| Concerto - Piano And Orchestra - Solo Part Schott
Piano and orchestra - difficult SKU: HL.49046544 For piano and orchest...(+)
Piano and orchestra - difficult SKU: HL.49046544 For piano and orchestra. Composed by Gyorgy Ligeti. This edition: Saddle stitching. Sheet music. Edition Schott. Softcover. Composed 1985-1988. Duration 24'. Schott Music #ED23178. Published by Schott Music (HL.49046544). ISBN 9781705122655. UPC: 842819108726. 9.0x12.0x0.224 inches. I composed the Piano Concerto in two stages: the first three movements during the years 1985-86, the next two in 1987, the final autograph of the last movement was ready by January, 1988. The concerto is dedicated to the American conductor Mario di Bonaventura. The markings of the movements are the following: 1. Vivace molto ritmico e preciso 2. Lento e deserto 3. Vivace cantabile 4. Allegro risoluto 5. Presto luminoso.The first performance of the three-movement Concerto was on October 23rd, 1986 in Graz. Mario di Bonaventura conducted while his brother, Anthony di Bonaventura, was the soloist. Two days later the performance was repeated in the Vienna Konzerthaus. After hearing the work twice, I came to the conclusion that the third movement is not an adequate finale; my feeling of form demanded continuation, a supplement. That led to the composing of the next two movements. The premiere of the whole cycle took place on February 29th, 1988, in the Vienna Konzerthaus with the same conductor and the same pianist. The orchestra consisted of the following: flute, oboe, clarinet, bassoon, horn, trumpet, tenor trombone, percussion and strings. The flautist also plays the piccoIo, the clarinetist, the alto ocarina. The percussion is made up of diverse instruments, which one musician-virtuoso can play. It is more practical, however, if two or three musicians share the instruments. Besides traditional instruments the percussion part calls also for two simple wind instruments: the swanee whistle and the harmonica. The string instrument parts (two violins, viola, cello and doubles bass) can be performed soloistic since they do not contain divisi. For balance, however, the ensemble playing is recommended, for example 6-8 first violins, 6-8 second, 4-6 violas, 4-6 cellos, 3-4 double basses. In the Piano Concerto I realized new concepts of harmony and rhythm. The first movement is entirely written in bimetry: simultaneously 12/8 and 4/4 (8/8). This relates to the known triplet on a doule relation and in itself is nothing new. Because, however, I articulate 12 triola and 8 duola pulses, an entangled, up till now unheard kind of polymetry is created. The rhythm is additionally complicated because of asymmetric groupings inside two speed layers, which means accents are asymmetrically distributed. These groups, as in the talea technique, have a fixed, continuously repeating rhythmic structures of varying lengths in speed layers of 12/8 and 4/4. This means that the repeating pattern in the 12/8 level and the pattern in the 4/4 level do not coincide and continuously give a kaleidoscope of renewing combinations. In our perception we quickly resign from following particular rhythmical successions and that what is going on in time appears for us as something static, resting. This music, if it is played properly, in the right tempo and with the right accents inside particular layers, after a certain time 'rises, as it were, as a plane after taking off: the rhythmic action, too complex to be able to follow in detail, begins flying. This diffusion of individual structures into a different global structure is one of my basic compositional concepts: from the end of the fifties, from the orchestral works Apparitions and Atmospheres I continuously have been looking for new ways of resolving this basic question. The harmony of the first movement is based on mixtures, hence on the parallel leading of voices. This technique is used here in a rather simple form; later in the fourth movement it will be considerably developed. The second movement (the only slow one amongst five movements) also has a talea type of structure, it is however much simpler rhythmically, because it contains only one speed layer. The melody is consisted in the development of a rigorous interval mode in which two minor seconds and one major second alternate therefore nine notes inside an octave. This mode is transposed into different degrees and it also determines the harmony of the movement; however, in closing episode in the piano part there is a combination of diatonics (white keys) and pentatonics (black keys) led in brilliant, sparkling quasimixtures, while the orchestra continues to play in the nine tone mode. In this movement I used isolated sounds and extreme registers (piccolo in a very low register, bassoon in a very high register, canons played by the swanee whistle, the alto ocarina and brass with a harmon-mute' damper, cutting sound combinations of the piccolo, clarinet and oboe in an extremely high register, also alternating of a whistle-siren and xylophone). The third movement also has one speed layer and because of this it appears as simpler than the first, but actually the rhythm is very complicated in a different way here. Above the uninterrupted, fast and regular basic pulse, thanks to the asymmetric distribution of accents, different types of hemiolas and inherent melodical patterns appear (the term was coined by Gerhard Kubik in relation to central African music). If this movement is played with the adequate speed and with very clear accentuation, illusory rhythmic-melodical figures appear. These figures are not played directly; they do not appear in the score, but exist only in our perception as a result of co-operation of different voices. Already earlier I had experimented with illusory rhythmics, namely in Poeme symphonique for 100 metronomes (1962), in Continuum for harpsichord (1968), in Monument for two pianos (1976), and especially in the first and sixth piano etude Desordre and Automne a Varsovie (1985). The third movement of the Piano Concerto is up to now the clearest example of illusory rhythmics and illusory