SKU: HL.48183247
UPC: 888680872298. 9x12 inches.
Alain Louvier: Sigma (Violin & Piano).
SKU: GH.GE-10412
ISBN 9790070104128.
Spelmagasinet ar nagot helt nytt: en modern larobok i kammarmusik, dar en eller flera violinister kan mota en eller flera pianister i princip fran allra forsta borjan och pa lika villkor. Att lyssna till andra manniskor ar en grundlaggande egenskap for barns utveckling till mogna vuxna. Att spela kammarmusik tranar denna formaga pa ett unikt satt. Ambitionen ar ocksa att varje elev ska fa tillit till sin egen ton och till sin formaga att sjalv uttrycka sig. Spelmagasinet ar progressivt upplagt. En koppling finns till Fiolmagasinet (GE 10410) och Pianomagasinet (GE 10411), men Spelmagasinet kan ocksa anvandas separat eller tillsammans med andra laromedel. Evabritt Gratte och Jan-Erik Sahlberg ar bada mangsidiga musiker, pedagoger och metodiklarare med lang erfarenhet av undervisning pa skilda nivaer.
SKU: FG.55011-635-1
ISBN 9790550116351.
In 1929 Sibelius sent some small pieces to the New York publisher Carl Fischer for consideration. Included among these was the Suite for Violin and String Orchestra, to which he had assigned the opus number 117. The Suite for Violin and String Orchestra represents the culmination point in a series of works written for violin and orchestra which started with the serenades op. 69 and continued with the Six Humoresques opp. 87 & 89. Together these works bear witness to the composer's deep insight into the instrumental possibilities of the violin. In these works, more limited in formal scope than the Violin Concerto though they be, the voice of the solo violin - Sibelius' second mother-tongue - unites with the orchestral writing of a mature and experienced symphonist. The reduction and solo part are published together for the first time. ---.
SKU: BR.EB-9386
ISBN 9790004188569. 0 x 0 inches.
The Violin Sonata No. 1 in E minor, op. 73, a Grand Sonata for Violin and Piano, occupies an important position in Joachim Raff's oeuvre: it reflects numerous artistic, aesthetic, biographical, and reception-historical aspects characteristic of Raff. The work was composed in Weimar in 1854, when Raff was going through a process of artistic self-discovery. He increasingly distanced himself from his mentor Franz Liszt and intensively explored Wagner as well as the ideal of absolute music - this is also reflected in the music of the sonata. While Raff described the first two movements as objectified, he perceived the last two movements as a piece of him, that is, not free of extra-musical influences.The 1st movement, with its expansive main theme, is reminiscent of Mendelssohn; the 2nd movement reveals the refinement of classical-romantic work with musical material. The 3rd movement, with its partly rhythmic, virtuoso accompanying figures and harmonically advanced passages, allows a deeply romantic, almost tormented insight into a soul life a la Sturm und Drang. The partly irascible last movement revisits already familiar themes and thus creates a musical framework.In collaboration with the Joachim-Raff-Archiv Lachen (CH)First Urtext Edition of the Grand Sonata for Violin and Piano.
SKU: PR.164002390
UPC: 680160038091.
I became interested in the work of Plato through my friend and collaborator, the writer and philosopher Paul Woodruff. Paul's new translation, with Alexander Nehamas, of the Symposium gave me insights into ancient Greek ways of thinking about Love, Beauty, and Wisdom -- and managed to keep the earthy, and often bawdy side of it all in full view. But their new translation of Plato's later dialogue Phaedrus went even further: the beauty of the speeches is breathtaking, and the discourse itself is enough to keep one awake at night. Basically the Great Speech of Socrates in the Phaedrus dialogue has to do with the place of Eros in the world, and with the conflict in the soul between fleshly pleasure and philosophic discovery. I will not attempt to encapsulate this brilliant discourse in a program note: suffice it to say that reading it gave rise to my two-sided work for clarinet, violin, and piano, Phaedrus. The first movement represents the Philosophic life, and is thus subtitled Apollo's Lyre (Invocation and Hymn). It begins with an unaccompanied melody for the clarinet, which (after a pair of harp-like flourishes for the piano, expands into an accompanied canon. The voices in the dialogue (clarinet and violin) follow each other by a prescribed number of beats, but the music is totally devoid of any meter at all. The piano, representing the lyre, accompanies this lyric love-feast with repeated strummed chords. The canon has three large sections, and ends with violin echoing the unaccompanied clarinet invocation as the sound of the lyre fades. The second movement, called Dionysus' Dream-Orgy (Ritual Dance) presents, after a brief introduction, another kind of unmetered music. Rather than long lyric flights of philosophic song, however, this time we hear a unison dance of unbridled energy and sensual transport. The piece soon forms itself into a loose arch form, with contrasting metered dance sections divided by the unison unmetered orgy tune. Midway through the movement, Apollo's melody returns from the first movement, but it is a temporary reminiscence. The orgiastic dance returns, reaches a climax, and ends with a stomping of feet. While Plato asserts that a proper balance between lust and reason is necessary in all men, he (naturally) gives the nod to Philosophy as the better choice in which to live. Not so in my music: the two sides are meant to coexist and to complement each other. No sides are taken. Phaedrus was commissioned of the Verdehr Trio by Michigan State University. It is dedicated to the Vedehr Trio with great affection and admiration.
