|
| A Million Dreams (from The Greatest Showman)
Choral CD
Hal Leonard
Choral (VoiceTrax CD) SKU: HL.286272 Discovery Level 2. Composed b...(+)
Choral (VoiceTrax CD) SKU: HL.286272 Discovery Level 2. Composed by Benj Pasek and Justin Paul. Arranged by Roger Emerson. Discovery Choral. Movies, Pop. CD. Duration 180 seconds. Published by Hal Leonard (HL.286272). UPC: 888680894177. 5.0x5.0x0.145 inches. A Million Dreams features the young P.T. Barnum as he shows his visions and hopes for the future. Throughout all his hardships, he is shown compassion and help and gains a broader perspective into the human condition. An outstanding message to reinforce in young singers, Roger Emerson's arrangement is a gateway into instilling confidence and imagination in choral singing. $26.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | | |
| Dark Dreams - Easy
Carl Fischer
Orchestra Cello, Contrabass, Piano, Viola, Violin 1, Violin 2, Violin 3 - Grade ...(+)
Orchestra Cello, Contrabass, Piano, Viola, Violin 1, Violin 2, Violin 3 - Grade 2 SKU: CF.YAS190 Composed by Sean O'Loughlin. Young String Orchestra. Set of Score and Parts. With Standard notation. 16+16+4+10+10+10+3+12 pages. Duration 3 minutes, 38 seconds. Carl Fischer Music #YAS190. Published by Carl Fischer Music (CF.YAS190). ISBN 9781491151556. UPC: 680160909056. 9 x 12 inches. Key: E minor. As part of a collaboration between students and composer, Sean O'Loughlin, Dark Dreams is a dark and mysterious piece that utilizes techniques such as tremolo and pizzicato. Following a slow and mysterious opening which illustrates the tapestry of sound for the composition, the work develops the musical material into various vivid, intense, and gripping musical moments.
Dark Dreams was commissioned by the Westport, Connecticut Public Schools for the Bedford Middle School 7th Grade Orchestra, Michele Anderson, director. It is a piece influenced by many ideas from the students including such descriptive words as dark, mysterious, vivid, intense and gripping. The collaboration process on commissions like this are very rewarding for both the students and composer. The students were looking to include techniques like tremolo and pizzicato, so the opening includes both of these to set the tapestry of sound for the composition. The slow and mysterious opening gives way to an intense fast section at m. 19. Trading off between upper and lower strings adds to the tension before the upper strings take hold of the melody at m. 31. This melody is derived from the slow opening material. The lower strings get their chance on the melody at m. 47 in an augmented form. This builds to a dramatic slow section at m. 57. The opening material returns at m. 66 to transition back to the fast material. Make sure to play the silence at m. 88 for maximum effect and really lean into the final note even though it is on beat 3 of the measure. . Dark Dreams was commissioned by the Westport, Connecticut Public Schools for the Bedford Middle School 7th Grade Orchestra, Michele Anderson, director. It is a piece influenced by many ideas from the students including such descriptive words as dark, mysterious, A vivid, intense and gripping. The collaboration process on commissions like this are very rewarding for both the students and composer. The students were looking to include techniques like tremolo and pizzicato, so the opening includes both of these to set the tapestry of sound for the composition. The slow and mysterious opening gives way to an intense fast section at m. 19. Trading off between upper and lower strings adds to the tension before the upper strings take hold of the melody at m. 31. This melody is derived from the slow opening material. The lower strings get their chance on the melody at m. 47 in an augmented form. This builds to a dramatic slow section at m. 57. The opening material returns at m. 66 to transition back to the fast material. Make sure to aplaya the silence at m. 88 for maximum effect and really lean into the final note even though it is on beat 3 of the measure. . Dark Dreams was commissioned by the Westport, Connecticut Public Schools for the Bedford Middle School 7th Grade Orchestra, Michele Anderson, director. It is a piece influenced by many ideas from the students including such descriptive words as dark, mysterious, A vivid, intense and gripping. The collaboration process on commissions like this are very rewarding for both the students and composer. The students were looking to include techniques like tremolo and pizzicato, so the opening includes both of these to set the tapestry of sound for the composition. The slow and mysterious opening gives way to an intense fast section at m. 19. Trading off between upper and lower strings adds to the tension before the upper strings take hold of the melody at m. 31. This melody is derived from the slow opening material. The lower strings get their chance on the melody at m. 47 in an augmented form. This builds to a dramatic slow section at m. 57. The opening material returns at m. 66 to transition back to the fast material. Make sure to aplaya the silence at m. 88 for maximum effect and really lean into the final note even though it is on beat 3 of the measure. . Dark Dreams was commissioned by the Westport, Connecticut Public Schools for the Bedford Middle School 7th Grade Orchestra, Michele Anderson, director. It is a piece influenced by many ideas from the students including such descriptive words as dark, mysterious, vivid, intense and gripping. The collaboration process on commissions like this are very rewarding for both the students and composer. The students were looking to include techniques like tremolo and pizzicato, so the opening includes both of these to set the tapestry of sound for the composition. The slow and mysterious opening gives way to an intense fast section at m. 19. Trading off between upper and lower strings adds to the tension before the upper strings take hold of the melody at m. 31. This melody is derived from the slow opening material. The lower strings get their chance on the melody at m. 47 in an augmented form. This builds to a dramatic slow section at m. 57. The opening material returns at m. 66 to transition back to the fast material. Make sure to play the silence at m. 88 for maximum effect and really lean into the final note even though it is on beat 3 of the measure. . Dark Dreams was commissioned by the Westport, Connecticut Public Schools for the Bedford Middle School 7th Grade Orchestra, Michele Anderson, director. It is a piece influenced by many ideas from the students including such descriptive words as