melody. In intervallic and chordal structure this movement is based on alternation, and also inter-relation of various modal and quasi-equidistant harmony spaces. The tempered twelve-part division of the octave allows for diatonical and other modal interval successions, which are not equidistant, but are based on the alternation of major and minor seconds in different groups. The tempered system also allows for the use of the anhemitonic pentatonic scale (the black keys of the piano). From equidistant scales, therefore interval formations which are based on the division of an octave in equal distances, the twelve-tone tempered system allows only chromatics (only minor seconds) and the six-tone scale (the whole-tone: only major seconds). Moreover, the division of the octave into four parts only minor thirds) and three parts (three major thirds) is possible. In several music cultures different equidistant divisions of an octave are accepted, for example, in the Javanese slendro into five parts, in Melanesia into seven parts, popular also in southeastern Asia, and apart from this, in southern Africa. This does not mean an exact equidistance: there is a certain tolerance for the inaccurateness of the interval tuning. These exotic for us, Europeans, harmony and melody have attracted me for several years. However I did not want to re-tune the piano (microtone deviations appear in the concerto only in a few places in the horn and trombone parts led in natural tones). After the period of experimenting, I got to pseudo- or quasiequidistant intervals, which is neither whole-tone nor chromatic: in the twelve-tone system, two whole-tone scales are possible, shifted a minor second apart from each other. Therefore, I connect these two scales (or sound resources), and for example, places occur where the melodies and figurations in the piano part are created from both whole tone scales; in one band one six-tone sound resource is utilized, and in the other hand, the complementary. In this way whole-tonality and chromaticism mutually reduce themselves: a type of deformed equidistancism is formed, strangely brilliant and at the same time slanting; illusory harmony, indeed being created inside the tempered twelve-tone system, but in sound quality not belonging to it anymore. The appearance of such slantedequidistant harmony fields alternating with modal fields and based on chords built on fifths (mainly in the piano part), complemented with mixtures built on fifths in the orchestra, gives this movement an individual, soft-metallic colour (a metallic sound resulting from harmonics). The fourth movement was meant to be the central movement of the Concerto. Its melodc-rhythmic elements (embryos or fragments of motives) in themselves are simple. The movement also begins simply, with a succession of overlapping of these elements in the mixture type structures. Also here a kaleidoscope is created, due to a limited number of these elements - of these pebbles in the kaleidoscope - which continuously return in augmentations and diminutions. Step by step, however, so that in the beginning we cannot hear it, a compiled rhythmic organization of the talea type gradually comes into daylight, based on the simultaneity of two mutually shifted to each other speed layers (also triplet and duoles, however, with different asymmetric structures than in the first movement). While longer rests are gradually filled in with motive fragments, we slowly come to the conclusion that we have found ourselves inside a rhythmic-melodical whirl: without change in tempo, only through increasing the density of the musical events, a rotation is created in the stream of successive and compiled, augmented and diminished motive fragments, and increasing the density suggests acceleration. Thanks to the periodical structure of the composition, always new but however of the same (all the motivic cells are similar to earlier ones but none of them are exactly repeated; the general structure is therefore self-similar), an impression is created of a gigantic, indissoluble network. Also, rhythmic structures at first hidden gradually begin to emerge, two independent speed layers with their various internal accentuations. This great, self-similar whirl in a very indirect way relates to musical associations, which came to my mind while watching the graphic projection of the mathematical sets of Julia and of Mandelbrot made with the help of a computer. I saw these wonderful pictures of fractal creations, made by scientists from Brema, Peitgen and Richter, for the first time in 1984. From that time they have played a great role in my musical concepts. This does not mean, however, that composing the fourth movement I used mathematical methods or iterative calculus; indeed, I did use constructions which, however, are not based on mathematical thinking, but are rather craftman's constructions (in this respect, my attitude towards mathematics is similar to that of the graphic artist Maurits Escher). I am concerned rather with intuitional, poetic, synesthetic correspondence, not on the scientific, but on the poetic level of thinking. The fifth, very short Presto movement is harmonically very simple, but all the more complicated in its rhythmic structure: it is based on the further development of ''inherent patterns of the third movement. The quasi-equidistance system dominates harmonically and melodically in this movement, as in the third, alternating with harmonic fields, which are based on the division of the chromatic whole into diatonics and anhemitonic pentatonics. Polyrhythms and harmonic mixtures reach their greatest density, and at the same time this movement is strikingly light, enlightened with very bright colours: at first it seems chaotic, but after listening to it for a few times it is easy to grasp its content: many autonomous but self-similar figures which crossing themselves. I present my artistic credo in the Piano Concerto: I demonstrate my independence from criteria of the traditional avantgarde, as well as the fashionable postmodernism. Musical illusions which I consider to be also so important are not a goal in itself for me, but a foundation for my aesthetical attitude. I prefer musical forms which have a more object-like than processual character. Music as frozen time, as an object in imaginary space evoked by music in our imagination, as a creation which really develops in time, but in imagination it exists simultaneously in all its moments. The spell of time, the enduring its passing by, closing it in a moment of the present is my main intention as a composer. (Gyorgy Ligeti). $34.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Reading Key Jazz Rhythms -- Piano Piano solo Advance Music
