| The All-Jazz Real Book - C Edition C Instruments [Fake Book] Sher Music Company
By Various. Jazz. Fake Book. 550 pages. Published by Sher Music Company. CD Incl...(+)
By Various. Jazz. Fake Book. 550 pages. Published by Sher Music Company. CD Included with the book contains 37 melodies played by the following artists:
Bob Sheppard - saxes and flute
Steve Houghton - drums
Dave Carpenter - acoustic bass
Paul van Wageningen - drums
Marc van Wageningen - electric bass
Larry Dunlap - piano and synthesizer
Dave Mac Nab - guitar.
(3)$44.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Elysian Fields Flute [Solo Part] Theodore Presser Co.
For Solo Flute. By Robert Maggio. For Flute Solo. First performed April 17, 1994...(+)
For Solo Flute. By Robert Maggio. For Flute Solo. First performed April 17, 1994 at John Jacob Seully Hlal, Boston Conservatory of Music, Boston, MA by the finalists in the James Pappoutsakis Memorial Competition: Janelle Olson DiBiase, Lisa Henessy, Megan Maiorana, and Helen Richman. Solo part. 7 pages. Duration 7:00. Published by Theodore Presser Company.
$10.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| The Beatles: Best Of The Beatles
Flute [Sheet music] Hal Leonard
Performed by The Beatles. For C flute. Format: Solo Songbook. With solo part. Cl...(+)
Performed by The Beatles. For C flute. Format: Solo Songbook. With solo part. Classic rock, britpop and psychedelic rock. 96 pages.
(9)$17.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The Folksong Fake Book - C Edition
Fake Book [Fake Book] Hal Leonard
For voice and C instrument. Format: fakebook. With vocal melody, lyrics and chor...(+)
For voice and C instrument. Format: fakebook. With vocal melody, lyrics and chord names. Folk. Series: Hal Leonard Fake Books. 536 pages. 9.6x12 inches. Published by Hal Leonard.
(10)$34.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Sonatina String Orchestra [Score] - Easy Carl Fischer
Orchestra String Orchestra - Grade 2-2.5 SKU: CF.YAS13F Composed by Muzio...(+)
Orchestra String Orchestra - Grade 2-2.5 SKU: CF.YAS13F Composed by Muzio Clementi. Arranged by Douglas Townsend. Carl Fischer Young String Orchestra Series. Classical. Full score. With Standard notation. 12 pages. Carl Fischer Music #YAS13F. Published by Carl Fischer Music (CF.YAS13F). ISBN 9780825848339. UPC: 798408048334. 8.5 X 11 inches. Key: G major. IApart from some of his Sonatinas, Opus 36, Clementi's life and music are hardly known to the piano teachers and students of today. For example, in addition to the above mentioned Sonatinas, Clementi wrote sixty sonatas for the piano, many of them unjustly neglected, although his friend Beethoven regarded some of them very highly. Clementi also wrote symphonies (some of which he arranged as piano sonatas), a substantial number of waltzes and other dances for the piano as well as sonatas and sonatinas for piano four-hands.In addition to composing, Clementi was a much sought after piano teacher, and included among his students John Field (Father of the 'Nocturne'), and Meyerbeer.In his later years, Clementi became a very successful music publisher, publishing among other works the first English edition of Beethoven's Violin Concerto, in the great composer's own arrangement for the piano, as well as some of his string quartets. Clementi was also one of the first English piano manufacturers to make pianos with a metal frame and string them with wire.The Sonatina in C, Opus 36, No. 1 was one of six such works Clementi wrote in 1797. He must have been partial to these little pieces (for which he also provided the fingerings), since they were reissued (without the fingering) by the composer shortly after 1801. About 1820, he issued ''the sixth edition, with considerable improvements by the author;· with fingerings added and several minor changes, among which were that many of them were written an octave higher.IIIt has often been said, generally by those unhampered by the facts, that composers of the past (and, dare we add, the present?), usually handled their financial affairs with their public and publishers with a poor sense of business acumen or common sense. As a result they frequently found themselves in financial straits.Contrary to popular opinion, this was the exception rather than the rule. With the exception of Mozart and perhaps a few other composers, the majority of composers then, as now, were quite successful in their dealings with the public and their publishers, as the following examples will show.It was not unusual for 18th- and 19th-century composers to arrange some of their more popular compositions for different combinations of instruments in order to increase their availability to a larger