| Doyen Hymne Fete Reconnaissance Fete Jeunesse Leduc, Alphonse
Choral (highlights) SKU: HL.48180277 Unison Voices and Piano. Comp...(+)
Choral (highlights) SKU: HL.48180277 Unison Voices and Piano. Composed by Luigi Cherubini. Leduc. Classical. Softcover. Alphonse Leduc #AL17104. Published by Alphonse Leduc (HL.48180277). For unison voice and piano. $19.10 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Hymne du Pantheon, Chant/choeur Orchestra - Intermediate Martin, Robert
Concert band with choir/voice - Grade 4 SKU: RM.CHER08124-CH Composed by ...(+)
Concert band with choir/voice - Grade 4 SKU: RM.CHER08124-CH Composed by Luigi Cherubini. Arranged by Desire Dondeyne. Music with chorus, voices. Orchestra. Choral score. Editions Robert Martin #CHER08124-CH. Published by Editions Robert Martin (RM.CHER08124-CH). $214.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Hymne a la Victoire Choral SATB Leduc, Alphonse
Choral (SATB choir a cappella) SKU: HL.48180967 Choral Mixed A Cappell...(+)
Choral (SATB choir a cappella) SKU: HL.48180967 Choral Mixed A Cappella. Composed by Luigi Cherubini. Leduc. Classical. Softcover. Alphonse Leduc #AL19890. Published by Alphonse Leduc (HL.48180967). UPC: 888680908539. STBarB chorus. $1.70 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Hymne du Pantheon, Chant/choeur Concert band - Intermediate Martin, Robert
Concert band with mixed choir - Grade 4 SKU: RM.CHER08124-BA Composed by ...(+)
Concert band with mixed choir - Grade 4 SKU: RM.CHER08124-BA Composed by Luigi Cherubini. Arranged by Desire Dondeyne. Music with chorus, voices. Orchestra. Full set. Editions Robert Martin #CHER08124-BA. Published by Editions Robert Martin (RM.CHER08124-BA). ISBN 9790231081244. $493.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Hymne du Pantheon, Chant/choeur Orchestra - Intermediate Martin, Robert
Concert band with choir/voice - Grade 4 SKU: RM.CHER08124-CO Composed by ...(+)
Concert band with choir/voice - Grade 4 SKU: RM.CHER08124-CO Composed by Luigi Cherubini. Arranged by Desire Dondeyne. Music with chorus, voices. Orchestra. Conductor's score. Editions Robert Martin #CHER08124-CO. Published by Editions Robert Martin (RM.CHER08124-CO). $106.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Gather Us In: Nine Hymn Settings on Contemporary Hymns Piano solo - Intermediate MorningStar Music Publishers
Composed by Maureen Howell. MorningStar Music Publishers #15-736. Published by...(+)
Composed by Maureen Howell.
MorningStar Music Publishers
#15-736. Published by
MorningStar Music Publishers
$17.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Easy Hymn Settings For Organ, Volume 3 Organ Augsburg Fortress
Composed by Ronald A. Nelson (1927-). For organ solo. Published by Augsburg Fort...(+)
Composed by Ronald A. Nelson (1927-). For organ solo. Published by Augsburg Fortress
$21.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| For the Mystic Harmony Theodore Presser Co.