dark, mysterious, vivid, intense and gripping. The collaboration process on commissions like this are very rewarding for both the students and composer. The students were looking to include techniques like tremolo and pizzicato, so the opening includes both of these to set the tapestry of sound for the composition. The slow and mysterious opening gives way to an intense fast section at m. 19. Trading off between upper and lower strings adds to the tension before the upper strings take hold of the melody at m. 31. This melody is derived from the slow opening material. The lower strings get their chance on the melody at m. 47 in an augmented form. This builds to a dramatic slow section at m. 57. The opening material returns at m. 66 to transition back to the fast material. Make sure to play the silence at m. 88 for maximum effect and really lean into the final note even though it is on beat 3 of the measure. Dark Dreams was commissioned by the Westport, Connecticut Public Schools for the Bedford Middle School 7th Grade Orchestra, Michele Anderson, director. It is a piece influenced by many ideas from the students including such descriptive words as dark, mysterious,  vivid, intense and gripping. The collaboration process on commissions like this are very rewarding for both the students and composer. The students were looking to include techniques like tremolo and pizzicato, so the opening includes both of these to set the tapestry of sound for the composition. The slow and mysterious opening gives way to an intense fast section at m. 19. Trading off between upper and lower strings adds to the tension before the upper strings take hold of the melody at m. 31. This melody is derived from the slow opening material. The lower strings get their chance on the melody at m. 47 in an augmented form. This builds to a dramatic slow section at m. 57. The opening material returns at m. 66 to transition back to the fast material. Make sure to “play†the silence at m. 88 for maximum effect and really lean into the final note even though it is on beat 3 of the measure. About Carl Fischer Young String Orchestra Series This series of Grade 2/Grade 2.5 pieces is designed for second and third year ensembles. The pieces in this series are characterized by:
--Occasionally extending to third position
--Keys carefully considered for appropriate difficulty
--Addition of separate 2nd violin and viola parts
--Viola T.C. part included
--Increase in independence of parts over beginning levels $55.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | | |
| Dark Dreams [Score] - Easy
Carl Fischer
Orchestra Cello, Contrabass, Piano, Viola, Violin 1, Violin 2, Violin 3 - Grade ...(+)
Orchestra Cello, Contrabass, Piano, Viola, Violin 1, Violin 2, Violin 3 - Grade 2 SKU: CF.YAS190F Composed by Sean O'Loughlin. Young String Orchestra (YAS). Full score. With Standard notation. 12 pages. Carl Fischer Music #YAS190F. Published by Carl Fischer Music (CF.YAS190F). ISBN 9781491151921. UPC: 680160909421. 9 x 12 inches. As part of a collaboration between students and composer, Sean O'Loughlin, Dark Dreams is a dark and mysterious piece that utilizes techniques such as tremolo and pizzicato. Following a slow and mysterious opening which illustrates the tapestry of sound for the composition, the work develops the musical material into various vivid, intense, and gripping musical moments.
Dark Dreams was commissioned by the Westport, Connecticut Public Schools for the Bedford Middle School 7th Grade Orchestra, Michele Anderson, director. It is a piece influenced by many ideas from the students including such descriptive words as dark, mysterious, vivid, intense and gripping. The collaboration process on commissions like this are very rewarding for both the students and composer. The students were looking to include techniques like tremolo and pizzicato, so the opening includes both of these to set the tapestry of sound for the composition. The slow and mysterious opening gives way to an intense fast section at m. 19. Trading off between upper and lower strings adds to the tension before the upper strings take hold of the melody at m. 31. This melody is derived from the slow opening material. The lower strings get their chance on the melody at m. 47 in an augmented form. This builds to a dramatic slow section at m. 57. The opening material returns at m. 66 to transition back to the fast material. Make sure to play the silence at m. 88 for maximum effect and really lean into the final note even though it is on beat 3 of the measure. . Dark Dreams was commissioned by the Westport, Connecticut Public Schools for the Bedford Middle School 7th Grade Orchestra, Michele Anderson, director. It is a piece influenced by many ideas from the students including such descriptive words as dark, mysterious, A vivid, intense and gripping. The collaboration process on commissions like this are very rewarding for both the students and composer. The students were looking to include techniques like tremolo and pizzicato, so the opening includes both of these to set the tapestry of sound for the composition. The slow and mysterious opening gives way to an intense fast section at m. 19. Trading off between upper and lower strings adds to the tension before the upper strings take hold of the melody at m. 31. This melody is derived from the slow opening material. The lower strings get their chance on the melody at m. 47 in an augmented form. This builds to a dramatic slow section at m. 57. The opening material returns at m. 66 to transition back to the fast material. Make sure to aplaya the silence at m. 88 for maximum effect and really lean into the final note even though it is on beat 3 of the measure. . Dark Dreams was commissioned by the Westport, Connecticut Public Schools for the Bedford Middle School 7th Grade Orchestra, Michele Anderson, director. It is a piece influenced by many ideas from the students including such descriptive words as dark, mysterious, A vivid, intense and gripping. The collaboration process on commissions like this are very rewarding for both the students and composer. The students were looking to include techniques like tremolo and pizzicato, so the opening includes both of these to set the tapestry of sound for the composition. The slow and mysterious opening gives way to an intense fast section at m. 19. Trading off between upper and lower strings adds to the tension before the upper strings take hold of the melody at m. 31. This melody is derived from the slow opening material. The lower strings get their chance on the melody at m. 47 in an augmented form. This builds to a dramatic slow section