| Pimavera: Music for Bassoon and Piano by Bassoonists Bassoon, Piano (duet) [Audio CD] Mark Custom Music
By Michael Burns, bassoon; InA!ra Zandmane, piano. By Various. For bassoon solo....(+)
By Michael Burns, bassoon; InA!ra Zandmane, piano. By Various. For bassoon solo. Mark Masters. Audio CD. Duration 65:52. Published by Mark Custom Music
$14.99 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Swamp Song Bassoon [Sheet music + CD] Potenza Music
Composed by Michael Burns. For Bassoon and CD. Solo music, 20th century. Publish...(+)
Composed by Michael Burns. For Bassoon and CD. Solo music, 20th century. Published by Potenza Music
$29.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| John Burness: Four Easy Pieces Bassoon, Piano (duet) - Easy Music Sales
Bassoon and Piano - Grade 2 SKU: HL.14005434 Composed by John Burness. Mu...(+)
Bassoon and Piano - Grade 2 SKU: HL.14005434 Composed by John Burness. Music Sales America. Exam Material. Book [Softcover]. Composed 2005. 8 pages. Music Sales #PAT60019. Published by Music Sales (HL.14005434). ISBN 9781844499830. 8.25x11.75x0.045 inches. English. A set of four short and simple but wonderfully melodic pieces for the intermediate Bassoon soloist. Ideally suited to be performed as a set of four, the pieces can be played individually, making them perfect for early concerts, festivals and recitals, or just as a satisfying addition to your first repertoire. $13.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Dona Nobis Pacem Choral SATB, Flute, Oboe, Bassoon Schirmer
Jon Washburn Choral Series. Composed by Jon Washburn. Choral. Concert, Festiva...(+)
Jon Washburn Choral Series.
Composed by Jon Washburn.
Choral. Concert, Festival,
Inspirational. Octavo. 20
pages. Published by G.
Schirmer
$2.50 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Do It! Play Bassoon - Book 2 with MP3s Bassoon GIA Publications
Bassoon SKU: GI.G-M502 Composed by James Froseth. Band Method. Do It! Mus...(+)
Bassoon SKU: GI.G-M502 Composed by James Froseth. Band Method. Do It! Music Education. Book. 48 pages. GIA Publications #M502. Published by GIA Publications (GI.G-M502). ISBN 9781579992279. English. Now available on SmartMusic! The Bassoon book and audio recordings (see below) from the Do It! Play in Band series by James O. Froseth includes: Modeling by Richard Beene (Colburn School Conservatory of Music). Professional studio backgrounds capture the rich diversity of American music culture with a repertoire of American, Latin American, African, European, and Far Eastern styles. Music of other times, including 12th-century conductus, 15th-century Dance of the Bouffons, 16th-century French branle, 18th- and 19th-century folk songs and dances, 1940s and '50s jazz, blues, and rock-and-roll. The repertoire and recorded contexts are motivating, informative, and entirely musical. Every song includes text, providing information about phrasing, rhythm, style, affect, emotion, history, and culture. A unique Rhythmic Pattern Dictionary allows students to look it up and listen up. An individualized format allows students to progress at different rates with a theme and variation format. Ear training and improvisation are integral parts of the lesson format. Artist performers set musical standards in sound with more than 80 great performances for every instrument! Performers include: Michael Henoch, Oboe (Chicago Symphony Orchestra), Randall Hawes, Jeffrey Zook, Sharon Sparrow, Kevin Good (Detroit Symphony Orchestra), Albert Blaser, Clarinet (Cleveland State University), Brian Bowman, Euphonium/Baritone (Duquesne University), Timothy McAllister (Crane School of Music, SUNY at Potsdam), Steve Houghton, Percussion (LA percussion recording artist and clinician), Donald Sinta, Richard Beene, Bryan Kennedy, Debra Chodacki, Fritz Kaenzig, Tuba (University of Michigan), Kristin Beene (Toledo Symphony Orchestra), and Jean Moorehead Libs, Trumpet (Plymouth Symphony Orchestra). Download the audio recordings at: giamusic.com/doit2media. $7.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| When the Stars Burn Down (Orchestration - CD-Rom) Choral SATB Lillenas Publishing Co.
