(Words and Chords to Nearly 1200 Songs 9x12 Spiral Bound). Edited by Annie Patterson and Peter Blood. For Vocal. Vocal. Softcover. 304 pages. Published by Hal Leonard

taught by Fred Sokolow. Grossman Audio. Level: Beginning-Intermediate. Book/CD Set. Size 8.75x11.75. 56 pages. Published by Grossman.

(Words and Chords to Nearly 1200 Songs Spiral-Bound). Edited by Annie Patterson and Peter Blood. For Vocal. Vocal. Softcover. 304 pages. Published by Hal Leonard

Performed by The Grateful Dead, lyrics by Robert Hunter, music by Jerry Garcia. For guitar and voice. Format: guitar tablature songbook. With vocal melody, lyrics, harmony part, standard guitar notation, guitar tablature, chord names, guitar chord diagrams, introductory text and black & white photos. Psychedelic rock and folk rock. 216 pages. 9x12 inches. Published by Alfred Publishing.

By The Grateful Dead. Guitar Chord Songbook. Softcover. 88 pages. Published by Hal Leonard

Piano

SKU: HG.GH-11600

Direkte Weg zu Bach Mozart etc. Composed by Anton Wolfer. Edited by Francis Schneider. Hug Musikverlage #GH 11600. Published by Hug Musikverlage (HG.GH-11600).

ISBN 9790202823286.

Klavierschule fur Jugendliche und Erwachsene Neuauflage 1998 der Elementar-Klavierschule von Anton Wolfer (Erstausgabe 1900 im Verlag Max Liebers/Freiburg i.Br. Bearbeitung von Julius Landolt, ab 1914 im Verlag Gebruder Hug & Co. Leipzig und Zurich) Aktualisiert, erganzt und mit einem Beiheft versehen von Francis Schneider Was die Wolfer-Schule vor allen anderen Klavierschulen auszeichnet, lasst sich in folgenden Punkten zusammenfassen: 1) Von Anfang an werden beide Hande systematisch absolut gleichwertig ausgebildet, und es wird Wert auf hochstmogliche Unabhangigkeit gelegt. 2) Neben der technischen udn musikalischen Ausbildung wird auch alles Wesentliche in Zusammenhang mit dem guten musikalischen Vortrag vermittelt. 3) Die Musikbeispiele sind allesamt padagogisch und kompositiorisch von hochstem Niveau. Mit anderen Worten: diese Schule ist der direkte Weg zu Bach, Mozart, Schumann und Bartok (aus dem Nachwort des Herausgebers).

Piano

SKU: HG.GH-11601

Direkte Weg zu Bach Mozart etc. Composed by Anton Wolfer. Edited by Francis Schneider. Hug Musikverlage #GH 11601. Published by Hug Musikverlage (HG.GH-11601).

ISBN 9790202823309.

Beiheft zur Klavierschule Der neue Wolfer. Das Beiheft wurde vom Herausgeber als Nachschlagewerk fur Lehrer und Schuler ausgearbeitet: Was in der Schule Schritt fur Schritt auftaucht, wird im Beiheft mittels eines Verweissystems erklart und vertieft. Es enthalt Hinweise zur Elementartheorie, zur allgemeinen Musiklehre, zur Formenlehre und zum guten musikalischen Vortrag..

SKU: BR.BV-386

Composed by A. Hartinger, C. Wolff, and P. (Hrsg.) Wollny. Edited by A./Wolff, C./Wollny, Hartinger, and P. Hardback. Buchverlag Breitkopf & Hartel (Music Books). Romantic period. Book. 488 pages. Breitkopf and Haertel #BV 386. Published by Breitkopf and Haertel (BR.BV-386).

ISBN 9783765103865. 6.5 x 9.5 inches.

