| Partita No. 2 Piccolo [Score] Theodore Presser Co.
Chamber Music Piccolo SKU: PR.114422450 Composed by Johann Sebastian Bach...(+)
Chamber Music Piccolo SKU: PR.114422450 Composed by Johann Sebastian Bach. Arranged by Nicola Mazzanti. Sws. Full score. 20 pages. Duration 17 minutes. Theodore Presser Company #114-42245. Published by Theodore Presser Company (PR.114422450). ISBN 9781491134986. UPC: 680160685974. 9 x 12 inches. Bachâs colossal Partita No. 2 for Solo Violin has been crowned by many masters as one of musicâs greatest achievements, and even its famous Chaconne movement alone is a mountain many performers dare not scale. While the literature of several other instruments has been enriched by transcriptions of the Chaconne, Mazzantiâs heroic adaptation of the complete Partita is the culmination of many yearsâ work, and the only transcription specifically for the piccoloâs unique range. THE INSPIRATIONEver since my childhood, Johann Sebastian Bachâs solo violin music (like his works for solo cello) has always held a charm and mystery for me. Thereâs something about this repertoire that sparks an inextinguishable questioning in my musical and human soul.It is music without spatial limits or temporal cages, a music as essential as it is masterfully complex, in which the solitary voice of man meets the all-encompassing voice of God. It is a music whose vertical and horizontal dimensions, already admirably fused, are faceted into new and mysterious realities. For every violinist, the study of these compositions is at the apex of tenacious technical study and interpretative effort.Violinist Joshua Bell has said the Ciaccona (Bach did write the Partitaâs movement titles in Italian) is ânot just one of the greatest pieces of music ever written, but one of the greatest achievements of any man in history. Itâs a spiritually powerful piece, emotionally powerful, structurally perfect.âTranscribing and performing Bachâs PARTITA NO. 2, BWV 1004 on piccolo was a feat that took years of work. The famous Ciaccona movement is, of course, the piece that alone occupied most of this time. How does one honor and elevate such high music with such a âsmallâ instrument, devoid of the enormous expressive potential of the violin, devoid of its chords and its polyphony? How might I transform the piccolo into an instrument with, like the violin, full-bodied low notes and subtle high notes? Above all, why undertake such a demanding and extraordinary journey?The first reason is obvious: by transcribing, studying, and performing such an admirable piece, we assimilate it, it becomes part of us, it enormously enriches our musical interior.In addition, it forces us technically to expand the colors, agility, and flexibility of the instrument; it makes us think in a polyphonic way.Finally, the daily study, especially of the Ciaccona, is an extraordinary gymnasium in which to consolidate and strengthen our general technique.THE TRANSCRIPTIONThe whole Partita was transcribed in the key of A minor, a fifth above the original in D minor. This was necessary for the lowest note of the violin (G) to correspond to the lowest note of the piccolo (D). This version exploits the full range of the piccolo, from the D of the first octave to the B of the third octave. However some octave adjustments were needed.The chords, particularly in the Sarabanda and the Ciaccona, have been left with the same notational system used by Bach in his version for violin. I chose to respect Bachâs presentation and did not transcribe these into grace notes breaking the chords. I advocate that we must at least try to think of this music in its vertical dimension, trying to make the notes resonate as if they were being played together, deciding the speed of the arpeggio based on musical needs.While some woodwind editions of Bachâs string solos do indicate broken chords as grace notes, this implies that the most important note is necessarily the highest one, while sometimes it is precisely in the lower pitches that the theme is voiced.In this piccolo adaptation, many of Bachâs original articulations have been respected. Some have been changed, when needing to adapt them to the specific needs of flute playing.The two passages in the Ciaccona where Bach indicates âarpeggioâ were rendered trying to respect the most consolidated and virtuous violin traditions, and at the same time the possibilities that the piccolo offers us. For this purpose, in some cases, different revoicings of the chords have been used.I thank all those who patiently listened to me and were close to me during this period, for their observations and advice. In particular, I thank my daughter Sara for her assistance and skill in entering this edition into music writing software. $18.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Violin Sonata in A Major Violin and Piano [Sheet music] G. Henle
Violin and Piano. Composed by César Franck. Edited by Monica Steegmann. ...(+)
Violin and Piano. Composed by César Franck. Edited by Monica Steegmann. Henle Music Folios. Softcover. 66 pages. G. Henle #HN1351. Published by G. Henle (HL.51481351).
