| Rise Up Singing
Lyrics and Chords [Sheet music] Hal Leonard
The Group Singing Songbook. By Various. Vocal. Size 9.5x12 inches. 281 pages. Pu...(+)
The Group Singing Songbook. By Various. Vocal. Size 9.5x12 inches. 281 pages. Published by Hal Leonard.
(1)$39.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Rise Up Singing Lyrics and Chords [Sheet music] Hal Leonard
Arranged by Peter Blood, Annie Patterson. Vocal. Size 7.5x10.5 inches. 283 pages...(+)
Arranged by Peter Blood, Annie Patterson. Vocal. Size 7.5x10.5 inches. 283 pages. Published by Hal Leonard.
(1)$34.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Songs of Mexico for Accordion Accordion [Sheet music] - Intermediate Mel Bay
Accordion (keyboard) - Intermediate SKU: MB.97070 Composed by Herman Trop...(+)
Accordion (keyboard) - Intermediate SKU: MB.97070 Composed by Herman Troppe. Saddle-stitched, Piano Accordion, Style. Latin American. Book. 32 pages. Mel Bay Publications, Inc #97070. Published by Mel Bay Publications, Inc (MB.97070). ISBN 9780786635245. UPC: 796279049672. 8.75 x 11.75 inches. Nineteen favorite traditional Mexican songs arranged for piano accordion solo. No matter how long youve been playing, these tunes will be a delight to play. The author has included registration markings indicating low, middle, or high reeds. Intermediate in difficulty, these tunes are playable on any size accordion. $14.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| The Complete Book of Shred Guitar - El Libro Completo de Guitarra Shred Guitar notes and tablatures [Sheet music + Audio access] - Intermediate/advanced Mel Bay
Composed by Pablo Pescatore. Squareback saddle stitch. Method. Book and onli...(+)
Composed by Pablo Pescatore.
Squareback saddle stitch.
Method. Book and online
audio. 112 pages. Mel Bay
Publications, Inc #30693M.
Published by Mel Bay
Publications, Inc
$19.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Songs of Mexico Piano, Voice [Book] Mel Bay
(For voice and piano with lyrics in Spanish and English). Composed by Jerry Silv...(+)
(For voice and piano with lyrics in Spanish and English). Composed by Jerry Silverman. For Piano/Vocal. Saddle-stitched, SongBook. Archive Edition. Mexican. Beginning-Intermediate. Book. 80 pages. Published by Mel Bay Publications, Inc
$19.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Rio Nido - Score Jazz Ensemble - Easy Kjos Music Company
Band jazz ensemble - Grade 2.5 SKU: KJ.ZB370F Composed by Bruce Pearson a...(+)
Band jazz ensemble - Grade 2.5 SKU: KJ.ZB370F Composed by Bruce Pearson and Dean Sorenson. Standard of Excellence Jazz Ensemble Method. Jazz. Score. Neil A. Kjos Music Company #ZB370F. Published by Neil A. Kjos Music Company (KJ.ZB370F). UPC: 8402701737. Rio Nido is based on the bossa nova groove, which originated in Brazil. The feel is relaxed throughout, and played in a very unhurried manner. The song has an AABA form, with the melody being passed between the brass and woodwind sections every eight bars before a short interlude into the solo section. Following the solos, a brief shout chorus is heard before the song recaps at the bridge. The piece concludes with a tag of the last four bars of the song, ending on a unison pitch. About Standard of Excellence Jazz Ensemble Method The Standard of Excellence Jazz Ensemble Method is designed to help both you and your jazz ensemble students explore the world of jazz through easy-to-use Rhythm Studies, Improvisation Studies, Instrument Specific Exercises, and full ensemble jazz charts. The approach is non-theoretical and aurally based. Each part book comes with an accompaniment CD, so like every great jazz player throughout history, students learn to play jazz by listening! $8.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Rio Nido Jazz Ensemble - Easy Kjos Music Company
Band jazz ensemble - Grade 2.5 SKU: KJ.ZB370 Composed by Bruce Pearson an...(+)
Band jazz ensemble - Grade 2.5 SKU: KJ.ZB370 Composed by Bruce Pearson and Dean Sorenson. Standard of Excellence Jazz Ensemble Method. Jazz. Score and parts. Neil A. Kjos Music Company #ZB370. Published by Neil A. Kjos Music Company (KJ.ZB370). UPC: 8402701737. Rio Nido is based on the bossa nova groove, which originated in Brazil. The feel is relaxed throughout, and played in a very unhurried manner. The song has an AABA form, with the melody being passed between the brass and woodwind sections every eight bars before a short interlude into the solo section. Following the solos, a brief shout chorus is heard before the song recaps at the bridge. The piece concludes with a tag of the last four bars of the song, ending on a unison pitch. About Standard of Excellence Jazz Ensemble Method The Standard of Excellence Jazz Ensemble Method is designed to help both you and your jazz ensemble students explore the world of jazz through easy-to-use Rhythm Studies, Improvisation Studies, Instrument Specific Exercises, and full ensemble jazz charts. The approach is non-theoretical and aurally based. Each part book comes with an accompaniment CD, so like every great jazz player throughout history, students learn to play jazz by listening! $48.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Libro de glosas Breitkopf & Härtel
Quintet (ob.clar.B-clar.A-sax.bsn .) SKU: BR.KM-2515 Set of parts....(+)
