SKU: HL.50511900
ISBN 9790080031889. B/4 (24,3 x 33,6 cm) inches. Hungarian, German.
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SKU: LM.JJ17981
ISBN 9790230817981.
Prelude - Parodie - Pause - Parcours.
SKU: HL.319672
ISBN 9781540067784. UPC: 888680972059. 9.0x12.0x0.062 inches.
SKU: DY.DO-1525
ISBN 9782897963057.
J'aime les formes musicales concises telles que le Prélude et la Fugue, où il y a une idée claire et directe, suivie d'une autre plus complexe et développée.Conformément à cette idée, cette œuvre se compose de deux pièces distinctes, la première - Transfigured Life - vise à attirer l'auditeur avec son rythme rapide et dansant et sa partie de violon simple et mélodique. Il se «transfigure» via quelques courts intermèdes au piano solo en seulement deux notes alternées pour terminer - qui sont le cœur de l'idée originale, maintenant clarifiée en effaçant tout le reste.Le deuxième morceau - Still Life - conserve son sentiment de quiétude grâce à une ligne de piano simple qui laisse beaucoup d'espace à la partie contrastée (mais encore une fois simple) du violon. En tant que pièce absolue et non programmatique, le titre fait référence uniquement à la couleur et au rythme atmosphériques ; c'est à l'auditeur de voir la « nature morte » de son choix dans son esprit.Une note sur les performances :Malgré ma référence à des lignes « simples » et l'évitement déterminé par l'œuvre des grincements modernistes traditionnels, l'œuvre présente certains défis d'exécution en termes de phrasé et d'ensemble qui nécessitent des compétences et une musicalité considérables. L'œuvre a eu le privilège d'être récemment enregistrée par le violoniste Ezgi Sarıkcıoğlu et la pianiste Rossitza Stoycheva, et est disponible sur toutes les principales plateformes :https://open.spotify.com/album/6p5YIe17ci0UMuo2RqZgjRhttps://music.apple.com/gb/album/transfigured-life-still-life-world-premiere-recording/1738035953Envoyer des commentairesTransfigured Life - Still Life, Op. 165 (violin and piano) - David BraidI am keen on concise musical forms such as Prelude and Fugue, where there is one clear straightforward idea, followed by another that is more involved and developed. In keeping with that idea, this work consists of two distinct pieces, the first - Transfigured Life - aims to draw in the listener with its quick, dancing rhythm and simple, melodic violin part. It 'transfigures' via a few short solo piano interludes into just two alternating notes to end - which are the core of the original idea, now made clear by clearing everything else out of the way.The second piece - Still Life - retains its sense of stillness through an uncomplicated piano line that gives lots of space for the violin's contrasting (but again simple) part. As an absolute, not programmatic, piece the title refers to the atmospheric colour and pacing only; it's up to the listener to see 'Still life' of their choosing in their own mind.A note on performance: Despite my reference to 'simple' lines, and the work's determined avoidance of mainstream modernist squeak - the work has certain performance challenges of phrasing and ensemble that requires considerable skill and musicianship. The work has had the privilege of being recently recorded by violinist Ezgi Sarıkcıoğlu and pianist Rossitza Stoycheva, and is available on all major platforms:https://open.spotify.com/album/6p5YIe17ci0UMuo2RqZgjRhttps://music.apple.com/gb/album/transfigured-life-still-life-world-premiere-recording/1738035953.
SKU: HL.48025296
UPC: 196288174325.
“Being Russian born I have a strong connection to the ballet scores of Tchaikovsky, Prokofiev and Stravinsky, and as a result in theWild Swans, more than in any other work of mine, I allowed myself the freedom to roam through 200 years of musical genres, ranging from Hungarian Operetta through folk music and even including the influences of jazz and popular music,†says Elena Kats-Chernin. The full-length work, which premiered in Sydney in 2003, was written for choreographer Meryl Tankard after the two artists had already worked together for the opening ceremony of the 2000 Olympic Games, and became one of the composer's greatest successes. Many excerpts in various arrangements have a concert life of their own today - including the world-renowned Eliza Aria. Arranged by the composer in 2004 for violin and piano after the original orchestral version, the half-hour suite comprises ten characteristic movements: Green Leaf Prelude, Eliza Aria, Brothers, Wicked Witch (piano solo), Magic Spell Tango, Glow Worms, Darkness of the Forest, Eliza and the Prince, Mute Princess, Transformation.
SKU: BR.SON-454
ISBN 9790004803646. 9 x 12 inches.
The Violin Concerto in E minor, op. 64, and the Sonata in F minor, op. 4, are the only works for solo violin that Mendelssohn had had printed during his lifetime. However, his complete oeuvre includes other completed or fragmentary compositions, including two further concertos and several unfinished sonatas and other individual pieces. He himself had an extraordinary command of the violin and entrusted the instrument in several other works, such as the Octet op. 20 or the concert aria Infelice! - Ah, ritorno, eta dell'oro, with special tasks. Nevertheless, with regard to details of playing technique, he usually sought advice from solo violinist friends, first from Eduard Ritz, then, after Ritz's early death, from Ferdinand David. The present volume contains all of the completed and fragmentary compositions for violin and piano that have survived - from the early Prelude and Fugue in D and G minor from Zelter's practice book (1820), which can be assigned without doubt, through to the Sonata in F major (1838) in their various versions.
SKU: AP.36-60710009
ISBN 9798888521786. UPC: 676737764432. English.
Unlike Bach and Chopin, Claude Debussy (1862-1918) wrote his twenty-four Préludes for solo piano without a clearly organized pattern of key relationships. They were written from December 1909 to April 1913, in two sets, with twelve preludes to each volume. Jane Mortier delivered the premiere of the first volume on May 3, 1911, at the Salle Pleyel in Paris. Walter Morse Rummel gave the first complete performance of the second volume on June 12, 1913, at the Aeolian Hall in London. Prelude No. 5 from Book 2, subtitled Bruyéres, bears similarity to another of his works for piano, La Fille aux cheveux de lin (The Girl with the Flaxen Hair). The pianist Marguerite Long, a friend of the composer, suggested that it sounded reminiscent of the mingling scent of sea mist and pines. French composer and arranger Lucien Garban completed this transcription of No. 5 from Book 2 (Bruyères) for violin and piano in 1926. Reprint edition.
These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.
SKU: HL.48180846
For violin and piano.
SKU: HL.48181114
SKU: HL.49047324
ISBN 9798350121971. UPC: 196288201410.
SKU: HL.48180997
UPC: 888680885298. 11.0x14.0x0.02 inches.
SKU: HL.48180337
1. Prelude; 2. Allant et delicat; 3. Salut et Estampie.
SKU: PR.114422600
ISBN 9781491135099. UPC: 680160686315.
Both deep and charming, LITTLE SUITE IN F combines Hailstork’s dry wit with heart, and modernism with nostalgic beauty. The suite’s four movements include a prelude of atypical texture and colors, a dance movement evoking waltz or menuet, a solemn solo movement for the violin alone, and finally a lullaby with a melody inspired by spirituals.
SKU: AP.36-52710045
ISBN 9781621567264. UPC: 830056000453. English.
Our bestseller for over ten years! Everything the working violinist needs to play a wedding prelude and service, without being technically taxing.
SKU: HL.50572789
SKU: HL.50578379
SKU: HL.50573380
SKU: HL.50573461
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