SKU: BT.DHP-1115209-400
ISBN 9789043142304. 9x12 inches. English-German-French-Dutch.
Study and Play is ideal for developing your playing in an enjoyable and musically sound way. Each edition within this concept features a CD to add something extra to your study routine. When you play this Concertino Op. 96 the CD allows you to practise at a slower study tempo, as well as the normal tempo, so that you can improve your insight into the music. The carefully edited volume also contains a violin part and a piano part. Of course, the superb CD is also great to play along with if thereâ??s no pianist available. You will find this is a fun and instructive enrichment of your repertoire.Study and Play is het ideale concept om je spel op een plezierige en verantwoorde manier te ontwikkelen. Bij elke uitgave onder deze noemer wordt een cd meegeleverd die iets extraâ??s toevoegt aan je studiemethode. In het geval van dit Concertino op.96 biedt de cd je de mogelijkheid om te studeren in zowel het gewone tempo als een rustig oefentempo, waardoor je je inzicht in de muziek kunt verbeteren. De verzorgde set bestaat verder uit een vioolpartij en pianopartij. Natuurlijk is de sublieme cd ook geschikt om mee samen te spelen als er geen pianist beschikbaar is. Dit is beslist een leuke en leerzame verrijking van je repertoire.Study and Play ist das ideale Konzept, um auf vergnügliche und sinnvolle Weise ein gutes Spiel zu entwickeln. Jedem Buch mit diesem Konzept ist eine CD beigefügt, welche die tägliche Ã?bungsroutine individuell ergänzt.Mit Hilfe der CD kann dieses Concertino Op. 96 im langsameren Ã?bungstempo sowie auch im normalen Tempo gespielt werden, so dass man sich zunächst ganz auf das Violinspiel konzentrieren kann und dabei die Musik kennen lernt. Diese sorgfältig ausgearbeitete Ausgabe enthält auÃ?erdem eine Violin- und eine Klavierstimme. Die exzellente CD eignet sich selbstverständlich auch bestens zum Mitspielen, wenn kein Pianist zur Verfügung steht. DiesesConcertino Op. 96 ist eine ebenso reizvolle wie lehrreiche Erweiterung des Repertoires. Study and Play est le concept idéal pour développer votre jeu dans un environnement plaisant et solidement structuré. Chaque recueil basé sur ce concept est accompagné dâ??un compact disc qui apporte un plus votre routine de travail. Le compact disc vous permet de jouer ce Concertino Op. 96 tant dans le tempo normal que dans un tempo dâ??étude plus lent afin que vous puissiez vous concentrer sur votre technique de jeu tout en ayant un meilleur aperçu de la structure de la pièce. Ce recueil réalisé avec soin propose, hormis la partie de violon, la partie dâ??accompagnement de piano pour tous ceux qui disposent dâ??un pianiste accompagnateur. Si tel nâ??est pas le cas, utilisezsimplement le superbe accompagnement enregistré sur le compact disc. Concertino Op.96 constitue un enrichissement ludique et pédagogique de votre répertoire. Study and Play è il concetto ideale per sviluppare il vostro modo di suonare in un contesto piacevole e solidamente strutturato. Il CD vi permette di suonare sia a tempo normale che più lento, al fine di migliorare la concentrazione sullo studio della tecnica e avere un migliore approccio con le varie parti del brano. Le parti dellâ??accompagnamento al pianoforte incluse nelle pubblicazioni (versione cartacea) vi permettono di suonare con un pianista accompagnatore.
SKU: M7.APUE-516186
ISBN 9781875516186.