Quintet (ob.clar.B-clar.A-sax.bsn.) SKU: BR.KM-2515 Set of parts. Composed by Jose Maria Sanchez-Verdu. Chamber music; Folder. Kammermusik-Bibliothek (Chamber Music Library). World premiere: 's-Hertogenbosch, December 16, 2007 Music post-1945; New music (post-2000). Set of parts. Composed 2007. 40 pages. Duration 10'. Breitkopf and Haertel #KM 2515. Published by Breitkopf and Haertel (BR.KM-2515). ISBN 9790004503355. 11 x 14 inches. Libro de glosas is based on the Trattado de glosas by Diego Ortiz (1510 - ca. 1570). The intertextuality between different materials and musical techniques and processes of the 16th century was one of my main interests when I wrote this piece for the wonderful sound and quality of the Calefax ensemble.The intertextual relationships are as follows:Recercada I is based on the first chords of the chanson Doulce memoire by Pierre Sandrin. It is also used in Trattado de glosas.Recercada II is based on the incipit of the madrigal O felici occhi miei by Jacques Arcadelt. It is also used in Trattado de glosas.Recercada III is based on the ostinato Passamezzo antico. It is also used in Trattado de glosas.Recercada IV is freely based on the tenor La Spagna. It is also used in Trattado de glosas.Batalla (V) is a free composition in form of a battaglia and is based on some ostinati of Spanish origin as well as on an anonymous theme from the 16th century. There are also some bars of a batalla by Joseph Ximenez (18th century).Libro de glosas esta basada en el Trattado de glosas de Diego Ortiz (1510 - ca. 1570). La intertextualidad entre diferentes materiales y tecnicas y procesos de la musica del siglo XVI era uno de mis principales intereses cuando escribi esta pieza para el maravilloso sonido y calidad del Calefax ensemble.Las relaciones intertextuales son las siguientes:Recercada I esta basada libremente sobre los primeros acordes de la chanson Doulce memoire de Pierre Sandrin. Esta es utilizada como ejemplo en el Trattado de glosas.Recercada II esta basada libremente sobre el incipit del madrigal O felici occhi miei de Jacques Arcadelt. Esta pieza es utilizada tambien como ejemplo en el Trattado de glosas.Recercada III esta basada libremente sobre el ostinato Passamezzo antico. Tambien es presentada en el Trattado de glosas.Recercada IV esta construida libremente sobre el tenor La Spagna. Tambien es utilizado por Ortiz en el Trattado de glosas.Batalla (V) es una libre composicion en forma de battaglia sobre ostinati de origen espanol y sobre un tema anonimo (siglo XVI). Tambien aparecen brevemente varios compases de una batalla de Joseph Ximenez (siglo XVIII).(Jose M. Sanchez-Verdu). $71.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Tango Time! Accordion [Sheet music + Audio access] - Easy De Haske Publications
Accordion - early intermediate SKU: BT.DHP-1043558-404 12 easy tangos ...(+)
Accordion - early intermediate SKU: BT.DHP-1043558-404 12 easy tangos for accordion. Composed by Myriam Mees. Latin. Book with Online Audio. Composed 2021. 32 pages. De Haske Publications #DHP 1043558-404. Published by De Haske Publications (BT.DHP-1043558-404). ISBN 9789043162081. 9x12 inches. International. This exciting new book contains nine tanguitos (little tangos) and three milongas. This publication comes with audio tracks (available online in MP3 format) containing complete performances and play-along tracks, all performedwith a real South American feel.
Tango Time! brengt het temperamentvolle Latijns-Amerika dichterbij en zorgt voor eindeloos speelplezier - solistisch of samen met de opnames van de begeleiding die online in mp3-formaat beschikbaar zijn.
Tango Time! zaubert südamerikanische Atmosphäre! In diesem Buch wurden neun Tanguitos (kleine Tangos) und drei Milongas (Vorgänger des Tangos) versammelt. Alle Stücke sind originale Kompositionen von Myriam Mees. Sie könnensolo oder zu den online im MP3-Format verfügbaren Begleit-Aufnahmen gespielt werden. Au�erdem werden alle Stücke einmal als Beispiel für eigene Interpretationen vorgespielt.
Câ??est en Argentine que naît le mondialement célèbre tango, une danse qui séduit et réussit pénétrer dans les profondeurs de lâ?? me. Sa sensualité épouse le parfum des danseurs tandis que lâ??éclat des grandes salles de bal côtoielâ??atmosphère des bas-fonds et des vieux cafés dâ??Argentine. Le tango est une danse universelle. Tango Time! rassemble neuf tanguitos (petits tangos) et trois milongas sâ??adressant aux accordéonistes qui ontplusieurs années de pratique instrumentale et savent interpréter le tango avec verve et inspiration. Sa sensualité garantit un plaisir de jeu infini, que ce soit en soliste ou avec lâ??accompagnement disponible en ligne au formatMP3.
Tango Time! incanta con la sua atmosfera sudamericana. Il libro propone nove â??tanguitosâ? (â??piccoli tanghiâ?) e tre â??milongosâ? (antecedente il tango). Si tratta di brani originali di Myriam Mees. Le registrazioni audioaccessibili online come file MP3 permettono di ascoltare la giusta interpretazione e di suonare con un accompagnamento. $26.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Lion of Knidos Concert band [Score and Parts] - Easy Belwin
Composed by Victor Lopez. Concert Band. Concert Band; Part(s); Score. Belwin...(+)
Composed by Victor Lopez.
Concert Band. Concert Band;
Part(s); Score. Belwin Young
Band. Form: Overture. Grade
2. 206 pages. Published by
Belwin Music
$60.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Suden Guitar Hofmeister Musikverlag
Guitar - Level 3-4 SKU: HF.FH-3244 Hommage an die Musik des Sudens...(+)
Guitar - Level 3-4 SKU: HF.FH-3244 Hommage an die Musik des Sudens. Composed by Volker Luft. Sheet music. 28 pages. Friedrich Hofmeister Musikverlag #FH 3244. Published by Friedrich Hofmeister Musikverlag (HF.FH-3244). ISBN 9790203432449. 9 x 12 inches. 1. Canto del Sur; 2. Nkwo (Highlife); 3. El Tango del Sur; 4. Rosas do Sul (Bossa Nova); 5. Teatro do Sul (Samba); 6. Salento (Tarantella); 7. Flamenco de Sur; 8. Sudwarts; 9. Eningizimu (Ukapika); 10. Sudi (Soukous); 11. El Sonido del Sur; 12. Sterne des Sudens; 13. Samba do Sul; 14. Am Meer. $22.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Keyboard Latin Grooves for the Creative Musician Piano solo [Sheet music + CD] - Easy Mayas
by Rogelio Maya. Level: Beg-Intermediate. Book/CD package. Size 9x12. 72 pages. ...(+)
by Rogelio Maya. Level: Beg-Intermediate. Book/CD package. Size 9x12. 72 pages. Published by Mayas Music.