at m. 57. The opening material returns at m. 66 to transition back to the fast material. Make sure to aplaya the silence at m. 88 for maximum effect and really lean into the final note even though it is on beat 3 of the measure. . Dark Dreams was commissioned by the Westport, Connecticut Public Schools for the Bedford Middle School 7th Grade Orchestra, Michele Anderson, director. It is a piece influenced by many ideas from the students including such descriptive words as dark, mysterious, vivid, intense and gripping. The collaboration process on commissions like this are very rewarding for both the students and composer. The students were looking to include techniques like tremolo and pizzicato, so the opening includes both of these to set the tapestry of sound for the composition. The slow and mysterious opening gives way to an intense fast section at m. 19. Trading off between upper and lower strings adds to the tension before the upper strings take hold of the melody at m. 31. This melody is derived from the slow opening material. The lower strings get their chance on the melody at m. 47 in an augmented form. This builds to a dramatic slow section at m. 57. The opening material returns at m. 66 to transition back to the fast material. Make sure to play the silence at m. 88 for maximum effect and really lean into the final note even though it is on beat 3 of the measure. . Dark Dreams was commissioned by the Westport, Connecticut Public Schools for the Bedford Middle School 7th Grade Orchestra, Michele Anderson, director. It is a piece influenced by many ideas from the students including such descriptive words as dark, mysterious, vivid, intense and gripping. The collaboration process on commissions like this are very rewarding for both the students and composer. The students were looking to include techniques like tremolo and pizzicato, so the opening includes both of these to set the tapestry of sound for the composition. The slow and mysterious opening gives way to an intense fast section at m. 19. Trading off between upper and lower strings adds to the tension before the upper strings take hold of the melody at m. 31. This melody is derived from the slow opening material. The lower strings get their chance on the melody at m. 47 in an augmented form. This builds to a dramatic slow section at m. 57. The opening material returns at m. 66 to transition back to the fast material. Make sure to play the silence at m. 88 for maximum effect and really lean into the final note even though it is on beat 3 of the measure. Dark Dreams was commissioned by the Westport, Connecticut Public Schools for the Bedford Middle School 7th Grade Orchestra, Michele Anderson, director. It is a piece influenced by many ideas from the students including such descriptive words as dark, mysterious,  vivid, intense and gripping. The collaboration process on commissions like this are very rewarding for both the students and composer. The students were looking to include techniques like tremolo and pizzicato, so the opening includes both of these to set the tapestry of sound for the composition. The slow and mysterious opening gives way to an intense fast section at m. 19. Trading off between upper and lower strings adds to the tension before the upper strings take hold of the melody at m. 31. This melody is derived from the slow opening material. The lower strings get their chance on the melody at m. 47 in an augmented form. This builds to a dramatic slow section at m. 57. The opening material returns at m. 66 to transition back to the fast material. Make sure to “play†the silence at m. 88 for maximum effect and really lean into the final note even though it is on beat 3 of the measure. About Carl Fischer Young String Orchestra Series This series of Grade 2/Grade 2.5 pieces is designed for second and third year ensembles. The pieces in this series are characterized by:
--Occasionally extending to third position
--Keys carefully considered for appropriate difficulty
--Addition of separate 2nd violin and viola parts
--Viola T.C. part included
--Increase in independence of parts over beginning levels $8.50 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | | |
| Pacific Dreams
Choral SATB [Score and Parts] - Easy
De Haske Publications
SATB Choir - Grade 3 SKU: BT.DHP-0991451-050 Composed by Jacob De Haan. I...(+)
SATB Choir - Grade 3 SKU: BT.DHP-0991451-050 Composed by Jacob De Haan. Inspiration Series. Set (Score & Parts). Composed 1999. De Haske Publications #DHP 0991451-050. Published by De Haske Publications (BT.DHP-0991451-050). English. Pacific Dreams describes the experience of Miguel, a traveling composer from Spain who, feeling somewhat alienated from his homeland, is wandering through an area of Sydney known as The Rocks. At a small outdoor market in a typical street of this oldcolonial neighbourhood, he discovers a print of William DeShazos painting Pacific Dreams Portrayed in the painting is the surf of one of the exotic islands in the Pacific. Next, with the impressive Sydney Harbour Bridge looming over the narrowstreets of The Rocks, he envisions sultry Pacific beaches. Suddenly a theme he once composed about the lakes in Japan comes to him. Is it the Asian influences present in cosmopolitan Sydney that bring this theme to mind? Or perhaps the waters aroundSydney, over which he could sail to Tahiti? He is uncertain. Could this same theme be used to create a new composition about his feelings for the metropolis Sydney? How then to work his Pacific Dreams into the mix? Miguel is certainly no fan ofHawaiian music. Mayby he could use the vocabularies of islands like Hawaii and Tahiti, their beautiful vowel combinations being sung ad libitum by a mixed choir.With these ideas and his newly purchased print of Pacific Dreams, he boards the Metroat Circular Quay. He has a final glimpse of the harbour and the Sydney Opera House as the train races into the ground. On to the hotel! To work! He must compose!Maestoso : Miguel is impressed as he gazes upon the Sydney Harbour Bridge. And yet, hewants to go away from this city. Away, to an exotic island in the Pacific.Steady Rock : In the Rocks, musicians are playing at a square. Miguel basks in the atmosphere but at the same time he is fantasizing about Hawaii and Tahiti.Andante Lamentoso :In his hotel room, Miguel is feeling sad and lonely in this big city. He takes comfort in his Pacific Dreams.Allegro : Miguel boards the boat that takes him from Darling Harbour to Circular Quay. In his mind he is traveling on to Hawaii. Or is ithome, where the bolero is playing? He is pulled back to reality by the skyline of Sydney.