music-playing public. Telemann, in the introduction to his seventy-two cantatas for solo voice and one melody instrument (flute, oboe or violin, with the usual continua) Der Harmonische Gottesdienst, tor example, suggests that if a singer is not available to perform a cantata the voice part could be played by another instrument. And in the introduction to his Six Concertos and Six Suites for flute, violin and continua, he named four different instrumental combinations that could perform these pieces, and actually wrote out the notes for the different possibilities. Bach arranged his violin concertos for keyboard, and Beethoven not only arranged his Piano Sonata in E Major, Opus 14, No. 1 for string quartet, he also transposed it to the key of F. Brahm's well-known Quintet in F Minor for piano and strings was his own arrangement of his earlier sonata for two pianos, also in F Minor.IIIWe come now to Clementi. It is well known that some of his sixty piano sonatas were his own arrangements of some of his lost symphonies, and that some of his rondos for piano four-hands were originally the last movements of his solo sonatas or piano trios.In order to make the first movement of his delightful Sonatina in C, Opus 36, No. 1 accessible to young string players, I have followed the example established by the composer himself by arranging and transposing one of his piano compositions from one medium (the piano) to another. (string instruments). In order to simplify the work for young string players, in the process of adapting it to the new medium it was necessary to transpose it from the original key of C to G, thereby doing away with some of the difficulties they would have encountered in the original key. The first violin and cello parts are similar to the right- and left-hand parts of the original piano version. The few changes I have made in these parts have been for the convenience of the string players, but in no way do they change the nature of the music.Since the original implied a harmonic framework in many places, I have added a second violin and viola part in such a way that they not only have interesting music to play, but also fill in some of the implied harmony without in any way detracting from the composition's musical value. Occasionally, it has been necessary to raise or lower a few passages an octave or to modify others slightly to make them more accessible for young players.It is hoped that the musical value of the composition has not been too compromised, and that students and teachers will come to enjoy this little piece in its new setting as much as pianists have in the original one. This arrangement may also be performed by a solo string quartet. When performed by a string orchestra, the double bass part may be omitted.- Douglas TownsendString editing by Amy Rosen. About Carl Fischer Young String Orchestra Series This series of Grade 2/Grade 2.5 pieces is designed for second and third year ensembles. The pieces in this series are characterized by: --Occasionally extending to third position --Keys carefully considered for appropriate difficulty --Addition of separate 2nd violin and viola parts --Viola T.C. part included --Increase in independence of parts over beginning levels $8.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Nocturne No. 1 Zimmermann
Bassoon, Flute, Guitar, Horn, Oboe SKU: PR.ZM22470 Composed by John Field...(+)
Bassoon, Flute, Guitar, Horn, Oboe SKU: PR.ZM22470 Composed by John Field. Set of parts. With Standard notation. Zimmermann #ZM22470. Published by Zimmermann (PR.ZM22470). UPC: 680160650651. $14.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| The All-Jazz Real Book - Eb Edition Eb Instruments [Fake Book] Sher Music Company | | |
| The All-Jazz Real Book - Bb Edition Bb Instruments [Sheet music + CD] Sher Music Company | | |
| A Glimpse Retraced Piano solo [Score] Carl Fischer
Clarinet, Flute, Piano, Piccolo, Violin, Violoncello SKU: CF.MXE21M Pi...(+)
Clarinet, Flute, Piano, Piccolo, Violin, Violoncello SKU: CF.MXE21M Piano Solo And Chamber Ensemble. Composed by Jason Eckardt. The world premiere was given in Weill Recital Hall at Carnegie Hall, New York City on April 12, 1999 by Marilyn Nonken, piano; David Fedele, flute; Jean Kopperud, clarinet; Rolf Schulte, violin; and John Whitfield, violoncello. Full score. With Standard notation. Composed 1999. 140 pages. Duration 15 minutes. Carl Fischer Music #MXE21M. Published by Carl Fischer Music (CF.MXE21M). ISBN 9780825871627. UPC: 798408071622. 11 x 17 inches. A Glimpse Retraced is scored for piano solo, flute (dbl piccolo), clarinet in Bb, violin and violoncello. The title of this concerto for piano with four instruments is a metaphor for its formal design: a fleeting observation, made in passing, is retraced and elaborated, then condensed and distilled. Eckardt's A Glimpse Retraced was commissioned by Carnegie Hall and is dedicated to Marilyn Nonken, who gave its first performance in Weill Recital Hall at Carnegie Hall, New York City on April 12, 1999. $175.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| McCabe: Postcards For Wind Quintet (Parts) Woodwind Quintet: flute, oboe, bassoon, clarinet, horn Music Sales