(2)$16.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 business days | | |
| Vicente Amigo - Un Momento En El Sonido - 6 - Silia Y El Tiempo Guitar notes and tablatures - Advanced
Composed by Vicente Amigo. Arranged by Adrian Teodorov. World, Pop. Lead She...(+)
Composed by Vicente Amigo.
Arranged by Adrian Teodorov.
World, Pop. Lead Sheet. 21
pages. Published by Adrian
Teodorov
$35.00 - See more - Buy online | | |
| Antologia Del Pop Espanol 1 Piano, Vocal and Guitar Volonte and Co
Piano, Vocal and Guitar SKU: BT.VOLML2141 Antologia (Carisch). Pop & Rock...(+)
Piano, Vocal and Guitar SKU: BT.VOLML2141 Antologia (Carisch). Pop & Rock. Book Only. 126 pages. Volonte e Co #VOLML2141. Published by Volonte e Co (BT.VOLML2141). ISBN 9788882919962. Spanish. $22.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Los Misterios - Songbook edition GIA Publications
SKU: GI.G-10827 Composed by Rafael Moreno. This edition: Songbook edition...(+)
SKU: GI.G-10827 Composed by Rafael Moreno. This edition: Songbook edition. Sacred. Book. 56 pages. GIA Publications #10827. Published by GIA Publications (GI.G-10827). Del artista discograÌfico internacional Rafael Moreno llega esta interpretacioÌn imaginativa y musicalizada del rosario. Para cada uno de los cuatro conjuntos de misterios (Gozosos, Dolorosos, Gloriosos, Luminosos), Rafael compuso un estribillo comuÌn con versos uÌnicos para cada uno de sus cinco misterios. Los versos y estribillos se pueden cantar juntos como una cancioÌn completa o intercalados entre las cinco deÌcadas. Se proporciona una breve narracioÌn para presentar cada misterio, juntos, el efecto es un hermoso viaje meditativo a traveÌs de todo el rosario. AdemaÌs, Rafael ofrece interpretaciones cantadas del Credo de los ApoÌstoles y Salve Regina. El libro de acompañamiento complementario contiene versiones notadas y de acordes liÌricos para cada pieza, y una edicioÌn de la asamblea permite a los fieles reunidos cantar juntos estas hermosas meditaciones. From international recording artist Rafael Moreno comes this imaginative, musicalized take on the rosary. For each of the four sets of mysteries (Joyful, Sorrowful, Glorious, Luminous), Rafael has composed a common refrain coupled with unique verses for each of their five mysteries. The verses and refrains can be sung together as a complete song or interspersed between the five decades. A brief narration is provided to introduce each mystery, together, the effect is a beautiful meditative journey through the entire rosary. Additionally, Rafael offers sung renditions of the Apostle’s creed and Salve Regina. The companion songbook contains notated and lyric-chord versions for each piece, and an assembly edition allows the gathered faithful to sing together these beautiful meditations. $14.50 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Darabukka Piano solo Breitkopf & Härtel
Piano SKU: BR.EB-9385 Composed by Nicolaus A. Huber. Solo instruments; st...(+)
Piano SKU: BR.EB-9385 Composed by Nicolaus A. Huber. Solo instruments; stapled. Edition Breitkopf. Music post-1945; New music (post-2000). Score. Composed 1976. 12 pages. Duration 15'. Breitkopf and Haertel #EB 9385. Published by Breitkopf and Haertel (BR.EB-9385). ISBN 9790004188552. 12 x 9 inches. Darabukka ist eine arabische Vasentrommel - heute vorzugsweise vom fahrenden Volk gebraucht - die zwei Klange erzeugt: einen hohen und einen tiefen (+ hohen). Durch Abdecken der unteren Offnung verschwindet der tiefere Klang, und der hohere bleibt allein ubrig. Diese Eigenschaften sind auf das Klavier ubertragen: 1. Die Taste wird wie eine Trommel behandelt, und alle moglichen Finger- und Handkombinationen werden zur Rhythmus-Instrumentation herangezogen. 2. Durch subharmonische Teilschwingungen wird der Tastenton zusatzlich klanglich aufgebrochen. Ihre Klangfarben unterliegen den Rhythmusmodellen. 3. Ich habe dieses Stuck von verschiedenen Volks-Musiken gelernt, und am Ende erklingt eine Solidaritats-Klangaktion fur das Volk von Chile: ,,El pueblo unido jamas sera vencido! - ,,Das Volk wird niemals besiegt werden, wenn es einig ist. In Darabukka wird mit drei verschiedenen Struktur- und Klang-Charakteren gearbeitet. Unter den vielen Techniken der Rhythmuskomposition ist vielleicht die der rhythmischen Modulation am interessantesten: Durch Umdeutung einer Dauer kann von einem Modell x zu einem Modell y ubergeleitet werden. (Nicolaus A. Huber, 1976) CDs: Kristine Scholz CD Alice musicproduction ALCD 011 Catherine Vickers CD Koch Aulos 3-1817-2 Bibliografie: Dudda , Friedrich: Nicolaus A. Hubers ,,Darabukka, in: Feedback Papers 15, Koln 1978, S. 19-21. Schick , Tobias Eduard: Weltbezuge in der Musik Mathias Spahlingers (Beihefte zum Archiv fur Musikwissenschaft, Band 80), Stuttgart; Franz Steiner 2018, dort S. 97-99
World premiere: Paris, March 14, 1977. $34.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Oramos Cantando / We Pray in Song - Pew edition GIA Publications
Guitar, keyboard SKU: GI.G-7400 This edition: Pew edition. Hymnal. Oramos...(+)
Guitar, keyboard SKU: GI.G-7400 This edition: Pew edition. Hymnal. Oramos cantando series. Sacred. Book. GIA Publications #7400. Published by GIA Publications (GI.G-7400). ISBN 9781579999698. Intended especially for the growing number of multicultural, bilingual (Latino/Anglo) parishes and communities in the United States, Oramos Cantando / We Pray in Song is a hymnal and service book that is comprehensive enough to satisfy the liturgical needs of such communities, when they are worshipping in Spanish, in English, or bilingually. Bilingual from the first page to the last. Organized to reflect the liturgical life of the Church: morning, evening and night prayer from the Liturgy of the Hours, the sacramental rites of Christian initiation of adults, baptism of children, holy communion outside Mass, eucharistic exposition and benediction, reconciliation of penitents, anointing of the sick, marriage, and funerals, the Order of Mass, service music, hymns and songs, lectionary responsorial psalms. All ritual texts are from the English- and Spanish-language liturgical books approved for use in the dioceses of the United States of America Seventy settings of