SKU: AY.CM3182PM
ISBN 9790543573109.
GENESIS 1.3-8 was originally conceived as a work for string quartet in 2003. During the composition, however, I gradually left the strings to a more 'keyboard' formation. The sensation of lights and colours which came from the development of the work seemed perfect, to me, in a formation including instruments as the harp, the celesta, the piano and the vibraphone. It's from these general outlines that the work got its final shape. The structure of the work, which resembles the traditional four movements of western concert music, is built upon a twelve tone line, presented at the very beginning (and developed in the first part); from it, I derived 12 chords. These chords were permuted, and they appear in these resulting sequences, until the second half of the last part of the work - from this point, until the end of the piece, the chords were used with freedom, which allowed them to form, from their interaction, new possibilities, new sounds, new colors - after the genesis, the Creation started to live independent from the Creator... The work is dedicated to the great pianist Carlos Yansen, a good friend and a musician of rare sensibility; and I was honored by Almeida Prado, the most important composer in Brazil, who wrote, when saw the score: 'It's a scandal of Lights and Waters!'.
SKU: BR.OB-5555-79
One of the greatest masterworks of the 20th century! It has lost nothing of its fascination to this day.
ISBN 9790004342510. 10 x 12.5 inches.
In 1936 Bela Bartok was commissioned by his Swiss patron Paul Sacher to write the Music for Stringed Instruments, Percussion and Celesta. What Bartok created was nothing less than one of the greatest masterworks of the 20th century that beguiles the listener through its extraordinarily refined construction and lushly expressive rhythms and melodies.Also remarkable is that Bartok jotted down the four-movement orchestral work very rapidly and without a short score. Breitkopf's new edition is based on the autograph, on the first editions of the conducting and pocket score, and in particular on the composer's personal copy of the pocket score, in which Bartok later entered the corrections that he had discovered - alterations that were taken into consideration for the first time in this new edition.One of the greatest masterworks of the 20th century! It has lost nothing of its fascination to this day.
SKU: BR.OB-5555-17
ISBN 9790004342411. 10 x 12.5 inches.
SKU: HL.49018836
ISBN 9790001177245. UPC: 884088793982. 9.0x12.0x0.077 inches.
SKU: HL.50610139
Bartok's music is of paramount importance for all Hungarian composers of the last hundred years: in the works of Gyorgy Kurtag we also find open or hidden references to the great predecessor at several places. This transcription for piano duet of the first movement of Music for Strings, Percussion and Celesta, this large-scale fugue, can be considered a composer's study for understanding the work as well as an interpretation conveying Bartok's composition to the audience in a specific way. The transcription was made for Gyorgy Kurtag Jr., the son of the composer Gyorgy Kurtag.
SKU: BR.OB-5555-19
ISBN 9790004342435. 10 x 12.5 inches.
SKU: BR.OB-5555-12
ISBN 9790004342381. 10 x 12.5 inches.
SKU: BR.OB-5555-15
ISBN 9790004342398. 10 x 12.5 inches.
SKU: HL.50482046
8.25x11.75x0.163 inches.
SKU: BR.OB-5555-24
ISBN 9790004342466. 10 x 12.5 inches.
SKU: BR.PB-5580
ISBN 9790004213902. 6.5 x 9 inches.
SKU: BR.OB-5555-30
ISBN 9790004342497. 10 x 12.5 inches.
SKU: BR.OB-5555-75
ISBN 9790004342503. 10 x 12.5 inches.
SKU: BR.OB-5555-18
ISBN 9790004342428. 10 x 12.5 inches.
SKU: BR.OB-5555-20
ISBN 9790004342442. 10 x 12.5 inches.
SKU: BR.OB-5555-27
ISBN 9790004342473. 10 x 12.5 inches.
SKU: BR.OB-5555-16
ISBN 9790004342404. 10 x 12.5 inches.
SKU: UM.100154
ISBN 9790224408492.
SKU: BR.PB-5580-07
SKU: BR.OB-5555-28
ISBN 9790004342480. 10 x 12.5 inches.
SKU: BR.OB-5555-23
ISBN 9790004342459. 10 x 12.5 inches.
SKU: AY.OR3184PM
ISBN 9790543576063.
This composition was written at the request of the professor of the Saint Petersburg's Conservatory A.V. Kazakov in 2004. In the concert (Allegro-Adagio-Allegro) there is no independent virtuosity of the soloist; more attention has been given to the dialogues, to the interpolation of the clarinet and the orchestra. The composition was successfully performed on the 15/05/2004, in the 40th edition of the International Festival Musical Spring of Saint Petersburg.
SKU: HL.50511147
ISBN 9790080139578. UPC: 073999111477. 9.0x12.0x0.059 inches. Gyorgy Kurtag.
The original version of the piece, Message to Frances Marie, op. 31a was composed for cello solo with two bows for the American cellist Frances Marie Uitti. The subtitle refers to the title of a composition by Charles Ives. The condensed piece of Webernian density which is built upon a homogeneous sequence of chords can be played by three different groups of instruments: A: one cello with two bows, two violins and celesta B: two cellos, two violins and celesta C: two organs and celesta (or upright piano). Written in 1989 the premiere of the work was given at the ISCM Festival in Oslo by F.-M. Uitti, Kjell Arne Jorgensen and Eileen Siegtel in September 25, 1990.
SKU: HL.268950
UPC: 888680737054. 5x5 inches. Sara Teasdale/Kevin T. Padworski.
If there ever was a piece that describes a text in song, this is it. Sara Teasdale's descriptive words about the clouds become sound in this exquisite composition. Accompanied by piano and celesta, a glockenspiel part is also provided for those who have no access to a celesta. Great for festivals or a concert at any season, this is a piece that is a joy to share. Medium in difficulty.
SKU: GI.G-6972
UPC: 785147697206. English. Text source: Christina Rosetti. Text by Christina Rossetti.
A lovely little piece for voices and celesta. The accompaniment may also be played with handbells, handchimes, Orff instruments, or an electronic keyboard. Vocal score is unison, then two, then three parts. Easy and fresh. Celesta part can be played by Orff instruments, handbells, handchimes or piano.
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