SATB choir with vocal solo (flute 1&2, oboe, clarinet 1&2, F horn 1&2, trumpet 1...(+)
SATB choir with vocal solo (flute 1&2, oboe, clarinet 1&2, F horn 1&2, trumpet 1/2&3, trombone 1&2, trombone 3/tuba, percussion, rhythm, synthesizer, harp, violin 1&2, viola, cello/bassoon, string bass) - Moderate SKU: LP.765762205802 Composed by Jennie Lee Riddle & Jonathan Lee. Arranged by Gary Rhodes. Anthems. Praise & Worship and Sacred. Orchestration on CD-ROM. Published by Lillenas Publishing Company (LP.765762205802). UPC: 765762205802. Orchestrated by Tim Cates. When the stars burn down and the earth wears out...we will rise and all applaud! Singing blessing and honor and glory and power forever to our God! These words, penned by Jonathan Lee and Jennie Lee Riddle, are but a bit of the majestic lyrics found in this anthem about the Second Coming. Gary Rhodes' masterful arrangement for solo with choir will surely make this song a favorite. $74.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Suite for Woodwind Quintet Woodwind Quintet: flute, oboe, bassoon, clarinet, horn [Score and Parts] Theodore Presser Co.
Flute, Oboe, BB Clarinet, F Horn, Bassoon. By Robert Washburn. Wind quintet. For...(+)
Flute, Oboe, BB Clarinet, F Horn, Bassoon. By Robert Washburn. Wind quintet. For Flute, Oboe, Clarinet, French Horn, Bassoon. Classical. Score and parts. 12 pages. Published by Theodore Presser Company.
$24.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Jack Bullock, Jerry Burns, Lew Davison, Paul Cook: Belwin Beginning Band Kit #2 Concert band [Score and Parts] - Beginner Alfred Publishing
(A Complete Concert Including The Silver Rocket, Dreaming, Tacos and Salsa, and ...(+)
(A Complete Concert Including The Silver Rocket, Dreaming, Tacos and Salsa, and Clog Dance) Composed by Jack Bullock, Jerry Burns, Lew Davison, Paul Cook. Conductor's score and set of performance parts for concert band (10 - flute, 2 - oboe, 10 - clarinet, 2 - bass clarinet, 6 - alto saxophone, 4 - tenor saxophone, 2 - baritone saxophone, 8 - trumpet, 4 - horn in F, 6 - trombone/baritone/bassoon, 2 - baritone (treble clef), 4 - tuba, 1 - mallet percussion, 2 - percussion I, 4 - percussion II, 2 - percussion III). With performance notes. Series: Belwin Beginning Band. Published by Alfred Publishing.
$65.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Encounters XIII Horn, Flute, Bass Clarinet, Percussion, Bassoon, Oboe, B-Flat Clarinet Theodore Presser Co.
(Concertino for Percussion and Woodwind Quintet). By William Kraft. Chamber ense...(+)
(Concertino for Percussion and Woodwind Quintet). By William Kraft. Chamber ensemble. For Flute, Oboe, Bass Clarinet in Bb, Horn in F, Bassoon, Percussion. Encounters. World Premiere: Southwest Chamber Music, Jeff von der Schmidt, conductor, Kenneth M. McGrath, soloist, Zipper Hall, Colburn School, Los Angeles, California. Score. Standard notation
$33.99 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Robert Washburn: Three Pieces for Three Woodwinds [Score and Parts] Oxford University Press
Composed by Robert Washburn. Conductor's score and set of performance parts for ...(+)
Composed by Robert Washburn. Conductor's score and set of performance parts for flute, Bb clarinet and bassoon. With full score notation and standard notation. Published by Oxford University Press.
