Performed by Yngwie Malmsteen. Guitar Recorded Versions (Authentic note-for-note transcriptions). With notes and tablature. Size 9x12 inches. 272 pages. Published by Hal Leonard.

(11 Colorful Solos for Late Elementary Pianists). Composed by Dennis Alexander. For Piano. Book; Graded Standard Repertoire; Piano Collection; Piano Supplemental. Five-Star Series. Recital. Late Elementary. 32 pages. Published by Alfred Music

Orchestra violin 1, violin 2, violin 3, viola, cello, bass - Grade 2.5

SKU: CF.YAS245F

Composed by Kathryn Griesinger. Yas. Full score. Duration 3 minutes, 26 seconds. Carl Fischer Music #YAS245F. Published by Carl Fischer Music (CF.YAS245F).

ISBN 9781491165379. UPC: 680160924288. Key: E minor.

This courageous and forceful melody uses frequent doubling of sections to add strength and volume to the developing string orchestra. Fearless legends are heard in the determined theme, punctuated with heavy staccato accompaniments, meant to be played marcato style on the string. Set in E minor, the piece allows cello players to explore extended F# finger patterns as upper strings get to practice a few high-3 sharp accidentals. The character of the piece is found in the rising and falling dynamics that depict the inevitable defeats, but also glory of victory of battle. After a brief respite in a lyrical middle section, the steady march returns in the low strings, bringing the ensemble back to a triumphant conclusion.

About Carl Fischer Young String Orchestra Series

This series of Grade 2/Grade 2.5 pieces is designed for second and third year ensembles. The pieces in this series are characterized by:
--Occasionally extending to third position
--Keys carefully considered for appropriate difficulty
--Addition of separate 2nd violin and viola parts
--Viola T.C. part included
--Increase in independence of parts over beginning levels

Orchestra violin 1, violin 2, violin 3, viola, cello, bass - Grade 2.5

SKU: CF.YAS245

Composed by Kathryn Griesinger. Yas. Set of Score and Parts. Duration 3 minutes, 26 seconds. Carl Fischer Music #YAS245. Published by Carl Fischer Music (CF.YAS245).

ISBN 9781491164976. UPC: 680160923885. Key: E minor.

This courageous and forceful melody uses frequent doubling of sections to add strength and volume to the developing string orchestra. Fearless legends are heard in the determined theme, punctuated with heavy staccato accompaniments, meant to be played marcato style on the string. Set in E minor, the piece allows cello players to explore extended F# finger patterns as upper strings get to practice a few high-3 sharp accidentals. The character of the piece is found in the rising and falling dynamics that depict the inevitable defeats, but also glory of victory of battle. After a brief respite in a lyrical middle section, the steady march returns in the low strings, bringing the ensemble back to a triumphant conclusion.

About Carl Fischer Young String Orchestra Series

This series of Grade 2/Grade 2.5 pieces is designed for second and third year ensembles. The pieces in this series are characterized by:
--Occasionally extending to third position
--Keys carefully considered for appropriate difficulty
--Addition of separate 2nd violin and viola parts
--Viola T.C. part included
--Increase in independence of parts over beginning levels

(Tips, Tunes & Techniques). Composed by Wayne Erbsen. For Banjo. Spiral. Beginning-Intermediate. Book/CD Set. 112 pages. Published by Mel Bay Publications, Inc

Concert Band/Harmonie - Grade 5

SKU: BT.GOB-000304-140

Composed by Jan Bosveld. Score Only. Gobelin Music Publications #GOB 000304-140. Published by Gobelin Music Publications (BT.GOB-000304-140).

An Astrological Composition.

Astrology is based on the principle that each sort of time has its own quality. In order to determine the quality of a particular moment, an astrologer looks at the position of the planets in the solar sustemat that moment. Each planet has specific types of energies and its location provides unique information for a certain moment on Earth. Thus: its position in the sky tells something about what happens on Earth.

In this composition the typesof energies of four planets are musically translated. The four planet were not randomly chosen. There are two pairs, whose influence and energy are opposite.

Venus and Mars.
Venus represents the feminine principle: harmony, beauty,art, and the ability to make relationships and to keep the peace. Venus connects, and communicates in order to maintain the balance.
Mars represent the masculine principle: winning, impulsiveness, enthusiasm, and sexual energy for procreation.He creates war enabling the strongest to triumph. Mars is musically depicted in a stirring march in which enthusiasm characterises the masculine character.