Lyrical Violin Legends is an exciting collection of 20 works for violin and piano, featuring exclusively commissioned works by contemporary composers and inspiring new arrangements of 19th and 20th century compositions. Listen to the legends, discover beautiful scenes and enjoy lively dances through the alluring lyricism of this music. These exclusive commissioned works and new arrangements are suitable for intermediate level players. The violin part includes biographies of all composers and notes/ performance suggestions for each work. All pieces in Lyrical Violin Legends have free violin & piano recordings to listen to, as well as free piano backing tracks to play along with. Composers: Johannes Brahms, Antonin Dvorak, Hans Engelmann, Sally Greenaway, Greg Harradine, Jolin Jiang, Scott Joplin, Elena Kats-Chernin, Toivo Kuula, Rachel Laurin, Edward MacDowell, Felix Mendelssohn, Merryl Neille, Heather Percy, Gary Schocker.
SKU: HL.51481164
UPC: 196288215875. 9.25x12.0x0.7 inches.
Grieg's violin sonatas are a firm staple of violin repertoire and are popular with amateurs and professionals alike. G. Henle Publishers takes this into account with a practical single-volume edition of the three sonatas. Thus, you are simply spoilt for choice as to whether you prefer the youthful zest of the first, the Nordic-folkloristic charm of the second or the mature drama of the third sonata. The opulent volume is rounded off by a small piece that is ideal as an encore: a march from Grieg's incidental music to Sigurd Jorsalfar, which the composer himself arranged for violin and piano. Therefore, this Henle Urtext edition actually offers GriegÂs complete oeuvre for this instrumentation â a âmust-haveâ for all fans of the great Nordic melodist.
About Henle Urtext
What I can expect from Henle Urtext editions:
SKU: PR.414411630
ISBN 9781491114551. UPC: 680160089956. 9.5 x 13 inches.
EXCURSIONS is a one-movement work exploring two “characters.†A rhapsodic, descending passage is introduced by the cello, followed by a static, chorale-like phrase for the violin and cello. Their individual developments are separated by a slow, contrasting middle section. The composer has written: “This is analogous to situations in life: we stand by a crossroad, choosing one option and forfeiting the other. But in art, the realm of the imagination, we can perhaps afford to pursue more than one route to its ultimate destination… or can we? It is symbolic that in this work both roads eventually lead to the same place.â€.Excursions for violin, cello and piano, is a one-movement work of tripartite structure in which materials explored in the first of three large sections are brought back in the last section. The traditional statement-contrast-restatement form, which is readily suggested by such a description, is, however, not at all in the mold in which the work is cast. Rather, my aim was to subject the essential materials of the piece (two “characters†–the rhapsodic, descending passage played by the cello in the very opening and, later, a static, slow moving, chorale-like phrase for the violin and cello) to two entirely different developments separated by a slow, contrasting middle section. This is analogous to an exploration of the ramifications that two divergent choices made by the same person might lead to. In life, as we stand by a crossroad, choosing one option usually means having to forfeit the other. But in art, the realm of the imagination, we can perhaps afford to pursue more than one route to its ultimate destination…or can we? It is, I believe, symbolic that in this work both roads eventually lead to the same place: in composing Excursions, it seemed absolutely inescapable that at the end the slow, contrasting middle sections – both more resigned and peaceful than the battling spirits of the outer parts – should return briefly to end the work. The piano trio combination (once highly favored, but to this composer still as challenging today) is approached here as a collaborative effort of three equal soloists – partners. Of the available pairings, the two strings find themselves occasionally approached as a team pitted against the piano. The cello-piano combination is also not uncommon here, and there is an extended violin cadenza toward the end of the piece. The writing for the three instruments is closely and at times interlinked, but the players are all instructed to play from scores. Excursions was first performed at Brandeis University in 1982.
SKU: HL.48181200
UPC: 888680866945. 9x12 inches.
Raymond Gallois Montbrun (1918-1994) published his Dream of Janceline for Alto Saxophone and Piano in 1947, just three years after he won the Grand Prix de Rome. Along with his Violin Concerto, Japan Symphony and Concertstück for Clarinet and Piano, Dreams of Janceline for Violin and Piano remains popular to this day. Dreams of Janceline for Violin is made up of twelve easy pieces in variety of styles, the seventh of these being The Nightingale's Polka. This movement addresses harmonics, a modulation and articulation, among other aspects. As suitable and varied pieces for the progression of beginner to intermediate level violinists, Gallois Montbrun's Dreams of Janceline cannot be missed.
SKU: BR.SON-454
ISBN 9790004803646. 9 x 12 inches.
