaldi, Handel, Bach, Haydn, Mozart, Weber, Schubert, Schumann, Liszt, and Brahms. The CD enclosed with the publication includes recordings of the piano accompaniment for each piece and a full performance by noted Hungarian musicians. This CD makes practice at home easier and gives assistance with performance style as well. The publication offers numerouspieces of advice to young violinists, including how to get ready for a concert, how to control stage fright, and how to be confident on stage. In addition, it has features some charming illustrations by Edit Szalma. It’s an unforgettable experience to go on stage for the first time and win applause with your playing. This album encourages children to make a first appearance and gives effective help in doing so. It brings together pieces that can earn realsuccess: easy arrangements of favorite works by Dowland, Vivaldi, Handel, Bach, Haydn, Mozart, Weber, Schubert, Schumann, Liszt, Anton Rubinstein and Brahms. The CD enclosed with the publication includes recordings of the piano accompaniment for eachpiece and a full performance by noted Hungarian musicians. So the disc makes practice at home easier and gives assistance with performance style as well. The publication offers numerous pieces of advice to young violinists, including: how to getready for a concert, how to control stage fright, and how to be confident on stage. In addition, some charming illustrations by Edit Szalma are included.Es ist ein unvergessliches Erlebnis, wenn wir zum ersten Mal das Podium betreten und mit unserem Spiel Erfolg ernten. Dieses Album möchte die Kinder zu ihren ersten Auftritten ermuntern und ihnen dazu eine effektive Hilfestellung bieten. Es enthält deshalb lauter Stücke, mit denen man wirklich erfolgreich sein kann: leichte Transkriptionen der beliebtesten Werke von Dowland, Vivaldi, Händel, Bach, Haydn, Mozart, Weber, Schubert, Schumann, Liszt, Anton Rubinstein und Brahms. Auf der CD-Beilage des Albums sind - von namhaften ungarischen Interpreten vorgetragen - die Klavierbegleitung sämtlicher Stücke und deren vollständige Fassung zu hören.
SKU: YM.GTW01100445
ISBN 9784636103052. 8.5 x 12 inches.
Here, you can enjoy the beautiful Japanese classic tunes expressing the changing seasonal sentiments in this book. It features 25 songs, mainly nursery rhymes, children's songs, and shoka songs, and it comes with a karaoke CD of piano accompaniment. Please enjoy these wonderful arrangements, which are perfect for recitals and concerts.
SKU: DY.DO-1525
ISBN 9782897963057.
J'aime les formes musicales concises telles que le Prélude et la Fugue, où il y a une idée claire et directe, suivie d'une autre plus complexe et développée.Conformément à cette idée, cette œuvre se compose de deux pièces distinctes, la première - Transfigured Life - vise à attirer l'auditeur avec son rythme rapide et dansant et sa partie de violon simple et mélodique. Il se «transfigure» via quelques courts intermèdes au piano solo en seulement deux notes alternées pour terminer - qui sont le cœur de l'idée originale, maintenant clarifiée en effaçant tout le reste.Le deuxième morceau - Still Life - conserve son sentiment de quiétude grâce à une ligne de piano simple qui laisse beaucoup d'espace à la partie contrastée (mais encore une fois simple) du violon. En tant que pièce absolue et non programmatique, le titre fait référence uniquement à la couleur et au rythme atmosphériques ; c'est à l'auditeur de voir la « nature morte » de son choix dans son esprit.Une note sur les performances :Malgré ma référence à des lignes « simples » et l'évitement déterminé par l'œuvre des grincements modernistes traditionnels, l'œuvre présente certains défis d'exécution en termes de phrasé et d'ensemble qui nécessitent des compétences et une musicalité considérables. L'œuvre a eu le privilège d'être récemment enregistrée par le violoniste Ezgi Sarıkcıoğlu et la pianiste Rossitza Stoycheva, et est disponible sur toutes les principales plateformes :https://open.spotify.com/album/6p5YIe17ci0UMuo2RqZgjRhttps://music.apple.com/gb/album/transfigured-life-still-life-world-premiere-recording/1738035953Envoyer des commentairesTransfigured Life - Still Life, Op. 165 (violin and piano) - David BraidI am keen on concise musical forms such as Prelude and Fugue, where there is one clear straightforward idea, followed by another that is more involved and developed. In keeping with that idea, this work consists of two distinct pieces, the first - Transfigured Life - aims to draw in the listener with its quick, dancing rhythm and simple, melodic violin part. It 'transfigures' via a few short solo piano interludes into just two alternating notes to end - which are the core of the original idea, now made clear by clearing everything else out of the way.The second piece - Still Life - retains its sense of stillness through an uncomplicated piano line that gives lots of space for the violin's contrasting (but again simple) part. As an absolute, not programmatic, piece the title refers to the atmospheric colour and pacing only; it's up to the listener to see 'Still life' of their choosing in their own mind.A note on performance: Despite my reference to 'simple' lines, and the work's determined avoidance of mainstream modernist squeak - the work has certain performance challenges of phrasing and ensemble that requires considerable skill and musicianship. The work has had the privilege of being recently recorded by violinist Ezgi Sarıkcıoğlu and pianist Rossitza Stoycheva, and is available on all major platforms:https://open.spotify.com/album/6p5YIe17ci0UMuo2RqZgjRhttps://music.apple.com/gb/album/transfigured-life-still-life-world-premiere-recording/1738035953.