$26.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Early Dance Music for Mandolin Mandolin [Sheet music + CD] ADG productions
By Allan Alexander. For mandolin. Renaissance. Book with CD. 47 pages. Published...(+)
By Allan Alexander. For mandolin. Renaissance. Book with CD. 47 pages. Published by ADG productions.
(1)$24.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Suite in D-minor Op. 16 for Cello and Orchestra Cello Schott
Cello - advanced to difficult SKU: HL.49018922 Cello with Piano Reduct...(+)
Cello - advanced to difficult SKU: HL.49018922 Cello with Piano Reduction. Composed by Camille Saint-Saens. Edited by Maria Kliegel. This edition: Saddle stitching. Sheet music. Edition Schott. Classical. Softcover. Composed 1862. Op. 16bis. 36 pages. Schott Music #CB229. Published by Schott Music (HL.49018922). ISBN 9790001174527. UPC: 841886015913. 9.25x12.0x0.163 inches. When writing his Concerto No. 1 in A minor, Op. 33, Camille Saint-Saens created a 'classic' of violoncello literature. But the French musician even wrote other solo works for this instrument: a second concerto, two sonatas, the 'Swan' from 'The Carnival of the Animals' as well as a 'Suite with Piano Accompaniment' Op. 16. Premiered on 27 April 1866 and probably written shortly before, the work is based on the composer's study of tradition, especially of the form of the Baroque suite, integrated in a Romantic tonal language. Many years later (1919) the composer also presented a version with orchestral instead of piano accompaniment, and for this version he replaced movements 3 and 5 and changed the ending of the fourth movement. The present edition contains the text of the orchestral version: The five-movement suite begins with a prelude reminiscent of Bach which is followed by a pleasant serenade, a stylized gavotte and a sentimental romance before a passionate tarantella puts a virtuoso end to the piece. The enthusiastic, melodic 'Suite' is a valuable addition to the cello repertoire, suitable for both tuition and concert purposes. $28.99 - See more - Buy online | | |
| Nuit Des Hommes, Kopi Music Sales
Cello, Mezzo-Soprano, Percussion, Viola, Violin, Tenor, Electronics SKU: HL.1...(+)
Cello, Mezzo-Soprano, Percussion, Viola, Violin, Tenor, Electronics SKU: HL.14023581 Composed by Per Norgard. Music Sales America. Classical. Book [Softcover]. Music Sales #KP00703. Published by Music Sales (HL.14023581). ISBN 9788759876817. Danish. Per Norgard NUIT DES HOMMESThe night of mankind - the night of men is a kind of opera in so far as it is about a stagework with sung accompanied by both acoustic and electronic instruments - a stagework in two acts and approx. 20 pictures. However if you by opera think of its dramatic type with people in one or more conflicts, mutual and with themselves - well, then Night of mankind probably has to reckon among another, not yet categories genre.It may well be two named person that perform (Alice and Vilhelm), but the opera does not deal with their possible mutual tensions, but instead of their common limitless intensity, which first make them in harmony walk the dangerous paths on which the enthusiasm lead them and afterwards divides them as now radically changed figures: from the individual woman to the war correspondent, in demagogic - ecstatic outburst of feelings - from the mans human to the soldiers unhuman everyday. A crash into the underground - without a return ticket.Per Norgard. $100.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Concerto in E minor for Violin and Orchestra [Score] Barenreiter
2 Versions. By Felix Mendelssohn Bartholdy. Edited by Todd, R. Larry. For VSolo,...(+)
2 Versions. By Felix Mendelssohn Bartholdy. Edited by Todd, R. Larry. For VSolo, Orchestra. Score; Urtext Edition (paperbound). Op. 64. Duration 26'. Published by Baerenreiter-Ausgaben (German import). ISBN M006525928.