Saturn and Jupiter.
Saturn represents concentration and withdrawal: the strongnotion of responsibility, seriousness, self-discipline and melancholy. Saturn is the hermit who will conquer his fears and worries in minimal conditions and by self-chastisement. This contemplative character is depicted in the music as if it isalmost standing still, which also reflects the given character of this planet.
Jupiter represents growth and expansion: the positive, self-confidence, the good Samaritan, the healer. Jupiter is the philosopher who will make the world a betterplace, sees future possibilities, and searches for eternal values. He is the prophet who sometimes rants and raves his doctrine and proclamations, resulting musically in a whirling and upbeat finale. not looking back at what has been but searchingfor new challenges.

Heaven and Earth was commisioned by the Music Lending and Information Centre (MUI), a department of the library for the province of Gelderland in Arnhem, The Netherlands.Een astrologische compositie.

Astrologie is gebaseerd op het principe dat elke tijd zijn eigen kwaliteit heeft. Tijd voor koffie of het was je tijd nog niet als bijvoorbeeld een baan aan je neus voorbij is gegaan.
Om de kwaliteit van een moment te lezen kijkt deastroloog naar de stand van de planeten in ons zonnestelsel op dat tijdstip. Elke planeet heeft specifieke energieën en de plaats aan de hemel geeft unieke informatie over een bepaald moment op aarde. Oftewel: de stand aan de hemel (Ouranos) verteltiets over wat er op aarde (Gaia) gebeurt.

In deze compositie worden de energieën van vier planeten muzikaal vertaald. De vier planeten zijn niet lukraak gekozen. Het zijn twee paren, die qua invloed en energie tegenovergesteldzijn.

Venus en Mars.
Venus vertegenwoordigt het vrouwelijke principe: harmonieus, schoonheid, de kunst, het vermogen om verbindingen aan te gaan en de vrede te bewaren. Venus geeft door en verbindt om de balans te bewaren.
Marsvertegenwoordigt het mannelijke principe: winnen, anderen aftroeven, impulsief en enthousiast, seksuele energie voor de voortplanting. Mars creëert oorlog om de sterkste te laten zegevieren.
Venus staat tot Mars als vrede staat tot oorlog, alsverbinden staat tot verbreken, als harmonie staat tot competitie.

Jupiter en Saturnus.
Jupiter vertegenwoordigt groei en expansie: het positieve zelfvertrouwen, de weldoener, de genezer. Jupiter is de filosoof die de wereld wilverbeteren, vooruitkijkend en zoekend naar eeuwige waarden, de profeet die soms al te bombastisch zijn leer verkondigt.
Saturnus vertegenwoordigt concentratie en inkrimping: het sterke verantwoordelijkheidsbesef, soberheid, zelfdiscipline enmelancholie. Saturnus is de kluizenaar die onder minimale voorwaarden en zelfkastijding zijn angsten wil overwinnen. De harde, serieuze werker die volgens vaste regels stug doorgaat om aan zijn hoge eisen te voldoen.
Jupiter staat tot Saturnusals uitbreiding staat tot inkrimping, als zelfvertrouwen staat tot faalangst, als vrijheid staat tot structuur.

Gobelin Music Publications.

Score and Parts Clarinet; Piano; Viola (Score & Parts)

SKU: HL.49045889

Five pieces in fairy-tale style for Clarinet, Viola and Piano Score and Parts. Composed by Joerg Widmann. Ensemble. Classical. Softcover. 120 pages. Duration 1740 seconds. Schott Music #ED22487. Published by Schott Music (HL.49045889).

9.0x12.0x0.33 inches.

As far back as I can remember, I have always been fascinated with fairy tales: with their archetypal characters and set phrases like'Once upon a time...'and'...they all lived happily ever after'. Fairy tales were however also a source of unrest for me as a seismograph of mankinds underlying primal fears and desires. So as a performer and composer I have always felt that Robert Schumann's Marchenerzahlungen [Fairy Tales] (scored for the same instrumentation as my own composition) was a disjointed, complex contemporary work - despite the innocence and naivety of its initial appearance. I therefore do not intend my own Es war einmal (Once upon a time...)to be a mere sentimental, nostalgic flight into the distant past, but as a naive and fantastical alternative concept to our genuine world with all its upheavals. Jorg Widmann.