$23.50 - See more - Buy online | | |
| Bannockburn Concert band [Score and Parts] - Intermediate C. Alan Publications
By Bruce Fraser. For Concert Band (1st Flute, 2nd Flute, Oboe*, 1st Bb Clarinet,...(+)
By Bruce Fraser. For Concert Band (1st Flute, 2nd Flute, Oboe*, 1st Bb Clarinet, 2nd Bb Clarinet, 3rd Bb Clarinet, Bb Bass Clarinet*, Bassoon*, 1st Eb Alto Saxophone*, 2nd Eb Alto Saxophone*, Bb Tenor Saxophone*, Eb Baritone Saxophone*, 1st Bb Trumpet, 2nd Bb Trumpet, 3rd Bb Trumpet, 1st F). Band Music. Grade 3. Score and parts. Duration 4:30. Published by C. Alan Publications
$80.00 $76 (5% off) See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Bannockburn Concert band [Score] - Intermediate C. Alan Publications
By Bruce Fraser. For Concert Band (1st Flute, 2nd Flute, Oboe*, 1st Bb Clarinet,...(+)
By Bruce Fraser. For Concert Band (1st Flute, 2nd Flute, Oboe*, 1st Bb Clarinet, 2nd Bb Clarinet, 3rd Bb Clarinet, Bb Bass Clarinet*, Bassoon*, 1st Eb Alto Saxophone*, 2nd Eb Alto Saxophone*, Bb Tenor Saxophone*, Eb Baritone Saxophone*, 1st Bb Trumpet, 2nd Bb Trumpet, 3rd Bb Trumpet, 1st F). Band Music. Grade 3. Score only. Duration 4:30. Published by C. Alan Publications
$20.00 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Fanfare for Hope - Intermediate Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Cla...(+)
Band Bass Clarinet, Bass Drum, Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Clarinet 3, Crash Cymbals, Euphonium, Euphonium T.C., Flute 1, Flute 2, Glockenspiel, Horn 1, Horn 2, Horn 3, Horn 4, Mallet Percussion, Oboe 1, Oboe 2, Percussion 1 and more. - Grade 3 SKU: CF.CPS259 Based on the Hymn Melita. Composed by A. Eric Heukeshoven. Cps. Set of Score and Parts. 1+4+4+2+2+4+4+4+2+2+2+2+2+2+2+2+4+4+4+2+2+2+2+3+3+3+1+3+2+4+1+1+1+2+1+12 pages. Duration 2:20. Carl Fischer Music #CPS259. Published by Carl Fischer Music (CF.CPS259). ISBN 9781491161487. UPC: 680160920112. Fanfare for Hope was commissioned in honor of the inauguration of Father James P. Burns, the 14th President of Saint Mary's University of Minnesota. The theme of the inauguration was Saint Mary's: A Sign of Faith, Hope, & Knowledge. The fanfare is based on the hymn tune Melita, more commonly known as the Navy Hymn, Eternal Father, Strong to Save, with the text My hope is built on nothing less ... serving as the inspiration for the piece. The opening brass fanfare features the uplifting first notes of the tune transitioning into a legato treatment for the woodwinds and horns. The theme builds as the brass and percussion eventually return leading back to the original fanfare. The music ends triumphantly with the entire ensemble joining in celebration. Fanfare for Hope was commissioned in honor of the inauguration of Father James P. Burns, the 14th President of Saint Mary's University of Minnesota. The theme of the inauguration was Saint Mary's: A Sign of Faith, Hope, & Knowledge. The fanfare is based on the hymn tune Melita, more commonly known as the Navy Hymn, Eternal Father, Strong to Save, with the text My hope is built on nothing less ... serving as the inspiration for the piece. The opening brass fanfare features the uplifting first notes of the tune transitioning into a legato treatment for the woodwinds and horns. The theme builds as the brass and percussion eventually return leading back to the original fanfare. The music ends triumphantly with the entire ensemble joining in celebration. Fanfare for Hope was commissioned in honor of the inauguration of Father James P. Burns, the 14th President of Saint Mary's University of Minnesota. The theme of the inauguration was “Saint Mary’s: A Sign of Faith, Hope, & Knowledgeâ€. The fanfare is based on the hymn tune Melita, more commonly known as the Navy Hymn, Eternal Father, Strong to Save, with the text “My hope is built on nothing less …†serving as the inspiration for the piece. The opening brass fanfare features the uplifting first notes of the tune transitioning into a legato treatment for the woodwinds and horns. The theme builds as the brass and percussion eventually return leading back to the original fanfare. The music ends triumphantly with the entire ensemble joining in celebration. $75.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Fanfare for Hope - Intermediate Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Cla...(+)