$0.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Piano Concerto in A minor Op. 16 Piano and Orchestra Breitkopf & Härtel
Piano/harpsichord and orchestra (solo: pno - 2(picc).2.2.2 - 4.2.3.0 - timp - st...(+)
Piano/harpsichord and orchestra (solo: pno - 2(picc).2.2.2 - 4.2.3.0 - timp - str) SKU: BR.PB-15164-07 Urtext. Composed by Edvard Grieg. Edited by E.-G. Heinemann. Orchestra; Softbound. Partitur-Bibliothek (Score Library). Solo concerto; Romantic. Study Score. 108 pages. Duration 30'. Breitkopf and Haertel #PB 15164-07. Published by Breitkopf and Haertel (BR.PB-15164-07). ISBN 9790004215906. 6.5 x 9 inches. The piano concerto in a minor stands out in Edvard Grieg's oeuvre. Besides this famous concerto, he composed only a few other large orchestral works. Because of its popularity even in Grieg's lifetime, it was often performed, not least by the composer himself. So it is not surprising that Grieg made many changes to the score up to 1907. But at the same time, the concerto's size, form and substance remained completely unaltered. Interventions in the piano part basically involved subtleties of nuance, and only a very few places in the music text were altered. The situation was different with the orchestration. Here Grieg was keen to experiment and kept filing away at the orchestra sound right up to the last. Melodies were moved to other instruments, accompanying string chords were reconstructed, and above all the list of scored instruments was changed. The main source of the Urtext edition by Ernst-Gunter Heinemann is the new edition of the score originally published in 1907 by C. F. Peters, thus several years after the first edition of 1872. Taken into account in the present edition are the changes that Grieg made up to the time of his death. Piano reduction and fingering by Einar Steen-Nokleberg. $24.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Piano Concerto in A minor Op. 16 Breitkopf & Härtel
Piano duets (solo: pno - 2(picc).2.2.2 - 4.2.3.0 - timp - str) SKU: BR.EB-107...(+)
Piano duets (solo: pno - 2(picc).2.2.2 - 4.2.3.0 - timp - str) SKU: BR.EB-10719 Urtext. Composed by Edvard Grieg. Edited by E.-G. Heinemann and Einar Steen-Nokleberg. Solo instruments; Softbound. Edition Breitkopf. In Cooperation with G. Henle Verlag Solo concerto; Romantic. Piano reduction. 72 pages. Duration 30'. Breitkopf and Haertel #EB 10719. Published by Breitkopf and Haertel (BR.EB-10719). ISBN 9790201807195. 9.5 x 12 inches. The piano concerto in a minor stands out in Edvard Grieg's oeuvre. Besides this famous concerto, he composed only a few other large orchestral works. Because of its popularity even in Grieg's lifetime, it was often performed, not least by the composer himself. So it is not surprising that Grieg made many changes to the score up to 1907. But at the same time, the concerto's size, form and substance remained completely unaltered. Interventions in the piano part basically involved subtleties of nuance, and only a very few places in the music text were altered. The situation was different with the orchestration. Here Grieg was keen to experiment and kept filing away at the orchestra sound right up to the last. Melodies were moved to other instruments, accompanying string chords were reconstructed, and above all the list of scored instruments was changed. The main source of the Urtext edition by Ernst-Gunter Heinemann is the new edition of the score originally published in 1907 by C. F. Peters, thus several years after the first edition of 1872. Taken into account in the present edition are the changes that Grieg made up to the time of his death. Piano reduction and fingering by Einar Steen-Nokleberg. $36.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Piano Concerto in A minor Op. 16 Breitkopf & Härtel
Woodwinds (solo: pno - 2(picc).2.2.2 - 4.2.3.0 - timp - str) SKU: BR.OB-15152...(+)
Woodwinds (solo: pno - 2(picc).2.2.2 - 4.2.3.0 - timp - str) SKU: BR.OB-15152-30 Urtext. Composed by Edvard Grieg. Edited by Emil-Gunter Heinemann. Orchestra; Folder. Orchester-Bibliothek (Orchestral Library). In Cooperation with G. Henle Verlag Solo concerto; Romantic. Set of parts. 144 pages. Duration 30'. Breitkopf and Haertel #OB 15152-30. Published by Breitkopf and Haertel (BR.OB-15152-30). ISBN 9790004344101. 