Composed by Camille Saint-Saens (1835-1921), arranged by Alvin Buechner. Set of performance parts for cello and piano (Cello/Piano). With bowings and fingerings. 5 pages. Published by Carl Fischer.

Composed by Camille Saint-Saens (1835-1921), arranged by Jascha Heifetz. Set of performance parts for violin and piano. With bowings and fingerings. 4 pages. Published by Carl Fischer.

(Trombone and Piano). By Camille Saint-Saens (1835-1921). Edited by Dominik Rahmer. For Trombone, Piano Accompaniment. Henle Music Folios. Softcover. 20 pages. G. Henle #HN1119. Published by G. Henle

(Version for Violoncello With Marked and Unmarked String Parts). Composed by Camille Saint-Saens (1835-1921). Edited by Dominik Rahmer. For Cello, Piano Accompaniment. Henle Music Folios. Softcover. G. Henle #HN1168. Published by G. Henle

Composed by Camille Saint-Saens (1835-1921), arranged by Henry Schradieck. For violin and piano. Schirmer Library Vol..224. Format: set of performance parts (includes separate pull out violin part). With solo part and piano accompaniment. Romantic period. 20 pages. 9x12 inches. Published by G. Schirmer, Inc..

Composed by Camille Saint-Saens (1835-1921). Masterworks; String - Violin and Piano. Kalmus Edition. Masterwork; Romantic. Book. 28 pages. Kalmus Classic Edition #00-K03855. Published by Kalmus Classic Edition

Composed by Camille Saint-Saens (1835-1921). Arranged by Michael Story. Concert Band. Concert Band; Masterworks; Part(s); Score. Belwin Young Band. Masterwork Arrangement; Romantic. Grade 2. 234 pages. Published by Belwin Music

Composed by Camille Saint-Saens (1835-1921). String - Violin and Piano. Dover Edition. Masterwork; Romantic. Dover Publications #06-40224X. Published by Dover Publications (AP.6-40224X).

Score and Parts. Composed by Camille Saint Saens. Arranged by Lauren Keiser. Southern Music. Classical. Softcover. Southern Music Company #SO124C. Published by Southern Music Company

For Flute or Violin and Piano Accompaniment. Composed by Camille Saint-Saens (1835-1921). Editions Durand. Classical. Softcover. 16 pages. Editions Durand #DF16365. Published by Editions Durand (HL.50565862).

Orchestra Soli SATB, SATB Choir, 2 Fl, 2 Eh, 2 Tr, 3 Trb, 2 Vl, Va, Vc, Cb, Arpa, organ, organ ripieno

SKU: CA.2706000

Composed by Camille Saint-Saens. Edited by Dieter Zeh. Arranged by Sven Hiemke. Sacred vocal music, Masses, Latin, Whole church year / Omni tempore. Full score. Composed 1856. Op. 4. 112 pages. Duration 45 minutes. Carus Verlag #CV 27.060/00. Published by Carus Verlag (CA.2706000).

ISBN 9790007181697. Language: Latin.

Carus-Verlag is now publishing this early work by Camille Saint-Saens in a critical new edition. Among the sacred works by Saint-Saens there are just two settings of the mass: the Messe de Requiem op. 54 from his middle period (1878), and the Mass op. 4 dating from 1856. This was first performed on 21 April 1857. Camille Saint-Saens was a devoted follower of historicism as part of the reform movement in French church music. This is more evident in the mass published here than anywhere else. The model for this work is the unison Messe Royale by Henry DuMont (1610-1683). Saint-Saens combined its Gregorian style in a convincing manner with contemporary elements of Romantic composition, an expressive chromaticism, which determines the harmonic progression. Alongside the orchestral forces, the Grand Orgue plays an important role. Used as a solo instrument, it is an equal partner in the composition.

Orchestra SATB vocal soli, SATB choir, 2 flutes, 2 english horn, [trumpet, 3 trombones], 2 violins, viola, cello, contrabass, organ, organ ripieno

SKU: CA.2706014

Composed by Camille Saint-Saens. Edited by Dieter Zeh. Arranged by Sven Hiemke. Violoncello. Sacred vocal music, Masses, Latin, Whole church year / Omni tempore. Single Part, Cello. Composed 1856. Op. 4. 12 pages. Duration 45 minutes. Carus Verlag #CV 27.060/14. Published by Carus Verlag (CA.2706014).

Text language: Latin.

Carus-Verlag is now publishing this early work by Camille Saint-Saens in a critical new edition. Among the sacred works by Saint-Saens there are just two settings of the mass: the Messe de Requiem op. 54 from his middle period (1878), and the Mass op. 4 dating from 1856. This was first performed on 21 April 1857. Camille Saint-Saens was a devoted follower of historicism as part of the reform movement in French church music. This is more evident in the mass published here than anywhere else. The model for this work is the unison Messe Royale by Henry DuMont (1610-1683). Saint-Saens combined its Gregorian style in a convincing manner with contemporary elements of Romantic composition, an expressive chromaticism, which determines the harmonic progression. Alongside the orchestral forces, the Grand Orgue plays an important role. Used as a solo instrument, it is an equal partner in the composition. Score and part available separately - see item CA.2706000.