Band Bass Clarinet, Bass Drum, Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Clarinet 3, Crash Cymbals, Euphonium, Euphonium T.C., Flute 1, Flute 2, Glockenspiel, Horn 1, Horn 2, Horn 3, Horn 4, Mallet Percussion, Oboe 1, Oboe 2, Percussion 1 and more. - Grade 3 SKU: CF.CPS259F Based on the Hymn Melita. Composed by A. Eric Heukeshoven. Cps. Full score. 12 pages. Duration 2:20. Carl Fischer Music #CPS259F. Published by Carl Fischer Music (CF.CPS259F). ISBN 9781491161692. UPC: 680160920372. Fanfare for Hope was commissioned in honor of the inauguration of Father James P. Burns, the 14th President of Saint Mary's University of Minnesota. The theme of the inauguration was Saint Mary's: A Sign of Faith, Hope, & Knowledge. The fanfare is based on the hymn tune Melita, more commonly known as the Navy Hymn, Eternal Father, Strong to Save, with the text My hope is built on nothing less ... serving as the inspiration for the piece. The opening brass fanfare features the uplifting first notes of the tune transitioning into a legato treatment for the woodwinds and horns. The theme builds as the brass and percussion eventually return leading back to the original fanfare. The music ends triumphantly with the entire ensemble joining in celebration. Fanfare for Hope was commissioned in honor of the inauguration of Father James P. Burns, the 14th President of Saint Mary's University of Minnesota. The theme of the inauguration was “Saint Mary’s: A Sign of Faith, Hope, & Knowledgeâ€. The fanfare is based on the hymn tune Melita, more commonly known as the Navy Hymn, Eternal Father, Strong to Save, with the text “My hope is built on nothing less …†serving as the inspiration for the piece. The opening brass fanfare features the uplifting first notes of the tune transitioning into a legato treatment for the woodwinds and horns. The theme builds as the brass and percussion eventually return leading back to the original fanfare. The music ends triumphantly with the entire ensemble joining in celebration. $13.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| For the Mystic Harmony Theodore Presser Co.
Band Bass Clarinet, Bassoon 1, Bassoon 2, Clarinet, Clarinet 1, Clarinet 2, Clar...(+)
Band Bass Clarinet, Bassoon 1, Bassoon 2, Clarinet, Clarinet 1, Clarinet 2, Clarinet 3, Contrabass Clarinet, Contrabassoon, English Horn, Flute 1, Flute 2, Oboe 1, Oboe 2, Piccolo, alto Saxophone, soprano Saxophone, tenor Saxophone SKU: PR.165001000 Hymns for Wind Ensemble. Composed by Dan Welcher. Folio. Set of Score and Parts. 4+24+24+16+8+4+4+24+12+12+8+4+4+4+4+8+8+8+8+4+4+4+4+8+8+8+8+8+8+8+8+4+16+4+8+4+8+8+4+4+4+48 pages. Duration 10 minutes, 41 seconds. Theodore Presser Company #165-00100. Published by Theodore Presser Company (PR.165001000). ISBN 9781491129241. UPC: 680160669776. 9 x 12 inches. Commissioned for a consortium of high school and college bands in the north Dallas region, FOR THEMYSTIC HARMONY is a 10-minute inspirational work in homage to Norwood and Elizabeth Dixon,patrons of the Fort Worth Symphony and the Van Cliburn Competition. Welcher draws melodic flavorfrom five American hymns, spirituals, and folk tunes of the 19th century. The last of these sources toappear is the hymn tune For the Beauty of the Earth, whose third stanza is the quatrain: “For the joy of earand eye, For the heart and mind’s delight, For the mystic harmony, Linking sense to sound and sight,â€giving rise to the work’s title. This work, commissioned for a consortium of high school bands in the north Dallas area, is my fifteenth maturework for wind ensemble (not counting transcriptions). When I asked Todd Dixon, the band director whospearheaded this project, what kind of a work he most wanted, he first said “something that’s basically slow,†butwanted to leave the details to me. During a long subsequent conversation, he mentioned that his grandparents,Norwood and Elizabeth Dixon, were prime supporters of the Fort Worth Symphony, going so far as to purchase anumber of high quality instruments for that orchestra. This intrigued me, so I asked more about his grandparentsand was provided an 80-page biographical sketch. Reading that article, including a long section about