The Violin Concerto in E minor, op. 64, and the Sonata in F minor, op. 4, are the only works for solo violin that Mendelssohn had had printed during his lifetime. However, his complete oeuvre includes other completed or fragmentary compositions, including two further concertos and several unfinished sonatas and other individual pieces. He himself had an extraordinary command of the violin and entrusted the instrument in several other works, such as the Octet op. 20 or the concert aria Infelice! - Ah, ritorno, eta dell'oro, with special tasks. Nevertheless, with regard to details of playing technique, he usually sought advice from solo violinist friends, first from Eduard Ritz, then, after Ritz's early death, from Ferdinand David. The present volume contains all of the completed and fragmentary compositions for violin and piano that have survived - from the early Prelude and Fugue in D and G minor from Zelter's practice book (1820), which can be assigned without doubt, through to the Sonata in F major (1838) in their various versions.
SKU: BT.DHP-1043625-404
ISBN 9789043161763. 9x12 inches. English-German-French-Dutch.
Study and Play is ideal for developing your playing in an enjoyable and musically sound way. Each edition within this concept features audio recordings to add something extra to your study routine.When you play thisConcertino you will be able to practise at a slower study tempo, as well as the normal tempo, so that you can work on your violin playing in a more concentrated way whilst improving your insight into the music. You cancontinue to study in this goal-orientated way until you have achieved the desired result.
The title of this piece suggests a concert situation: playing a solo partwith accompaniment. There are thousands of such works for theviolin but many of these cannot be tackled until you have been playing for a considerable time. Concertino in Russian Style Opus 35 enables you to gain necessary experience for this type of playing: namely having sufficientmusical and technical control over your instrument whilst having the support of an accompanist during performance. This carefully chosen concertino will enrich your repertoire. Dit fraaie concertino in Russische stijl van Alexei Janschinow is leerzaam én prachtig om te spelen. Kortom, een fraaie aanvulling op uw repertoire. Deze boeken zijn gemaakt binnen het Study and Play-concept, dat de leerlinghelpt om zijn/haar spel op een plezierige en verantwoorde manier te ontwikkelen. Bij elke uitgave onder deze noemer worden begeleidingsopnames meegeleverd die iets extraââ¬â¢s toevoegen aan de studie-methode. Deze opnames bieden demogelijkheid om te studeren in zowel het gewone tempo als een rustig oefentempo. De verzorgde set bestaat verder steeds uit een vioolpartij en pianopartij.Study and Play ist das ideale Konzept, um auf vergnügliche und sinnvolle Weise ein gutes Spiel zu entwickeln. Jedem Buch mit diesem Konzept sind Begleitaufnahmen beigefügt, welche die tägliche ÃÅbungsroutine individuellergänzen. Mit Hilfe dieser Aufnahmen kann das Concertino im langsameren ÃÅbetempo sowie auch im normalen Tempo gespielt werden, sodass man sich zunächst ganz auf das Violinspiel konzentrieren kann und dabei die Musik kennenlernt. So kann zielgerichtet geübt werden, bis das gewünschte Ergebnis erreicht wird.
Der Titel dieses Stückes beschreibt die Situation in einem Konzert: Es wird ein Solo mit Begleitung gespielt. Solche Werke gibt es zutausenden für Violine, viele können jedoch erst nach vielen Jahren Spielerfahrung gemeistert werden. Mit Concertino in Russian Style Opus 35 kann man wichtige Erfahrungen mit genau dieser Art des Spiels sammeln, nämlichausreichend musikalische und technische Beherrschung über das Instrument zu erlangen und gleichzeitig mit der Unterstützung eines Pianisten spielen zu können. Dieses sorgfältig ausgewählte Concertino ist auf jeden Fall eineBereicherung Ihres Repertoires. Study and Play est le concept idéal pour développer votre jeu dans un environnement plaisant et solidement structuré. Chaque recueil basé sur ce concept est accompagné des enregistrements audio qui apportent un plus votreroutine de travail. Ces enregistrements vous permettent de jouer ce Concertino tant dans le tempo normal que dans un tempo dââ¬â¢Ã©tude plus lent afin que vous puissiez vous concentrer plus amplement sur votre technique de jeutout en ayant un meilleur aperçu de la structure de la pièce. Vous pouvez continuer travailler dans cette optique jusquââ¬â¢ ce que vous ayez atteint le résultat souhaité.
