SKU: HL.1455426
UPC: 196288209577. 9.0x12.0x0.736 inches.
Nikolai Rimsky-Korsakov's VARIATIONS ON A THEME BY GLINKA was written for solo oboe accompanied by wind band. The theme of the Variations is in a fact a folksong melody which is still occasionally heard in Russia. This edition of VARIATIONS ON A THEME BY GLINKA is based on the full score published by the Russian state publishers and a number of editions of the same piece for solo oboe and piano. Adapted for the present day wind band, the corno basso accompaniment has been rescored for bass clarinet reinforced by optional string bass. Saxophones have been added to the instrumentation in tutti sections, along with rehearsal numbers throughout the meticulously edited full score.
SKU: HL.1455427
ISBN 9781638878735. UPC: 196288209584. 9.0x12.0x0.136 inches.
SKU: HL.48185134
UPC: 888680908584. 9x12 inches.
Glinka King 4 Short Fugues Mfb306 Trumpet Trombone Horn Book.
SKU: HL.49037994
SKU: HL.49037992
SKU: HL.49037995
SKU: HL.49037991
SKU: LM.27366D
ISBN 9790231701685.
GLINKA : Tarentelle - MOZART W.A : Sonate n. 5 KV283, Allegro - Sonate n. 4 KV282, Allegro - CHABRIER E. : Ballabile - TCHAIKOWSKI : Feuillets d'Album - SMETANA B. : Andante - SCHUMANN R. : L'Etranger - Klavierstuck Op.99 n. 1 - SCHUBERT F. : Scherzo en Sib Maj. - DEBUSSY C. : Danse Bohemienne - Doctor Gradus ad Parnassum - POULENC F. : 5e Improvisation - MARTINU B. : Polka en La - MARTIN F. : 3e Prelude - KODALY Z. : Klavierstucke Op.3 n. 1 - BARTOK B. : Accords de Quintes - PROKOFIEV S. : Menuetto Op.32 n. 2 - BEETHOVEN L.V. : Bagatelle Op.119 n. 2 - BERIO L. : Brin - CHOPIN F. : Mazurka Op.24 n. 1 - GRANADOS E. : Danse Espagnole n. 5 - GRIEG E. : Sylphide Op.67 n. 1 - HAYDN F.J. : Presto - Sonate en Sol Maj.
SKU: HL.49037989
SKU: HL.49037988
SKU: HL.49037993
SKU: HL.49037990
SKU: LM.27366
ISBN 9790230973663.
SKU: BT.1772-11-400-M
ISBN 9789043134590. 9x12 inches. International.
This collection contains works, selected and arranged by Franco Cesarini, that explore the wide spectrum of Russian romantic music. On one side are the followers of Russian nationalism, including composers from Glinka and Mussorgsky, to Cui and Glasunov. They provide a contrast to the more western influenced music of Tchaikovsky and Rubinstein. The book comes with a CD which includes demos of each piece and piano accompaniments to play along with when a pianist isn't available.De stukken in dit album verkennen het brede spectrum van de Russische romantische muziek. Aan de ene kant zijn er de aanhangers van het Russische nationalisme -van Glinka en Moessorgski tot Cui en Glazunov. Deze componisten hebbeneen heel andere invalshoek dan de meer door de westerse muziek be nvloede Tsjaikovski en Rubinstein. Op de meegeleverde cd staat van elk stuk een demoversie, gevolgd door een play-alongversie met alleen de pianobegeleiding.Die sinfonische Literatur des 19. Jahrhunderts ist voll von großen, ausdrucksvollen Flötensoli, während Solo- oder Kammermusikwerke für Flöte seltener zu finden sind. Mit den hier ausgewählten Werken von Glinka, Mussorgski, Cui, Glasunov, Tschaikowsky und Rubinstein wird ein weites Spektrum russischer romantischer Musik abgedeckt. Auf der beiliegenden CD ist sowohl eine vollständige Aufnahme jedes Stückes als auch die Begleitung, zu der die Solostimme gespielt werden kann, zu hören.Russian Dreams contient des arrangements réalisés par Franco Cesarini, de quelques-unes des plus belles pages du vaste patrimoine de la musique romantique russe, offrant ainsi aux fl tistes expérimentés l‘opportunité de s‘ouvrir la musique romantique d‘un point de vue solistique. Sur le CD inclus, vous trouverez deux versions par pièce : une version intégrale et une version où ne subsiste que l‘accompagnement (version papier jointe au recueil). I brani di questo volume affrontano l'ampio spettro di musica romantica russa. Da una parte i fautori del nazionalismo russo tra i quali Glinka e Mussorgski, dall'altra compositori influenzati dalla musica occidentale quali Tschaikovsky. Il CD propone l'incisione completa di ogni brano, seguita da una traccia con il solo accompagnamento del piano per consentirvi di eseguire la parte solista.