theirdevotion to supporting a young man through the rigors of the Van Cliburn International Piano Competition fora number of years, moved me very much. Norwood and Elizabeth Dixon weren’t just supporters of the arts; theywere passionate lovers of music and musicians. I determined to make this work a testament to that love, and tothe religious faith that sustained them both. The idea of using extant hymns was also suggested by Todd Dixon,and this 10-minute work is the result.I have employed existing melodies in several works, delving into certain kinds of religious music more than a fewtimes. In seeking new sounds, new ways of harmonizing old tunes, and the contrapuntal overlaying of one tunewith another, I was able to make works like ZION (using 19th-century Revivalist hymns) and LABORING SONGS(using Shaker melodies) reflect the spirit of the composers who created these melodies, without sounding likepastiches or medleys. I determined to do the same with this new work, with the added problem of employingmelodies that were more familiar. I chose five tunes from the 19th century: hymns, spirituals, and folk-tunes.Some of these are known by differing titles, but they all appear in hymnals of various Christian denominations(with various titles and texts). My idea was to employ the tunes without altering their notes, instead using aconstantly modulating sense of harmony — sometimes leading to polytonal harmonizations of what are normallysimple four-chord hymns.The work begins and ends with a repeated chime on the note C: a reminder of steeples, white clapboard churchesin the country, and small church organs. Beginning with a Mixolydian folk tune of Caribbean origin presentedtwice with layered entrances, the work starts with a feeling of mystery and gentle sorrow. It proceeds, after along transition, into a second hymn that is sometimes connected to the sea (hence the sensation of water andwaves throughout it). This tune, by John B. Dykes (1823-1876), is a bit more chromatic and “shifty†than mosthymn-tunes, so I chose to play with the constant sensation of modulation even more than the original does. Atthe climax, the familiar spiritual “Were you there?†takes over, with a double-time polytonal feeling propelling itforward at “Sometimes it causes me to tremble.â€Trumpets in counterpoint raise the temperature, and the tempo as well, leading the music into a third tune (ofunknown provenance, though it appears with different texts in various hymnals) that is presented in a sprightlymanner. Bassoons introduce the melody, but it is quickly taken up by other instruments over three “verses,â€constantly growing in orchestration and volume. A mysterious second tune, unrelated to this one, interrupts it inall three verses, sending the melody into unknown regions.The final melody is “For the Beauty of the Earth.†This tune by Conrad Kocher (1786-1872) is commonly sung atThanksgiving — the perfect choice to end this work celebrating two people known for their generosity.Keeping the sense of constant modulation that has been present throughout, I chose to present this hymn in threegrowing verses, but with a twist: every four bars, the “key†of the hymn seems to shift — until the “Lord of all, toThee we praise†melody bursts out in a surprising compound meter. This, as it turns out, was the “mystery tuneâ€heard earlier in the piece. After an Ivesian, almost polytonal climax, the Coda begins over a long B( pedal. At first,it seems to be a restatement of the first two phrases of “For the Beauty†with long spaces between them, but it soonchanges to a series of “Amen†cadences, widely separated by range and color. These, too, do not conform to anykey, but instead overlay each other in ways that are unpredictable but strangely comforting.The third verse of “For the Beauty of the Earth†contains this quatrain:“For the joy of ear and eye, –For the heart and mind’s delightFor the mystic harmonyLinking sense to sound and sightâ€and it was from this poetry that I drew the title for the present work. It is my hope that audiences and performerswill find within it a sense of grace: more than a little familiar, but also quite new and unexpected. $150.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| For the Mystic Harmony Theodore Presser Co.