Piano/Keyboard SKU: AP.1-ADV14710 English/German Language Edition....(+)
Piano/Keyboard SKU: AP.1-ADV14710 English/German Language Edition. Composed by Fred Lipsius. Improvisation; Keyboard/Piano; Method/Instruction; Play-Along; Technique Musicianship. Advance Music: Reading Key Jazz Rhythms. Jazz. Book and CD. Advance Music #01-ADV14710. Published by Advance Music (AP.1-ADV14710). UPC: 805095147100. English. With Reading Key Jazz Rhythms:Piano Book & CD set by Fred Lipsius, you will learn essential jazz rhythms first hand from world-class professionals! Reading Key Jazz Rhythms is a collection of 24 easy to medium level jazz etudes, and 24 simplified guide tone versions of the etudes. They are ideal for learning the basic language of jazz, swing phrasing, and articulation. A perfect tool for preparing for the jazz ensemble or for any other ensemble/orchestra which performs jazz related music (pops orchestras, musical, studio, movie scores, concert and marching bands, etc.). Each etude is based on a specific rhythm or a combination of rhythmic figures. Some etudes sound like very lyrical improvised jazz solos, while others are more like a melody to a standard. On the accompanying CD the soloist demonstrates the 24 melodious etudes together with a professional rhythm section. You can also improvise along with the play-along tracks using the chord symbols. The guide tones are the essential for defining notes for each given chord type. So if improvising is new to you and you find yourself getting lost, you can always return to a guide tone and play rhythmically around it. Any etude and its corresponding simplified guide tone version can be played together as a duet (with or without the CD accompaniment) with your teacher or a friend. $24.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Basic Jazz Conception For Saxophone, Volume 1 with CD Saxophone [Sheet music + CD] - Easy Try Publishing
By Lennie Niehaus. For saxophone. Easy. Method book and CD. Published by Try Pub...(+)
By Lennie Niehaus. For saxophone. Easy. Method book and CD. Published by Try Publishing
$19.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Reading Key Jazz Rhythms Advance Music
Saxophone (Soprano Or Tenor In Bb) SKU: AP.1-ADV14702 Learn the Basic ...(+)
Saxophone (Soprano Or Tenor In Bb) SKU: AP.1-ADV14702 Learn the Basic Language Of Jazz, Swing Phrasing and Articulation. Composed by Fred Lipsius. Improvisation; Method/Instruction; Play-Along; Technique Musicianship; Woodwind - Saxophone Method or Collection. Advance Music: Reading Key Jazz Rhythms. Jazz. Book and Digital Download. Advance Music #01-ADV14702. Published by Advance Music (AP.1-ADV14702). UPC: 805095147025. English. With this book/download set you will learn essential jazz rhythms first-hand from world-class professionals! Reading Key Jazz Rhythms is a collection of 24 easy to medium level jazz etudes, and 24 simplified guide tone versions of the etudes. They are ideal for learning the basic language of jazz, swing phrasing, and articulation. A perfect tool for preparing for the jazz ensemble or for any other ensemble/orchestra which performs jazz related music (f.i., pops orchestras, musical, studio, movie scores, concert and marching bands, etc.). Each etude is based on a specific rhythm or a combination of rhythmic figures. Some etudes sound like very lyrical improvised jazz solos, while others are more like a melody to a standard. On the accompanying audio-tracks the soloist demonstrates the 24 melodious etudes together with a professional rhythm section. You can also improvise along with the play-along tracks using the chord symbols. The guide tones are the essential or defining notes for each given chord type. So if improvising is new to you and you find yourself getting lost, you can always return to a guide tone and play rhythmically around it. Any etude and its corresponding simplified guide tone version can be played together as a duet (with or without the Audio-Track accompaniment) with your teacher or a friend. $24.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Basic Jazz Conception Vol. 1 Saxophone Try Publishing
Saxophone SKU: M7.AHW-7001 Composed by Lennie Niehaus. Sheet music with C...(+)
Saxophone SKU: M7.AHW-7001 Composed by Lennie Niehaus. Sheet music with CD. Try Publishing #AHW 7001. Published by Try Publishing (M7.AHW-7001). ISBN 9781934638002. English. One of the world's most popular Jazz etude books; popular because the etudes are hip and fun to play. Very popular among teachers! Designed for sax but suitable for all instruments. This Volume contains 12 easy level exercises and 10 etudes. Includes a play-along CD with a professional musician playing the etudes. Each etude is recorded in 3 keys (to facilitate Eb, Bb, and C instruments). The Eb track includes an Alto Saxophonist playing the etudes. The Bb track includes a Tenor Sax soloist and the C track includes a Jazz Guitarist. All are accompanied by a nice piano, bass, and drums rhythm section. Each track is stereo seperated (solo instrument, piano, bass, drums on one track - piano, bass and drums on the other track) so that the soloist can be eliminated and the student can play along with piano bass and drums. $39.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Melodious Duets to Rochut Etudes Alto Tenor Trombone 2 Trombones (duet) [Score and Parts] - Advanced Cherry Classics
Alto Trombone and Tenor Trombone Duets - Advanced SKU: CY.CC3093 Composed...(+)