SKU: BO.B.3429
English comments: In 2003, I wrote Introspeccion for solo clarinet and, although I had already used the clarinet many years ago (in 1963 with a Duo for clarinet and piano), I felt the need to return to that instrument again: malleable, dynamic, with a considerable tessitura and an expressive and effective timbre both in pianissimo and fortissimo.
Apart from the Piano concerto I wrote in 2003, over the last four years I have preferred to work with chamber music. In 2005 I used the clarinet again, this time alongside the classic string quartet, a combination that has always caught my attention. So this is how the Quinteto de la Sala de Llevant arose, as a work designed in a single tempo that I think follows along the same lines marked by my compositions in recent years, in the sense that all superfluous elements are removed to leave a strict musical discourse that I hope can be considered markedly expressive.
The Quinteto de la Sala de Llevant was first performed on 29 June 2005 at the Sala de Llevant in the Library of Catalonia, when I loaned my musical archives to this institution. It was played by Josep Fuster (to whom the work is dedicated) on the clarinet and the Glinka Quartet (Ala Voronkova, Guerassim Voronkov, violins, Bernat Bofarull, viola, Nabi Cabestany).--The author
Comentarios del Espanol: En el ano 2003, escribo Introspeccion para clarinete solo y, si bien ya habia usado el clarinete hace muchos anos (en 1963 con un Duo para clarinete y piano) senti la necesidad de volver al mismo instrumento: ductil, agil, de una tesitura considerable y de un timbre expresivo y eficaz tanto en el pianissimo como en el fortisimo.
Exceptuando el Concierto para piano del 2003, en estos ultimos cuatro anos he trabajado preferentemente la musica de camara. En el 2005 vuelvo a usar el clarinete, ahora junto al clasico cuarteto de cuerda, conjuncion que siempre me habia llamado la atencion. Nace, pues, el Quinteto de la Sala de Llevant, obra concebida en un solo tiempo y que creo que continua con la linea marcada por el autor durante estos ultimos anos, en el sentido de eliminar todo elemento superfluo para seguir un discurso musical riguroso y que querria marcadamente expresivo.
El estreno del Quinteto de la Sala de Llevant tuvo lugar el 29 de junio del 2005 en la Sala de Llevant de la Biblioteca de Catalunya, en ocasion de la cesion de mi archivo musical a esta misma institucion. Josep Fuster (a quien la obra esta dedicada), clarinete, y el Cuarteto Glinka (Ala Voronkova, Guerassim Voronkov, violines, Bernat Bofarull, viola, Nabi Cabestany) fueron sus interpretes.--El autor
SKU: DH.DP2802-SET
With his use of Russian folk elements in his opera, A Life for the Czar, Mikhail Glinka pioneered the Russian Nationalistic Movement in music. One of the opera's high points is this fiery dance, Krakowiak! A non-stop band showpiece!