Band Bass Clarinet, Bass Drum, Bassoon 1, Bassoon 2, Bongos, Castanets, Celesta,...(+)
Band Bass Clarinet, Bass Drum, Bassoon 1, Bassoon 2, Bongos, Castanets, Celesta, Clarinet, Clarinet 1, Clarinet 2, Clarinet 3, Contrabass Clarinet, Contrabassoon, English Horn, Euphonium, Euphonium T.C., Flute 1, Flute 2, Horn 1, Horn 2, Horn 3 and more. SKU: PR.16500100F Hymns for Wind Ensemble. Composed by Dan Welcher. Sws. Full score. 48 pages. Duration 10 minutes, 41 seconds. Theodore Presser Company #165-00100F. Published by Theodore Presser Company (PR.16500100F). ISBN 9781491114421. UPC: 680160669783. 9 x 12 inches. Commissioned for a consortium of high school and college bands in the north Dallas region, FOR THEMYSTIC HARMONY is a 10-minute inspirational work in homage to Norwood and Elizabeth Dixon,patrons of the Fort Worth Symphony and the Van Cliburn Competition. Welcher draws melodic flavorfrom five American hymns, spirituals, and folk tunes of the 19th century. The last of these sources toappear is the hymn tune For the Beauty of the Earth, whose third stanza is the quatrain: “For the joy of earand eye, For the heart and mind’s delight, For the mystic harmony, Linking sense to sound and sight,â€giving rise to the work’s title. This work, commissioned for a consortium of high school bands in the north Dallas area, is my fifteenth maturework for wind ensemble (not counting transcriptions). When I asked Todd Dixon, the band director whospearheaded this project, what kind of a work he most wanted, he first said “something that’s basically slow,†butwanted to leave the details to me. During a long subsequent conversation, he mentioned that his grandparents,Norwood and Elizabeth Dixon, were prime supporters of the Fort Worth Symphony, going so far as to purchase anumber of high quality instruments for that orchestra. This intrigued me, so I asked more about his grandparentsand was provided an 80-page biographical sketch. Reading that article, including a long section about theirdevotion to supporting a young man through the rigors of the Van Cliburn International Piano Competition fora number of years, moved me very much. Norwood and Elizabeth Dixon weren’t just supporters of the arts; theywere passionate lovers of music and musicians. I determined to make this work a testament to that love, and tothe religious faith that sustained them both. The idea of using extant hymns was also suggested by Todd Dixon,and this 10-minute work is the result.I have employed existing melodies in several works, delving into certain kinds of religious music more than a fewtimes. In seeking new sounds, new ways of harmonizing old tunes, and the contrapuntal overlaying of one tunewith another, I was able to make works like ZION (using 19th-century Revivalist hymns) and LABORING SONGS(using Shaker melodies) reflect the spirit of the composers who created these melodies, without sounding likepastiches or medleys. I determined to do the same with this new work, with the added problem of employingmelodies that were more familiar. I chose five tunes from the 19th century: hymns, spirituals, and folk-tunes.Some of these are known by differing titles, but they all appear in hymnals of various Christian denominations(with various titles and texts). My idea was to employ the tunes without altering their notes, instead using aconstantly modulating sense of harmony — sometimes leading to polytonal harmonizations of what are normallysimple four-chord hymns.The work begins and ends with a repeated chime on the note C: a reminder of steeples, white clapboard churchesin the country, and small church organs. Beginning with a Mixolydian folk tune of Caribbean origin presentedtwice with layered entrances, the work starts with a feeling of mystery and gentle sorrow. It proceeds, after along transition, into a second hymn that is sometimes connected to the sea (hence the sensation of water andwaves throughout it). This tune, by John B. Dykes (1823-1876), is a bit more chromatic and “shifty†than mosthymn-tunes, so I chose to play with the constant sensation of modulation even more than the original does. Atthe climax, the familiar spiritual “Were you there?†takes over, with a double-time polytonal feeling propelling itforward at “Sometimes it causes me to tremble.â€Trumpets in counterpoint raise the temperature, and the tempo as well, leading the music into a third tune (ofunknown provenance, though it appears with different texts in various hymnals) that is presented in a sprightlymanner. Bassoons introduce the melody, but it is quickly taken up by other instruments over three “verses,â€constantly growing in orchestration and volume. A mysterious second tune, unrelated to this one, interrupts it inall three verses, sending the melody into unknown regions.The final melody is “For the Beauty of the Earth.†This tune by Conrad Kocher (1786-1872) is commonly sung atThanksgiving — the perfect choice to end this work celebrating two people known for their generosity.Keeping the sense of constant modulation that has been present throughout, I chose to present this hymn in threegrowing verses, but with a twist: every four bars, the “key†of the hymn seems to shift — until the “Lord of all, toThee we praise†melody bursts out in a surprising compound meter. This, as it turns out, was the “mystery tuneâ€heard earlier in the piece. After an Ivesian, almost polytonal climax, the Coda begins over a long B( pedal. At first,it seems to be a restatement of the first two phrases of “For the Beauty†with long spaces between them, but it soonchanges to a series of “Amen†cadences, widely separated by range and color. These, too, do not conform to anykey, but instead overlay each other in ways that are unpredictable but strangely comforting.The third verse of “For the Beauty of the Earth†contains this quatrain:“For the joy of ear and eye, –For the heart and mind’s delightFor the mystic harmonyLinking sense to sound and sightâ€and it was from this poetry that I drew the title for the present work. It is my hope that audiences and performerswill find within it a sense of grace: more than a little familiar, but also quite new and unexpected. $25.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Symphony No. 2 Concert band [Score] - Intermediate/advanced Manhattan Beach Music
By Frank Ticheli. Concert band. Suitable for the most advanced high school bands...(+)
By Frank Ticheli. Concert band. Suitable for the most advanced high school bands, community, college, university, and professional bands. Level: Grade 6. Conductor Full Score. Duration 21:00. Published by Manhattan Beach Music.
