Instrumental, Strings, Solo violin and piano

SKU: HP.9025

Composed by Various. Arranged by Abby Lockaby. Essential Vocal Duets. Hymn Arrangements, General Worship, Adoration, Assurance, God - Faithfulness, Gratefulness, Jesus Christ - Majesty, Jesus Christ - Name. Instrumental parts. 54 pages. Hope Publishing Company #9025. Published by Hope Publishing Company (HP.9025).

UPC: 763628190255.

Traditional hymns arranged for violin & piano This collection of exquisite violin solos, based on classic hymn tunes, with piano accompaniments, are finely crafted and useful for many occasions.

Choral Piano, Violin

SKU: HP.C6304

Composed by Andrae Crouch. Arranged by Paul Langford. Piano with optional Violin (Included). Spirituals & Gospel, Thanksgiving, General Worship, Blood, Devotion, Discipleship, Gratefulness, Jesus Christ - Love, Jesus Christ - Redeemer, Adoration & Praise. Octavo. 12 pages. Hope Publishing Company #C6304. Published by Hope Publishing Company (HP.C6304).

UPC: 763628163044.

Popular song by Andrae Crouch Staying true to the original, this fresh setting gives the choir an opportunity to sing a heartfelt anthem of praise and personal thanks for the things God has done. The optional violin part underscores the earnestness of the message.

By Joshua Evanovich. For solo violin and piano. Book & accompaniment CD. Published by Hope Publishing Company

Arranged by John F. Wilson. For C instrument solo (or duet) and piano accompaniment. Format: instrumental solo/duet book. With standard notation, solo part, harmony part and piano accompaniment. Christian. 9x12 inches. Published by Hope Publishing Company.

Piano; Violin - intermediate

SKU: HL.49019514

Violin and Piano. Composed by Joe Duddell. This edition: Saddle stitching. Sheet music. String. Classical, Contemporary. Softcover. Composed 2010. 24 pages. Duration 9'. Schott Music #ED13358. Published by Schott Music (HL.49019514).

ISBN 9790220132575. 9.0x12.0x0.111 inches.

“All Stars Aligned was originally to be a set of variations on a theme that is almost hidden in the opening bars. However, the piece took on much more of a fantasia feel and shape as I wrote it and it could be argued that a second theme first heard in the violin of the ground (derived from material in bar 5) becomes more dominant than the first as the piece progresses. The piece is in one continuous movement but is in three distinct sections and tempi: medium, slow and fast. The material shares some similarities with my piano trio, Nightswimming, and in some ways can be seen as a companion piece (minus the cello of course). The title comes from a track on an album by the artist St. Vincent called Marry Me which I hope is appropriate for a piece commissioned to celebrate a wedding anniversary.” Joe Duddell 2010.