psalms and biblical canticles in a variety of styles, for use in the Liturgy of the Hours, at Mass, and in other liturgical rites. Many employ Gelineau, Guimont, or Conception Abbey tones. Standards from the “Celebration-style†repertoire by Haugen, Joncas, Haas, and others. All with Spanish and English texts ICEL chants for the Order of Mass, accompanied by the complementary plainsong chants in Spanish. Five bilingual settings of the ordinary of the Mass, along with one Latin and two English-only Mass settings, plus a number of additional service music items to serve the liturgical needs of Anglo/Latino parishes for many years to come A broad and stylistically diverse collection of nearly 550 hymns, psalms, and inspired songs, containing the best and most beloved traditional and contemporary music of Latino and Anglo communities, with more than 300 items newly translated according to guidelines for preserving meaning, rhyme, and meter Music from around the world, encompassing plainsong chants, classical hymnody, contemporary scripture-based songs, Taizé chants, and world music from Asia and Africa. Settings originally with Spanish texts are from the United States, Spain, Mexico, Central and South America, and the Caribbean Lectionary psalms with USCCB-approved refrains in both English and Spanish and verses from The Revised Grail Psalms and the salterio of Spain’s Conferencia Episcopal Española (CEE). These bilingual lectionary psalms have been included in the Sacred Song missalette program of The Liturgical Press since 2005 Eleven indexes: liturgical, topical, psalms and canticles, service music, scripture references in hymns, hymn tunes, tune meters, musical settings using languages other than Spanish and English, psalm refrains set to music, common titles and first lines, and hymnal contributors (composers, authors, translators, sources) A hymnal which not only addresses the liturgical experience of today, but also opens the door to new possibilities in the future. Fulfilling the statement of the American bishops: Liturgical music today must reflect the multicultural diversity and intercultural relationships of the members of the gathered liturgical assembly. The varied use of musical forms such as ostinato refrains, call and response, song translations, and bilingual or multilingual repertoire can assist in weaving the diverse languages and ethnicities of the liturgical assembly into a tapestry of sung praise. Sing to the Lord, 60 Destinado especialmente para el creciente número de parroquias y comunidades multiculturales, bilingües (Latinas/Anglas) en los Estados Unidos, Oramos Cantando / We Pray in Song es un himnario y ceremonial lo suficientemente completo para satisfacer las necesidades litúrgicas de tales comunidades, cuando oran en español, en inglés, o de una manera bilingüe. Bilingüe desde la primera página hasta la última. Organizado para reflejar la vida litúrgica de la Iglesia: oración matutina, vespertina y nocturna tomada de la Liturgia de las Horas, los ritos sacramentales de la iniciación cristiana de adultos, del bautismo de niños, para la sagrada comunión fuera de la Misa, para la exposición y bendición eucarÃstica, para la reconciliación de varios penitentes, para la unción de los enfermos, el matrimonio, y las exequias, el Ordinario de la Misa, música para las ceremonias, himnos y cantos, salmos responsoriales del leccionario. Todos los textos de los ritos están tomados de los libros litúrgicos en inglés y en español aprobados para su uso en las diócesis de los Estados Unidos de América. Setenta arreglos de salmos y cánticos en una variedad de estilos, para usarlos en la Liturgia de las Horas, en la Misa, y en otros ritos litúrgicos. Muchos emplean los tonos de Gelineau, Guimont, o Conception Abbey. Normas del repertorio del “estilo-de-celebración†por Haugen, Joncas, Haas, y otros. Todos con el texto en español y en inglés. Cantos de ICEL para el Ordinario de la Misa, acompañados por los cantos llanos complementarios en español. Cinco arreglos bilingües para el ordinario de la Misa, junto con uno en latÃn y dos arreglos para la Misa sólo en inglés, además de un número de cantos adicionales para responder a las necesidades litúrgicas de las parroquias anglas/latinas por muchos años en el futuro Una colección amplia y de diversos estilos de casi 550 himnos, salmos y cantos inspirados, que contienen lo mejor y lo más apreciado de la música tradicional y contemporánea de las comunidades latinas y anglas, con más de 300 composiciones recientemente traducidas según las normas para la preservación del significado, del ritmo, y del metro Música de todo el mundo, incluyendo cantos llanos, himnos clásicos, cantos contemporáneos basados en la biblia, cantos de Taizé, y música mundial de Asia y Ãfrica. Arreglos originales con textos en español que vienen de los Estados Unidos, de España, de México, de Centro y Sud América, y del Caribe. Salmos del Leccionario con estribillos aprobados por la Conferencia Episcopal de Estados Unidos (USCCB) tanto en inglés como en español y versos del salterio: The Revised Grail Psalms y del salterio de la Conferencia Episcopal Española (CEE) de España. Estos salmos bilingües del leccionario se han incluido en el programa del misalito Sacred Song de la editorial: The Liturgical Press desde 2005 Once Ãndices: litúrgico, temático, salmos y cánticos, música para celebraciones, referencias bÃblicas en himnos, tonadas de himnos, metros de himnos, arreglos con idiomas además de español e inglés, antÃfonas musicalizadas para los salmos, tÃtulos comunes y primeras frases, y contribuyentes al himnario (compositores, autores, traductores, fuentes) Un himnario que no sólo responde a la experiencia litúrgica de hoy, sino también abre la puerta a nuevas posibilidades en el futuro. Cumple la declaración de los obispos americanos: “La música litúrgica de hoy debe reflejar la diversidad multicultural y las relaciones interculturales de los miembros de la asamblea litúrgica reunida. El uso variado de formas musicales como estribillos en ostinato, llamado y respuesta, traducción de cantos, y el repertorio bilingüe o multilingüe puede ayudar a entretejer los diferentes idiomas y etnias de la asamblea litúrgica en un tapiz de alabanza cantada.†Cantemos al Señor, 60 There is no doubt that the goal of singing each other's liturgical music as an expression of the catholicity of our faith embodied in this volume, does in fact allow bilingual and multicultural parishes through the United States—and beyond—to respond to the liturgical needs of today while opening the door to new possibilities. — Becca Whitla The Hymn Society Journal. Volume 66, No. 4. $22.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| La Programmazione Musicale Verticale Progetti Sonori