Wir schlüpfen in die Haut von Miguel und reisen mit ihm nach Australien. Einigermaßen entfremdet von seiner spanischen Heimat schlendert er durch das Viertel The Rocks in Sydney. Auf einem kleinen Markt entdeckt er einen Druck des Gemäldes Pacific Dreams von William DeShazo. Das Bild stellt die Meeresbrandung auf einer exotischen Insel im Pazifik dar. Während die eindrucksvolle Harbour Bridge von Sidney vor ihm auftaucht, ist er in Gedanken bei den heißen Stränden im Stillen Ozean. Auf einmal kommt ihm das Thema in den Sinn, das er einst über die Gewässer Japans komponiert hatte. Liegt es an den asiatischen Einflüssen, die im kosmopolitischen Sydney so vielfältig vertretensind? Oder sind es die Wasser rund um Sydney, über die er nach Tahiti segeln könnte? Er ist sich unsicher. Könnte er genau dieses Thema für eine neue Komposition über die Metropole Sydney verwenden? Wie sollte er seine Träume vom Pazifik, seine Pacific Dreams, in diese Mixtur einbringen? Vielleicht könnte er den Wortschatz von Inseln wie Hawaii und Tahiti für seine Komposition verwenden. Und einen gemischten Chor die schönen Vokalverbindungen ad libitum singen lassen. Mit diesen Ideen im Kopf steigt er in die Metro am Circular Quay. Auf ins Hotel und frisch ans Werk! Jetzt muss er einfach komponieren.... $31.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | | |
| Pacific Dreams
Brass ensemble [Score and Parts] - Easy
De Haske Publications
Brass Band - Grade 3 SKU: BT.DHP-0991451-030 Composed by Jacob De Haan. I...(+)
Brass Band - Grade 3 SKU: BT.DHP-0991451-030 Composed by Jacob De Haan. Inspiration Series. Original Light Music. Set (Score & Parts). Composed 1999. De Haske Publications #DHP 0991451-030. Published by De Haske Publications (BT.DHP-0991451-030). Pacific Dreams describes the experience of Miguel, a traveling composer from Spain who, feeling somewhat alienated from his homeland, is wandering through an area of Sydney known as The Rocks. At a small outdoor market in a typical street of this oldcolonial neighbourhood, he discovers a print of William DeShazos painting Pacific Dreams Portrayed in the painting is the surf of one of the exotic islands in the Pacific. Next, with the impressive Sydney Harbour Bridge looming over the narrowstreets of The Rocks, he envisions sultry Pacific beaches. Suddenly a theme he once composed about the lakes in Japan comes to him. Is it the Asian influences present in cosmopolitan Sydney that bring this theme to mind? Or perhaps the waters aroundSydney, over which he could sail to Tahiti? He is uncertain. Could this same theme be used to create a new composition about his feelings for the metropolis Sydney? How then to work his Pacific Dreams into the mix? Miguel is certainly no fan ofHawaiian music. Mayby he could use the vocabularies of islands like Hawaii and Tahiti, their beautiful vowel combinations being sung ad libitum by a mixed choir.With these ideas and his newly purchased print of Pacific Dreams, he boards the Metroat Circular Quay. He has a final glimpse of the harbour and the Sydney Opera House as the train races into the ground. On to the hotel! To work! He must compose!Maestoso : Miguel is impressed as he gazes upon the Sydney Harbour Bridge. And yet, hewants to go away from this city. Away, to an exotic island in the Pacific.Steady Rock : In the Rocks, musicians are playing at a square. Miguel basks in the atmosphere but at the same time he is fantasizing about Hawaii and Tahiti.Andante Lamentoso :In his hotel room, Miguel is feeling sad and lonely in this big city. He takes comfort in his Pacific Dreams.Allegro : Miguel boards the boat that takes him from Darling Harbour to Circular Quay. In his mind he is traveling on to Hawaii. Or is ithome, where the bolero is playing? He is pulled back to reality by the skyline of Sydney.