10 x 12.5 inches. The piano concerto in a minor stands out in Edvard Grieg's oeuvre. Besides this famous concerto, he composed only a few other large orchestral works. Because of its popularity even in Grieg's lifetime, it was often performed, not least by the composer himself. So it is not surprising that Grieg made many changes to the score up to 1907. But at the same time, the concerto's size, form and substance remained completely unaltered. Interventions in the piano part basically involved subtleties of nuance, and only a very few places in the music text were altered. The situation was different with the orchestration. Here Grieg was keen to experiment and kept filing away at the orchestra sound right up to the last. Melodies were moved to other instruments, accompanying string chords were reconstructed, and above all the list of scored instruments was changed. The main source of the Urtext edition by Ernst-Gunter Heinemann is the new edition of the score originally published in 1907 by C. F. Peters, thus several years after the first edition of 1872. Taken into account in the present edition are the changes that Grieg made up to the time of his death. Piano reduction and fingering by Einar Steen-Nokleberg. $114.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Piano Concerto in A minor Op. 16 Breitkopf & Härtel
Violoncello (solo: pno - 2(picc).2.2.2 - 4.2.3.0 - timp - str) SKU: BR.OB-151...(+)
Violoncello (solo: pno - 2(picc).2.2.2 - 4.2.3.0 - timp - str) SKU: BR.OB-15152-23 Urtext. Composed by Edvard Grieg. Edited by Emil-Gunter Heinemann. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library). In Cooperation with G. Henle Verlag Solo concerto; Romantic. Part. 12 pages. Duration 30'. Breitkopf and Haertel #OB 15152-23. Published by Breitkopf and Haertel (BR.OB-15152-23). ISBN 9790004344088. 10 x 12.5 inches. The piano concerto in a minor stands out in Edvard Grieg's oeuvre. Besides this famous concerto, he composed only a few other large orchestral works. Because of its popularity even in Grieg's lifetime, it was often performed, not least by the composer himself. So it is not surprising that Grieg made many changes to the score up to 1907. But at the same time, the concerto's size, form and substance remained completely unaltered. Interventions in the piano part basically involved subtleties of nuance, and only a very few places in the music text were altered. The situation was different with the orchestration. Here Grieg was keen to experiment and kept filing away at the orchestra sound right up to the last. Melodies were moved to other instruments, accompanying string chords were reconstructed, and above all the list of scored instruments was changed. The main source of the Urtext edition by Ernst-Gunter Heinemann is the new edition of the score originally published in 1907 by C. F. Peters, thus several years after the first edition of 1872. Taken into account in the present edition are the changes that Grieg made up to the time of his death. Piano reduction and fingering by Einar Steen-Nokleberg. $11.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Piano Concerto in A minor Op. 16 Breitkopf & Härtel
Violin 2 (solo: pno - 2(picc).2.2.2 - 4.2.3.0 - timp - str) SKU: BR.OB-15152-...(+)
Violin 2 (solo: pno - 2(picc).2.2.2 - 4.2.3.0 - timp - str) SKU: BR.OB-15152-16 Urtext. Composed by Edvard Grieg. Edited by Emil-Gunter Heinemann. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library). In Cooperation with G. Henle Verlag Solo concerto; Romantic. Part. 12 pages. Duration 30'. Breitkopf and Haertel #OB 15152-16. Published by Breitkopf and Haertel (BR.OB-15152-16). ISBN 9790004344064. 10 x 12.5 inches. The piano concerto in a minor stands out in Edvard Grieg's oeuvre. Besides this famous concerto, he composed only a few other large orchestral works. Because of its popularity even in Grieg's lifetime, it was often performed, not least by the composer himself. So it is not surprising that Grieg made many changes to the score up to 1907. But at the same time, the concerto's size, form and substance remained completely unaltered. Interventions in the piano part basically involved subtleties of nuance, and only a very few places in the music text were altered. The situation was different with the orchestration. Here Grieg was keen to experiment and kept filing away at the orchestra sound right up to the last. Melodies were moved to other instruments, accompanying string chords were reconstructed, and above all the list of scored instruments was changed. The main source of the Urtext edition by Ernst-Gunter Heinemann is the new edition of the score originally published in 1907 by C. F. Peters, thus several years after the first edition of 1872. Taken into account in the present edition are the changes that Grieg made up to the time of his death. Piano reduction and fingering by Einar Steen-Nokleberg. $11.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Piano Concerto in A minor Op. 16 Breitkopf & Härtel