Wind Quintet SKU: HL.14019938 Composed by John McCabe. Music Sales Americ...(+)
Wind Quintet SKU: HL.14019938 Composed by John McCabe. Music Sales America. Classical. Book [Softcover]. Music Sales #NOV360094. Published by Music Sales (HL.14019938). Postcards was written in 1991 for the Vega Wind Quintet, who first performed it at the Huddersfield Festival in the same year. It is a reworking of a set of eight Bagatelles written in 1965: each movement has been rewritten and enlarged to a greater or lesser extent. The title was chosen to emphasise the nature of the pieces, which are in a sense brief postcards from different genres (fugato, dance, etc). John McCabe (1939-2015) was a British composer, pianist and music administrator. He studied at the Royal Manchester College of Music and built a career as a virtuoso pianist. However, he also wrote several hundred musical compositions,ranging from large-scale orchestral works to chamber music and solo instrumental pieces - it is said the only classical genre he did not write for was opera. $45.50 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| The Beginning Band Collection Concert band Curnow Music
Flute Part. Arranged by James Curnow. Curnow Concert Band Full Set. 16 pages. Pu...(+)
Flute Part. Arranged by James Curnow. Curnow Concert Band Full Set. 16 pages. Published by Curnow Music.
$5.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Scenes from a Royal Tapestry Concert band [Score] - Easy G and M Brand Music Publishers
Concert band (1st Flute, 2nd Flute, Oboe*, 1st Bb Clarinet, 2nd Bb Clarinet, 3rd...(+)
Concert band (1st Flute, 2nd Flute, Oboe*, 1st Bb Clarinet, 2nd Bb Clarinet, 3rd Bb Clarinet, Eb Alto Clarinet*, Bb Bass Clarinet*, Bassoon*, 1st Eb Alto Saxophone*, 2nd Eb Alto Saxophone*, Bb Tenor Saxophone*, Eb Baritone Saxophone*, 1st F Horn, 2nd F Horn, 1st Bb Tru) - grade 3 SKU: CN.S11103 Composed by Stuart Johnson. Band Music. Score only. Duration 6:00. Published by G & M Brand Music Publishers (CN.S11103). Before the days of photography, the great state occasions were captured in paintings and tapestries. In this Suite, the composer has imagined the pomp and splendor of the English court at work and play, capturing each mood in a short movement.
Stuart Johnson has the fine ability to capture moods and scenes in music. He was born in Staffordshire, the county for which he was Director of Music until his retirement in 1997. After experience as a player in brass bands, he served in the band of the King's Dragoon Guards before training as a teacher and working in schools. Following a period as a lecturer at Northumberland College of Education he became Music Adviser to the Metropolitan District of Sandwell prior to his appointment to Staffordshire. He has long experience as a conductor, particularly in the choral and band fields and also wide experience as an adjudicator and examiner. He has written prolifically for bands and orchestras and his didactic publications are used in many countries. He has over eighty published compositions and arrangements, many of which have been broadcast on radio or television. His commissioned works include the cantata David and Goliath which was first performed at the Royal Festival Hall, Oregon Overture for wind orchestra, Landscapes, Sinfonietta No 2, Wessex Dances and A Castle Suite. Stuart Johnson has recently completed several commissions, funded by National Lottery grants, for bands in Cumbria, the Isle of Wight, and Staffordshire. Requiem for Soprano, Chorus and Orchestra, was premiered successfully in front of a capacity audience in Lichfield Cathedral in March 1997, and received its first London performance at St. John's Smith Square in March 1998. This prestigious venue also saw the first performance of Songs and Sonnets for unaccompanied mixed choir in 2001. Stuart Johnson has written extensively for the theatre, his music for the production of Anna of the Five Towns was used for both the radio and television adaptations His music ranges in style from the evocative and demanding Sinfonietta for Wind Orchestra, which has received many performances since its premiere in the Royal Festival Hall, including a broadcast by the Band of the Scots Guards, to his ubiquitous Bandstand