SKU: HL.49008028
ISBN 9790001032001. UPC: 884088079352. 9.0x12.0x0.095 inches.
Festing: Sarabande * Handel: Aria und Rondinella * Lampe: Schwanengesang * Mossi: 2 Gavottes * Putti: Intermedio * Veracini: Largo.
SKU: HL.48025445
ISBN 9783793145820. UPC: 196288216438.
Hans Winterberg's extraordinary life was written in two chapters, one Czech and one German, split right down the middle by the experience of the Shoah, which Winterberg, unlike his colleagues Ullmann, Krása, Haas and Klein, miraculously survived. In 1947, the Prague-born composer moved to Munich, where he worked for the Bavarian Broadcasting Corporation. As a student of Alexander Zemlinsky and Alois Hába, he belongs both to the Czech tradition following Janácek and to the circle of the Second Viennese School. He saw himself as a bridge builder between Western and Eastern culture. The circumstances under which Winterberg was able to compose during the war years are still unclear. Although his “mixed marriage” initially saved him from deportation, he had to perform forced labour and was eventually sent to the Terezin ghetto in January 1945. The Suite for Violin and Piano was composed in 1942, the year in which both Winterberg's mother and his piano professor Thérèse Wallerstein were murdered by the Nazis. Compared to the violin sonata from 1936, the Suite is much more condensed, lasting less than seven minutes. A melody dominated by chromatic turns and expressionist harmony lend the work its melancholy character, which gives way, however, to an almost irrepressible defiance in the rhythmically percussive last movement.
SKU: CF.MXE272
ISBN 9781491159064. UPC: 680160917600. 9 x 12 inches.
Odd Moments was written for the Da Capo Chamber Players in 1999 in celebration of George Perleas 85th birthday. The piece was revised in 2009, resulting in a version that is a few minutes shorter. The title of the piece obliquely refers to Perleas late piece Critical Moments, and also to an aspect of Perleas system of 12-tone tonality, which distinguishes between odd and even harmonies. The piece is in six short sections, each with its own tempo. A slight pause should be taken before each section. A A A The score is in C. Accidentals apply only within the measure, and cautionary accidentals have been added, as needed. A A.Odd Moments was written for the Da Capo Chamber Players in 1999 in celebration of George Perle's 85th birthday. The piece was revised in 2009, resulting in a version that is a few minutes shorter. The title of the piece obliquely refers to Perle's late piece Critical Moments, and also to an aspect of Perle's system of 12-tone tonality, which distinguishes between odd and even harmonies. The piece is in six short sections, each with its own tempo. A slight pause should be taken before each section. The score is in C. Accidentals apply only within the measure, and cautionary accidentals have been added, as needed.Odd Moments was written for the Da Capo Chamber Players in 1999 in celebration of George Perle’s 85th birthday. The piece was revised in 2009, resulting in a version that is a few minutes shorter. The title of the piece obliquely refers to Perle’s late piece Critical Moments, and also to an aspect of Perle’s system of 12-tone tonality, which distinguishes between odd and even harmonies.The piece is in six short sections, each with its own tempo. A slight pause should be taken before each section.    The score is in C. Accidentals apply only within the measure, and cautionary accidentals have been added, as needed.   .
SKU: CF.B3475
ISBN 9781491162026. UPC: 680160920709.
This work for violin and piano by Martin Bresnick is a play on the words suite and bittersweet. Each of the four movements is based on a Yiddish folk song, which in English translate to On the Road, My Resting Place, Black Cat, and Dona, Dona. Each of the four pieces is primarily based on a Jewish folk song, but re-envisions them in a modern context, akin to Bartok and Kodaly. The composer noted, I found it a very challenging, yet touching way to remain in contact with some part of my own past that I don't usually reveal. The title references the difficult (bitter) and pleasant (sweet) aspects of experiencing the tumultuous history of a people through their folk music.This work for violin and piano by Martin Bresnick is a play on the words suite and bittersweet. Each of the four movements is based on a Yiddish folk song, which in English translate to On the Road, My Resting Place, Black Cat, and Dona, Dona. Each of the four pieces is primarily based on a Jewish folk song, but re-envisions them in a modern context, akin to Bartok and Kodaly. The composer noted, “I found it a very challenging, yet touching way to remain in contact with some part of my own past that I don’t usually reveal.†The title references the difficult (bitter) and pleasant (sweet) aspects of experiencing the tumultuous history of a people through their folk music.
SKU: FG.55011-615-3
ISBN 9790550116153.
Kalevi Aho (b. 1949) composed Violin concerto No. 2 in late summer and early autumn 2015 for the Finnish violinist Elina Vahala. Lasting about 32 minutes, the second concerto is a large-scale virtuoso work dominated by the soloist. The strong-featured first movement (Allegro) begins with a fairly short orchestral introduction that is followed by the soloist's first vigorous statement. Around the middle of the movement is a cadenza, and the movement ends with a quick stretta. The soloist dominates the events in the slow second movement (Adagio) even more than it did in the first. The Adagio begins with the same opening motif for the soloist as the first movement, but this time the motif is more lyrical and singing. Having built up to a dramatic climax, it subsides on flageolet notes and finally sounds that are somewhere between musical notes and noise. The third movement (Vivace, leggiero) is by nature dance-like again and lighter than the previous ones. At the end, the tempo accelerates to a wild, virtuosic prestissimo. Piano reduction (2020) by Kari Vehmanen.
SKU: PR.144407050
UPC: 680160655519. 9 x 12 inches.
