SKU: HL.233155
9.0x12.0x0.076 inches. English.
Virtually all my recent music has been composed of four, five or six simultaneous tempo layers. If those ensemble and orchestral pieces are multi-dimensional sculptures, then Among Red Mountains is more like a drawing. In this piece, the challenge I set for myself was to suggest five independent tempo planes, within the limitations of two hands and what Vicki Ray calls 'the Big Black Box'. For three decades I've admired the Piano music of Peter Garland. At last I have a piece that I hope is worthy of this dedication. The title, Among Red Mountains, is the translation of the Gwitch'in Athabascan name for a place in the Brooks Range, north of Arctic Village.'- John Luther Adams.
SKU: ST.EC65
ISBN 9780852499719.
EECM65 and EECM66 revisit the repertoire of the ground-breaking volumes 6 and 10 in the series, Early Tudor Organ Music, in the light of 60 years of continuing research and deeper understanding of the surviving corpus. Some 109 works are brought together here, in the order in which they appear in each manuscript â?? British Library Additional MS 29996 accounting for three-quarters of the content, plus 22 works from other sources. There are settings for the Office (antiphons, hymns, the Te Deum and Magnificat) and Mass ordinary and propers (particularly the Offertory).The format is of the same dimensions as other EECM volumes, although presented in landscape for more practical use. Containing music exclusively from Add. MS 29996, EECM65 includes updated composer biographies compiled by David Mateer, and introductory notes for the two volumes on cantus firmus techniques and metrical structure, counterpoint and musica ficta, alternatim practice, and an historical account of the early English organ.In addition to numerous anonymous titles, composers found in these volumes include Avery Burnett, Robert Coxsun, William Kyrton, Thomas Preston, John Redford, Philip ap Rhys, Edmund Strowger, Thomas Tallis, John Thorne, Robert White and Richard Wynslate.
SKU: BT.EMBZ20018
Hungarian-English-German-French.
This brand-new series is intended as a guide to the keyboard music of the 16th to 19th centuries for pupils of the piano and the harpsichord, as well as of other early keyboard instruments. Each volume contains pieces by well-known and lesser-known composers from one country or region. The main purpose of the series is to extend the repertoire and stylistic knowledge of both pianists and harpsichordists while also presenting fine pieces and typical genres based on original sources. Our edition retains the performance indications of the composers' manuscripts and contemporary editions. Each volume includes:- suggestions for stylistically appropriate performance bothon the piano and on period instruments- suggested elaborated versions of some pieces and excerpts- a fold-out list of ornamentation signs and the composers' own tables of ornamentation signs- biographies of the composers and the sources of the pieces- translations of foreign-language performance indications. The two volumes devoted to French keyboard music includes close to 50 showy and relatively easy works - preludes, dances, suites, rondeaux, and character pieces - from the early 16th until the late 18th century (ordered chronologically).This publication is printed on high-quality, age-resistant paper that is produced in an environmentally-friendly, climate-neutral manner using renewable raw materials. Cette toute nouvelle collection est un guide de la musique pour clavier du XVIe au XIXe siècle adressé aux élèves de piano et clavecin, ainsi que d'autres instruments clavier anciens. Chaque volume rassemble des œuvres de compositeurs célèbres et moins célèbres dans un pays ou une région (préludes, danses, suites, rondeaux et pièces de caractère), ainsi que des suggestions de jeu, des versions élaborées suggérées et extraits, une liste dépliante des signes d'ornement et les tables des compositeurs, des biographies des compositeurs et les sources des œuvres. Cette publication a été imprimée sur du papier de qualité, résistant au vieillissement, et produit dans le respectde l'environnement et du climat partir de matières premières renouvelables. Una nuova collana ideata per offrire una guida alla scoperta della musica per pianoforte e clavicembalo dal sedicesimo al diciannovesimo secolo. Ogni volume include brani di compositori di una specifica nazione o area geografica. L'intento è amplicare la conoscenza e il repertorio di ogni musicista. Inoltre in ogni edizione sono riportati fedelmente i suggerimenti per l'interpretazione e le indicazioni presenti sui manoscritti originali. I due volumi dedicati alla musica francese includono circa 50 brani significativi - preludi, danze, suites, rondò e altri - che risalgono all'inizio del sedicesimo secolo fino alla fine del diciottesimo secolo, rigorosamente inordine cronologico.
SKU: HL.48183137
UPC: 888680876036. 9.0x12.0x0.05 inches.
Fantaisie sur un Thème de Plain-Chant.
SKU: HL.49007008
ISBN 9783795717872. German.
Die franzosische Musik der zweiten Halfte des 19. Jahrhunderts stand ganz im Zeichen zweier Pole: Oper und Salon. Die weitgehende Missachtung der Instrumentalmusik tragt die Verantwortung fur das falsche Licht, in dem viele franzosische Meister dieser Zeit immer noch erscheinen. Unter ihnen kommt vor allem Charles-Camille Saint-Saens (1835-1921) grosste Bedeutung zu, dessen Auseinandersetzung mit der Gattung des Solokonzerts von weit uber die Grenzen Frankreichs hinausreichendem Einfluss war.Diese Arbeit korrigiert das heutige Bild Saint-Saens' in wesentlichen Punkten und macht deutlich, dass sein konzertantes Oeuvre zum Besten gehort, was die franzosische Romantik hervorgebracht hat.Uber den analytischen Teil hinaus, der durch zahlreiche Notenbeispiele erganzt wird, enthalt der Band die erste vollstandige Biographie des Komponisten in deutscher Sprache; ausfuhrliche Biographie, thematisches Verzeichnis der untersuchten Werke und vor allem eine chronologische Tabelle von nahezu 200 franzosischen Solokonzerten der Zeit machen den Band zu einer wertvollen Quelle fur die Musikgeschichtsschreibung des 19. Jahrhunderts.
SKU: HL.14033079
ISBN 9788759858332. Danish.
There were wild oatsAnd the soil was blackBut sparkledWhen the sun was outThe air sharp in the nostrilsHard to defineSomewhere between knife and coal andAcid and that special light and sweetWhiteness thornbushes exhaleIt was nothing specialBecause everything was special...Thus the opening line of the poem TERRAINS VAGUES by Klaus Rifbjerg, the Danish Poet. I chose to adopt this title for my orchestral work, because of its closeness in associations: an indeterminable, often polarized, state of rhythmic and tonal ambiguity.The expression seems created by the Franch author, Victor Hugo:And here lies the fascination: in the kinds of terrains vagues, which are simultaniously bizarre and ugly, as if created by two alien species of nature. To watch the suburb is like observing and amphibium: trees vanish, roofs appear, grass vanish, cobble stones appear, ploughing fields vanish, shops appear, beaten tracks vanish - passions appear; the murmur of Nature Divine ends, the noise of Mankind takes over. (Victor Hugo)Still, the atmosphere as well as the material of TERRAINS VAGUES have its origin, in my SYMPHONY NO. 6 (1999), the last minute of which, cut up rough, appears as the start of my new work. The music of TERRAINS VAGUES subdivides itself, without breaks, into three sections, or shades:I: TERRAINS - II: VAGUES (Waves) III: TERRAINS VAGUES.Per Norgard, March 2001.
SKU: HL.14028339
8.5x11.75x0.088 inches.
'Tis Time I Think For Soprano And String Quartet was commissioned by The Housman Society for the centenary of the publication of 'A Shropshire Lad' by A.E. Housman. Duration 15 minutes.
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