Band Bass Clarinet, Bassoon 1, Bassoon 2, Clarinet, Clarinet 1, Clarinet 2, Clar...(+)
Band Bass Clarinet, Bassoon 1, Bassoon 2, Clarinet, Clarinet 1, Clarinet 2, Clarinet 3, Contrabass Clarinet, Contrabassoon, English Horn, Flute 1, Flute 2, Oboe 1, Oboe 2, Piccolo, alto Saxophone, soprano Saxophone, tenor Saxophone SKU: PR.165001000 Hymns for Wind Ensemble. Composed by Dan Welcher. Folio. Set of Score and Parts. 4+24+24+16+8+4+4+24+12+12+8+4+4+4+4+8+8+8+8+4+4+4+4+8+8+8+8+8+8+8+8+4+16+4+8+4+8+8+4+4+4+48 pages. Duration 10 minutes, 41 seconds. Theodore Presser Company #165-00100. Published by Theodore Presser Company (PR.165001000). ISBN 9781491129241. UPC: 680160669776. 9 x 12 inches. Commissioned for a consortium of high school and college bands in the north Dallas region, FOR THEMYSTIC HARMONY is a 10-minute inspirational work in homage to Norwood and Elizabeth Dixon,patrons of the Fort Worth Symphony and the Van Cliburn Competition. Welcher draws melodic flavorfrom five American hymns, spirituals, and folk tunes of the 19th century. The last of these sources toappear is the hymn tune For the Beauty of the Earth, whose third stanza is the quatrain: “For the joy of earand eye, For the heart and mind’s delight, For the mystic harmony, Linking sense to sound and sight,â€giving rise to the work’s title. This work, commissioned for a consortium of high school bands in the north Dallas area, is my fifteenth maturework for wind ensemble (not counting transcriptions). When I asked Todd Dixon, the band director whospearheaded this project, what kind of a work he most wanted, he first said “something that’s basically slow,†butwanted to leave the details to me. During a long subsequent conversation, he mentioned that his grandparents,Norwood and Elizabeth Dixon, were prime supporters of the Fort Worth Symphony, going so far as to purchase anumber of high quality instruments for that orchestra. This intrigued me, so I asked more about his grandparentsand was provided an 80-page biographical sketch. Reading that article, including a long section about theirdevotion to supporting a young man through the rigors of the Van Cliburn International Piano Competition fora number of years, moved me very much. Norwood and Elizabeth Dixon weren’t just supporters of the arts; theywere passionate lovers of music and musicians. I determined to make this work a testament to that love, and tothe religious faith that sustained them both. The idea of using extant hymns was also suggested by Todd Dixon,and this 10-minute work is the result.I have employed existing melodies in several works, delving into certain kinds of religious music more than a fewtimes. In seeking new sounds, new ways of harmonizing old tunes, and the contrapuntal overlaying of one tunewith another, I was able to make works like ZION (using 19th-century Revivalist hymns) and LABORING SONGS(using Shaker melodies) reflect the spirit of the composers who created these melodies, without sounding likepastiches or medleys. I determined to do the same with this new work, with the added problem of employingmelodies that were more familiar. I chose five tunes from the 19th century: hymns, spirituals, and folk-tunes.Some of these are known by differing titles, but they all appear in hymnals of various Christian denominations(with various titles and texts). My idea was to employ the tunes without altering their notes, instead using aconstantly modulating sense of harmony — sometimes leading to polytonal harmonizations of what are normallysimple four-chord hymns.The work begins and ends with a repeated chime on the note C: a reminder of steeples, white clapboard churchesin the country, and small church organs. Beginning with a Mixolydian folk tune of Caribbean origin presentedtwice with layered entrances, the work starts with a feeling of mystery and gentle sorrow. It proceeds, after along transition, into a second hymn that is sometimes connected to the sea (hence the sensation of water andwaves throughout it). This tune, by John B. Dykes (1823-1876), is a bit more chromatic and “shifty†than mosthymn-tunes, so I chose to play with the constant sensation of modulation even more than the original does. Atthe climax, the familiar spiritual “Were you there?†takes over, with a double-time polytonal feeling propelling itforward at “Sometimes it causes me to tremble.â€Trumpets in counterpoint raise the temperature, and the tempo as well, leading the music into a third tune (ofunknown provenance, though it appears with different texts in various hymnals) that is presented in a sprightlymanner. Bassoons introduce the melody, but it is quickly taken up by other instruments over three “verses,â€constantly growing in orchestration and volume. A mysterious second tune, unrelated to this one, interrupts it inall three verses, sending the melody into unknown regions.The final melody is “For the Beauty of the Earth.†This tune by Conrad Kocher (1786-1872) is commonly sung atThanksgiving — the perfect choice to end this work celebrating two people known for their generosity.Keeping the sense of constant modulation that has been present throughout, I chose to present this hymn in threegrowing verses, but with a twist: every four bars, the “key†of the hymn seems to shift — until the “Lord of all, toThee we praise†melody bursts out in a surprising compound meter. This, as it turns out, was the “mystery tuneâ€heard earlier in the piece. After an Ivesian, almost polytonal climax, the Coda begins over a long B( pedal. At first,it seems to be a restatement of the first two phrases of “For the Beauty†with long spaces between them, but it soonchanges to a series of “Amen†cadences, widely separated by range and color. These, too, do not conform to anykey, but instead overlay each other in ways that are unpredictable but strangely comforting.The third verse of “For the Beauty of the Earth†contains this quatrain:“For the joy of ear and eye, –For the heart and mind’s delightFor the mystic harmonyLinking sense to sound and sightâ€and it was from this poetry that I drew the title for the present work. It is my hope that audiences and performerswill find within it a sense of grace: more than a little familiar, but also quite new and unexpected. $150.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| For the Mystic Harmony [Score] Theodore Presser Co.
