| Busking Fiddle Tunes for Two Cellos [tune book] Greenblatt and Seay
Arranged by Deborah Greenblatt. Cello Duet. For 2 cellos. Tunes for Two. Tune bo...(+)
Arranged by Deborah Greenblatt. Cello Duet. For 2 cellos. Tunes for Two. Tune book. Standard Notation. 66 pages. Published by Greenblatt & Seay
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| Duet Album Volume 3 (violin, cello) Editions Marc Reift (Swiss import) | | |
| Lugubrien Cello Carus Verlag
Violoncello SKU: CA.2916200 Funf Stucke zu Worten aus dem Buch Versamm...(+)
Violoncello SKU: CA.2916200 Funf Stucke zu Worten aus dem Buch Versammler. Composed by Helmut Bornefeld. This edition: Paperbound, Complete edition. Secular choir music. German title: Lugubrien. Full score. Composed 1982. BoWV 162. 16 pages. Duration 18 minutes. Carus Verlag #CV 29.162/00. Published by Carus Verlag (CA.2916200). ISBN 9790007039134. Language: all languages. Movements: I. Dunst der Dunste, II. All dieses habe ich gesehen, III. Denn auch nicht kennt der Mensch seine Frist, IV. Nicht sattigt sich das Auge am Sehn, V. Alles, was deine Hand zu tun findet. $15.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Csardas obstinee Cello, Piano EMB (Editio Musica Budapest)
Cello and Piano SKU: BT.EMBZ14779 Composed by Franz Liszt. Book Only. Com...(+)
Cello and Piano SKU: BT.EMBZ14779 Composed by Franz Liszt. Book Only. Composed 2011. 16 pages. Editio Musica Budapest #EMBZ14779. Published by Editio Musica Budapest (BT.EMBZ14779). The arranger of this work (a well-known Hungarian composer living in Romania) writes: This piece has always excited my imagination, from several points of view. First of all, its name. The German title, the obstinate one, may refer to its ostinato character. This is close to Liszt's programme concept, but the French word 'obstiné' is closer in meaning to stubborn. There is just a shade of difference, but to me it is important, because the latter suggests the description of a type of behaviour, the emotional state of a dancer's inner frame of mind abstracted into movements, expressed in dance movements, and this is a fascinating interpretation. The demonstration ofstubborn resistance and defiance to the point of exhaustion was not a frequently occurring phenomenon with Liszt. Secondly, at the beginning of the seventies Zoltán Kocsis played the piece in Transylvania. At that time, I asked the composer, Is the character of the continuous staccato in the left hand sharp, short, or an accompanying background like a constant shadow? Is it a weighty Brahmsian staccato, an ominous knocking? - and so on. Then there are the Bartókian false relations that keep recurring in the work, the B-E flat-G, etc. That foreshadows Debussy, creating harmonic thrills that, when I hear the work, keep my continuing interest alive for it. Finally, my immediate reason for arranging the work was of a family nature: in connection with Liszt's jubilee year, my daughter, who is a cellist, wanted a 'more energetic' piece to play at a bicentenary concert an addition to the existing slow, lyrical, or sombre works written by Liszt for the cello.
The arranger of this work, the well-known Romania-based Hungarian composer Cs ky Boldizsár writes: This piece has always excited my imagination, from several points of view. First of all, its name. The German title, the obstinateone, may refer to its ostinato character, this is close to Liszt's programme concept, but the French word 'obstiné' is closer in meaning to stubborn. There is just a shade of difference, but to me it is important, because the lattersuggests the description of a type of behaviour, the emotional state of a dancer's inner frame of mind abstracted into movements, expressed in dance movements, and this is a fascinating interpretation. The demonstration of stubbornresistance , defiance to the point of exhaustion, was not a frequently occurring phenomenon with Liszt. Secondly, at the beginning of the seventies Zoltán Kocsis played the piece here in Transylvania (Romania).
Der Bearbeiter des Werkes, der renommierte ungarische Komponist aus Rumänien, schreibt: Dieses Stück reizte immer schon meine Phantasie, sogar in vielerlei Hinsicht. Als erstes sein Name. Der deutsche Titel ‚Hartnäckiger' kann auf den ihm innewohnenden ostinativen Charakter hinweisen, was der Liszt'schen Programm-Konzeption näher kommt, das französische ,obstiné' steht jedoch eher dem Wort ‚dickköpfig' nah. Das sind nur geringfügige Unterschiede, mir ist das dennoch wichtig, weil aus Letzterem die Darstellung eines Verhaltens, der in Tanzgesten ausgedrückte, zur Bewegung abstrahierte innere emotionale Zustand eines Tänzers durchscheint, und das ist eine überaus beeindruckendeErklärung. Die Demonstration des bis zur Erschöpfung reichenden Trotzes, der störrischen Kraft erscheint bei Liszt selten. Der zweite Aspekt: Zu Beginn der 70er Jahre spielte bei uns Zoltán Kocsis das Stück. Schon damals (und seitdem) frage ich den Komponisten:. $18.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Piano Quintet Piano Quintet: piano, 2 violins, viola, cello Theodore Presser Co.