Le titre de la pièce évoque le contexte dââ¬â¢unconcert : lââ¬â¢interprétation dââ¬â¢une partie soliste avec accompagnement. On compte des milliers dââ¬â¢oeuvres similaires pour violon mais un grand nombre dââ¬â¢entre elles ne peuvent être abordées sans expérience et pratique musicalesconsidérables. Concertino in Russian Style Opus 35 vous permet dââ¬â¢acquérir lââ¬â¢expérience nécessaire lââ¬â¢interprétation de ce genre de pièces, cââ¬â¢est- -dire être capable de dominer les aspects techniques et musicaux propres votre instrument tout en ayant le soutien dââ¬â¢un accompagnateur lors de lââ¬â¢interprétation. Choisi avec soin, ce Concertino enrichira votre répertoire. Study and Play è il concetto ideale per sviluppare il vostro modo di suonare in un contesto piacevole e solidamente strutturato. Le registrazione di accompagnamento vi permettono di suonare sia a tempo normale che più lento,al fine di migliorare la concentrazione sullo studio della tecnica e avere un migliore approccio con le varie parti del brano. Le parti dellââ¬â¢accompagnamento al pianoforte incluse nelle pubblicazioni (versione cartacea) vipermettono di suonare con un pianista accompagnatore.
SKU: HL.48025078
ISBN 9783793143222. UPC: 196288059769. 9.0x12.0x0.045 inches.
Elena Kats-Chernin has collaborated with writer Joanna Murray-Smith several times, most recently on the TV soap opera The Divorce. ANostalgic Piece was originally composed as incidental music for the Australian author's play Honor and has had many lives and titles since then, says Kats-Chernin. It's a melancholy, catchy tune that would go well with the sad tramp of an old silent film. The version for violin and piano appeared in 2005 on her portrait CD Ragtime & Blue on the Signum Classics label.
SKU: HL.50566006
ISBN 9781705164884. UPC: 196288068549. 9.0x12.0x0.268 inches.
“Musique française†is a series designed for students and teachers as well as professionals. These editions offer masterworks in French music, with performance suggestions and historical and stylistic commentary by noted scholars. Francis Poulenc's Sonate for violin and piano is a dramatic, vivid and haunting work, full of contrasts. The work alternates between charged, even brutal rhythmic drive, flowing lyricism and carnival-like dance music.
SKU: BR.EB-8390
ISBN 9790004176962. 9 x 12 inches.
Francesco Mancinis four sonatas were first published in a collection of twelve sonatas in 1724.The present edition is based on a reprint of the first edition published in 1730 (copy housed at Kings College, Cambridge), in which the sonatas are explicitly assigned to the recorder.The present edition is based on a reprint of the first edition published in 1730 (copy housed at King's College, Cambridge), in which the sonatas are explicitly assigned to the recorder.
SKU: HL.49047330
UPC: 196288201649.
Dorothy and Phyllis Nash are mentioned in the “London Concerts†section of the June 1914 edition of Musical Times following a performance at Steinway Hall on 30 April earlier that same year. Dorothy was credited as pianist and composer, Phyllis as violinist. In 1915, Schott London published the duoÂ’s Deux Pièces pour violon avec piano and both Dorothy and Phyllis signed the original contract, dated 8 March 1915, transferring copyright of the work to Schott. Using a pseudonym was not uncommon at the time when this work was first published, especially for female composers, and Deux Pièces was published under the name “D. P. Nashâ€, keeping Dorothy and Phyllis' initials.
SKU: HL.48181197
Written by Raymond Gallois-Montbrun, Confidence from an Old Clock is the third piece of a set of twelve called Janceline's Dreams for Violin and Piano. Easy to play, these twelve pieces were composed for beginner violinists, to practise the use of the first position playing music. This piece will be really enjoyable to play for young players. The full set features: I. Quadrille des soldats de plomb / Lead soldiers? quadrille II. Complainte du petit bossu / Lament of the hunchback III. Confidence d?une vieille horloge / Confidence from an old clock IV. Sourire a Morphee / Smile to Morpheus V. Le manege des sept nains / Carousel of the seven dwarves VI. Chagrin pres d?une fontaine / Sorrow on a fountain VII. Polka du Rossignol / Bird?s polka VIII. Siciliette Reine des siciles / Siciliette, Queen of Sicilia IX. Minuetti Prince de la danse / Minuetti, Prince of the dance X. Le jardin des ombres / The shadow garden XI. Remords de Carabosse / Guilt of the wicked witch XII. La ronde des Grillons / The crickets? rondo. Raymond Gallois-Montbrun (1918-1994) was born in Indochine and studied music at the Paris Conservatoire. He received many first Prizes including the Grand Prix de Rome in 1944 and became the Director of the Paris Conservatoire for twenty-one years. He composed numerous pieces including many symphonic works.
© 2000 - 2024 Home - New realises - Composers Legal notice - Full version