Band Bass Clarinet, Bass Drum, Bassoon 1, Bassoon 2, Bongos, Castanets, Celesta,...(+)
Band Bass Clarinet, Bass Drum, Bassoon 1, Bassoon 2, Bongos, Castanets, Celesta, Clarinet, Clarinet 1, Clarinet 2, Clarinet 3, Contrabass Clarinet, Contrabassoon, English Horn, Euphonium, Euphonium T.C., Flute 1, Flute 2, Horn 1, Horn 2, Horn 3 and more. SKU: PR.16500100F Hymns for Wind Ensemble. Composed by Dan Welcher. Sws. Full score. 48 pages. Duration 10 minutes, 41 seconds. Theodore Presser Company #165-00100F. Published by Theodore Presser Company (PR.16500100F). ISBN 9781491114421. UPC: 680160669783. 9 x 12 inches. Commissioned for a consortium of high school and college bands in the north Dallas region, FOR THEMYSTIC HARMONY is a 10-minute inspirational work in homage to Norwood and Elizabeth Dixon,patrons of the Fort Worth Symphony and the Van Cliburn Competition. Welcher draws melodic flavorfrom five American hymns, spirituals, and folk tunes of the 19th century. The last of these sources toappear is the hymn tune For the Beauty of the Earth, whose third stanza is the quatrain: “For the joy of earand eye, For the heart and mind’s delight, For the mystic harmony, Linking sense to sound and sight,â€giving rise to the work’s title. This work, commissioned for a consortium of high school bands in the north Dallas area, is my fifteenth maturework for wind ensemble (not counting transcriptions). When I asked Todd Dixon, the band director whospearheaded this project, what kind of a work he most wanted, he first said “something that’s basically slow,†butwanted to leave the details to me. During a long subsequent conversation, he mentioned that his grandparents,Norwood and Elizabeth Dixon, were prime supporters of the Fort Worth Symphony, going so far as to purchase anumber of high quality instruments for that orchestra. This intrigued me, so I asked more about his grandparentsand was provided an 80-page biographical sketch. Reading that article, including a long section about theirdevotion to supporting a young man through the rigors of the Van Cliburn International Piano Competition fora number of years, moved me very much. Norwood and Elizabeth Dixon weren’t just supporters of the arts; theywere passionate lovers of music and musicians. I determined to make this work a testament to that love, and tothe religious faith that sustained them both. The idea of using extant hymns was also suggested by Todd Dixon,and this 10-minute work is the result.I have employed existing melodies in several works, delving into certain kinds of religious music more than a fewtimes. In seeking new sounds, new ways of harmonizing old tunes, and the contrapuntal overlaying of one tunewith another, I was able to make works like ZION (using 19th-century Revivalist hymns) and LABORING SONGS(using Shaker melodies) reflect the spirit of the composers who created these melodies, without sounding likepastiches or medleys. I determined to do the same with this new work, with the added problem of employingmelodies that were more familiar. I chose five tunes from the 19th century: hymns, spirituals, and folk-tunes.Some of these are known by differing titles, but they all appear in hymnals of various Christian denominations(with