Urtext der Neuen Bach-Ausgabe - Urtext of the New Bach-Edition. By Johann Sebastian Bach. Edited by Werner Breig. For Harpsichord, String orchestra, Chamber orchestra. Barenreiter Studienpartituren - Study scores. Pocket Score; Urtext Edition (paperbound). Published by Baerenreiter-Taschenpartituren (German import). (TP410)

Violin 2 (solo: hps - str - bc)

SKU: BR.OB-4317-16

Composed by Johann Sebastian Bach. Stapled. Orchester-Bibliothek (Orchestral Library). Solo concerto; Baroque. Part. 4 pages. Duration 14'. Breitkopf and Haertel #OB 4317-16. Published by Breitkopf and Haertel (BR.OB-4317-16).

ISBN 9790004304365. 10 x 12.5 inches.

Piano/harpsichord and orchestra (solo: hps - str - bc)

SKU: BR.PB-4317

Composed by Johann Sebastian Bach. Orchestra; Softcover. Partitur-Bibliothek (Score Library). Solo concerto; Baroque. Full score. 24 pages. Duration 14'. Breitkopf and Haertel #PB 4317. Published by Breitkopf and Haertel (BR.PB-4317).

ISBN 9790004202555. 9 x 12 inches.

By Johann Sebastian Bach (1685-1750). For harpsichord, strings (piano/harpsichord). Orchester-Bibliothek (Orchestral Library). Individual part. 16 pages. Published by Breitkopf and Haertel . individual part.

Orchestra (str,pf solo)

SKU: TM.00003SET

Composed by Johann Sebastian Bach. Set Type: D. Set of parts. Lucks Music Library #A1230. Published by Lucks Music Library (TM.00003SET).

Identical to Violin Concerto in a minor; solo.

By Johann Sebastian Bach. For Viola. Single Part. BWV 1058. Published by Baerenreiter-Ausgaben (German import). (BA5230 79)

By Johann Sebastian Bach. For Violoncello/Contrabass. Single Part. BWV 1058. Published by Baerenreiter-Ausgaben (German import). (BA5230 82)

SATB vocal soli, SATB choir, 2 flutes, oboe I/oboe d'amore, oboe II, violin solo, 2 violins, viola, basso continuo

SKU: CA.3103009

Cantata for the Feast of John the Baptist. Composed by Johann Sebastian Bach. Edited by Julia Doht. This edition: urtext. 1x 31.030/21 flute 1, 1x 31.030/22 flute 2, 1x 31.030/23 oboe 1, 1x 31.030/24 oboe 2. Stuttgart Urtext Edition: Bach vocal. Harmony parts. Sacred vocal music, Cantatas, Special days. Set of Orchestra Parts. Composed 1738(?). BWV 30. Duration 40 minutes. Carus Verlag #CV 31.030/09. Published by Carus Verlag (CA.3103009).

ISBN 9790007205393. Text language: German/English.

The cantata Freue dich, erloste Schar BWV 30 is one of Bach's last church cantatas. Originally composed as a parody of the cantata Angenehmes Wiederau BWV 30a for the Feast of St. John's Day in 1738, it still enjoys a great popularity today. Its extraordinary length (12 movements) made it possible for Bach to employ four vocal soloists who, together with instrumental soloists, choir and orchestra contribute to the generally festive character of this work. Score and parts available separately - see item CA.3103000.

Orchestra SB vocal soli, 2 oboes, taille (english horn), 2 violins, viola, basso continuo - Grade 3

SKU: CA.3105819

Cantata for the Sunday after New Year. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. German title: Ach Gott, wie manches Herzeleid. Sacred vocal music, Cantatas, New year. Set of Orchestra Parts. Composed 1733/1734. BWV 58. Duration 17 minutes. Carus Verlag #CV 31.058/19. Published by Carus Verlag (CA.3105819).

ISBN 9790007136208. Key: C major. Language: German/English.

The cantata O God, what glut of care and pain BWV 58, which Bach subtitled Dialogus and wrote for the Sunday after New Year, limits itself accordingly to the dialog couple consisting of soprano and bass; further soloists or a choir are not required. In the framing movements, the dialog takes on the form of a chorale arrangement: the soprano presents a cantus firmus whose words are consolingly commented on by the bass. Both the expansive chorale arrangements leave room for an aria which is framed by two recitatives. The cantata was composed for the Sunday after New Year 1727, but the received form is from a subsequent performance that took place six or seven years later. For this performance, Bach not only expanded the instrumentation but also replaced an entire aria. Later, he assigned the cantata to his annual cycle of chorale cantatas, probably due to its high proportion of chorales; this Sunday was missing in that annual cycle as there was no Sunday between New Year and Epiphany in 1725. Score and parts available separately - see item CA.3105800.