Wir schlüpfen in die Haut von Miguel und reisen mit ihm nach Australien. Einigermaßen entfremdet von seiner spanischen Heimat schlendert er durch das Viertel The Rocks in Sydney. Auf einem kleinen Markt entdeckt er einen Druck des Gemäldes Pacific Dreams von William DeShazo. Das Bild stellt die Meeresbrandung auf einer exotischen Insel im Pazifik dar. Während die eindrucksvolle Harbour Bridge von Sidney vor ihm auftaucht, ist er in Gedanken bei den heißen Stränden im Stillen Ozean. Auf einmal kommt ihm das Thema in den Sinn, das er einst über die Gewässer Japans komponiert hatte. Liegt es an den asiatischen Einflüssen, die im kosmopolitischen Sydney so vielfältig vertretensind? Oder sind es die Wasser rund um Sydney, über die er nach Tahiti segeln könnte? Er ist sich unsicher. Könnte er genau dieses Thema für eine neue Komposition über die Metropole Sydney verwenden? Wie sollte er seine Träume vom Pazifik, seine Pacific Dreams, in diese Mixtur einbringen? Vielleicht könnte er den Wortschatz von Inseln wie Hawaii und Tahiti für seine Komposition verwenden. Und einen gemischten Chor die schönen Vokalverbindungen ad libitum singen lassen. Mit diesen Ideen im Kopf steigt er in die Metro am Circular Quay. Auf ins Hotel und frisch ans Werk! Jetzt muss er einfach komponieren.... $110.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | | |
| Fever Dreams
Theodore Presser Co.
Chamber Music Piano, Piccolo 1, Piccolo 2, Piccolo 3 SKU: PR.114422970 Co...(+)
Chamber Music Piano, Piccolo 1, Piccolo 2, Piccolo 3 SKU: PR.114422970 Composed by Amanda Harberg. Set of Score and Parts. 16+4+4+4 pages. Duration 4:30. Theodore Presser Company #114-42297. Published by Theodore Presser Company (PR.114422970). ISBN 9781491135259. UPC: 680160685431. The opening section of Fever Dreams is a sultry conversation between three melodramatic characters. The exchange becomes increasingly heated until a sudden climactic break leads into a driving and playful scherzo, full of humor and dialogue. This tour de force marks a notable contribution to the piccolo repertoire.
The process of composing FEVER DREAMS for Three Piccolos and Piano uplifted my spirits through human connection, levity, and humor, just as the world was beginning to confront the frightening reality of Covid-19. The piece was commissioned and inspired by Marta Rossi, Pamela Stahel, and Nicola Mazzanti, and reflects their friendship as well as their virtuosity.The opening section is a sultry conversation between three melodramatic characters. The exchange becomes increasingly heated until a sudden climactic break leads into a driving and playful scherzo, full of humor and dialogue.Rossi, Stahel, and Mazzanti presented the virtual world premiere of FEVER DREAMS at the 2021 NFA Convention. $26.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | | |
| The 1980s – Super Easy Songbook
Easy Piano - Beginner
Hal Leonard
Piano/Keyboard SKU: HL.1438561 Composed by Various. Super Easy Songbook. ...(+)
Piano/Keyboard SKU: HL.1438561 Composed by Various. Super Easy Songbook. Classic Rock, Pop, Standards. Softcover. Published by Hal Leonard (HL.1438561). ISBN 9798350123715. UPC: 196288204916. The '80s brought on an electrifying surge of musical innovation, marked by the rise of genres such as synth-pop, hair metal, and the early beginnings of hip-hop. This dynamic period was distinguished by the revolutionary influence of MTV, which changed the way we consume music and turned musicians in visual legends. The decade's spirited vibe made a lasting impact on the music scene, etching its presence into the cultural fabric forever. Grab your hairspray and teasing comb and jump into this new Super Easy songbook, featuring 46 simple arrangements of the decade's best to start playing your favorite songs in no time! Each song is arranged with simple right-hand melody, letter names inside each note, basic left-hand chord diagrams, and no page turns. Songs include: Africa ⢠All Outof Love ⢠Beat It ⢠Danger Zone ⢠Don't Dream It's Over ⢠Ebony and Ivory ⢠Everybody Wants to Rule the World ⢠Flashdance... What a Feeling ⢠Footloose ⢠Girls Just Want to Have Fun ⢠Higher Love ⢠Hurts so Good ⢠Into the Air Tonight ⢠Jump ⢠Owner of a Lonely Heart ⢠Running Up That Hill ⢠Sweet Dreams (Are Made of This) ⢠Total Eclipse of the Heart ⢠You're the Inspiration ⢠and more! $16.99 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | | |
| (Bad) Dreams come true for string quartet - Score & parts
String Quartet: 2 violins, viola, cello [Score and Parts]
Fennica Gehrman
2 violins, viola, violoncello SKU: FG.55011-874-4 Composed by Tiina Myll...(+)
2 violins, viola, violoncello SKU: FG.55011-874-4 Composed by Tiina Myllärinen. Classical, contemporary. Score & parts. Fennica Gehrman #55011-874-4. Published by Fennica Gehrman (FG.55011-874-4). Tiina Myllärinen's (b. 1979) (Bad) Dreams come true for strings quartet (2022) was composed when war broke out in Europe. The composer tells: The shock, and the daily news barrage of battles could not help making an impression on my work and its material. I wondered what dreams and plans people had in Ukraine before the war, and how everything became a nightmare in a single night. Terror, fear and tension found their way into the work, along with memories of life in the past and dreams of a different future. The work is dedicated to the people of Ukraine; to the dreams that will hopefully soon come true.