various titles and texts). My idea was to employ the tunes without altering their notes, instead using aconstantly modulating sense of harmony — sometimes leading to polytonal harmonizations of what are normallysimple four-chord hymns.The work begins and ends with a repeated chime on the note C: a reminder of steeples, white clapboard churchesin the country, and small church organs. Beginning with a Mixolydian folk tune of Caribbean origin presentedtwice with layered entrances, the work starts with a feeling of mystery and gentle sorrow. It proceeds, after along transition, into a second hymn that is sometimes connected to the sea (hence the sensation of water andwaves throughout it). This tune, by John B. Dykes (1823-1876), is a bit more chromatic and “shifty†than mosthymn-tunes, so I chose to play with the constant sensation of modulation even more than the original does. Atthe climax, the familiar spiritual “Were you there?†takes over, with a double-time polytonal feeling propelling itforward at “Sometimes it causes me to tremble.â€Trumpets in counterpoint raise the temperature, and the tempo as well, leading the music into a third tune (ofunknown provenance, though it appears with different texts in various hymnals) that is presented in a sprightlymanner. Bassoons introduce the melody, but it is quickly taken up by other instruments over three “verses,â€constantly growing in orchestration and volume. A mysterious second tune, unrelated to this one, interrupts it inall three verses, sending the melody into unknown regions.The final melody is “For the Beauty of the Earth.†This tune by Conrad Kocher (1786-1872) is commonly sung atThanksgiving — the perfect choice to end this work celebrating two people known for their generosity.Keeping the sense of constant modulation that has been present throughout, I chose to present this hymn in threegrowing verses, but with a twist: every four bars, the “key†of the hymn seems to shift — until the “Lord of all, toThee we praise†melody bursts out in a surprising compound meter. This, as it turns out, was the “mystery tuneâ€heard earlier in the piece. After an Ivesian, almost polytonal climax, the Coda begins over a long B( pedal. At first,it seems to be a restatement of the first two phrases of “For the Beauty†with long spaces between them, but it soonchanges to a series of “Amen†cadences, widely separated by range and color. These, too, do not conform to anykey, but instead overlay each other in ways that are unpredictable but strangely comforting.The third verse of “For the Beauty of the Earth†contains this quatrain:“For the joy of ear and eye, –For the heart and mind’s delightFor the mystic harmonyLinking sense to sound and sightâ€and it was from this poetry that I drew the title for the present work. It is my hope that audiences and performerswill find within it a sense of grace: more than a little familiar, but also quite new and unexpected. $25.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Cherubim Hymn Choral SATB SATB divisi Walton Music
By Sergei Rachmaninoff. Arranged by Geoffrey Mason. (SATB divisi). Walton Chora...(+)
By Sergei Rachmaninoff. Arranged by Geoffrey Mason. (SATB divisi). Walton Choral. Published by Walton Music.