$95.00 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Concerto Theodore Presser Co.
Orchestra Bassoon 1, Bassoon 2, Clarinet, Contrabass, Flute 1, Flute 2, Horn 1, ...(+)
Orchestra Bassoon 1, Bassoon 2, Clarinet, Contrabass, Flute 1, Flute 2, Horn 1, Horn 2, Oboe 1, Oboe 2, Viola, Violin 1, Violin 2, Violoncello SKU: PR.466000770 For Clarinet and Orchestra. Composed by Burnet Tuthill. This edition: Small Score. Contemporary. Full score. With Standard notation. Composed 1948-1949. Opus 28. 32 pages. Duration 14 minutes. Theodore Presser Company #466-00077. Published by Theodore Presser Company (PR.466000770). UPC: 680160636952. 8.5x11 inches. Key: Eb major. $28.99 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Passacaglia Seesaw Music Corp
Oboe|Clarinet, Bassoon, French Horn, Trumpet, Trombone, & 2 Percussion SKU: S...(+)
Oboe|Clarinet, Bassoon, French Horn, Trumpet, Trombone, & 2 Percussion SKU: SU.50034800 For Oboe|Clarinet, Bassoon, French Horn, Trumpet, Trombone, & 2 Percussion. Composed by Gary Washburn. Chamber Music, Mixed Ensemble. Score & Parts. Seesaw Music Corp #50034800. Published by Seesaw Music Corp (SU.50034800). Copyright 1973. Published by: Seesaw Music. $19.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Concerto Theodore Presser Co.
Orchestra Bassoon 1, Bassoon 2, Clarinet, Contrabass, Flute 1, Flute 2, Horn 1, ...(+)
Orchestra Bassoon 1, Bassoon 2, Clarinet, Contrabass, Flute 1, Flute 2, Horn 1, Horn 2, Oboe 1, Oboe 2, Viola, Violin 1, Violin 2, Violoncello SKU: PR.46600077L For Clarinet and Orchestra. Composed by Burnet Tuthill. This edition: Large Score. Contemporary. Large Score. With Standard notation. Composed 1948-1949. Opus 28. 32 pages. Duration 14 minutes. Theodore Presser Company #466-00077L. Published by Theodore Presser Company (PR.46600077L). UPC: 680160636969. 11x15 inches. Key: Eb major. $48.99 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Eight Seesaw Music Corp
Flute, Oboe, Bassoon, French Horn, Trumpet, Trombone, Two Percussion SKU: SU....(+)
Flute, Oboe, Bassoon, French Horn, Trumpet, Trombone, Two Percussion SKU: SU.50034780 For Flute, Oboe, Bassoon, French Horn, Trumpet, Trombone, Two Percussion. Composed by Gary Washburn. Chamber Music, Mixed Ensemble. Study Score. Seesaw Music Corp #50034780. Published by Seesaw Music Corp (SU.50034780). Published by: Seesaw Music. $17.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Come Follow Me - Chamber Orchestra Jackman Music Corporation
Chamber Orchestra - Medium SKU: JK.20021 Composed by S. McBurney. Arrange...(+)
Chamber Orchestra - Medium SKU: JK.20021 Composed by S. McBurney. Arranged by Richard W. Smith and Robert P. Manookin. Difficulty Medium, Instrumental Other, Orchestral Orchestrations, Special Events Baptism and Confirmation, Baptism, Example, Jesus Christ - Friend, Jesus Christ - Savior, Obedience, Spirituality. Christian, Inspirational. Jackman Music Corporation #20021. Published by Jackman Music Corporation (JK.20021). Hymn anthem, arranged for chamber orchestra, with parts for flute (1), oboe (1), clarinet in b flat (1), bassoon (1), violin 1 (5), violin 2 (5), viola (4), cello (4), and doublebass (2). Composer: S. McBurney Arranger: Robert P. Manookin & Richard W. Smith Difficulty: Medium. $39.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Relentless Advance Music
Flute, Clarinet, Oboe, Bassoon & Solo Instrument SKU: AP.1-ADV8201 For...(+)
Flute, Clarinet, Oboe, Bassoon & Solo Instrument SKU: AP.1-ADV8201 For Woodwind Quartet and Solo Instrument. Composed by David Liebman. Quartet; Solo Small Ensembles; Woodwind Ensemble - Quartet. Advance Music. Jazz. Score and Part(s). Advance Music #01-ADV8201. Published by Advance Music (AP.1-ADV8201). UPC: 805095082012. English. Relentless is a piece which attempts to capture the connotation of the word itself. To be relentless can suggest positive or negative behavior depending upon the circumstances. What is common to either situation is a burning desire to bring about an intended result. For the artist, being relentless about one's work and ideals accompanied by the necessary commitment to bring them to fruition is a basic prerequisite for artistic success.