Classroom SKU: BT.PS2102 Book Only. 240 pages. Progetti Sonori #PS2102. P...(+)
Classroom SKU: BT.PS2102 Book Only. 240 pages. Progetti Sonori #PS2102. Published by Progetti Sonori (BT.PS2102). Italian. La scuola italiana tende essenzialmente a strutturare la formazione musicale sul modello della sola competenza colta, secondo un criterio gerarchizzante che non riconosce l'esistenza di una competenza musicale di base, popolare, specchio dei complessi e diversificati vissuti musicali quotidiani. Tuttavia, se vogliamo che l'educazione musicale sia davvero inclusiva, dobbiamo assolutamente riportarla verso condotte in-disciplinate, più a misura d'uomo, e indirizzarla all'educazione della persona prima che all'insegnamento in sé. Da questa urgenza di riconversione disciplinare, argomentata dal punto di vista psico-pedagogico e didatticometodologico, Maurizio Spaccazocchi arriva a proporre una nuova programmazione musicale verticale: fornendo esempi concreti e trattando nello specifico tutte le competenze e le abilit dell'Homo Musicus, l'Autore delinea un progetto propedeutico, ampio e dettagliato, che dal Nido, passando per l'Infanzia e la Primaria, si completa nella Secondaria di 1° grado. Un progetto che mira alla valorizzazione della persona e dell'esperienza comune, al recupero e all'esaltazione del valore est/etico dell'educazione, al rafforzamento dell'autostima e della creativit di bambine e bambini, ragazze e ragazzi. La programmazione musicale verticale si rivolge a tutti gli educatori e ai docenti di musica di ogni ordine e grado. $19.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Luciano Pavarotti: Rondine al Nido (Homing Swallows)
Piano, Vocal and Guitar [Singles] Carl Fischer
Performed by Luciano Pavarotti, lyrics by L. Sica, music by V. De Crescendo, arr...(+)
Performed by Luciano Pavarotti, lyrics by L. Sica, music by V. De Crescendo, arranged by Dan Fox. Single for voice, piano and guitar (chords only). G Major. 4 pages. Published by Carl Fischer.
(7)$5.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Lion of Knidos Concert band - Easy Belwin
Concert Band - Grade 2 SKU: AP.35367S Composed by Victor Lopez. Concert B...(+)
Concert Band - Grade 2 SKU: AP.35367S Composed by Victor Lopez. Concert Band; Performance Music Ensemble; Single Titles. Belwin Young Band. Form: Overture. Score. 20 pages. Belwin Music #00-35367S. Published by Belwin Music (AP.35367S). UPC: 038081410135. English. Lion of Knidos, written by Victor López for the Young Band Series, is an original composition that portrays the images and excitement of the discovery of the Lion and its global history. The composition was inspired by the composer's visit to the British Museum and his admiration for the amazing colossal marble lion. $9.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| La Confirmación de los Católicos Adultos GIA Publications
SKU: GI.G-017170 Composed by Mary Birmingham. Sacred. GIA Publications #0...(+)
SKU: GI.G-017170 Composed by Mary Birmingham. Sacred. GIA Publications #017170. Published by GIA Publications (GI.G-017170). Spanish. Algunas parroquias tienen adultos pidiendo información de lo que deben hacer para confirmarse. Muchos de estos adultos practican su fe, quizá ya han recibido una catequesis, pero ahora quieren confirmarse, por esta situación no deberÃa ponérseles en programas del Rito de Iniciación cristiana de adultos ni tampoco con jóvenes adolescentes que se están preparando para la Confirmación. La autora comparte en este libro el contenido de un programa que ella ya ha estado usando por algunos años en su parroquia. Cada sesión empieza con un ritual que incluye música, lecturas bÃblicas, sÃmbolos litúrgicos y signos o gestos o sÃmbolos de los sacramentos de Iniciación como punto de partida. Usando el Ritual para la Confirmación como plataforma, cada sesión desarrolla puntos teológicos expresados en el Ritual. La última sesión es una sesión post-sacramental, que invita a los adultos recién confirmados a reflexionar en la experiencia de la celebración y recepción del Sacramento de la Confirmación, un verdadero modelo mistagógico. $19.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Requiem Orquesta Editorial de Musica Boileau
Orequesta sinfonica, Orquesta camara, voces y coro (Symphony Orchestra, Chamber ...(+)
Orequesta sinfonica, Orquesta camara, voces y coro (Symphony Orchestra, Chamber Orchestra, Solo Voices and Choir) SKU: BO.B.3472 A la memoria de Salvador Espriu. Composed by Xavier Benguerel. Vocal Music. Choir. Duration 85:00. Published by Editorial de Musica Boileau (BO.B.3472). ISBN 9788480208130. English comments: The Requiem in memory of Salvador Espriu by Xavier Benguerel was commissioned by the Torroella de Montgri International Music Festival for a double commemoration: on the one hand, to celebrate the tenth anniversary of the Festival, and on the other, in remembrance of Catalan poet Salvador Espriu in the fifth year after his death. This concert, which was held on 5 October, was a brilliant closing gala performance and it was repeated twice on 6 and 7 October at the Palau de la Musica Catalana in Barcelona. It was performed by the Orchestra and Choir of the Gran Teatro del Liceo, with soloists Enriqueta Tarres, soprano; Nelibel Martinez, mezzo soprano; Eduard Gimenez, tenor; and Carlos Chausson, baritone, with the additional collaboration of baritone Lluis Llach, conducted by Romano Gandolfi. In my opinion, this work by Benguerel is a piece that was written with passion and sincerity, with great strength and depth, and it contains some very beautiful passages. It is written in a language