$1.60 $1.52 (5% off) See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Festliche Klaviermusik Piano solo - Easy Artist Ahead Musikverlag
Piano - easy to intermediate SKU: M7.ART-42201 20 leicht bis mittelsch...(+)
Piano - easy to intermediate SKU: M7.ART-42201 20 leicht bis mittelschwer spielbare Klavierstücke für feierliche Anlässe!. Composed by Elmar Mihm. Score with online audio files. 40 pages. Artist Ahead Musikverlag #ART 42201. Published by Artist Ahead Musikverlag (M7.ART-42201). ISBN 9783866422018. Das Album 'Festliche Klaviermusik' enthält leicht bis mittelschwer spielbare Bearbeitungen der schönsten und berühmtesten Klassiker unter den Festmusiken. Für alle feierlichen Anlässe wie Hochzeiten, Festgottesdienste, Geburtstage, Ehrungen, Jubiläen, Konzerte und Feiertage sind weltbekannte stimmungsvolle Werke der klassischen Musik sowie moderne Stücke und Eigenkompositionen zu finden. Neben den bekannten Hochzeitsmärschen von Wagner und Mendelssohn, Bachs 'Ave Maria', Pachelbels 'Canon' und anderen erlesenen romantischen Melodien, gehören auch Walzer, Bossa Nova, Tango und Balladen für den geselligen Tanzabend oder das festliche Dinner zum Repertoire. Auch die obligatorischen Festhymnen 'Hoch soll er leben' und 'Happy Birthday' dürfen natürlich nicht fehlen. Alle Werke sind mit Fingersätzen sowie Spielanweisungen versehen und somit leicht und schnell erlernbar. Einen feierlichen Auftritt und viel Applaus wünscht - Elmar Mihm. $20.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Pull Out the Stops! Volume 1 Organ Augsburg Fortress
(Congregational Song Accompaniments for Organ). By Various. For organ. General. ...(+)
(Congregational Song Accompaniments for Organ). By Various. For organ. General. Organ Music
$35.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Quartet, Op. 19/6 Flute Quartet: Flute, Violin, Viola, Cello [Score and Parts] Rosewood Publications
By Ignaz Josef Pleyel (1757-1831). For flute, violin, viola and cello. Winds and...(+)
By Ignaz Josef Pleyel (1757-1831). For flute, violin, viola and cello. Winds and Strings. Enjoyable, fun for the flute. Classical. Set of parts
$15.50 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Quartet, Op. 19/4 Flute Quartet: Flute, Violin, Viola, Cello [Score and Parts] Rosewood Publications
By Ignaz Josef Pleyel (1757-1831). For flute, violin, viola and cello. Winds and...(+)
By Ignaz Josef Pleyel (1757-1831). For flute, violin, viola and cello. Winds and Strings. Enjoyable, fun for the flute. Classical. Set of parts
$16.50 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Magnificat - Intermediate Carus Verlag
Orchestra (Solo S, Coro SATB (mit Stimmteilungen), Alt-Sax/ Fl (1 Bläser), 2 Vl...(+)
Orchestra (Solo S, Coro SATB (mit Stimmteilungen), Alt-Sax/ Fl (1 Bläser), 2 Vl, Pfte, Cb, Perc (3 Spieler: Drum Set, Congas, Claves, Güiro, Maracas, Shaker)) - Grade 4 SKU: CA.2720605 Composed by Bobbi Fischer. Choral Score. Composed 2017. Duration 33 minutes. Carus Verlag #2720605. Published by Carus Verlag (CA.2720605). ISBN 9790007330392. Latin. The Magnificat was commissioned in 2017 by the Landesakademie für die musizierende Jugend in Baden-Württemberg for the Choir of the International Choir Festival C.H.O.I.R. In this setting of the hymn of praise from St Lukeâs gospel, we hear the solo soprano as the voice of Mary. The work draws on the wealth of Afro-Caribbean rhythms. The first movement gives a hymn-like expression to the message of the text with the tremendous energy of the Cuban salsa. There are many examples of the relationship between word and music throughout the work. An example of this is the passage Deposuit potentes (âHe hath put down the mighty from their seat and hath exalted the humble and meekâ). In this passage, a 9-part canon vividly portrays the words et exaltavit and deposuit through chromatic passagework in contrary motion extending over an octave.
With this work composer Bobbi Fischer has created a musical bridge between Europe and South America as well as stylistic links to his Missa latina (Carus 28.007). The rhythm group (piano, bass, drums, and percussion) is identical; new instrumental colors from the Latin world are added with two obbligato violins and one reedplayer (alto saxophone/flute) â in the place of the bandoneon and violin used in the Missa latina.