Alto Trombone and Tenor Trombone Duets - Advanced SKU: CY.CC3093 Composed by David Ritt. Arranged by David Ritt. Classical. Score and Parts. Cherry Classics #CC3093. Published by Cherry Classics (CY.CC3093). ISBN 9790530110706. 8.5 x 11 in inches. * The Rochut/Bordogni Etudes for Trombone have enjoyed immense popularity over the years. * If you play the Trombone, or any brass instrument for that matter, you most likely have played and listened to countless hours of them as a student or teacher in the studio or practice room. * David Ritt has composed Volume II of 31-60 of the 60 Melodious Etudes from Book I as duets for Alto Trombone and Tenor Trombone. * Etude numbers 1-30 from Book I are available as Volume I. * Performed as duets (both parts on the same page) they will be an invaluable asset to teachers and students, helping them gain insight into performing these gorgeous melodies and learning a melodious style of performing as well as improving intonation, rhythm, style and getting to know the Alto Trombone. * Book I Volume II for Alto and Tenor Trombone includes Etudes 31-60, from the vocalises from Book I of the Rochut etudes and are contained in a handsome coil-bound book of 89 pages or available as a download or even both. * Beautifully engraved, these accompaniments are perfectly suited for advanced performers. * This edition includes both the Alto and Tenor parts together on the same page for easy reading. $30.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Reading Key Jazz Rhythms -- Clarinet Clarinet Advance Music
Clarinet SKU: AP.1-ADV14706 English/German Language Edition. Compo...(+)
Clarinet SKU: AP.1-ADV14706 English/German Language Edition. Composed by Fred Lipsius. Improvisation; Method/Instruction; Play-Along; Technique Musicianship; Woodwind - Clarinet Method or Collection. Advance Music: Reading Key Jazz Rhythms. Jazz. Book and CD. Advance Music #01-ADV14706. Published by Advance Music (AP.1-ADV14706). UPC: 805095147063. English. With Reading Key Jazz Rhythms: Clarinet Book & CD set by Fred Lipsius, you will learn essential jazz rhythms first hand from world-class professionals! Reading Key Jazz Rhythms is a collection of 24 easy to medium level jazz etudes, and 24 simplified guide-tone versions of the etudes. They are ideal for learning the basic language of jazz, swing phrasing, and articulation. A perfect tool for preparing for the jazz ensemble or for any other ensemble/orchestra which performs jazz related music (pops orchestras, musical, studio, movie scores, concert and marching bands, etc.). Each etude is based on a specific rhythm or a combination of rhythmic figures. Some etudes sound like very lyrical improvised jazz solos, while others are more like a melody to a standard. On the accompanying CD the soloist demonstrates the 24 melodious etudes together with a professional rhythm section. You can also improvise along with the play-along tracks using the chord symbols. The guide tones are the essential or defining notes for each given chord type. So if improvising is new to you and you find yourself getting lost, you can always return to a guide tone and play rhythmically around it. Any etude and its corresponding simplified guide tone version can be played together as a duet (with or without the CD accompaniment) with your teacher or a friend. $24.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Reading Key Jazz Rhythms Trumpet Advance Music
Trumpet SKU: AP.1-ADV14703 Trumpet. Composed by Fred Lipsius. Bras...(+)
Trumpet SKU: AP.1-ADV14703 Trumpet. Composed by Fred Lipsius. Brass - B-flat Cornet (Trumpet) Method or Collection; Improvisation; Method/Instruction; Play-Along; Technique Musicianship. Advance Music: Reading Key Jazz Rhythms. Jazz. Book and Digital Download. Advance Music #01-ADV14703. Published by Advance Music (AP.1-ADV14703). UPC: 805095147032. English. With this book/audio downloads set you will learn essential jazz rhythms first-hand from world-class professionals! With this book and audio set you will learn essential jazz rhythms first-hand from world-class professionals ! Reading Key Jazz Rhythms is a collection of 24 easy to medium level jazz etudes, and 24 simplified guide tone versions of the etudes. They are ideal for learning the basic language of jazz, swing phrasing, and articulation. A perfect tool for preparing for the jazz ensemble or for any other ensemble/orchestra which performs jazz related music (f.i., pops orchestras, musical, studio, movie scores, concert and marching bands, etc.). Each etude is based on a specific rhythm or a combination of rhythmic figures. Some etudes sound like very lyrical improvised jazz solos, while others are more like a melody to a standard. On the accompanying audio downloads the soloist demonstrates the 24 melodious etudes together with a professional rhythm section. You can also improvise along with the play-along tracks using the chord symbols. The guide tones are the essential or defining notes for each given chord type. So if improvising is new to you and you find yourself getting lost, you can always return to a guide tone and play rhythmically around it. Any etude and its corresponding simplified guide tone version can be played together as a duet (with or without the accompaniment) with your teacher or a friend. $24.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Reading Key Jazz Rhythms -- Trombone Trombone Advance Music
Trombone SKU: AP.1-ADV14704 English/French/German Language Edition...(+)