Violin 1 (solo: pno - 2(picc).2.2.2 - 4.2.3.0 - timp - str) SKU: BR.OB-15152-...(+)
Violin 1 (solo: pno - 2(picc).2.2.2 - 4.2.3.0 - timp - str) SKU: BR.OB-15152-15 Urtext. Composed by Edvard Grieg. Edited by Emil-Gunter Heinemann. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library). In Cooperation with G. Henle Verlag Solo concerto; Romantic. Part. 12 pages. Duration 30'. Breitkopf and Haertel #OB 15152-15. Published by Breitkopf and Haertel (BR.OB-15152-15). ISBN 9790004344057. 10 x 12.5 inches. The piano concerto in a minor stands out in Edvard Grieg's oeuvre. Besides this famous concerto, he composed only a few other large orchestral works. Because of its popularity even in Grieg's lifetime, it was often performed, not least by the composer himself. So it is not surprising that Grieg made many changes to the score up to 1907. But at the same time, the concerto's size, form and substance remained completely unaltered. Interventions in the piano part basically involved subtleties of nuance, and only a very few places in the music text were altered. The situation was different with the orchestration. Here Grieg was keen to experiment and kept filing away at the orchestra sound right up to the last. Melodies were moved to other instruments, accompanying string chords were reconstructed, and above all the list of scored instruments was changed. The main source of the Urtext edition by Ernst-Gunter Heinemann is the new edition of the score originally published in 1907 by C. F. Peters, thus several years after the first edition of 1872. Taken into account in the present edition are the changes that Grieg made up to the time of his death. Piano reduction and fingering by Einar Steen-Nokleberg. $11.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Piano Concerto in A minor Op. 16 Piano and Orchestra [Score] Breitkopf & Härtel
Piano/harpsichord and orchestra (solo: pno - 2(picc).2.2.2 - 4.2.3.0 - timp - st...(+)
Piano/harpsichord and orchestra (solo: pno - 2(picc).2.2.2 - 4.2.3.0 - timp - str) SKU: BR.PB-15152 Urtext. Composed by Edvard Grieg. Edited by Ernst-Gunter Heinemann. Orchestra; Softcover. Partitur-Bibliothek (Score Library). In Cooperation with G. Henle Verlag Solo concerto; Romantic. Full score. 108 pages. Duration 30'. Breitkopf and Haertel #PB 15152. Published by Breitkopf and Haertel (BR.PB-15152). ISBN 9790004215579. 10 x 12.5 inches. The piano concerto in a minor stands out in Edvard Grieg's oeuvre. Besides this famous concerto, he composed only a few other large orchestral works. Because of its popularity even in Grieg's lifetime, it was often performed, not least by the composer himself. So it is not surprising that Grieg made many changes to the score up to 1907. But at the same time, the concerto's size, form and substance remained completely unaltered. Interventions in the piano part basically involved subtleties of nuance, and only a very few places in the music text were altered. The situation was different with the orchestration. Here Grieg was keen to experiment and kept filing away at the orchestra sound right up to the last. Melodies were moved to other instruments, accompanying string chords were reconstructed, and above all the list of scored instruments was changed. The main source of the Urtext edition by Ernst-Gunter Heinemann is the new edition of the score originally published in 1907 by C. F. Peters, thus several years after the first edition of 1872. Taken into account in the present edition are the changes that Grieg made up to the time of his death. Piano reduction and fingering by Einar Steen-Nokleberg. $66.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Piano Concerto in A minor Op. 16 Breitkopf & Härtel
Double bass (solo: pno - 2(picc).2.2.2 - 4.2.3.0 - timp - str) SKU: BR.OB-151...(+)
Double bass (solo: pno - 2(picc).2.2.2 - 4.2.3.0 - timp - str) SKU: BR.OB-15152-27 Urtext. Composed by Edvard Grieg. Edited by Emil-Gunter Heinemann. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library). In Cooperation with G. Henle Verlag Solo concerto; Romantic. Part. 8 pages. Duration 30'. Breitkopf and Haertel #OB 15152-27. Published by Breitkopf and Haertel (BR.OB-15152-27). ISBN 9790004344095. 