The Magnificat is also available on CD (Carus 83.483). Score available separately - see item CA.2720600. $25.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| String Quartet No. 2 String Quartet: 2 violins, viola, cello Merion Music
Chamber Music String Quartet SKU: PR.144402180 After Zurbarán. ...(+)
Chamber Music String Quartet SKU: PR.144402180 After Zurbarán. Composed by James Primosch. Set of Score and Parts. With Standard notation. 20+8+8+8+8 pages. Duration 18 minutes. Merion Music #144-40218. Published by Merion Music (PR.144402180). UPC: 680160027156. 9.5 x 13 inches. The concerts and exhibits of the Cleveland Museum of Art were an important formative influence for me during my student days. So when the invitation came to create a new work celebrating this institution on its seventy-fifth anniversary, I was not only happy to accept, but knew immediately that I wanted to write a piece that would somehow relate specifically to the museum. I decided to make the work a reflection on a painting in the museum's collection: Zurbaran's The Holy House of Nazareth. My quartet is not program music in a narrative sense, but rather a kind of meditation that takes its tone from this painting's remarkable integration of intense affect, mysterious repose and secret geometry. Besides Zurbaran's painting, the piece is occupied with a purely musical object of contemplation: the hymn tune Picardy, best known with the text Let All Mortal Flesh Keep Silence. This tune permeates the harmonic and melodic life of the quartet, sometimes appearing in a very simple, straightforward fashion, but often hidden amidst more complex structures. I was attracted to the melody for its musical qualities, but later realized that the hymn's text also resonates with the mood of the painting; the words speak of a reverent awe, of cherubim with sleepless eye, and of the mystery of the Incarnate Word who must suffer: King of kings, yet born of Mary... $75.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| String Quartet No. 2 String Quartet: 2 violins, viola, cello [Score] Merion Music
Chamber Music String Quartet SKU: PR.14440218S After Zurbarán. ...(+)
Chamber Music String Quartet SKU: PR.14440218S After Zurbarán. Composed by James Primosch. Full score. With Standard notation. Duration 18 minutes. Merion Music #144-40218S. Published by Merion Music (PR.14440218S). UPC: 680160027170. 9.5 x 13 inches. The concerts and exhibits of the Cleveland Museum of Art were an important formative influence for me during my student days. So when the invitation came to create a new work celebrating this institution on its seventy-fifth anniversary, I was not only happy to accept, but knew immediately that I wanted to write a piece that would somehow relate specifically to the museum. I decided to make the work a reflection on a painting in the museum's collection: Zurbaran's The Holy House of Nazareth. My quartet is not program music in a narrative sense, but rather a kind of meditation that takes its tone from this painting's remarkable integration of intense affect, mysterious repose and secret geometry. Besides Zurbaran's painting, the piece is occupied with a purely musical object of contemplation: the hymn tune Picardy, best known with the text Let All Mortal Flesh Keep Silence. This tune permeates the harmonic and melodic life of the quartet, sometimes appearing in a very simple, straightforward fashion, but often hidden amidst more complex structures. I was attracted to the melody for its musical qualities, but later realized that the hymn's text also resonates with the mood of the painting; the words speak of a reverent awe, of cherubim with sleepless eye, and of the mystery of the Incarnate Word who must suffer: King of kings, yet born of Mary... $32.99 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| New Tunes for Strings - Book 2 Violin [Sheet music] Boosey and Hawkes
Violin. By Stanley Fletcher. (Violin). Boosey and Hawkes Chamber Music. Softcov...(+)
Violin. By Stanley Fletcher. (Violin). Boosey and Hawkes Chamber Music. Softcover. Size 8.5x11 inches. 34 pages. Published by Boosey and Hawkes.
$14.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| New Tunes for Strings - Book 2 Viola [Sheet music] Boosey and Hawkes
Viola. By Stanley Fletcher. (Viola). Boosey and Hawkes Chamber Music. Softcover...(+)
Viola. By Stanley Fletcher. (Viola). Boosey and Hawkes Chamber Music. Softcover. Size 8.5x11 inches. 36 pages. Published by Boosey & Hawkes.
$17.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Hymn of the Cherubim Choral SATB Paraclete Press
SATB choir & Cantor (Deacon/Priest), Organ - Medium SKU: PL.9223 Composed...(+)
SATB choir & Cantor (Deacon/Priest), Organ - Medium SKU: PL.9223 Composed by Dean Huff. Cathedral. Choral, Eucharist, General, Trinity. Octavo. Paraclete Press #9223. Published by Paraclete Press (PL.9223). $2.80 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
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