Trombone SKU: AP.1-ADV14704 English/French/German Language Edition. Composed by Fred Lipsius. Brass - Trombone and Baritone Method or Collection; Improvisation; Method/Instruction; Play-Along; Technique Musicianship. Advance Music: Reading Key Jazz Rhythms. Jazz. Book and CD. Advance Music #01-ADV14704. Published by Advance Music (AP.1-ADV14704). UPC: 805095147049. English. With Reading Key Jazz Rhythms:Trombone Book & CD set by Fred Lipsius, you will learn essential jazz rhythms first hand from world-class professionals! Reading Key Jazz Rhythms is a collection of 24 easy to medium level jazz etudes, and 24 simplified guide tone versions of the etudes. They are ideal for learning the basic language of jazz, swing phrasing, and articulation. A perfect tool for preparing for the jazz ensemble or for any other ensemble/orchestra which performs jazz related music (pops orchestras, musical, studio, movie scores, concert and marching bands, etc.). Each etude is based on a specific rhythm or a combination of rhythmic figures. Some etudes sound like very lyrical improvised jazz solos, while others are more like a melody to a standard. On the accompanying CD the soloist demonstrates the 24 melodious etudes together with a professional rhythm section. You can also improvise along with the play-along tracks using the chord symbols. The guide tones are the essential or defining notes for each given chord type. So if improvising is new to you and you find yourself getting lost, you can always return to a guide tone and play rhythmically around it. Any etude and its corresponding simplified guide tone version can be played together as a duet (with or without the CD accompaniment) with your teacher or a friend. $24.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Reading Key Jazz Rhythms -- Flute Flute Advance Music
Flute SKU: AP.1-ADV14705 English/German Language Edition. Composed...(+)
Flute SKU: AP.1-ADV14705 English/German Language Edition. Composed by Fred Lipsius. Improvisation; Method/Instruction; Play-Along; Technique Musicianship; Woodwind - Flute Method or Collection. Advance Music: Reading Key Jazz Rhythms. Jazz. Book and CD. Advance Music #01-ADV14705. Published by Advance Music (AP.1-ADV14705). UPC: 805095147056. English. With Reading Key Jazz Rhythms: Flute Book & CD set by Fred Lipsius, you will learn essential jazz rhythms first hand from world-class professionals! Reading Key Jazz Rhythms is a collection of 24 easy to medium level jazz etudes, and 24 simplified guide tone versions of the etudes. They are ideal for learning the basic language of jazz, swing phrasing, and articulation. A perfect tool for preparing for the jazz ensemble or for any other ensemble/orchestra which performs jazz related music (pops orchestras, musical, studio, movie scores, concert and marching bands, etc.). Each etude is based on a specific rhythm or a combination of rhythmic figures. Some etudes sound like very lyrical improvised jazz solos, while others are more like a melody to a standard. On the accompanying CD the soloist demonstrates the 24 melodious etudes together with a professional rhythm section. You can also improvise along with the play-along tracks using the chord symbols. The guide tones are the essential or defining notes for each given chord type. So if improvising is new to you, and you find yourself getting lost, you can always return to a guide tone and play rhythmically around it. Any etude and its corresponding simplified guide tone version can be played together as a duet (with or without the CD accompaniment) with your teacher or a friend. $24.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Reading Key Jazz Rhythms -- French Horn French horn Advance Music
Horn SKU: AP.1-ADV14709 English/German Language Edition. Composed ...(+)
Horn SKU: AP.1-ADV14709 English/German Language Edition. Composed by Fred Lipsius. Brass - French Horn Method or Collection; Improvisation; Method/Instruction; Play-Along; Technique Musicianship. Advance Music: Reading Key Jazz Rhythms. Jazz. Book and CD. Advance Music #01-ADV14709. Published by Advance Music (AP.1-ADV14709). UPC: 805095147094. English. With Reading Key Jazz Rhythms: French Horn Book & CD set by Fred Lipsius, you will learn essential jazz rhythms first hand from world-class professionals! Reading Key Jazz Rhythms is a collection of 24 easy to medium level jazz etudes, and 24 simplified guide tone versions of the etudes. They are ideal for learning the basic language of jazz, swing phrasing, and articulation. A perfect tool for preparing for the jazz ensemble or for any other ensemble/orchestra which performs jazz related music (pops orchestras, musical, studio, movie scores, concert and marching bands, etc.). Each etude is based on a specific rhythm or a combination of rhythmic figures. Some etudes sound like very lyrical improvised jazz solos, while others are more like a melody to a standard. On the accompanying CD the soloist demonstrates the 24 melodious etudes together with a professional rhythm section. You can also improvise along with the play-along tracks using the chord symbols. The guide tones are the essential or defining notes for each given chord type. So if improvising is new to you, and you find yourself getting lost, you can always return to a guide tone and play rhythmically around it. Any etude and its corresponding simplified guide tone version can be played together as a duet (with or without the CD accompaniment) with your teacher or a friend. $23.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Reading Key Jazz Rhythms Violin SATB, Orchestra Advance Music
Violin SKU: AP.1-ADV14708 Violin. Composed by Fred Lipsius. Improv...(+)
Violin SKU: AP.1-ADV14708 Violin. Composed by Fred Lipsius. Improvisation; Method/Instruction; Play-Along; String - Violin Studies or Collection; Technique Musicianship. Advance Music: Reading Key Jazz Rhythms. Jazz. Book and Digital Download. Advance Music #01-ADV14708. Published by Advance Music (AP.1-ADV14708). UPC: 805095147087. English. With this book/audio set you will learn essential jazz rhythms first-hand from world-class professionals ! Reading Key Jazz Rhythms is a collection of 24 easy to medium level jazz etudes, and 24 simplified guide tone versions of the etudes. They are ideal for learning the basic language of jazz, swing phrasing, and articulation. A perfect tool for preparing for the jazz ensemble or for any other ensemble/orchestra which performs jazz related music (pops orchestras, musical, studio, movie scores, concert and marching bands, etc.). Each etude is based on a specific rhythm or a combination of rhythmic figures. Some etudes sound like very lyrical improvised jazz solos, while others are more like a melody to a standard. On the downloadable audio tracks the soloist demonstrates the 24 melodious etudes together with a professional rhythm section. You can also improvise along with the play-along tracks using the chord symbols. The guide tones are the essential or defining notes for each given chord type. So if improvising is new to you and you find yourself getting lost, you can always return to a guide tone and play rhythmically around it. Any etude and its corresponding simplified guide tone version can be played together as a duet (with or without the audio accompaniment) with your teacher or a friend. $24.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Reading Key Jazz Rhythms Advance Music