The Bach-Archiv in Leipzig was the scene of a colloquium of renowned international experts in fall 2005: musicologists, editorial directors, archivists and performing artists got together to discuss how the music of Bach was disseminated in the first half of the 19th century. Several major composers played a key role in triggering the new appreciation of Bach and his music at this time: Felix Mendelssohn Bartholdy, his sister Fanny Hensel and Robert Schumann. These three Romantic Bachians instigated developments that continue to affect concert life and editorial practice today. Our modern-day Bach image was heavily formed by their multi-faceted, fruitful activity. The Leipzig Bach-Archiv has meticulously edited this book of 24 essays as a concrete result of the colloquium and a source of new impulses for future research and musical practice. Insgesamt ein mit vielen verbluffenden Details und treffenden Generalabhandlungen gefullter Band, den man mit gehorigem Gewinn liest. (Wolfram Goertz, Bach-Magazin) Dank dieses weiteren Horizonts wird nicht nur der Musikwissenschaftler aus diesem sehr ordentlich redigierten Band mannigfach Gewinn ziehen, sondern auch der Musikinteressierte auf seine Kosten kommen. (Reinmar Emans, FonoForum).

AT vocal soli, SATB choir, 2 flutes, 2 violins, viola, basso continuo

SKU: CA.3116149

Cantata for the 16th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Organ. Sacred vocal music, Cantatas, Whitsun, Mourning, death. Single Part, Organ. Composed 1716. BWV 161. 12 pages. Duration 19 minutes. Carus Verlag #CV 31.161/49. Published by Carus Verlag (CA.3116149).

ISBN 9790007208882. Language: German/English. Text: Franck, Salomo. Text: Salomo Franck.

The cantate was most likely performed for the first time on 27 September, the 16th Sunday after Trinity, 1716 at the Schlosskirche in Weimar. The text originated from the Kantatenjahrgang (yearly cantata cycle), Evangelisches Andachts-Opffer (Evangelical Devotional Offering) by the secretary of the Weimar high conistory, Salomon Franck. The sermon text for the 16th Sunday after Trinity, the raising of the boy from the dead at Nain (Luke 7: 11-14), is only indirectly reflected in Franck's cantata text. In a prevalent interpretation from that period of this biblical text, the raising of the dead is seen as an allegory for the resurrection of the faithful. Score and part available separately - see item CA.3116100.

AT vocal soli, SATB choir, 2 flutes, 2 violins, viola, basso continuo

SKU: CA.3116119

Cantata for the 16th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Komm, du susse Todesstunde. Sacred vocal music, Cantatas, Whitsun, Mourning, death. Set of Orchestra Parts. Composed 1716. BWV 161. Duration 19 minutes. Carus Verlag #CV 31.161/19. Published by Carus Verlag (CA.3116119).

ISBN 9790007136871. Language: German/English. Text: Franck, Salomo. Text: Salomo Franck.

The cantate was most likely performed for the first time on 27 September, the 16th Sunday after Trinity, 1716 at the Schlosskirche in Weimar. The text originated from the Kantatenjahrgang (yearly cantata cycle), Evangelisches Andachts-Opffer (Evangelical Devotional Offering) by the secretary of the Weimar high conistory, Salomon Franck. The sermon text for the 16th Sunday after Trinity, the raising of the boy from the dead at Nain (Luke 7: 11-14), is only indirectly reflected in Franck's cantata text. In a prevalent interpretation from that period of this biblical text, the raising of the dead is seen as an allegory for the resurrection of the faithful. Score and parts available separately - see item CA.3116100.

Books and Journals

SKU: UT.APS-12

Edited by Luca Lévi Sala. Paperback (Soft Cover). Ad Parnassum Studies. Classical. Books and Journals. Ut Orpheus #APS 12. Published by Ut Orpheus (UT.APS-12).

ISBN 9788881095216. 6.5 x 9.5 inches.

Essays by Steven J. Cahn, Marsha Dubrow. Diana R. Hallman, Jehoash Hirshberg, Mark Kligman, Cesar A. Leal, Rachel Orzech, Danielle Padley, Jesse Rosenberg, Laure Schnapper, Benjamin Wolf, Susan Wollenberg

The present book aims to describe 19th-century Jewish musical production in light of major social and historical events: a revolutionary process for the Jewish world resulting from its inclusion in European political and cultural secularization. The ferment that such assimilation brought resulted in the fragmentation of the Jewish religious identity into distinct liturgical currents. How much the 19th-century modernization of the Jewish world affect the Jewish identity of composers and their music, encompassing the following components: conversion, liturgy, synagogal chant and cantillation, musical form, opera, textuality, entrepreneurship and individuality? How many of these structural components were direct or corollary to both musical composition, and the concept of Jewishness?