10 x 12.5 inches. The piano concerto in a minor stands out in Edvard Grieg's oeuvre. Besides this famous concerto, he composed only a few other large orchestral works. Because of its popularity even in Grieg's lifetime, it was often performed, not least by the composer himself. So it is not surprising that Grieg made many changes to the score up to 1907. But at the same time, the concerto's size, form and substance remained completely unaltered. Interventions in the piano part basically involved subtleties of nuance, and only a very few places in the music text were altered. The situation was different with the orchestration. Here Grieg was keen to experiment and kept filing away at the orchestra sound right up to the last. Melodies were moved to other instruments, accompanying string chords were reconstructed, and above all the list of scored instruments was changed. The main source of the Urtext edition by Ernst-Gunter Heinemann is the new edition of the score originally published in 1907 by C. F. Peters, thus several years after the first edition of 1872. Taken into account in the present edition are the changes that Grieg made up to the time of his death. Piano reduction and fingering by Einar Steen-Nokleberg. $11.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Piano Concerto in A minor Op. 16 Breitkopf & Härtel
Viola (solo: pno - 2(picc).2.2.2 - 4.2.3.0 - timp - str) SKU: BR.OB-15152-19<...(+)
Viola (solo: pno - 2(picc).2.2.2 - 4.2.3.0 - timp - str) SKU: BR.OB-15152-19 Urtext. Composed by Edvard Grieg. Edited by Emil-Gunter Heinemann. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library). In Cooperation with G. Henle Verlag Solo concerto; Romantic. Part. 12 pages. Duration 30'. Breitkopf and Haertel #OB 15152-19. Published by Breitkopf and Haertel (BR.OB-15152-19). ISBN 9790004344071. 10 x 12.5 inches. The piano concerto in a minor stands out in Edvard Grieg's oeuvre. Besides this famous concerto, he composed only a few other large orchestral works. Because of its popularity even in Grieg's lifetime, it was often performed, not least by the composer himself. So it is not surprising that Grieg made many changes to the score up to 1907. But at the same time, the concerto's size, form and substance remained completely unaltered. Interventions in the piano part basically involved subtleties of nuance, and only a very few places in the music text were altered. The situation was different with the orchestration. Here Grieg was keen to experiment and kept filing away at the orchestra sound right up to the last. Melodies were moved to other instruments, accompanying string chords were reconstructed, and above all the list of scored instruments was changed. The main source of the Urtext edition by Ernst-Gunter Heinemann is the new edition of the score originally published in 1907 by C. F. Peters, thus several years after the first edition of 1872. Taken into account in the present edition are the changes that Grieg made up to the time of his death. Piano reduction and fingering by Einar Steen-Nokleberg. $11.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Orphee et Euridice - Orpheus und Eurydike Piano, Voice [Vocal Score] Barenreiter
Tragedie Opera (Drama heroique) in 3 Akten. Pariser Fassung 1774 (franzosisch/de...(+)
Tragedie Opera (Drama heroique) in 3 Akten. Pariser Fassung 1774 (franzosisch/deutsch). Klavierauszug nach dem Urtext der Gluck-Gesamtausgabe. By Christoph Willibald von Gluck. Edited by Finscher, Ludwig;Sommer, Jurgen. For 2 Soprano solo, Tenor solo, Mixed Choir-Ball, 2 Flute, 2 Oboe, 2 Clarinet (b flat), 2 Bassoon, 2 Horn, 2 Trumpet, 3 Trombone, Kettledrum, Harp, Strings. Piano Reduction/Vocal Score (paperbound). Published by Baerenreiter-Ausgaben (German import).
$74.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| The heavens laugh, the earth exults in gladness (Der Himmel lacht! Die Erde jubilieret) Soli, Mixted choir and accompaniment [Score] Carus Verlag
Cantata for Easter Sunday. Composed by Johann Sebastian Bach (1685-1750)....(+)
Cantata for Easter Sunday. Composed by Johann Sebastian Bach (1685-1750). Edited by Michael Marker. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Der Himmel Lacht, Die Erde Jubilieret. Sacred vocal music, Cantatas, Easter and Eastertide. Full score. Composed 1715. BWV 31. 68 pages. Duration 24 minutes. Carus Verlag #CV 31.031/00. Published by Carus Verlag (CA.3103100).
$38.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Trombone and Romance (Trombone) Brass Trio [Sheet music + CD] De Haske Publications
10 Romantic Pieces. De Haske Play-along Books. Love, Adult Contemporary ...(+)
10 Romantic Pieces. De Haske Play-along Books. Love, Adult Contemporary and Play Along. Trombone solo book (softcover) and accompaniment CD. With standard notation. Composed 1999. 21 pages. De Haske Publications #DHP 0991814-400. Published by De Haske Publications (HL.44003739).