Alto Or Baritone Saxophone (Eb) SKU: AP.1-ADV14701 Learn the Basic Lan...(+)
Alto Or Baritone Saxophone (Eb) SKU: AP.1-ADV14701 Learn the Basic Language Of Jazz, Swing Phrasing and Articulation. Composed by Fred Lipsius. Improvisation; Method/Instruction; Play-Along; Technique Musicianship; Woodwind - Saxophone Method or Collection. Advance Music: Reading Key Jazz Rhythms. Jazz. Book and Digital Download. Advance Music #01-ADV14701. Published by Advance Music (AP.1-ADV14701). UPC: 805095147018. English. With this book/audio downloads set you will learn essential jazz rhythms first-hand from world-class professionals ! Reading Key Jazz Rhythms is a collection of 24 easy to medium level jazz etudes, and 24 simplified guide tone versions of the etudes. They are ideal for learning the basic language of jazz, swing phrasing, and articulation. A perfect tool for preparing for the jazz ensemble or for any other ensemble/orchestra which performs jazz related music (f.i., pops orchestras, musical, studio, movie scores, concert and marching bands, etc.). Each etude is based on a specific rhythm or a combination of rhythmic figures. Some etudes sound like very lyrical improvised jazz solos, while others are more like a melody to a standard. On the accompanying audio downloads the soloist demonstrates the 24 melodious etudes together with a professional rhythm section. You can also improvise along with the play-along tracks using the chord symbols. The guide tones are the essential or defining notes for each given chord type. So if improvising is new to you and you find yourself getting lost, you can always return to a guide tone and play rhythmically around it. Any etude and its corresponding simplified guide tone version can be played together as a duet (with or without the accompaniment) with your teacher or a friend. $24.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Intermediate Jazz Conception Tenor Saxophone [Sheet music + Audio access] - Intermediate Advance Music
Tenor Saxophone In Bb - Intermediate SKU: AP.1-ADV14781 15 Great Solo ...(+)
Tenor Saxophone In Bb - Intermediate SKU: AP.1-ADV14781 15 Great Solo Etudes for Jazz Style and Improvisation. Composed by Jim Snidero. Improvisation; Method/Instruction; Play-Along; Technique Musicianship; Woodwind - Saxophone Method or Collection. Advance Music: Intermediate Jazz Conception. Jazz. Book and online audio. Advance Music #01-ADV14781. Published by Advance Music (AP.1-ADV14781). UPC: 805095147810. English. Intermediate Jazz Conception: Tenor Sax is another addition to the popular series of etude books created by Jim Snidero, featuring some of the finest jazz musicians in the world. This book & online audio set includes 15 etudes based on standards, modal tunes and blues, demonstrated by a soloist with the incredibly swinging rhythm section of Dave Hazeltine on piano, Peter Washington on bass, and Kenny Washington on drums. New to Intermediate Jazz Conception is an appendix dedicated to style and improvisation, including a scales syllabus, nomenclature, and over 95 lines and ideas extracted for the study of improvisation!
The recording features two separate versions of each etude; one with the soloist and rhythm section and one with the rhythm section only. Hear how the soloist performs the etudes, play with or without the soloist on the recording, and learn about both jazz style and improvisation from some of the best. Other series available by Jim Snidero include Easy Jazz Conception and Jazz Conception. English/German Edition. $24.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Melodious Duets to Rochut Etudes Alto Trombone Book 1 Volume 1 [Score and Parts] - Advanced Cherry Classics
Alto Trombone and Tenor Trombone Duet - Advanced SKU: CY.CC3091 Composed ...(+)
Alto Trombone and Tenor Trombone Duet - Advanced SKU: CY.CC3091 Composed by David Ritt. Arranged by David Ritt. Classical. Score and Parts. Cherry Classics #CC3091. Published by Cherry Classics (CY.CC3091). ISBN 9790530110683. 8.5 x 11 in inches. * The Rochut/Bordogni Etudes for Trombone have enjoyed immense popularity over the years. * If you play the Trombone, or any brass instrument for that matter, you most likely have played and listened to countless hours of them as a student or teacher in the studio or practice room. * David Ritt has composed Volume I of 1-30 of the 60 Melodious Etudes from Book I as duets for Alto Trombone and Tenor Trombone. * Etude numbers 31-60 from Book I will also be available as Volume II. * Performed as duets (both parts on the same page) they will be an invaluable asset to teachers and students, helping them gain insight into performing these gorgeous melodies and learning a melodious style of performing as well as improving intonation, rhythm, style and getting to know the Alto Trombone. * Book I Volume I for Alto and Tenor Trombone includes Etudes 1-30, from the vocalises from Book I of the Rochut etudes and are contained in a handsome coil-bound book of 89 pages or available as a download or even both. * Beautifully engraved, these accompaniments are perfectly suited for advanced performers. * This edition includes both the Alto and Tenor parts together on the same page for easy reading. $30.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Melodious Duets to Rochut Etudes Alto Tenor Trombones Book 1 complete [Score and Parts] - Advanced Cherry Classics
Alto Trombone and Tenon Trombone Duets - Advanced SKU: CY.CC3096 Composed...(+)