This product includes the full score and a set of parts.
Tiina Myllärinen’s music has been described as cheerfully inquisitive, vigorous and original. Her works include Squarcio for ensemble, the orchestral what? (2010) and Traces (2013, commissioned by the Pro Musica Foundation and premiered at the Helsinki Music Centre on 5 June 2014) and Three Songs for voice, guitar and cello (2007). $48.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | | |
| Piano Concerto No. 3 'Gift of Dreams'
Piano solo
Fennica Gehrman
2 Pianos, 4 Hands (2-Pianos) SKU: HL.48024257 Reduction for Two Pianos...(+)
2 Pianos, 4 Hands (2-Pianos) SKU: HL.48024257 Reduction for Two Pianos. Composed by Einojuhani Rautavaara. BH Piano. Classical. Softcover. 52 pages. Fennica Gehrman #M550113329. Published by Fennica Gehrman (HL.48024257). Piano reduction for Rautavaara's Piano Concerto No. 3 Gift of Dreams now available for the first time. The concerto is composed for Vladimir Ashkenazy. The opening of the concerto is lyrical and meditative. The second movement, Adagio, drifts into a piano monologue that picks up speed. As the orchestra enters, the dialogue becomes aggressive. The finale begings with an energetic introduction, continues with blazing fanfares and textures. Rautavaara's Piano Concerto No. 3 is a masterpiece of modern concerto literature. It is written is such manner that toe soloist can lead the orchestra from the grand piano. Rautavaaran 3. pianokonserton, Gift of Dreams, pianoreduktio on nyt julkaistu ensimmaista kertaa. Konsertto on savelletty Vladimir Ashkenazylle, ja sen voi esittaa solistin johdolla. Gift of Dreams on takuuvarmaa ja taitavaa Rautavaara; unenkaltaiset elementit, fanfaarit, pulppuileva solistiosuus, jamakka orkesteri seka rautavaara-harmoniat ovat kaikki lasna tassa vuonna 1998 savelletyssa konsertossa. $110.00 - See more - Buy online | | | |
| A Million Dreams (from The Greatest Showman)
Choral 3-part
SSA
Hal Leonard
Discovery Level 2. Composed by Benj Pasek and Justin Paul. Arranged by Roger ...(+)
Discovery Level 2. Composed
by Benj Pasek and Justin
Paul. Arranged by Roger
Emerson. Discovery Choral.
Movies, Pop. Octavo. 16
pages. Published by Hal
Leonard
$2.25 $2.1375 (5% off) See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | | |
| Dreams and Proclamations
Concert band [Score] - Intermediate
FJH
Concert Band Symphonic Band - Grade 4; Grade 4.5 SKU: FJ.B1336S Score ...(+)
Concert Band Symphonic Band - Grade 4; Grade 4.5 SKU: FJ.B1336S Score Only. Composed by Roland Barrett. Concert Band. FJH Symphonic Band. Score. Duration 5:30. The FJH Music Company Inc #98-B1336S. Published by The FJH Music Company Inc (FJ.B1336S). English. All of us are taught to have big dreams and to pursue those dreams. In the spirit of this ideal, Roland Barrett salutes all great dreamers by examining the connection between thought and deed, contemplation and action. Divided into six main sections, each dream passage leads to an ensuing proclamation. Powerful, emotional, and energetic, the work moves to a fantastic close. Breathtaking! About FJH Symphonic Band Appropriate for accomplished high school, college, and professional groups. Includes expanded instrumentation and ranges. Grades 4 - 5 $11.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | | |
| Dreams that Children Dream
Choral 2-part
2-part, Piano [Octavo]
Heritage Music Press
By Ruth Elaine Schram. For 2-part voices and piano. New Horizons. Concert. Octav...(+)
By Ruth Elaine Schram. For 2-part voices and piano. New Horizons. Concert. Octavo. Published by Heritage Music Press. (15/2224H)
(1)$2.75 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | | |
| Bugler's Handbook
Flügelhorn [Sheet music]
Mel Bay
Bugle - Beginning SKU: MB.93862 Composed by Nelson Knode. Saddle-stitched...(+)
Bugle - Beginning SKU: MB.93862 Composed by Nelson Knode. Saddle-stitched, American Music, Trumpet and Bugle, Children and Young Beginner, Solos, Trumpet/Bugle, Method. All styles. Book - half size. 68 pages. Mel Bay Publications, Inc #93862. Published by Mel Bay Publications, Inc (MB.93862). ISBN 9781562222123. UPC: 796279004459. 8.75 x 5.75 inches. This book teaches fundamentals of music and gradually introduces new concepts such as eighth notes and double and triple tonguing into the bugle calls and studies. Concepts taught include: Basics of Bugle Playing, Producing a Tone, Music Theory, Note Values, Double Tonguing, Triple Tonguing, Note Studies and 40 All-time Favorite Bugle Calls. Its handy 8 3/4 by 5 3/4 size makes it easy to carry around. (1)$14.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | | |
| Monument (To Touch the Sky, Cloud Dances, Colorado Dreams, Pioneer Spirit, and Celebration)
Concert band [Score and Parts] - Intermediate
Alfred Publishing
By Robert W. Smith. By Robert W. Smith. For Concert Band. Concert Band. Belwin S...(+)
By Robert W. Smith. By Robert W. Smith. For Concert Band. Concert Band. Belwin Symphonic Band. Level: 4 (Medium) (grade 4). Conductor Score and Parts. Duration 8:41. Published by Alfred Publishing.