Orchestra SB vocal soli, 2 oboes, taille (english horn), 2 violins, viola, basso continuo - Grade 3

SKU: CA.3105849

Cantata for the Sunday after New Year. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. Organ. Sacred vocal music, Cantatas, New year. Single Part, Organ. Composed 1733/1734. BWV 58. 16 pages. Duration 17 minutes. Carus Verlag #CV 31.058/49. Published by Carus Verlag (CA.3105849).

ISBN 9790007206611. Key: C major. Language: German/English.

The cantata O God, what glut of care and pain BWV 58, which Bach subtitled Dialogus and wrote for the Sunday after New Year, limits itself accordingly to the dialog couple consisting of soprano and bass; further soloists or a choir are not required. In the framing movements, the dialog takes on the form of a chorale arrangement: the soprano presents a cantus firmus whose words are consolingly commented on by the bass. Both the expansive chorale arrangements leave room for an aria which is framed by two recitatives. The cantata was composed for the Sunday after New Year 1727, but the received form is from a subsequent performance that took place six or seven years later. For this performance, Bach not only expanded the instrumentation but also replaced an entire aria. Later, he assigned the cantata to his annual cycle of chorale cantatas, probably due to its high proportion of chorales; this Sunday was missing in that annual cycle as there was no Sunday between New Year and Epiphany in 1725. Score and part available separately - see item CA.3105800.

Orchestra SB voice soli, 2 Oboes, Taille (English Horn), Violin solo, Strings, Organ - Level 3

SKU: CA.3105807

Cantata for the Sunday after New Year. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. This edition: Paperbound. Sacred vocal music, Cantatas, New year. Study score. Composed 1733/1734. BWV 58. 56 pages. Duration 17 minutes. Carus Verlag #CV 31.058/07. Published by Carus Verlag (CA.3105807).

ISBN 9790007043216. Key: C major. Language: German/English.

The cantata O God, what glut of care and pain BWV 58, which Bach subtitled Dialogus and wrote for the Sunday after New Year, limits itself accordingly to the dialog couple consisting of soprano and bass; further soloists or a choir are not required. In the framing movements, the dialog takes on the form of a chorale arrangement: the soprano presents a cantus firmus whose words are consolingly commented on by the bass. Both the expansive chorale arrangements leave room for an aria which is framed by two recitatives. The cantata was composed for the Sunday after New Year 1727, but the received form is from a subsequent performance that took place six or seven years later. For this performance, Bach not only expanded the instrumentation but also replaced an entire aria. Later, he assigned the cantata to his annual cycle of chorale cantatas, probably due to its high proportion of chorales; this Sunday was missing in that annual cycle as there was no Sunday between New Year and Epiphany in 1725. Score available separately - see item CA.3105800.

Orchestra SB vocal soli, 2 oboes, taille (english horn), 2 violins, viola, basso continuo - Grade 3

SKU: CA.3105813

Cantata for the Sunday after New Year. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. German title: Ach Gott, wie manches. Sacred vocal music, Cantatas, New year. Single Part, Viola. Composed 1733/1734. BWV 58. 4 pages. Duration 17 minutes. Carus Verlag #CV 31.058/13. Published by Carus Verlag (CA.3105813).

ISBN 9790007043254. Key: C major. Language: German/English.

The cantata O God, what glut of care and pain BWV 58, which Bach subtitled Dialogus and wrote for the Sunday after New Year, limits itself accordingly to the dialog couple consisting of soprano and bass; further soloists or a choir are not required. In the framing movements, the dialog takes on the form of a chorale arrangement: the soprano presents a cantus firmus whose words are consolingly commented on by the bass. Both the expansive chorale arrangements leave room for an aria which is framed by two recitatives. The cantata was composed for the Sunday after New Year 1727, but the received form is from a subsequent performance that took place six or seven years later. For this performance, Bach not only expanded the instrumentation but also replaced an entire aria. Later, he assigned the cantata to his annual cycle of chorale cantatas, probably due to its high proportion of chorales; this Sunday was missing in that annual cycle as there was no Sunday between New Year and Epiphany in 1725. Score and part available separately - see item CA.3105800.

(Dialogus. Kantate zum Sonntag nach Neujahr). By Johann Sebastian Bach (1685-1750). Edited by Reinhold Kubik. Arranged by Paul Horn. For Soli SB, 2 Oboes, Taille (English Horn), Violin solo, Strings, Organ. This edition: paperbound. BWV 58. Full score available separately - see item CA.3105800. Cantatas; Use during church year: New Year. Level 3. Piano/Vocal score. Language: German/English. Composed 1727. 24 pages. Duration 17 min