It is adaptable to any solo instrument. Solo parts are included for C concert, B-flat, E-flat, and bass clef instruments. $25.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| The Gift To Be Simple - Easy Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Euphonium...(+)
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Euphonium, Euphonium T.C., Flute, Flute 2, Horn, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Snare Drum, Suspended Cymbal, Tambourine, Timpani, Tom-tom, Triangle and more. - Grade 2 SKU: CF.YPS264 Composed by Mark Lortz. Set of Score and Parts. Carl Fischer Music #YPS264. Published by Carl Fischer Music (CF.YPS264). ISBN 9781491163641. UPC: 680160922437. The Gift To Be Simple was commissioned by the North Bethesda (Maryland) Middle School Band, where Monica Hepburn is the director. Monica is a former student and graciously asked me to write this for her band. I aimed to take this traditional Shaker song and add modern harmonies, rhythms, and instrumentation.With that in mind, the introduction is similar to the lyrical setting of the original. Measure 5 creates a lively rhythmic motive for the ensemble where the members should match note lengths and style. Be sure that the clarinet and saxophone are the predominant motives at m. 18 so the melody can be fully realized. At mm. 26 and 38, be sure that the rhythmic accompaniment does not overpower the melody and that they adhere to all articulations. Finally, the marking forte-piano followed by a crescendo at m. 53 is critical for the final musical push to the end of the piece.I hope you and your ensemble enjoy performing The Gift To Be Simple. $65.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The Gift To Be Simple Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Euphonium...(+)
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Euphonium, Euphonium T.C., Flute, Flute 2, Horn, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Snare Drum, Suspended Cymbal, Tambourine, Timpani, Tom-tom, Triangle and more. SKU: CF.YPS264F Composed by Mark Lortz. Full score. 16 pages. Carl Fischer Music #YPS264F. Published by Carl Fischer Music (CF.YPS264F). ISBN 9781491164044. UPC: 680160922833. The Gift To Be Simple was commissioned by the North Bethesda (Maryland) Middle School Band, where Monica Hepburn is the director. Monica is a former student and graciously asked me to write this for her band. I aimed to take this traditional Shaker song and add modern harmonies, rhythms, and instrumentation.With that in mind, the introduction is similar to the lyrical setting of the original. Measure 5 creates a lively rhythmic motive for the ensemble where the members should match note lengths and style. Be sure that the clarinet and saxophone are the predominant motives at m. 18 so the melody can be fully realized. At mm. 26 and 38, be sure that the rhythmic accompaniment does not overpower the melody and that they adhere to all articulations. Finally, the marking forte-piano followed by a crescendo at m. 53 is critical for the final musical push to the end of the piece.I hope you and your ensemble enjoy performing The Gift To Be Simple. $11.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Encounters XIII [Score and Parts] Theodore Presser Co.
(Concertino for Percussion and Woodwind Quintet). By William Kraft. For Flute, O...(+)
(Concertino for Percussion and Woodwind Quintet). By William Kraft. For Flute, Oboe, Clarinet, Horn, Bassoon, Percussion. Southwest Chamber Music, Jeff von der Schmidt, conductor; Kenneth M. McGrath, soloist; Zipper Hall, Colburn School, Los Angeles, CA. Score and set of parts. Standard notation. Duration 9 minutes. Published by Theodore Presser Company
$90.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
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