$90.00 $85.5 (5% off) See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | | |
| Concerto for Piano and Orchestra No. 3 "Gift of Dreams"
Piano solo
Fennica Gehrman
Piano and orchestra SKU: FG.55011-332-9 Composed by Einojuhani Rautavaara...(+)
Piano and orchestra SKU: FG.55011-332-9 Composed by Einojuhani Rautavaara. Piano reduction. Fennica Gehrman #55011-332-9. Published by Fennica Gehrman (FG.55011-332-9). ISBN 9790550113329. Piano reduction for Rautavaara's Piano Concerto No. 3 Gift of Dreams now available for the first time. The concerto is composed for Vladimir Ashkenazy. The opening of the concerto is lyrical and meditative. The second movement, Adagio, drifts into a piano monologue that picks up speed. As the orchestra enters, the dialogue becomes aggressive. The finale begings with an energetic introduction, continues with blazing fanfares and textures. $62.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | | |
| Arabian Dreams
String Orchestra [Score and Parts] - Intermediate
FJH
By Soon Hee Newbold. Arranged by Soon Hee Newbold. String Orchestra. FJH String...(+)
By Soon Hee Newbold. Arranged by Soon Hee Newbold. String Orchestra. FJH String Orchestra. Score for this title: ST6027S. Extra part for this title: ST6027P. Level: 3.5. Published by The FJH Music Company Inc.
(3)$60.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | | |
| Dreams of a Midsummer Night
String Orchestra [Score and Parts] - Intermediate
Alfred Publishing
By Richard Meyer. By Richard Meyer. For String Orchestra. String Orchestra. High...(+)
By Richard Meyer. By Richard Meyer. For String Orchestra. String Orchestra. Highland String Orchestra. Level: 3.5 (grade 3.5). Conductor Score and Parts. Published by Alfred Publishing.
(2)$60.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | | |
| Where Dreams Fly
Choral SATB
SATB, Percussion(s) [Score] - Intermediate
Schirmer
Composed by William Averitt. Multi-Movement/Large Choral Work. 21st Century. S...(+)
Composed by William Averitt.
Multi-Movement/Large Choral
Work. 21st Century. Score.
E.C. Schirmer Publishing
#8656. Published by E.C.
Schirmer Publishing
$10.50 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | | |
| Dreamscape
Choral SATB
SATB, Piano [Score]
Carus Verlag
SATB choir, piano SKU: CA.965600 Composed by Daniel Elder. Edited by Stef...(+)
SATB choir, piano SKU: CA.965600 Composed by Daniel Elder. Edited by Stefan Schuck. CARUS CONTEMPORARY. Full score. 20 pages. Carus Verlag #CV 09.656/00. Published by Carus Verlag (CA.965600). ISBN 9790007165062. Text language: English. In A Dream Within a Dream Edgar Allan Poe writes of a traumatic grief that shakes him to the core, affecting his perception of reality itself. Through this setting, his exploration continues into the musical realm. The piano textures here represent something that is not quite real, and fading mercilessly in and out between whimsical fantasy and crushing reality. This aids the tone of Poe's words and provides a backdrop for the voices to speak his emotions in a more solid context, albeit not always quite rationally. There is such a two-sided nature to the emotions at play that it is almost laughable to compare them musically, except when placing oneself into the mindset of a desperate mind. Poe needs no help in expressing his feelings - the power of his words carries an inherent statement without calling for musical aid. However, in Dreamscape we will attempt to explore them in the context of the modern psyche and hopefully one may see Poe's struggle arise within oneself in sensory ways not often accessible through poetry alone. (Daniel Elder). $10.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | | |
| Louisa Dreams
Choral 2-part
SA, Piano
Heritage Music Press
SA choir, piano SKU: LO.15-3985H Composed by Kirstina Rasmussen Collins. ...(+)
SA choir, piano SKU: LO.15-3985H Composed by Kirstina Rasmussen Collins. Choral. Concert, General. Octavo. Heritage Music Press #15/3985H. Published by Heritage Music Press (LO.15-3985H). ISBN 9780787778453. Quotes from American novelist and poet, Louisa May Alcott have been crafted into this inspiring and whimsical choral work by composer, Kirstina Rasmussen Collins. Expressing the creative and imaginative nature of Alcott, the lyrics evoke strong imagery of that creativity and Alcott's audacious desire to aspire to great things. An encouraging and challenging message for choirs and audiences. $2.75 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | | |
| Pipe Dreams (Full Score) - Easy
Kendor Music Inc.