$22.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| German Dances Piano solo [Score] Breitkopf & Härtel
Piano SKU: BR.EB-6734 Piano Lessons by Ludwig van Beethoven. Compo...(+)
Piano SKU: BR.EB-6734 Piano Lessons by Ludwig van Beethoven. Composed by Ludwig van Beethoven. Edited by Heinz Walter. Solo instruments; Softcover. Edition Breitkopf. Dances/marches; Classical. Score. 16 pages. Breitkopf and Haertel #EB 6734. Published by Breitkopf and Haertel (BR.EB-6734). ISBN 9790004169360. 9 x 12 inches. This series of easy piano pieces for teaching purposes presents pupils in the early and early-middle stages with a careful selection from well-known and less-known compositions by important masters. The individual volumes are deliberately kept small in compass, since it is more stimulating for children if the literature used for instruction is changed frequently. Between 1795 and 1802, Beethoven composed a large number of German dances, contredances and minuets. He made simple piano reductions of a considerable proportion of these occasional compositions. The selection of the present pieces was made on the basis of the compositions that seemed most suitable for the piano. The piano arrangements are based on the scores and the original piano reductions, and the marks of interpretation have been retained. The working-out of more finely-differentiated interpretations is left to the performer studying the pieces. These grateful little pieces are equally suitable as studies and as recital pieces. Heinz Walter, Salzburg, Fall 1974. $16.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Duo of Accordance Sikorski
Cello; Clarinet (Score & Parts) SKU: HL.50600662 For Clarinet in B-fla...(+)
Cello; Clarinet (Score & Parts) SKU: HL.50600662 For Clarinet in B-flat and Cello. Composed by Franghiz Ali-Zadeh. Ensemble. Classical. Softcover. 28 pages. Sikorski #SIK8814. Published by Sikorski (HL.50600662). 8.25x11.75x0.082 inches. “This piece is the expression of my admiration for the married couple Hyun-Jung and Julius Berger, two remarkable musicians and outstanding violoncellists. As representatives of two different cultures which are far removed from each other in many respects, this couple forms a magnificent, harmonious family and has given the world two delightful boys. During the Asiago Festival in Italy, I had the good fortune to observe the everyday life of this wonderful family, whose relationship is based on the feeling of love, service to music, mutual trust and help. My composition is inspired by these unforgettable impressions. To speak in the language of musical associations: the clarinet part contains grace, elegance, femininity and the goodness of the wife, whereas noblesse, power, temperament and romanticism of the husband are found in the violoncello part. Consent and harmony always reign between these two parts; the roles of the soloist and accompanist are exchanged now and then, but they always maintain a benevolent agreement and complete similarity, complementing and supporting each other. I hope that my musical present will find its way into Professor Berger's heart.†(Franghiz Ali-Zadeh). $24.99 - See more - Buy online | | |
| Danses Sacree et Profane Harp and Piano [Part] Carl Fischer
For Pedal Harp with Accompaniment of String Orchestra. Composed by Claude...(+)
For Pedal Harp with Accompaniment of String Orchestra. Composed by Claude Debussy (1862-1918). Edited by Carl Swanson. Solo part. 24 pages. Carl Fischer #H000076. Published by Carl Fischer (CF.H76).
$18.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Flying Bird Piano solo - Easy Schott
Piano - easy SKU: HL.49045430 Easy Recital Pieces for Piano. Compo...(+)
Piano - easy SKU: HL.49045430 Easy Recital Pieces for Piano. Composed by Barbara Heller. Edited by Veronika Nuenemann. This edition: Saddle stitching. Sheet music. Piano. Classical. Softcover. 44 pages. Duration 24'. Schott Music #ED22606. Published by Schott Music (HL.49045430). ISBN 9790001161640. UPC: 841886031647. This collection tells little stories on the piano, written for some very young pianists. Each title sets a musical and technical challenge. Individual pieces may be put together to tell a longer story. The pieces are ordered progressively, with some requiring simple preliminary exercises. Easy to start with (using grace notes, playing legato and staccato), they become gradually more demanding as different fingerings, pedal use, phrasing and dynamics are introduced. Articulation, phrasing and tempo markings in this edition represent one possible interpretation; they may be changed or varied at will. The composer is delighted for her creative work to be developed further: titles presented in two versions give examples of this, showing that the bird can shimmer in different colours. $19.99 - See more - Buy online | | |
| Oedipus Orchestra [Study Score / Miniature] Schott
Facsimile Study Score Orchestra (Study Score) SKU: HL.49033016 Music-D...(+)