Celebrating 30 years, the Philadelphia Chamber Music Society commissioned a work of 20-25 minutes for violin and piano from James Primosch, University of Pennsylvania professor of music. Primosch had originally thought to create a new sonata, but what developed is more appropriately a set of five character pieces, two of which were directly inspired by poems. Five Poems was premiered in May, 2016, and Primosch's thoughts are recorded at his website: https://jamesprimosch.com/2016/05/10/five-poems-premiere/.Upon receiving a commission from the Philadelphia Chamber MusicSociety for a violin and piano piece in honor of its 30th anniversary, myplan was to write a sonata, a term suggesting a relatively abstractdiscourse. But as the piece developed, the movements struck me ascharacter pieces rather than music employing a more “symphonicâ€approach. When specific poems started to attach themselves in my mindwith two of the movements, the overall title Five Poems became clear.The title of the second movement is a line from Susan Stewart’s“Descentâ€, which deals with Aeneas’s visit to the underworld. The musicis alternately fiercely driving and quite still, though tense. RobertFrost’s Nothing Gold Can Stay summons fleet scale passages framinglyrical counterpoint. The remaining movements do not refer to specificpoems, but have titles reflecting their expressive tone. Dreamscape ismusing with an improvisatory violin line over shifting pairs of pianochords. Nightsong is a bluesy lullaby that turns highly dramatic.Vision begins with a closely argued struggle but breaks through tosomething spacious and clear.
SKU: BR.EB-8327
ISBN 9790004176351. 9 x 12 inches.
Tommaso Giordani wrote sonatas - here for violin or flute - that are typical examples of early Classical chamber music: their scoring is flexible, they are fun to play, and their technical demands are moderate. The Sonatas Op. IVa show that Giordani is a Haydn contemporary who can really hold his own. Giordani's chamber-music works with obbligato piano were actually very important for the development of chamber music. Too bad Giordani did not contend himself with writing more of these enchanting ensemble sonatas rather than investing in dubious opera projects and going bankrupt. That was no way to become a serious Classical composer!Tommaso Giordani wrote sonatas - here for violin or flute - that are typical examples of early Classical chamber music: their scoring is flexible, they are fun to play, and their technical demands are moderate.
SKU: BT.AMP-348-400
ISBN 9789043138666. 9x12 inches. English-German-French-Dutch.
Philip Sparke’s Skilful Solos is the second volume of a progressive series of solo books that takes the young wind player from beginner to accomplished musician. Following on from the first book in the series Starter Solos this collection generally contains longer pieces suitable for the developing young musician. Specifically tailored for each instrument, Skilful Solos introduces the concept of phrasing by suggesting suitable breathing points and takes the player into new keys with extended instrumental ranges, new notes being introduced in a gradual and logical manner.Skilful Solos comes with a play-along CD. The advantages of playing eitherwith piano or CD accompaniment are that the beginning player can now experience the important aspects of ensemble playing from their earliest lessons, thus developing the essential skills of listening while they play and maintaining strict tempo, which is not always achieved when playing alone. Skilful Solos past in het rijtje Starter Studies, Skilful Studies, Super Studies en Starter Solos, een succesvolle reeks van Philip Sparke. Net als de eerdergenoemde uitgaven bevat Skilful Solos waardevol,motiverend speelmateriaal dat de keuze voor een methode aanvult. Nieuwe muzikale elementen komen in een logische volgorde aan de orde - om de ontwikkeling van de complete muzikant te bevorderen. Uitgave met cd: De voordelen van het spelen metbegeleiding - hetzij op de piano, hetzij op de cd - zijn dat de beginnende speler de belangrijke aspecten van het ensemblespel kan ervaren vanaf de eerste lessen en essentiële vaardigheden kan aanleren: het luisteren tijdens het spelen en hethandhaven van een strak tempo. Bij het alleen spelen komen deze factoren minder aan de orde.Das frühe Lernstadium ist, neben einem guten Lehrer im Unterricht, für jedes Instrument zweifellos das Wichtigste. Von großer Bedeutung ist aber auch motivierendes Lehrmaterial.Für diese zwei Solobücher beriet sich Philip Sparke mit vielen Lehrern, wie man am besten neue Noten einführt und zugleich einen Rahmen schafft, in den sich neue musikalische Elemente in sinnvoller Reihenfolge einfügen lassen. Unterstützt von diesenSoli und Etüden in drei verschiedenen Schwierigkeitsstufen können Instrumentalschüler schnell zu richtigen Musikern heranreifen. Jedes Buch ist genau auf die Bedürfnisse und Anforderungen des einzelnen Instrumentes zugeschnitten.STARTER SOLOS und SKILFUL SOLOS können dank der im Buch und auf der CD enthaltenen Begleitungen auch gut alleine oder mit einem Pianisten einstudiert und aufgeführt werden. Der Vorteil dabei ist, dass Anfänger so nicht nur die wichtigsten Aspekte desEnsemblespiels erfahren sondern auch von Anfang an die Fähigkeit entwickeln, zu hören während sie spielen und das Tempo zu halten.
Inhalt: Nice to See You Again •Pony and Trap •Summer Siesta •Spring (Vivaldi) •A Victorian Ballad •Trumpet Tune •Promenade •Greensleeves •Could You Repeat That? •Alladale Aria •Scales of Justice •Largo from Winter (Vivaldi) •Waltz with Variations •Atthe Circus - Adagio (Mozart) - Marche Militaire (Schubert) - Thinking of You - Fives and Threes - Daydream - Rhode Island Rag
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