SKU: NR.100536
Schastliv tot komu zababy : ST /, Aliab'ev, 1787-1851, Zvezdy bleshchut : serenada : SS /, Varlamov, 1801-1848, Vyidem na bereg : barkarola : AA /, Varlamov, 1801-1848, Kto ona i gde ona : ST /, Glinka, 1804-1857, Vy ne pridete vnov' : SS /, Glinka, 1804-1857, Devitsy krasavitsy : SA /, Dargomyzhskii, 1813-1869, Moriaki : SA /, Vil'boa, 1817-1882, Serenada : SA /, Bulakhov, 1822-1885, Pri proshchanii : SA /, Rubinstein, 1829-1894, Narodnaia pesnia : SA /, Rubinstein, 1829-1894, Vokal'nye ansambli.
SKU: HF.FH-7068
ISBN 9790203470687. 8.3 x 11.7 inches.
Gioacchino Rossini: 1. Die Liebesprobe; 2. Die Italienerin in Algier; 3. Semiramis; 4. Wilhelm Tell; 5. Der Barbier von Sevilla; 6. Die diebische Elster; Gaetano Donizetti: 1. Der Liebestrank; 2. Don Pasquale; Franz Schubert: 1. Symphonie Nr. 3; 2. Symphonie Nr. 5; 3. Symphonie Nr. 8 (Die Unvollendete); Albert Lortzing: 1. Zar und Zimmermann; 2. Der Wildschutz; Hector Berlioz: 1. Romischer Karneval, op. 9; 2. Symphonie fantastique, op. 14; 3. Fausts Verdammung; Michael Glinka: 1. Spanische Ouverturee Nr. 1; Felix Mendelssohn Bartholdy: 1. Symphonie Nr. 3 (Schottische), op. 56; 2. Musik zu Ein Sommernachtstraum, op. 61; 3. Die Hebriden, op. 26; 4. Ouverture Ruy Blas, op. 95; Robert Schumann: 1. Symphonie Nr. 1, op. 38; 2. Klavierkonzert a-Moll, op. 54; 3. Symphonie Nr. 2, op. 61; 4. Ouverture zu Genoveva, op. 81; 5. Symphonie Nr. 3, op. 97; 6. Ouverture zu Braut von Messina, op. 100; 7. Symphonie Nr. 4, op. 120; 8. Ouverture zu Manfred, op. 115; Otto Nicolai: 1. Die lustigen Weiber von Windsor; Frederic Chopin: 1. Klavierkonzert Nr. 1; Franz Liszt: Hungaria - Symphonische Dichtung Nr. 9.
Grade: 4 - 6
SKU: CL.LDP-7161-01
This fiery dance was the high point of Glinka’s opera A Life for the Czar. A great way to bring The Russian Nationalistic Movement in music to your curriculum. A non-stop band showpiece! Impressive!
SKU: BT.EMBZ14762
The latest volume in this highly successful series offers romantic character pieces by Polish, Czech and Russian composers, including Moszkowski, Smetana, Fibich and Glinka, for enterprising young pianists and their teachers to discover. The less well-known composers are also noteworthy. For instance, Maria Szymanowska, who toured the whole of Europe as one of the most famous virtuoso concert pianists of her time, and was awarded the title of first pianist to the Tsar's court in St Petesburg.Der neueste Band der erfolgreichen Serie bietet den jungen entdeckungsfreudigen Pianisten und deren Lehrern polnische, tschechische und russische, romantische Charakterstücke unter anderem von Moszkowski, Smetana, Fibich und Glinka. Aufmerksamkeit verdienen aber auch die weniger bekannten Komponisten wie z. B. Maria Szymanowska, die als eine der berühmtesten Klaviervirtuosen ihrer Zeit ganz Europa bereiste und in St. Petersburg zur ‚Ersten Pianistin' des Hofes ernannt wurde.
SKU: CL.LDP-7161-00
© 2000 - 2024 Home - New realises - Composers Legal notice - Full version