Boogie which has set feet tapping all over the world. Apart from the latter his most performed work is probably Circus Suite which was the British Youth Band Championship test piece in 1980. Northumbrian Suite and Landscapes have also been used as National Brass Band Championship test pieces. The Flint Knappers commissioned as a test piece for the 1998 East Anglian Band Festival was selected as a test piece for the 1999 Australian Championships. Before the days of photography, the great state occasions were captured in paintings and tapestries. In this Suite, the composer has imagined the pomp and splendor of the English court at work and play, capturing each mood in a short movement. $12.50 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Scenes from a Royal Tapestry Concert band [Score and Parts] - Easy G and M Brand Music Publishers
Concert band (1st Flute, 2nd Flute, Oboe*, 1st Bb Clarinet, 2nd Bb Clarinet, 3rd...(+)
Concert band (1st Flute, 2nd Flute, Oboe*, 1st Bb Clarinet, 2nd Bb Clarinet, 3rd Bb Clarinet, Eb Alto Clarinet*, Bb Bass Clarinet*, Bassoon*, 1st Eb Alto Saxophone*, 2nd Eb Alto Saxophone*, Bb Tenor Saxophone*, Eb Baritone Saxophone*, 1st F Horn, 2nd F Horn, 1st Bb Tru) - grade 3 SKU: CN.R10103 Composed by Stuart Johnson. Band Music. Score and parts. Duration 6:00. Published by G & M Brand Music Publishers (CN.R10103). Before the days of photography, the great state occasions were captured in paintings and tapestries. In this Suite, the composer has imagined the pomp and splendor of the English court at work and play, capturing each mood in a short movement.
Stuart Johnson has the fine ability to capture moods and scenes in music. He was born in Staffordshire, the county for which he was Director of Music until his retirement in 1997. After experience as a player in brass bands, he served in the band of the King's Dragoon Guards before training as a teacher and working in schools. Following a period as a lecturer at Northumberland College of Education he became Music Adviser to the Metropolitan District of Sandwell prior to his appointment to Staffordshire. He has long experience as a conductor, particularly in the choral and band fields and also wide experience as an adjudicator and examiner. He has written prolifically for bands and orchestras and his didactic publications are used in many countries. He has over eighty published compositions and arrangements, many of which have been broadcast on radio or television. His commissioned works include the cantata David and Goliath which was first performed at the Royal Festival Hall, Oregon Overture for wind orchestra, Landscapes, Sinfonietta No 2, Wessex Dances and A Castle Suite. Stuart Johnson has recently completed several commissions, funded by National Lottery grants, for bands in Cumbria, the Isle of Wight, and Staffordshire. Requiem for Soprano, Chorus and Orchestra, was premiered successfully in front of a capacity audience in Lichfield Cathedral in March 1997, and received its first London performance at St. John's Smith Square in March 1998. This prestigious venue also saw the first performance of Songs and Sonnets for unaccompanied mixed choir in 2001. Stuart Johnson has written extensively for the theatre, his music for the production of Anna of the Five Towns was used for both the radio and television adaptations His music ranges in style from the evocative and demanding Sinfonietta for Wind Orchestra, which has received many performances since its premiere in the Royal Festival Hall, including a broadcast by the Band of the Scots Guards, to his ubiquitous Bandstand Boogie which has set feet tapping all over the world. Apart from the latter his most performed work is probably Circus Suite which was the British Youth Band Championship test piece in 1980. Northumbrian Suite and Landscapes have also been used as National Brass Band Championship test pieces. The Flint Knappers commissioned as a test piece for the 1998 East Anglian Band Festival was selected as a test piece for the 1999 Australian Championships. Before the days of photography, the great state occasions were captured in paintings and tapestries. In this Suite, the composer has imagined the pomp and splendor of the English court at work and play, capturing each mood in a short movement. $85.00 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Cajun Folk Songs Concert band [Score] - Intermediate Manhattan Beach Music
By Frank Ticheli. Concert band. Suitable for advanced middle school, high school...(+)
By Frank Ticheli. Concert band. Suitable for advanced middle school, high school, community and college bands. Level: Grade 3. Conductor Full Score. Duration 6:40. Published by Manhattan Beach Music.