through which, without abandoning his current musical thoughts, Benguerel manages to communicate with the audience in a dense work that lasts for an hour and a half. It is interspersed with seven poems by Espriu on the subject of death, some sung and others recited, which gives the Requiem great contrasts from a musical and linguistic point of view -in comparison with the Latin texts normally used in a requiem mass-, but within a successful and coherent unity. The performers certainly proved their worth, but much of the hard work that went into preparing the piece can be attributed not only to the performers, the composer and the poet in tribute to whom the work was written, but also to the conductor Romano Gandolfi, who is largely responsible for the success of the three performances of this Requiem. Benguerel himself says of the work: This Requiem is linked to my previous work, the Llibre Vermell, and it has been written without making any concessions, but with a true wish to communicate with the audience. I've got past the stage of musical experiments and I'm now working on bridging the gap between composer and audience, which I'm sure will be good for both. --Comments written by Jordi Codina in the December 1990 issue of Nexus magazine Comentarios del Espanol: El Requiem a la memoria de Salvador Espriu de Xavier Benguerel ha sido compuesto por encargo del Festival Internacional de Musica de Torroella de Montgri para una doble conmemoracion: por una parte, el decimo aniversario del Festival; por otra, el recuerdo de la figura del poeta catalan Salvador Espriu en el quinto ano de su fallecimiento. Este concierto, celebrado el dia 5 de octubre, constituyo una sesion de gala y de clausura brillante y tuvo una doble repeticion los dias 6 y 7en el Palau de la Musica Catalana de Barcelona. Fueron sus interpretes la Orquesta y el Coro del Gran Teatro del Liceo, con los solistas vocales Enriqueta Tarres, soprano; Nelibel Martinez, mezzo; Eduard Gimenez, tenor; y Carlos Chausson, baritono, con la colaboracion del tambien baritono Lluis Llach. Todos bajo la direccion de Romano Gandolfi. A mi entender, la obra de Benguerel es una partitura escrita con pasion y sinceridad, posee una gran solidez, es profunda y contiene pasajes de una gran belleza. Esta escrita en un lenguaje con el que Benguerel, sin renunciar a su actual pensamiento musical, alcanza la comunicacion con el publico en una obra densa que dura una hora y media. La intercalacion de siete poemas de Espriu relacionados con el tema de la muerte, en una interpretacion cantada o recitada, segun los casos, otorga al Requiem grandes contrastes desde un punto de vista musical y lingŸistico à en contraposicion con los textos latinos propios de una misa de requiem Ã, pero dentro de una unidad conseguida y coherente. La labor de los interpretes demostro su categoria y el trabajo exhaustivo en la preparacion de la obra, que, ademas de los interpretes, el compositor y el poeta homenajeado, tuvo otro gran protagonista en la persona del director Romano Gandolfi, a quien se debe una gran parte del exito obtenido en las tres audiciones de este Requiem. El propio Benguerel ha dicho de la obra: Este Requiem entronca con mi obra anterior, el Llibre Vermell, y ha sido escrito sin concesiones, pero con una voluntad real de comunicacion con el publico. La epoca de los experimentos musicales ya se me paso y he entrado en una nueva etapa de acercamiento entre el compositor y el publico que, estoy convencido, beneficiara a ambos. --Comentario escrito por Jordi Codina en la revista Nexus en diciembre de 1990 $41.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Requiem Voces, Coro y Piano (Reduccion) Editorial de Musica Boileau
Coro, Voces y Piano (Choir, Solo Voices, and Piano) SKU: BO.B.3473 A l...(+)
Coro, Voces y Piano (Choir, Solo Voices, and Piano) SKU: BO.B.3473 A la memoria de Salvador Espriu. Composed by Xavier Benguerel. Vocal Music. Piano reduction. Choir. Duration 85:00. Published by Editorial de Musica Boileau (BO.B.3473). ISBN 9788480208147. English comments: The Requiem in memory of Salvador Espriu by Xavier Benguerel was commissioned by the Torroella de Montgri International Music Festival for a double commemoration: on the one hand, to celebrate the tenth anniversary of the Festival, and on the other, in remembrance of Catalan poet Salvador Espriu in the fifth year after his death. This concert, which was held on 5 October, was a brilliant closing gala performance and it was repeated twice on 6 and 7 October at the Palau de la Musica Catalana in Barcelona. It was performed by the Orchestra and Choir of the Gran Teatro del Liceo, with soloists Enriqueta Tarres, soprano; Nelibel Martinez, mezzo soprano; Eduard Gimenez, tenor; and Carlos Chausson, baritone, with the additional collaboration of baritone Lluis Llach, conducted by Romano Gandolfi. In my opinion, this work by Benguerel is a piece that was written with passion and sincerity, with great strength and depth, and it contains some very beautiful passages. It is written in a language through which, without abandoning his current musical thoughts, Benguerel manages to communicate with the audience in a dense work that lasts for an hour and a half. It is interspersed with seven poems by Espriu on the subject of death, some sung and others recited, which gives the Requiem great contrasts from a musical and linguistic point of view -in comparison with the Latin texts normally used in a requiem mass-, but within a successful and coherent unity. The performers certainly proved their worth, but much of the hard work that went into preparing the piece can be attributed not only to the performers, the composer and the poet in tribute to whom the work was written, but also to the conductor Romano Gandolfi, who is largely responsible for the success of the three performances of this Requiem. Benguerel himself says of the work: This Requiem is linked to my previous work, the Llibre Vermell, and it has been written without making any concessions, but with a true wish to communicate with the audience. I've got past the stage of musical experiments and I'm now working on bridging the gap between composer and audience, which