Facsimile Study Score Orchestra (Study Score) SKU: HL.49033016 Music-Dance-Drama Orchestra Facsimile Study Score. Composed by Harry Partch. This edition: Ring/Spiral binding. Sheet music. Edition Schott. Classical. Softcover. Composed 1951-1954/1967. 192 pages. Duration 4800 seconds. Schott Music #ED9338. Published by Schott Music (HL.49033016). ISBN 9790001130394. UPC: 888680957339. 9.0x12.0x0.937 inches. Already in 1933, Partch showed interest in composing a dramatic setting of Oedipus. He finished a first version on 31 July 1951 and the work was premiered in March of the following year. For this second version, Partch added more instruments and changed the role of the Spokesman. In the third and final version of 1967 Partch changed the instrumentation again slightly - especially his Gourd Tree and Cone Gongs were added. $98.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| 10 Songs arranged for High Voice and Guitar by John W. Duarte Voice, Guitar [Score] Ut Orpheus
Guitar; Voice SKU: UT.CH-397 Composed by Franz Schubert. Classical. Score...(+)
Guitar; Voice SKU: UT.CH-397 Composed by Franz Schubert. Classical. Score. Ut Orpheus #CH 397. Published by Ut Orpheus (UT.CH-397). ISBN 9790215328501. 9 x 12 inches. Blumenlied; Freude der Kinderjahre; Frühlingslied; Der liebliche Stern; Nachtviolen; Nähe des Geliebten; Trauer der Liebe; Die Herbstnacht (Die Wehmut); Du bist die Ruh; Tischlied
In the early 1960s the Venezuelan guitarist, Alirio Diaz, suggested to Duarte that, because the existing arrangements of Schubert lieder for voice and guitar were so poor, he should make some new arrangements. 20 songs were initially arranged, from 1966 onwards, and only nine of them were published by Edizioni Musicali Bèrben in 1973. The songs in the present volume selected themselves for their vocal range and only one song, Der Schatzgräber D 256, had to be excluded. I am very grateful to Amanda Cook who took on the task of adding fingerings to most of these 55-year old arrangements. There is a small ossia part in Freude der Kinderjahre, a vocal ossia in Tischlied and also one or two places where chord progressions have been changed for easier performance. Transpositions from the original keys are noted in the musical text and dynamics have been inserted where they can be corroborated. I have refrained from including an English, or any other language, translation. Singers and guitarists will have their own resources and knowledge for translating the meaning of the texts into their own language, an essential tool for the interpretation of these wonderful songs.
(Christopher Duarte). $22.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Praktische Instrumentenkunde Orchestra, Violin Barenreiter
SKU: BA.BVK01950 Composed by Andreas N. Tarkmann and Johannes Kohlmann. P...(+)
SKU: BA.BVK01950 Composed by Andreas N. Tarkmann and Johannes Kohlmann. Paperback. Book. 240 pages. Baerenreiter Verlag #BVK01950_00. Published by Baerenreiter Verlag (BA.BVK01950). ISBN 9783761819500. 19 x 12.5 cm inches. Language: German. Preface: Tarkmann, Andreas N. Mendelssohn's Violin Concerto op. 64, is a key work of the 19th century, adhering to the classical style of Beethoven while pointing the way to the romantic ethos of Brahms. It has long been known that Mendelssohn performed the work with three soloists in succession: Ferdinand David, who worked closely with the composer during its composition and played it at the premiere; the 'child prodigy' Joseph Joachim; and Hubert Leonard, a young Belgian virtuoso about whom little is known.
As proof sheets for the Violin Concerto in E minor were long considered lost, it could be described as somewhat of a sensation when proofs for the solo violin part resurfaced together with a letter from Mendelssohn to Leonard.
The letter informs us that the composer invited Leonard to his home in Frankfurt in order to make his acquaintance. It was already known that Mendelssohn had given proof sheets to David; now we know that he also gave some to Leonard.
The recently discovered proofs reveal how Leonard played the concerto with Mendelssohn on that memorable evening in February 1845. Besides containing bowing marks and fingering, they also show how Leonard executed shifts of position and where he employed open strings. Furthermore modifications made to dynamic markings and additional legato bowing are shown.
It is safe to assume that all of this was done with Mendelssohn's approval. That the young violinist made a positive impression on the composer is confirmed in the latter's correspondence following their joint performance. Mendelssohn is full of praise for Leonard's playing and offers to lend his support in finding employment in Germany.
This revised edition of the Mendelssohn Violin Concerto (only the orchestral parts remain unchanged) includes a separate booklet on performance practice.
The editor, Clive Brown, is an acknowledged expert on Romantic performance practice.
- New source situation owing to recently rediscovered proofs - Revised Urtext edition - With a separate booklet on performance practice (Eng/Ger). $22.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Concerto in Eb Major Trumpet, Piano Carl Fischer
For Trumpet in Bb and Piano, S. 49. Composed by Johann Nepomuk Hummel (17...(+)
For Trumpet in Bb and Piano, S. 49. Composed by Johann Nepomuk Hummel (1778-1837). Edited by Elisa Koehler. Arranged by Elisa Koehler. Romantic. Score and part(s). With Standard notation. 36 8 pages. Carl Fischer #W002681. Published by Carl Fischer (CF.W2681).
$14.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
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