$30.00 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Cajun Folk Songs Concert band [Score and Parts] - Intermediate Manhattan Beach Music
By Frank Ticheli. Concert band. Suitable for advanced middle school, high school...(+)
By Frank Ticheli. Concert band. Suitable for advanced middle school, high school, community and college bands. Level: Grade 3. Conductor score and set of parts. Duration 6:40. Published by Manhattan Beach Music.
$195.00 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| King Cotton Concert band [Score] Theodore Presser Co.
By John Philip Sousa. Arranged by Frederick Fennell. Concert Band. For Piccolo, ...(+)
By John Philip Sousa. Arranged by Frederick Fennell. Concert Band. For Piccolo, Flute I, Flute II, Oboe I, Oboe II, Clarinet (in Eb), Clarinet I, Clarinet II, Clarinet III, Alto Clarinet, Bass Clarinet, Contrabass Clarinet, Bassoon I, Bassoon II, Alto Saxophone I, Alto Saxophone II, Tenor Saxophone, Baritone Saxophone, Cornet I, Cornet II, Cornet III, Trumpet I, Trumpet II, Horn I, Horn II, Horn III, Horn IV, Tenor I, Tenor II, Tenor III, Euphonium, Tuba, Contrabass, Kettle Drums, Bells, Triangle, Snare Drum, Field Drum, Cymbal, Bass Drum, Violin I, Violin II, Viola, Cello. Condensed Score. Published by Theodore Presser Company.
$10.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| King Cotton Concert band [Score and Parts] Theodore Presser Co.
March. By John Philip Sousa. Edited by Frederick Fennell. Arranged by Frederick ...(+)
March. By John Philip Sousa. Edited by Frederick Fennell. Arranged by Frederick Fennell. Concert Band. For Piccolo, Flute I, Flute II, Oboe I, Oboe II, Clarinet I, Clarinet II, Clarinet III, Alto Clarinet, Bass Clarinet, Bb Contrabass Clarinet, Contrabass Clarinet (in Eb), Bassoon I, Bassoon II, Alto Saxophone I, Alto Saxophone II, Tenor Saxophone, Baritone Saxophone, Cornet I, Cornet II, Cornet III, Trumpet I, Trumpet II, Horn I, Horn II, Horn III, Horn IV, Tenor I, Tenor II, Tenor III, Baritone (Treble Clef), Baritone (Bass Clef), Tuba, Contrabass, Timpani, Bells, Triangle, Snare Drum, Field Drum, Cymbal, Violin I, Violin II, Viola, Cello, Bass Drum. This edition: Concert band edition. Classical. Score and Set of Parts. 10 pages. Published by Theodore Presser Company.
$80.00 $76 (5% off) See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| It Takes Four to Tango Clarinet Quartet: 4 clarinets [Score and Parts] Theodore Presser Co.
For 3 B-Flat Clarinets and Bass Clarinet (Quartet or Ensemble). By Daniel Dorff....(+)
For 3 B-Flat Clarinets and Bass Clarinet (Quartet or Ensemble). By Daniel Dorff. Wind quartet. For Clarinet I, Clarinet II, Clarinet III, Bass Clarinet. Score and parts. 4 pages. Duration 2:30. Published by Theodore Presser Company.