Chamber Music Violin 1, Violin 2, Viola, Cello, Piano SKU: PR.114419410 C...(+)
Chamber Music Violin 1, Violin 2, Viola, Cello, Piano SKU: PR.114419410 Composed by Adolphus Hailstork. Sws. Set of Score and Parts. 68+24+24+24+24 pages. Duration 20 minutes. Theodore Presser Company #114-41941. Published by Theodore Presser Company (PR.114419410). UPC: 680160681358. 9 x 12 inches. Detroit, for several decades, was a city where I received many important composing and performance opportunities in the early and middle part of my career. The Detroit Symphony Orchestra even commissioned my second symphony. My cantata DONE MADE MY VOW has been performed there more times than any place else. The chorus for those performances was always the outstanding BRAZEAL DENNARD CHORALE. He loved his city and was a great mentor to me. The final movement of this quintet is dedicated to his memory. $65.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Piano Quintet Piano Quintet: piano, 2 violins, viola, cello Theodore Presser Co.
Chamber Music Violin 1, Violin 2, Viola, Cello, Piano SKU: PR.11441941S C...(+)
Chamber Music Violin 1, Violin 2, Viola, Cello, Piano SKU: PR.11441941S Composed by Adolphus Hailstork. Sws. Full score. 68 pages. Duration 20 minutes. Theodore Presser Company #114-41941S. Published by Theodore Presser Company (PR.11441941S). UPC: 680160681365. 9 x 12 inches. Detroit, for several decades, was a city where I received many important composing and performance opportunities in the early and middle part of my career. The Detroit Symphony Orchestra even commissioned my second symphony. My cantata DONE MADE MY VOW has been performed there more times than any place else. The chorus for those performances was always the outstanding BRAZEAL DENNARD CHORALE. He loved his city and was a great mentor to me. The final movement of this quintet is dedicated to his memory. $38.99 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Gershwin By George Violin, Cello (duet) - Intermediate Editions Marc Reift (Swiss import)
I Got Rhythm / 'S Wonderful / How Long Has This Been Going On / Strike Up The...(+)
I Got Rhythm / 'S Wonderful / How Long Has This Been Going On / Strike Up The Band / It Ain't Necessarily So / Summertime / Liza / Rhapsody In Blue. Composed by Dennis Armitage. Score and parts. Duration 6'15. Published by Editions Marc Reift (MA.EMR-5072N).
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| Aria Album for Soprano (58 Arias) Soprano voice, Piano Peters
By Various. Edited by Doerffel, Soldan. For soprano, piano. Collections of famou...(+)
By Various. Edited by Doerffel, Soldan. For soprano, piano. Collections of famous Arias from Cantatas,Oratorios and Operas(each in original language with German translation). Published by C.F. Peters.
$44.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Passings Advance Music
Oboe, Soprano Saxophone, Viola & Cello SKU: AP.1-ADV6010 Three Movemen...(+)
Oboe, Soprano Saxophone, Viola & Cello SKU: AP.1-ADV6010 Three Movements for Improvising (for Oboe, Soprano Saxophone, Viola, and Cello). Composed by David Liebman. Mixed Instruments - Quartet; Quartet; Solo Small Ensembles. Advance Music. Jazz. Score and Part(s). Advance Music #01-ADV6010. Published by Advance Music (AP.1-ADV6010). ISBN 9783892215301. UPC: 805095060102. English. It is natural as we age to contemplate the finality of passing on, if not personally, then certainly as an effect from others around you whom have left this space. Having to endure the passing of family and friends is of course very trying. This is especially true when the perception is that someone passed before their time though there are those of us who believe in fate implying that the Force works in its own mysterious way. Composers often commemorate passings with music as a means to mourn and as well to celebrate the life of an individual who meant something to them. Such is the nature of this piece. Movement 1---Past uses as source material themes I wrote for my mother Frances and father Leo when they passed; movement 2---Present centers around a choral (Prayer for Mike) I wrote for my dear friend, saxophonist Michael Brecker when he passed a few years ago. This same period also saw the passing of other friends and associates whom I had known for years, all way too premature, beginning with JF Jenny Clarke and Bob Berg, Hans Gruber, Thomas Stowsand, David Baker, James Williams, Dennis Irwin, John Stubblefield. The final movement---Future is a requiem of sorts for all of us still here. With its improvisational character, it is meant to suggest the positive implications of living life to its fullest.
Titles: Past * Present * Future. $40.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
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