Alto Trombone and Tenon Trombone Duets - Advanced SKU: CY.CC3096 Composed by David Ritt. Arranged by David Ritt. Classical. Score and Parts. Cherry Classics #CC3096. Published by Cherry Classics (CY.CC3096). ISBN 9790530110737. 8.5 x 11 in inches. * The Rochut/Bordogni Melodious Etudes for Trombone have enjoyed immense popularity over the years. * If you play the Trombone, or any brass instrument for that matter, you most likely have played and listened to countless hours of them as a student or teacher in the studio or practice room. * David Ritt has composed accompaniments to Etudes 1-60 of Book I Melodious Etudes by Rochut as duets for Alto Trombone and Tenor Trombone (the Alto part is up a perfect 4th from the original). * Performed as duets (both parts on the same page) they will be an invaluable asset to teachers and students, helping them gain insight into performing these gorgeous melodies and learning a melodious style of performing as well as improving intonation, rhythm, style and getting to know the Alto Trombone. * Book I complete for Alto and Tenor Trombone includes all Etudes 1-60 from the vocalises from Book I of the Rochut Melodious Etudes and are now available as a download only version of 189 pages. * Beautifully engraved, these accompaniments are perfectly suited for advanced performers. * This edition includes both the Alto and Tenor parts together on the same page for easy reading and is only available as a download. $45.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Intermediate Jazz Conception Alto & Baritone Saxophone - Intermediate Advance Music
Alto And Baritone Saxophone - Intermediate SKU: AP.1-ADV14780 15 Great...(+)
Alto And Baritone Saxophone - Intermediate SKU: AP.1-ADV14780 15 Great Solo Etudes for Jazz Style and Improvisation. Composed by Jim Snidero. Improvisation; Method/Instruction; Play-Along; Technique Musicianship; Woodwind - Saxophone Method or Collection. Advance Music: Intermediate Jazz Conception. Jazz. Book and Digital Download. Advance Music #01-ADV14780. Published by Advance Music (AP.1-ADV14780). ISBN 9783892212102. UPC: 805095147803. English. Intermediate Jazz Conception is another addition to the popular series of etude books created by Jim Snidero, featuring some of the finest jazz musicians in the world. This book/audio-download set includes 15 solo etudes based on standards, modal tunes and blues, demonstrated by Jim Snidero on alto sax with the incredibly swinging rhythm section of Dave Hazeltine on piano, Peter Washington on Bass and Kenny Washington on Drums. New to Intermediate Jazz Conception is an appendix dedicated to style and improvisation, including a scales syllabus, nomenclature, and over 95 lines and ideas extracted for the study of improvisation! The recording features two separate versions of each etude; one with the soloist and rhythm section and one with the rhythm section only. Hear how the soloist performs the etudes, play with or without the soloist on the audio recordings, and learn about both jazz style and improvisation from some of the best. Other series available by Jim Snidero: Easy Jazz Conception and Jazz Conception.A talented musician, musical advocate and educator ... a genuinely significant figure in jazz composition Penguin Guide to JazzA master musician Down Beat Magazine. $24.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Intermediate Jazz Conception Clarinet Clarinet - Intermediate Advance Music
Clarinet - Intermediate SKU: AP.1-ADV14785 15 Great Solo Etudes for Ja...(+)
Clarinet - Intermediate SKU: AP.1-ADV14785 15 Great Solo Etudes for Jazz Style and Improvisation. Composed by Jim Snidero. Improvisation; Method/Instruction; Play-Along; Technique Musicianship; Woodwind - Clarinet Method or Collection. Advance Music: Intermediate Jazz Conception. Jazz. Book and Digital Download. Advance Music #01-ADV14785. Published by Advance Music (AP.1-ADV14785). UPC: 805095147858. English. Intermediate Jazz Conception is another addition to the popular series of etude books created by Jim Snidero, featuring some of the finest jazz musicians in the world. This book/audio set includes 15 etudes based on standards, modal tunes and blues, demonstrated by Ken Peplowski on clarinet with the incredibly swinging rhythm section of Dave Hazeltine on piano, Peter Washington on Bass and Kenny Washington on Drums. New to Intermediate Jazz Conception is an appendix dedicated to style and improvisation, including a scales syllabus, nomenclature, and over 95 lines and ideas extracted for the study of improvisation! The recording features two separate versions of each etude; one with the soloist and rhythm section and one with the rhythm section only. Hear how the soloist performs the etudes, play with or without the soloist, and learn about both jazz style and improvisation from some of the best. Other series available by Jim Snidero: Easy Jazz Conception and Jazz Conception.A talented musician, musical advocate and educator ... a genuinely significant figure in jazz composition Penguin Guide to JazzA master musician Down Beat Magazine. $24.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Intermediate Jazz Conception Guitar Guitar - Intermediate Advance Music
Guitar - Intermediate SKU: AP.1-ADV14786 15 Great Solo Etudes for Jazz...(+)
Guitar - Intermediate SKU: AP.1-ADV14786 15 Great Solo Etudes for Jazz Style and Improvisation. Composed by Jim Snidero. Guitar Method or Supplement; Improvisation; Method/Instruction; Play-Along; Technique Musicianship. Advance Music: Intermediate Jazz Conception. Jazz. Book and Digital Download. Advance Music #01-ADV14786. Published by Advance Music (AP.1-ADV14786). ISBN 9783892212164. UPC: 805095147865. English. Intermediate Jazz Conception is another addition to the popular series of etude books created by Jim Snidero, featuring some of the finest jazz musicians in the world. This book/audio set includes 15 etudes based on standards, modal tunes and blues, demonstrated by Joe Cohn on guitar with the incredibly swinging rhythm section of Dave Hazeltine on piano, Peter Washington on Bass and Kenny Washington on Drums. New to Intermediate Jazz Conception is an appendix dedicated to style and improvisation, including a scales syllabus, nomenclature, and over 95 lines and ideas extracted for the study of improvisation! The recording features two separate versions of each etude; one with the soloist and rhythm section and one with the rhythm section only. Hear how the soloist performs the etudes, play with or without the soloist, and learn about both jazz style and improvisation from some of the best. Other series available by Jim Snidero: Easy Jazz Conception and Jazz Conception.A talented musician, musical advocate and educator ... a genuinely significant figure in jazz composition Penguin Guide to JazzA master musician Down Beat Magazine. $24.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Intermediate Jazz Conception -- Trombone Trombone - Intermediate Advance Music