$16.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Habits of a Successful Musician: Clarinet Clarinet GIA Publications
(A Comprehensive Curriculum for Use During Fundamentals Time). By Scott Rush and...(+)
(A Comprehensive Curriculum for Use During Fundamentals Time). By Scott Rush and Rich Moon. For clarinet. High school and middle school bands. Music Education - Band Method. Method book. 68 pages. Published by GIA Publications
$9.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Modernism Forever Volume One [Double CD] Subito Music
SKU: SU.91409192 Composed by Christopher Fulkerson. CD (Audio). Subito Mu...(+)
SKU: SU.91409192 Composed by Christopher Fulkerson. CD (Audio). Subito Music Corporation #91409192. Published by Subito Music Corporation (SU.91409192). Modernism Forever Volume One - Fulkerson, Carter, Davies Disc 1 1. The Childermass (Live) Christopher Fulkerson & The Composers Chamber Players - 14:16 2. E Io Etterno Duro (And Eternal I Endure) [Live] (Dante) for solo male sextet Christopher Fulkerson & Chanticleer - 6:48 3. Double Blizzard First Michelangelo Fantasy for violin and bass Christopher Fulkerson - 7:27 4. Clothes Another's Hand (Live) 2nd Michelangelo Fantasy for string trio Christopher Fulkerson & Friends of CF - 9:04 5. With Its Billowing Hair (Live) 4th Michelangelo Fantasy for violin and string John Casten, Christopher Fulkerson & Friends - 13:03 6. Scritti Di Leonardo (Live) for tenor, SATB soli, & five players Christopher Fulkerson, Patrick Neve, Ariel & The SFCMP - 18:23 7. Concerto for Harpsichord (Live) and seven instruments Christopher Fulkerson, Jonathan Shiff, Eric Hansen & the Intercampus Cultural Exchange - 9:04 Disc 2 1. Astraea in the Field of Stars for guitar and string quartet Christopher Fulkerson - 9:01 2. Echoes of Hart Crane (Live) for vocal ensemble SSAATTBB Christopher Fulkerson & Ariel - 3:03 3. The Sweep of Their Lyre Echoes of Our Bards I for instrument sextet Christopher Fulkerson - 7:25 4. The Rush of Their Verse Echoes of Our Bards II for eleven instruments Christopher Fulkerson 5. Mere Magic Music (Live) Part One of the Magic Cycle for eight antiphonal voices Christopher Fulkerson & The Virtuose - 6:42 6. Pour Jean-Louis for solo harp Christopher Fulkerson - 0:31 7. Tomb of Taillevant for alto flute and guitar Christopher Fulkerson - 1:41 8. Syringa (Live) by Elliott Carter for mezzo, baritone, guitar & ensemble Christopher Fulkerson & The Composers Chamber Players - 19:36 9. Westerlings (Live) by Peter Maxwell Davies Christopher Fulkerson & Ariel. $24.99 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Habits of a Successful Musician: French Horn French horn GIA Publications
(A Comprehensive Curriculum for use during Fundementals Time). By Scott Rush / R...(+)
(A Comprehensive Curriculum for use during Fundementals Time). By Scott Rush / Rich Moon. For french horn. Band method. High school and middle school bands. Published by GIA Publications
$9.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| The Celtic Fake Book
Fake Book [Fake Book] Hal Leonard
C Edition. Fake Book (Includes melody line and chords). Size 9x12 inches. 256 pa...(+)
C Edition. Fake Book (Includes melody line and chords). Size 9x12 inches. 256 pages. Published by Hal Leonard.
(2)$29.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Composing for the Solo Recorder Forsyth Publications
Composition SKU: FP.FTJ06 Composed by John Turner. Sheet Music and Books....(+)
Composition SKU: FP.FTJ06 Composed by John Turner. Sheet Music and Books. Recorder virtuosi and composer John Turner's indispensible new guide for composers writing for the solo recorder. This hugely useful book features chapters on the history of recorder composition, as well as the instrument's range, player technique, dynami. Classical, Instructional. Reference Book. Forsyths Publications #FTJ06. Published by Forsyths Publications (FP.FTJ06). ISBN 9780951479537. Composing for the recorder can be intimidating for those with limited or no experience playing the instrument. John Turner's new book is the ideal primer, taking the would be recorder composer on a journey through the history of recorder composition, and onwards to explore player techniques and the musicality offered by this versatile instrument. Each section is extensively referenced to exisiting compositions, providing a fantastic platform for further research by the reader.
About the Author:
JOHN TURNER is one of the leading recorder players of today. Born in Stockport, he was Senior Scholar in Law at Fitzwilliam College Cambridge before pursuing a legal career, acting for many distinguished musicians and musical organisations alongside his many musical activities. These included numerous appearances and recordings with David Munrow's Early Music Consort of London, the Academy of Ancient Music, the English Chamber Orchestra, the Academy of St. Martin-in-the-Fields and the English Baroque Soloists. He now devotes his time to playing, writing, reviewing, publishing, composing and generally energising.