Orchestra Soli SATB, SATB Choir, 2 Fl, 2 Eh, 2 Tr, 3 Trb, 2 Vl, Va, Vc, Cb, Arpa, organ, organ ripieno

SKU: CA.2706049

Composed by Camille Saint-Saens. Edited by Dieter Zeh. Arranged by Sven Hiemke. Organ. Sacred vocal music, Masses, Latin, Whole church year / Omni tempore. Single Part, Organ. Composed 1856. Op. 4. 32 pages. Duration 45 minutes. Carus Verlag #CV 27.060/49. Published by Carus Verlag (CA.2706049).

ISBN 9790007199791. Language: Latin.

Carus-Verlag is now publishing this early work by Camille Saint-Saens in a critical new edition. Among the sacred works by Saint-Saens there are just two settings of the mass: the Messe de Requiem op. 54 from his middle period (1878), and the Mass op. 4 dating from 1856. This was first performed on 21 April 1857. Camille Saint-Saens was a devoted follower of historicism as part of the reform movement in French church music. This is more evident in the mass published here than anywhere else. The model for this work is the unison Messe Royale by Henry DuMont (1610-1683). Saint-Saens combined its Gregorian style in a convincing manner with contemporary elements of Romantic composition, an expressive chromaticism, which determines the harmonic progression. Alongside the orchestral forces, the Grand Orgue plays an important role. Used as a solo instrument, it is an equal partner in the composition. Score and part available separately - see item CA.2706000.

Orchestra Soli SATB, SATB Choir, 2 Fl, 2 Eh, 2 Tr, 3 Trb, 2 Vl, Va, Vc, Cb, Arpa, organ, organ ripieno

SKU: CA.2706009

Composed by Camille Saint-Saens. Edited by Dieter Zeh. Arranged by Sven Hiemke. 1x 27.060/21 flute 1, 1x 27.060/22 flute 2, 1x 27.060/23 English horn 1, 1x 27.060/24 English horn 2, 5x 27.060/31 trumpet 1, 2 and trombones, 1x 27.060/42 harp. Harmony parts. Sacred vocal music, Masses, Latin, Whole church year / Omni tempore. Set of Orchestra Parts. Composed 1856. Op. 4. Duration 45 minutes. Carus Verlag #CV 27.060/09. Published by Carus Verlag (CA.2706009).

ISBN 9790007199777. Language: Latin.

Carus-Verlag is now publishing this early work by Camille Saint-Saens in a critical new edition. Among the sacred works by Saint-Saens there are just two settings of the mass: the Messe de Requiem op. 54 from his middle period (1878), and the Mass op. 4 dating from 1856. This was first performed on 21 April 1857. Camille Saint-Saens was a devoted follower of historicism as part of the reform movement in French church music. This is more evident in the mass published here than anywhere else. The model for this work is the unison Messe Royale by Henry DuMont (1610-1683). Saint-Saens combined its Gregorian style in a convincing manner with contemporary elements of Romantic composition, an expressive chromaticism, which determines the harmonic progression. Alongside the orchestral forces, the Grand Orgue plays an important role. Used as a solo instrument, it is an equal partner in the composition. Score and parts available separately - see item CA.2706000.

Orchestra SATB vocal soli, SATB choir, 2 flutes, 2 english horn, [trumpet, 3 trombones], 2 violins, viola, cello, contrabass, organ, organ ripieno

SKU: CA.2706011

Composed by Camille Saint-Saens. Edited by Dieter Zeh. Arranged by Sven Hiemke. Violin 1. Sacred vocal music, Masses, Latin, Whole church year / Omni tempore. Single Part, Violin 1. Composed 1856. Op. 4. 12 pages. Duration 45 minutes. Carus Verlag #CV 27.060/11. Published by Carus Verlag (CA.2706011).

Text language: Latin.

Carus-Verlag is now publishing this early work by Camille Saint-Saens in a critical new edition. Among the sacred works by Saint-Saens there are just two settings of the mass: the Messe de Requiem op. 54 from his middle period (1878), and the Mass op. 4 dating from 1856. This was first performed on 21 April 1857. Camille Saint-Saens was a devoted follower of historicism as part of the reform movement in French church music. This is more evident in the mass published here than anywhere else. The model for this work is the unison Messe Royale by Henry DuMont (1610-1683). Saint-Saens combined its Gregorian style in a convincing manner with contemporary elements of Romantic composition, an expressive chromaticism, which determines the harmonic progression. Alongside the orchestral forces, the Grand Orgue plays an important role. Used as a solo instrument, it is an equal partner in the composition. Score and part available separately - see item CA.2706000.