SKU: HL.51481539
UPC: 196288308164. 9.25x12.0x0.16 inches.
During a concert tour through California in early 1920, Prokofiev composed five songs with piano accompaniment and textless voice parts, which appeared in print as Five Songs without Words op. 35 and with a dedication to the soprano Nina Koshetz. The quasi-instrumental conception of the work as vocalises accompanied by piano suggested an arrangement for violin and piano, which the composer then indeed undertook in 1925. Enriched with octave transpositions, double stops, harmonics and pizzicati, the violin part of the five pieces gained an enormous variety of additional expressive possibilities. No wonder the Five Melodies op. 35a today number among the Russian master's most popular chamber music works! Henle is publishing them for the first time as an Urtext edition based on all available sources. Simon Morrison, a true Prokofiev specialist, contributed the preface.
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What I can expect from Henle Urtext editions:
SKU: JK.00753
Isaiah 41:10, Isaiah 43:2-5, Helaman 5:12.
Violin solo with piano accompaniment, arranged for early-advanced violin with some double stops and occasional shift into 3rd position. (previously listed as #00665)Arranger: Kelly D. AndersonDifficulty: early advancedPerformance time: 2:45Reference: Isaiah 41:10, Isaiah 43:2-5, Helaman 5:12.
SKU: AP.36-52710595
ISBN 9781633610002. UPC: 679360611197. English.
Volume 1 begins with open strings and basic notation, rhythms, and bowing skills. New notes, notation, and bowing skills are added in logical progression, reinforcing both right- and left-hand technique and developing the cognition for string performance. This book introduces students to: the basic major and minor tetrachords on all four strings; essential rhythmic notation from whole notes through eighth-note patterns; left-hand techniques such as easily played double stops, left-hand pizzicato, differentiating whole and half steps; and a variety of bow techniques. Audio available online.
These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.
SKU: PR.14440516S
UPC: 680160667864. 9 x 12 inches.
In 1979, Martin produced a set of three quintets, in consideration of Gorky's piece Nighttime Enigma Nostalgia. Each is scored for flute, clarinet, violin, cello, and piano. As the title suggests, the music is in a state of perpetual questioning using a variety of approaches. For example, Enigma opens using ostinati (plural of ostinato) that do not match in length, like a staircase with each step a different height. Additionally, the music has sudden starts and stops, again unexplained. There are dramatic and powerful explosive passages that are interrupted. The technique, used to create this feeling of a perplexed music world where things seem often not to make sense and to be left unresolved, is called in poetry and literature, anticlimax. In Enigma, the music suggests one direction; then refuses to continue, striking out in another direction. Artists use approaches such as this to force themselves into creative circumstances that they otherwise might not have discovered. (From the performance notes.).
SKU: BR.EB-9250
World premiere: Toronto, November 17, 2016Written for the Duo Wapiti (Genevieve Liboiron, Daniel Anez)
ISBN 9790004185506. 10 x 12.5 inches.
Whereas Nono considered the world to be only fragmentarily analyzable, so-called consumer capitalism increasingly intrudes upon ego structures, by fragmenting them to the point of: assumed insufficiency, i.e., was consumption a form of infiltration?, or: in television you can see models licking face cream because it's so rich etc. (retranslated), as Meredith Haaf cited in her book review (SZ / 23.05.2016 Alexandra Kleeman: You Too Can Have A Body Like Mine) , and to the point of similar perfection-senselessness. Music doesn't do things by halves. Even when events or notes are puffed up, they can retain elegance and significance. Other ego amplitudes are of violinistic nature or are favourite memories - Paganini's Capricci, Stockhausen's Studie I, Steve Reich, the tone C and similar things. The craziest egos are quantums, because at no time are they identical with themselves. They can entangle and superpose, are nonlocal, etc. Although the sound character in this Duo is fairly open, I believe I succeeded in making probability waves of harmonic stopovers perceptible. This means hearing without analyzing and without constantly measuring. Nonlocality - without messenger particles - means no harmonic steps, but with the capacity to interact. (Nicolaus A. Huber, May 2016)World premiere: Toronto, November 17, 2016 Written for the Duo Wapiti (Genevieve Liboiron, Daniel Anez).
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