Trombone - Intermediate SKU: AP.1-ADV14783 15 Great Solo Etudes (Engli...(+)
Trombone - Intermediate SKU: AP.1-ADV14783 15 Great Solo Etudes (English/German Language Edition). Composed by Jim Snidero. Brass - Trombone and Baritone Method or Collection; Improvisation; Method/Instruction; Play-Along; Technique Musicianship. Advance Music: Intermediate Jazz Conception. Jazz. Book and CD. Advance Music #01-ADV14783. Published by Advance Music (AP.1-ADV14783). UPC: 805095147834. English. Intermediate Jazz Conception: Trombone is another addition to the popular series of etude books created by Jim Snidero, featuring some of the finest jazz musicians in the world. This Book & CD set includes 15 etudes based on standards, modal tunes, and blues, demonstrated by a soloist with the incredible rhythm section of Dave Hazeltine on piano, Peter Washington on bass, and Kenny Washington on drums. New to Intermediate Jazz Conception is an appendix dedicated to style and improvisation, including a scales syllabus, nomenclature, and over 95 lines and ideas extracted for the study of improvisation!
The recording features two separate versions of each etude; one with the soloist and rhythm section and one with the rhythm section only. Hear how the soloist performs the etudes, play with or without the soloist on the CD, and learn about both jazz style and improvisation from some of the best. Other series available by Jim Snidero include Easy Jazz Conception and Jazz Conception. English/German Edition. $24.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Intermediate Jazz Conception -- Flute Flute - Intermediate Advance Music
Flute - Intermediate SKU: AP.1-ADV14784 15 Great Solo Etudes (English/...(+)
Flute - Intermediate SKU: AP.1-ADV14784 15 Great Solo Etudes (English/German Language Edition). Composed by Jim Snidero. Improvisation; Method/Instruction; Play-Along; Technique Musicianship; Woodwind - Flute Method or Collection. Advance Music: Intermediate Jazz Conception. Jazz. Book and CD. Advance Music #01-ADV14784. Published by Advance Music (AP.1-ADV14784). UPC: 805095147841. English. Intermediate Jazz Conception: Flute is another addition to the popular series of etude books created by Jim Snidero, featuring some of the finest jazz musicians in the world. This Book & CD set includes 15 etudes based on standards, modal tunes and blues, demonstrated by a soloist with the incredibly swinging rhythm section of Dave Hazeltine on piano, Peter Washington on bass, and Kenny Washington on drums. New to Intermediate Jazz Conception is an appendix dedicated to style and improvisation, including a scales syllabus, nomenclature, and over 95 lines and ideas extracted for the study of improvisation!
The recording features two separate versions of each etude; one with the soloist and rhythm section and one with the rhythm section only. Hear how the soloist performs the etudes, play with or without the soloist on the CD, and learn about both jazz style and improvisation from some of the best. Other series available by Jim Snidero include Easy Jazz Conception and Jazz Conception. English/German Edition. $24.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Rock Guitar Essentials Guitar Mel Bay
Guitar - Beginning SKU: MB.30574 Gig Savers Complete Edition. Comp...(+)
Guitar - Beginning SKU: MB.30574 Gig Savers Complete Edition. Composed by Corey Christiansen. Style, Squareback saddle stitch, Contemporary, Improvising/Licks, Technique, Theory and Reference, Rhythm and Chords, Adult Contemporary. Gig Savers. Rock. Book. 80 pages. Mel Bay Publications, Inc #30574. Published by Mel Bay Publications, Inc (MB.30574). ISBN 9780786697014. 6 x 9 inches. Rock Guitar Essentials: Gig Savers Complete Edition combines Corey Christiansens five previous pocket-sized books. Part 1 of this comprehensive edition gives aspiring rock guitarists a working knowledge of the most basic scales commonly used to improvise rock solos and write rock melodies. A discussion on how each scale can be used over a set of chords is provided to help guitarists use these scales when performing. Charts provide the names of the notes on the fretboard and a section on sequencing scales makes it possible for guitarists to easily master rock scales. Part 2 teaches the rock guitarist how to play any barre chord, providing insight on how to play them with ease and agility. Moveable chord shapes and practice etudes are especially useful for beginners. Part 3 presents comprehensive warm-up and technical exercises. Studies begin at the most basic level and progress in difficulty. This chapter gives guitarists the information needed to continue constructing their own technical exercises. Part 4 presents accompaniment patterns for a wide variety of pop styles such as folk, rock/blues, country/bluegrass, jazz, and some Latin styles including bossa nova and samba. Basic fingerstyle accompaniment patterns are taught in a simple manner, presented with rhythmic notation and string numbers. This chapter pays special attention to the blues, covering alternate changes and substitutions in a method that provides easy transposition. Chapters 3, 4 and 5 are also included in Jazz Guitar Essentials: Gig Savers Complete Edition . $17.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
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