| Reflection Violin and Piano Faber Music Limited
Op. 31a. Composed by Oliver Knussen (1952-). Solo; Solo Small Ensembles; Strin...(+)
Op. 31a. Composed by Oliver
Knussen (1952-). Solo; Solo
Small Ensembles; String -
Violin and Piano. Faber
Edition. 20th Century.
Part(s); Score. Faber Music
#12-0571520561. Published by
Faber Music
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| Violin Concerto No. 3 Violin and Piano Schott
Piano; Violin - difficult SKU: HL.49007780 Piano Reduction with Solo P...(+)
Piano; Violin - difficult SKU: HL.49007780 Piano Reduction with Solo Part. Composed by Hans Werner Henze. Sheet music. Edition Schott. Classical. Piano Reduction with Solo Part. Composed 1997. 54 pages. Duration 25'. Schott Music #ED 8103. Published by Schott Music (HL.49007780). ISBN 9790001120630. UPC: 073999295542. 9.0x12.0x0.231 inches. Three musical portraits composed in 1997 and based on Thomas Mann's novel 'Dr. Faustus.' Piano reduction with solo violin part. Piano reduction by Olga Kroupova. $48.00 - See more - Buy online | | |
| In 27 Pieces: the Hilary Hahn Encores Violin and Piano Boosey and Hawkes
Violin and Piano. By Hilary Hahn. By Various. Boosey and Hawkes Chamber M...(+)
Violin and Piano. By Hilary Hahn. By Various. Boosey and Hawkes Chamber Music. Classical, Contemporary. Softcover. 340 pages. Boosey and Hawkes #M051107933. Published by Boosey and Hawkes (HL.48023059).
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| Spanish Dances Violin and Piano SSA G. Henle
Score and Part Piano Accompaniment; Violin (Score and Solo Part) - x, x, x, x (+)
Score and Part Piano Accompaniment; Violin (Score and Solo Part) - x, x, x, x SKU: HL.51481370 Violin and Piano. Composed by Pablo de Sarasate. Edited by Peter Jost. Arranged by Ingolf Turban. Sheet Music. Paperbound. Henle Music Folios. With marked and unmarked string parts. Classical. Softcover. 120 pages. G. Henle #HN1370. Published by G. Henle (HL.51481370). ISBN 9790201813707. UPC: 888680749972. 9.25x12.25x0.391 inches. Just like many other violin virtuosos of the 19th century, Pablo de Sarasate also composed a series of pieces for violin and piano (or orchestra) for his own concert use. Highly virtuosic salon pieces with echoes of national folk music traditions from all over Europe are at the centre. Sarasate published his eight Spanish dances in four books between 1878 and 1882. They alternate between fiery passion and a yearning expressiveness, and are undoubtedly among his most successful compositions. In masterly fashion, Sarasate here mixes up Spanish folk tunes with arrangements of popular compositions of the time. As in the case of the Henle Urtext edition of Sarasate's Zigeunerweisen (HN 573), a violin wizard of our own time is responsible for the fingerings and bowings: Ingolf Turban. About Henle Urtext What I can expect from Henle Urtext editions: - error-free, reliable musical texts based on meticulous musicological research - fingerings and bowings by famous artists and pedagogues
- preface in 3 languages with information on the genesis and history of the work
- Critical Commentary in 1 – 3 languages with a description and evaluation of the sources and explaining all source discrepancies and editorial decisions
- most beautiful music engraving
- page-turns, fold-out pages, and cues where you need them
- excellent print quality and binding
- largest Urtext catalogue world-wide
- longest Urtext experience (founded 1948 exclusively for Urtext editions)
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| Phaedrus Violin and Piano Theodore Presser Co.
Chamber Music Clarinet, Piano, Violin SKU: PR.164002390 Composed by Dan W...(+)
Chamber Music Clarinet, Piano, Violin SKU: PR.164002390 Composed by Dan Welcher. Set of Score and Parts. With Standard notation. Composed 1995. 26+14+14 pages. Duration 14 minutes. Theodore Presser Company #164-00239. Published by Theodore Presser Company (PR.164002390). UPC: 680160038091. I became interested in the work of Plato through my friend and collaborator, the writer and philosopher Paul Woodruff. Paul's new translation, with Alexander Nehamas, of the Symposium gave me insights into ancient Greek ways of thinking about Love, Beauty, and Wisdom -- and managed to keep the earthy, and often bawdy side of it all in full view. But their new translation of Plato's later dialogue Phaedrus went even further: the beauty of the speeches is breathtaking, and the discourse itself is enough to keep one awake at night. Basically the Great Speech of Socrates in the Phaedrus dialogue has to do with the place of Eros in the world, and with the conflict in the soul between fleshly pleasure and philosophic discovery. I will not attempt to encapsulate this brilliant discourse in a program note: suffice it to say that reading it gave rise to my two-sided work for clarinet, violin, and piano, Phaedrus. The first movement represents the Philosophic life, and is thus subtitled Apollo's Lyre (Invocation and Hymn). It begins with an unaccompanied melody for the clarinet, which (after a pair of harp-like flourishes for the piano, expands into an accompanied canon. The voices in the dialogue (clarinet and violin) follow each other by a prescribed number of beats, but the music is totally devoid of any meter at all. The piano, representing the lyre, accompanies this lyric love-feast with repeated strummed chords. The canon has three large sections, and ends with violin echoing the unaccompanied clarinet invocation as the sound of the lyre fades. The second movement, called Dionysus' Dream-Orgy (Ritual Dance) presents, after a brief introduction, another kind of unmetered music. Rather than long lyric flights of philosophic song, however, this time we hear a unison dance of unbridled energy and sensual transport. The piece soon forms itself into a loose arch form, with contrasting metered dance sections divided by the unison unmetered orgy tune. Midway through the movement, Apollo's melody returns from the first movement, but it is a temporary reminiscence. The orgiastic dance returns, reaches a climax, and ends with a stomping of feet. While Plato asserts that a proper balance between lust and reason is necessary in all men, he (naturally) gives the nod to Philosophy as the better choice in which to live. Not so in my music: the two sides are meant to coexist and to complement each other. No sides are taken. Phaedrus was commissioned of the Verdehr Trio by Michigan State University. It is dedicated to the Vedehr Trio with great affection and admiration. $85.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Romanze for violin and piano Violin and Piano Fennica Gehrman
Violin, piano SKU: FG.55011-466-1 Composed by Armas Jarnefelt. Fennica Ge...(+)
Violin, piano SKU: FG.55011-466-1 Composed by Armas Jarnefelt. Fennica Gehrman #55011-466-1. Published by Fennica Gehrman (FG.55011-466-1). ISBN 9790550114661. Armas Jarnefelt (1869-1958) was a Finnish composer and conductor. Jarnefelt studied in Berlin in 1890-91 with Albert Becker as his teacher. In addition to composing studies, Jarnefelt fully enjoyed the life that a bustling metropolis could offer to a young man - concerts, operas, cafe life etc. Romanze, composed for Geraldine Morgan, was premiered in Helsinki in February 1892. According to critics (notably Bis Wasenius) the work was un-Finnish, perhaps echoing the continental winds Jarnefelt had experienced in Berlin. That aside, Jarnefelt's future brother-in-law, Jean Sibelius, analyzed the Romanze in a letter to his fiancee, Aino, sister of Armas: I think Romanze is a fine technical accomplishment, even the structure works well, given the theme as it is. But Armas certainly can do better than this, he should not waste his efforts in small-scale [salon] music. - Armas will find his own way and will be hailed as the greatest musician of this country.. $26.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
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