SKU: BR.EB-9250
World premiere: Toronto, November 17, 2016Written for the Duo Wapiti (Genevieve Liboiron, Daniel Anez)
ISBN 9790004185506. 10 x 12.5 inches.
Whereas Nono considered the world to be only fragmentarily analyzable, so-called consumer capitalism increasingly intrudes upon ego structures, by fragmenting them to the point of: assumed insufficiency, i.e., was consumption a form of infiltration?, or: in television you can see models licking face cream because it's so rich etc. (retranslated), as Meredith Haaf cited in her book review (SZ / 23.05.2016 Alexandra Kleeman: You Too Can Have A Body Like Mine) , and to the point of similar perfection-senselessness. Music doesn't do things by halves. Even when events or notes are puffed up, they can retain elegance and significance. Other ego amplitudes are of violinistic nature or are favourite memories - Paganini's Capricci, Stockhausen's Studie I, Steve Reich, the tone C and similar things. The craziest egos are quantums, because at no time are they identical with themselves. They can entangle and superpose, are nonlocal, etc. Although the sound character in this Duo is fairly open, I believe I succeeded in making probability waves of harmonic stopovers perceptible. This means hearing without analyzing and without constantly measuring. Nonlocality - without messenger particles - means no harmonic steps, but with the capacity to interact. (Nicolaus A. Huber, May 2016)World premiere: Toronto, November 17, 2016 Written for the Duo Wapiti (Genevieve Liboiron, Daniel Anez).
SKU: BT.EMBZ13045
Tomasso Antonio Vitali was born in 1663 in Bologna and died in 1745 in Modena. His father, Giovanni Battista Vitali was one of the most famous musicians of his time. The young Vitali must have received most of his musical education from him. The present edition of Vitali's four sonatas is a selection from the composer's twelve sonatas surviving in manuscript. The four selected sonatas do not put too high technical demands on the violin so that even students with only some years violin training can safely perform them. Territorial restrictions may apply. Please ask before ordering.Tomasso Antonio Vitali wurde 1663 in Bologna geboren und starb 1745 in Modena. Sein Vater, Giovanni Battista Vitali, war ein namhafter Musiker seiner zeit. Der junge Vitali erhielt wahrscheinlich seine musikalische Ausbildung überwiegend von ihm. Die hier veröffentlichten vier Sonaten sind eine Auswahl aus den zwölf, im Autograph überlieferten Sonaten des Komponisten. Die ausgewählten vier Sonaten stellen an den Geiger keine besonders hohen Anforderungen, so dass ihr Vortrag schon nach einigen Jahren Instrumentalstudium zu empfehlen ist.
SKU: M7.VHR-3435
ISBN 9783864341014.
Die kleinen Duos erzählen von Rittern und Seeräubern, malen Landschaftsbilder, lassen Drachen steigen und entführen ins Reich der Tiere. Die Ausgabe richtet sich gleichermaßen an Geigen- wie an Klavierschüler/-innen mit Freude am gemeinsamen Musizieren. 1. und 2. Griffart Die Ausgabe einthält einen 20-seitigen Einleger für Violine.
SKU: HL.50487428
ISBN 9790080130452. 9.25x12.0x0.134 inches. Antonio Tomasso Vitali; Lajos Vigh.
Tomasso Antonio Vitali was born in 1663 in Bologna and died in 1745 in Modena. His father, Giovanni Battista Vitali was one of the most famous musicians of his time. The young Vitali must have received most of his musical education from him. The present edition of Vitali's four sonatas is a selection from the composer's twelve sonatas surviving in manuscript. The four selected sonatas do not put too high technical demands on the violin so that even students with only some years violin training can safely perform them. Territorial restrictions may apply. Please ask before ordering.
SKU: FG.55011-635-1
ISBN 9790550116351.
In 1929 Sibelius sent some small pieces to the New York publisher Carl Fischer for consideration. Included among these was the Suite for Violin and String Orchestra, to which he had assigned the opus number 117. The Suite for Violin and String Orchestra represents the culmination point in a series of works written for violin and orchestra which started with the serenades op. 69 and continued with the Six Humoresques opp. 87 & 89. Together these works bear witness to the composer's deep insight into the instrumental possibilities of the violin. In these works, more limited in formal scope than the Violin Concerto though they be, the voice of the solo violin - Sibelius' second mother-tongue - unites with the orchestral writing of a mature and experienced symphonist. The reduction and solo part are published together for the first time. ---.
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