SKU: HL.7011555
UPC: 884088246945. 9x12 inches.
Arranged here in a brisk uptempo swing style, much of the first chorus is unison for all the horns. After a solo section featuring alto sax then trumpet, a brief drum break sets up a high-energy final chorus for the entire ensemble.
SKU: HL.14004368
ISBN 9780853601418. UPC: 884088434014. 8.25x11.75 inches.
A moving story for unison voices and piano imagining the thoughts of a baby elephant separated from its family and transported from the wilds of Africa to a zoo a long way from home. The catchy melodies and inventive lyrics bring home to children the horror of ivory hunting and some disadvantages of zoo captivity. A splendid piece for end-of-term performance that also provides an excellent basis for classroom activity. 25 mins.
SKU: PE.EP73335
ISBN 9790577022765. English.
Two Songs after Friday Afternoons by Emily Howard is a 5-minute work for children's choir and piano. With texts by Selma Dimitrijevic the two songs are called
1. Big Bums
2. Pi (A Pie?)
Two Songs after Friday Afternoonswere commissioned by Opera North in celebration of Benjamin Britten's 100th anniversary. The works were premiered on 22 November 2013 at the Howard Assembly Room, Leeds by Opera North's Children's Chorus, Scotton Lingerfield Primary School, Old Earth Primary School, Our Lady and St Peter Roman Catholic Primary School, Monkwood Primary School, conducted by Justin Doyle with Anthony Kraus, piano.
SKU: CA.3116803
ISBN 9790007166724. Language: German/English. Text: Franck, Salomo. Text by Salomo Franck.
The text of Bach's cantata Tue Rechnung! Donnerwort was published in 1715, that is during Bach's Weimar period, in the Evangelisches Andachts-Opffer by Salomon Frank. This concisely-written but powerful work was, however, only composed ten years later in Leipzig, and was heard for the first time on 29 July 1725, the 9th Sunday after Trinity. Its main dramatic-musical emphasis lies clearly in the first movement, a dark, almost operatic movement for baritone and string orchestra in B minor. By contrast, the ensuing aria for tenor with obbligato oboe accompaniment is distinctly more intimate, and the duet between soprano and alto - just accompanied by continuo - is more restrained in its musical language and expression than the first movement. In between there are two extended recitatives, the first of which leads into an arioso. The breadth of expression within the cantata is striking, its opening movement a masterpiece of Bach's dramatic writing. Score available separately - see item CA.3116800.
SKU: CA.3116809
ISBN 9790007209254. Language: German/English. Text: Franck, Salomo.
The text of Bach's cantata Tue Rechnung! Donnerwort was published in 1715, that is during Bach's Weimar period, in the Evangelisches Andachts-Opffer by Salomon Frank. This concisely-written but powerful work was, however, only composed ten years later in Leipzig, and was heard for the first time on 29 July 1725, the 9th Sunday after Trinity. Its main dramatic-musical emphasis lies clearly in the first movement, a dark, almost operatic movement for baritone and string orchestra in B minor. By contrast, the ensuing aria for tenor with obbligato oboe accompaniment is distinctly more intimate, and the duet between soprano and alto - just accompanied by continuo - is more restrained in its musical language and expression than the first movement. In between there are two extended recitatives, the first of which leads into an arioso. The breadth of expression within the cantata is striking, its opening movement a masterpiece of Bach's dramatic writing. Score and parts available separately - see item CA.3116800.
SKU: CA.3116805
ISBN 9790007166731. Text language: German/English. Text: Franck, Salomo.
SKU: CA.3116807
ISBN 9790007242220. Language: German/English. Text: Franck, Salomo.
SKU: CA.3116819
ISBN 9790007166786. Language: German/English. Text: Franck, Salomo. Text by Salomo Franck.
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