He has played as recorder soloist with the Halle Orchestra, the Royal Liverpool Philharmonic Orchestra, the Manchester Camerata, the English Baroque Soloists, the English Chamber Orchestra, and many other leading orchestras and ensembles. Concertos and works with orchestra have been written for him by Gordon Crosse, Anthony Gilbert, Peter Hope, Kenneth Leighton, Elis Pehkonen, Alan Bullard, John Casken, and many other distinguished composers. His recordings include no less than five sets of the Brandenburg Concertos, as well as the F Major version of Brandenburg Concerto No. 4 with Menuhin and George Malcolm, but lately he has madenumerous acclaimed recordings of the recorder’s contemporary concerto and chamber music repertoire, including several concerto discs, all of which have received critical acclaim. In all, he has given the first performances of over 600 works for the recorder, with works by many non-British composers, including Leonard Bernstein, Ned Rorem, Peter Sculthorpe, Douglas Lilburn and Petr Eben.
Many of the works he has premiered have now entered the instrument’s standard repertoire, and these and his own recorder compositions are regularly set for festivals and examinations. He edits series of recorder publications for both Forsyths and Peacock Press, and founded the periodical Manchester Sounds, in response to the perceived threat to music libraries in Great Britain. In addition he was responsible for the rediscovery of several works for his instrument, including the Rawsthorne Recorder Suite, Antony Hopkins' Pastiche Suite, Herbert Murrill’s Sarabande, the Handel F Major Trio Sonata and John Parry's Nightingale Rondo (the only substantial known British nineteenth century work for a fipple flute). He was awarded an Honorary Fellowship by the Royal Northern College of Music in 2002 for his services to British music, and is a Visiting Distinguished Scholar of Manchester University. $20.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Three Salutes and A Whirl Forsyth Publications
Descant Recorder and Piano - Intermediate-Advanced SKU: FP.FTJ04 Composed...(+)
Descant Recorder and Piano - Intermediate-Advanced SKU: FP.FTJ04 Composed by John Turner. Sheet Music and Books. These new works by composer and recorder virtuosi John Turner are sure to join his previous works such as Four Diversions and Six Bagatelles as core pieces in the contemporary recorder repertoire. Classical. Score and part. Forsyths Publications #FTJ04. Published by Forsyths Publications (FP.FTJ04). ISBN 9790570503902. Three Salutes was written for the seventieth birthday of the composer Nicholas Marshall. The first performance in Great Britain was given on 29th September 2012, by the composer and the dedicatee, at the Temple Church, Budleigh Salterton, Devon, and the first overseas performance was given on 27th October 2012 at Kuwana City Hall, Mie Prefecture, Japan, by Hidehiro Nakamura and Yuka Sasaki.
A Whirl received its first performance at Wakefield Cathedral on 15th February 1992 by the composer and Jonathan Bielby, in celebration of the marriage of Jonathan Bielby and Jayne Hall.
John Turner was born in Stockport in 1943, and is one of the leading recorder players of today. He was Senior Scholar in Law at Fitzwilliam College, Cambridge, and as a practising solicitor acted for many leading musicians and musical organisations. He has premièred over 500 works for his instrument, including concertos written for him by Kenneth Leighton, Anthony Gilbert, Gordon Crosse, John Casken, Stephen Dodgson, Elis Pehkonen, John Gardner, Peter Hope and many others. His discoveries include recorder works by Handel, John Parry (The Nightingale Rondo, being the only known British nineteenth century concert work for a fipple flute), Alan Rawsthorne and Antony Hopkins. His own recorder compositions, notably Four Diversions and Six Bagatelles (both in the Forsyth catalogue), are standard repertoire and examination pieces for the instrument worldwide. He was made a Fellow of the Royal Northern College of usic in 2002 for his services to British music and is a Distinguished Visiting Scholar of Manchester University. $18.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| The Irish Songbook Piano, Vocal and Guitar [Sheet music] - Intermediate Music Sales
The Clancy Brothers and Tommy Makem. Book. Published by Music Sales. Includes 75...(+)
The Clancy Brothers and Tommy Makem. Book. Published by Music Sales. Includes 75 all-time favorites, best-selling hits, old traditional songs - many in Gaelic and not to be found anywhere else - lavishly ilustrated with Irish art, design and anecdotes. Lyrics, full piano scores and guitar chords.
$29.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
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