I'm sure will be good for both. --Comments written by Jordi Codina in the December 1990 issue of Nexus magazine Comentarios del Espanol: El Requiem a la memoria de Salvador Espriu de Xavier Benguerel ha sido compuesto por encargo del Festival Internacional de Musica de Torroella de Montgri para una doble conmemoracion: por una parte, el decimo aniversario del Festival; por otra, el recuerdo de la figura del poeta catalan Salvador Espriu en el quinto ano de su fallecimiento. Este concierto, celebrado el dia 5 de octubre, constituyo una sesion de gala y de clausura brillante y tuvo una doble repeticion los dias 6 y 7en el Palau de la Musica Catalana de Barcelona. Fueron sus interpretes la Orquesta y el Coro del Gran Teatro del Liceo, con los solistas vocales Enriqueta Tarres, soprano; Nelibel Martinez, mezzo; Eduard Gimenez, tenor; y Carlos Chausson, baritono, con la colaboracion del tambien baritono Lluis Llach. Todos bajo la direccion de Romano Gandolfi. A mi entender, la obra de Benguerel es una partitura escrita con pasion y sinceridad, posee una gran solidez, es profunda y contiene pasajes de una gran belleza. Esta escrita en un lenguaje con el que Benguerel, sin renunciar a su actual pensamiento musical, alcanza la comunicacion con el publico en una obra densa que dura una hora y media. La intercalacion de siete poemas de Espriu relacionados con el tema de la muerte, en una interpretacion cantada o recitada, segun los casos, otorga al Requiem grandes contrastes desde un punto de vista musical y lingŸistico à en contraposicion con los textos latinos propios de una misa de requiem Ã, pero dentro de una unidad conseguida y coherente. La labor de los interpretes demostro su categoria y el trabajo exhaustivo en la preparacion de la obra, que, ademas de los interpretes, el compositor y el poeta homenajeado, tuvo otro gran protagonista en la persona del director Romano Gandolfi, a quien se debe una gran parte del exito obtenido en las tres audiciones de este Requiem. El propio Benguerel ha dicho de la obra: Este Requiem entronca con mi obra anterior, el Llibre Vermell, y ha sido escrito sin concesiones, pero con una voluntad real de comunicacion con el publico. La epoca de los experimentos musicales ya se me paso y he entrado en una nueva etapa de acercamiento entre el compositor y el publico que, estoy convencido, beneficiara a ambos. --Comentario escrito por Jordi Codina en la revista Nexus en diciembre de 1990 $41.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| El Nido from Chants Uruguay (Pujol 1509) Durand
Voice/flute/2 guitars. By Alfonso Broqua. Editions Durand. Size 9.75x12.5 inches...(+)
Voice/flute/2 guitars. By Alfonso Broqua. Editions Durand. Size 9.75x12.5 inches. Published by Durand.
$20.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Independencia & coordinación en el piano Piano solo Play Music Publishing
Piano SKU: BT.MS0389 Volumen 3. Composed by Fabian Domingo. Studie...(+)
Piano SKU: BT.MS0389 Volumen 3. Composed by Fabian Domingo. Studies & Exercises. Book and DVD. Composed 2020. Play Music Spain #MS0389. Published by Play Music Spain (BT.MS0389). Spanish. En el teclado del piano, la dos manos desempeñan un papel diferente (bajo/acordes, acordes/melod a...) y resulta imprescindible poder tocar cada mano independientemente de la otra, procurando conservar una perfecta coordinación de las dos. Nuestro método enfoca de manera muy progresiva el problema desde el punto de vista técnico y musical. As cada dificultad señalada con un ejercicio espec fico tiene su aplicación inmediata en un pequeño toque... para que la técnica quede siempre al servicio de la música y del placer de tocar. Los ejercicios de este tercer y último volumen van a profundizar las nociones abordadas en los 2 volúmenes anteriores... ¡pero no sólo! Vd encontrarátambién un trabajo sobre los ternarios, las extensiones, los intervalos sostenidos y en espejo, los tresillos compartidos, los arpegios de 4 sonidos, los desfases r tmicos, los 3 por 2 invertidos, las figuras a base de semicorcheas, la clave, etc... elementos imprescindibles para reforzar la independencia de las manos en el piano. En el disco adjunto al método, Vd encontrará varios archivos audios y v deos. Los v deos (mp4) presentan en imágenes todos los ejercicios y los toques tales como uno debe tocarlos. Las grabaciones audios (mp3), por su parte, le brindan los playbacks correspondientes, en dos aires distintos, en los cuales podrá tocar los toques propuestos al estudio. $18.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Works for Guitar Duo Vol. 12 2 Guitars (duet) Music Distribution Services
2 guitars - intermediate to advanced SKU: M7.GHE-912 Manuel De Falla(+)
2 guitars - intermediate to advanced SKU: M7.GHE-912 Manuel De Falla. Composed by Manuel de Falla. Edited by Laura Mondiello and Stefano Grondona. Arranged by Miguel Llobet. This edition: Saddle-wire stitching. Sheet music. Score. 52 pages. MDS (Music Distribution Services) #GHE 912. Published by MDS (Music Distribution Services) (M7.GHE-912). ISBN 9783890449128. English. Listed by Tonazzi as unfound or unpublished guitar duo repertoire, we proudly present for the first time four previously unedited and brilliant guitar transcriptions arranged by Llobet to be performed by the Llobet-Anido guitar duo. Llobet's 22 transcriptions for his famous duo with MarÃa Luisa Anido are contained in Volumes 9-12 of the Llobet edition, eight of these titles are published for the first time. $26.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Caminemos con Jesús GIA Publications
SKU: GI.G-1064 Composed by Tony Alonso S.J. Sacred. GIA Publications #106...(+)
SKU: GI.G-1064 Composed by Tony Alonso S.J. Sacred. GIA Publications #1064. Published by GIA Publications (GI.G-1064). UPC: 785147006428. From the music of the Buena Vista Social Club to Gloria Estefan, the lyrical melodies and infectious rhythms of Cuban music have become embedded in U.S. culture. With Caminemos con Jesús / Let Us Walk with Jesus, composer Tony Alonso presents a groundbreaking collection of liturgical music that calls on his own Cuban musical heritage to provide new ways of singing the liturgy in Spanish, English or bilingually. The first project of its kind, Caminemos con Jesús not only utilizes rich Cuban idioms but also explores what style and musical form can teach us about praying together across cultural and linguistic boundaries. The dynamic call-and-response form that is a hallmark of traditional Cuban music makes these songs especially compelling choices for bilingual worship, allowing assemblies to learn, internalize, and pray easily in both Spanish and English. “Qué AlegrÃa Cuando Me Dijeron / I Rejoiced When I Heard Them Say†uses the words of the psalm as a rhythmic mantra, creating a fresh and engaging way to gather as the Body of Christ. “LetanÃa a la Madre de las Américas / Litany of Mary of The Americas,†invokes the Mary of many names and nations with a simple yet strong response that will enliven Marian feasts throughout the year. The gentle simplicity of “Tres Guajiros / Three Peasants†re-imagines the story of the Magi as humble peasants bringing gifts of the land to honor the newborn Jesus. Also, in this collection and for the first time in published form, is Gloria Estefan’s “Caridad,†a powerful and poetic prayer to Our Lady of Charity, the patroness of Cuba. All of the pieces of this collection focus on the importance of bringing the voices of the assembly to the forefront while the arrangements are skillfully crafted to be accessible to musicians of all abilities. In addition to the spiral-bound edition, individual octavos, and flute and brass parts, Caminemos con Jesús offers a special edition featuring parts for guitar, percussion and other instruments central to Cuban music. The studio recording is a stunning source of prayer and inspiration, produced in Miami by Grammy Award winner Juan Delgado and featuring some of the finest Cuban-American musicians today. GIA Publications, Inc. is committed to responding to the rich diversity of the contemporary Church. With Caminemos con Jesús, we offer you our very best bilingual music for the liturgical year. “The music of my father’s Cuban homeland has been the language of my heart for as long as I can remember. These songs infuse that rich tradition with the unique sabor of my own experience as a Cuban-American in a distinctly liturgical shape that I hope will inspire others in their daily camino con Jesús.†–Tony Alonso Featuring “Live Mercy, Be Holy / Vive la Misericordia, Vive la Santidad,†the 2020 Los Angeles Religious Education Congress theme song! Desde la música de Buena Vista Social Club hasta la de Gloria Estefan, las melodÃas lÃricas y ritmos contagiosos de la música cubana son incrustados en la cultura estadounidense. Con Caminemos con Jesús / Let Us Walk with Jesus, el compositor Tony Alonso presenta una colección innovadora de música litúrgica que incorpora su herencia musical cubana para producir una manera nueva de cantar la liturgia — en español, inglés o bilingüemente. El primer proyecto de este tipo, Caminemos con Jesús no sólo utiliza modismos ricos de Cuba sino también explora lo que el estilo y la forma musical nos pueden enseñar con respeto a rezar juntos a través de los lÃmites culturales y lingüÃsticos. La forma dinámica de llamada-y-respuesta que es un sello distintivo de la música cubana tradicional crea opciones cautivadoras para los rituales bilingües donde la asamblea puede aprender, interiorizar y rezar facilmente tanto en español como en inglés. “Qué AlegrÃa Cuando Me Dijeron†incorpora la letra del salmo como una mantra rÃtmica, creando una manera original para congregar al Cuerpo de Cristo. La “LetanÃa a la Madre de las Américas,†la cual invoca a la MarÃa de muchos nombres y naciones utilizando una respuesta sencilla y fuerte, enriquecerá a las fiestas marianas de muchos pueblos durante todo el año. La sencillez suave de “Tres Guajiros†reimagina la historia de los Reyes Magos como guajiros humildes, trayendo regalos de la tierra para honrar al recién nacido Jesús. También se encuentra en esta colección, por la primera vez en forma publicada, el tema musical “Caridad†por Gloria Estefan, que es una oración poderosa y poética a Nuestra Madre de Caridad, la patrona de Cuba. Todas las piezas en esta colección se enfocan en la importancia de las voces de la asamblea mientras los arreglos son accesibles para los músicos de todas habilidades. Además de la edición con espiral, las partituras corales individuales, y las ediciones para flauta y instrumentos de metal, Caminemos con Jesús también ofrece una edición para guitarra con partituras adicionales para percusión y otros instrumentos centrales en la música cubana. La grabación del estudio es espectacular, una fuente de oración y inspiración. Producido en Miami por el ganador de Grammy Juan Delgado, el álbum destaca los talentos de unos de los mejores músicos cubano-americanos de hoy dÃa. GIA Publications, Inc. está comprometido a responder a la diversidad rica de la Iglesia actual. En Caminemos con Jesús, les ofrecemos nuestra mejor música bilingüe para todo el año litúrgico. “La música de la tierra cubana de mi padre ha sido el lenguaje de mi corazón desde que yo tengo memoria. Estas canciones infunden esa rica tradición del sabor único de mi propia experiencia como cubanoamericano con una forma claramente litúrgica. Es mi deseo que esta obra inspire a los demás en su propio camino diario con Jesúsâ€. –Tony Alonso Incluye el canto tema, “Vive la Misericordia, Vive la Santidad / Live Mercy, Be Holy,†compuesto para el Congreso de Educación Religiosa de Los Angeles del 2020. CONTENTS / CONTENIDO: Arriba los Corazones / We Lift Up Our Hearts • Caminemos con Jesús / Let Us Walk with Jesus • Cántico de Daniel / Canticle of Daniel • Caridad / Our Lady of Charity • LetanÃa del Santo Nombre de Jesús / Litany of the Holy Name of Jesus • LetanÃa a la Madre de las Américas / Litany to the Mother of the Americas • Qué AlegrÃa Cuando Me Dijeron / I Rejoiced When I Heard them Say • Una Gran Nube de Testigos / A Wondrous Cloud of Witnesses • Tres Guajiros / Three Peasants • Vayan Por el Mundo Entero / Go Out to All the World • Vive la Misericordia, Vive la Santidad / Live Mercy, Be Holy.  . $16.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
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