Jazz Ensemble saxes have opt. flute doubles - Grade 3 SKU: KN.52705S Comp...(+)
Jazz Ensemble saxes have opt. flute doubles - Grade 3 SKU: KN.52705S Composed by John LaBarbera. Kendor Archive Editions. Kendor Music Inc #52705S. Published by Kendor Music Inc (KN.52705S). Recorded in 1971 by Buddy Rich on the album A Different Drummer, this beautiful, even-8ths ballad features cameo written solos for trumpet, alto sax, and trombonelead alto takes the only improvised solo in the chart. When the main solo work ends, the ensemble builds into a strong, dramatic climax before quieting down for a soft solo trumpet flourish and gentle finish. Duration 3:50. $7.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | | |
| Hope Lies in Dreams
Concert band [Score] - Intermediate
Excelcia Music Publishing
Concert Band - Grade 5 SKU: XC.MCB2403FS Composed by Larry Clark. Maestro...(+)
Concert Band - Grade 5 SKU: XC.MCB2403FS Composed by Larry Clark. Maestro Grade 4 & Up. Contest/Festival. Score. Excelcia Music Publishing #MCB2403FS. Published by Excelcia Music Publishing (XC.MCB2403FS). 9 x 12 inches. An expansive concert work that delves into what hope is through music. The piece is at times fanfare-like and aggressive, then uplifting and hopeful with tons of musical drama. Composer Larry Clark flexes his compositional muscles to give the band repertoire a potential classic! $15.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | | |
| Hope Lies in Dreams
Concert band - Intermediate
Excelcia Music Publishing
Concert Band - Grade 5 SKU: XC.MCB2403 Composed by Larry Clark. Maestro G...(+)
Concert Band - Grade 5 SKU: XC.MCB2403 Composed by Larry Clark. Maestro Grade 4 & Up. Contest/Festival. Set of parts. Excelcia Music Publishing #MCB2403. Published by Excelcia Music Publishing (XC.MCB2403). 9 x 12 inches. An expansive concert work that delves into what hope is through music. The piece is at times fanfare-like and aggressive, then uplifting and hopeful with tons of musical drama. Composer Larry Clark flexes his compositional muscles to give the band repertoire a potential classic! $100.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | | |
| Disney Dreams to Share (Choral Medley)
Choral SATB
Hal Leonard
Composed by Various. Arranged by Alan Billingsley. Disney Choral. Collection, ...(+)
Composed by Various. Arranged
by Alan Billingsley. Disney
Choral. Collection, Disney,
Medley, Movies, Pop, Show
Choir, Tv and Movies. Octavo.
Duration 315 seconds.
Published by Hal Leonard
$2.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | | |
| Only My Dreams
Choral SSAA
Pavane Publishing
Choral (SSAA Choir) SKU: HL.159356 This edition: Saddle stitching. Sheet ...(+)
Choral (SSAA Choir) SKU: HL.159356 This edition: Saddle stitching. Sheet music. Pavane Choral. Female Voices, Concert, Poetry. Octavo. 1555. 8 pages. Pavane Publishing #P1555. Published by Pavane Publishing (HL.159356). UPC: 888680617608. 6.75x10.5 inches. Czech. The poem by Yeats that serves as the text for this Ron Kean piece has been set by many fine composers. Ron's approach is unique, bringing in overtones through whirlies to add an ultra-spiritual dimension to the impact of the work. Ron's vocal writing is always careful, pulling lines into one another with suspended results. Singers simply love to sing them because everyone is equally important. Selected for the Iris Levine Treble Chorus Series, this piece fits any general program for advanced treble high school, college and community choir. Medium. $2.15 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | | |
| Pipe Dreams
Jazz Ensemble [Score and Parts] - Easy
Kendor Music Inc.
Jazz Ensemble saxes have opt. flute doubles - Grade 3 SKU: KN.52705 Compo...(+)
Jazz Ensemble saxes have opt. flute doubles - Grade 3 SKU: KN.52705 Composed by John LaBarbera. Kendor Jazz Archive Series. Ballad. Score and set of parts. Duration 3 minutes, 50 seconds. Kendor Music Inc #52705. Published by Kendor Music Inc (KN.52705). Recorded in 1971 by Buddy Rich on the album A Different Drummer, this beautiful, even-8ths ballad features cameo written solos for trumpet, alto sax, and trombone; lead alto takes the only improvised solo in the chart. When the main solo work ends, the ensemble builds into a strong, dramatic climax before quieting down for a soft solo trumpet flourish and gentle finish. Duration 3:50. $95.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | | |
| Dreams Of Yesterday [Score and Parts] - Intermediate
Kendor Music Inc.
String Orchestra string orchestra (88555) with optional 3rd violin/viola TC (3) ...(+)
String Orchestra string orchestra (88555) with optional 3rd violin/viola TC (3) and percussion - Grade 3.5 SKU: KN.37270 Composed by Joshua Reznicow. Solo or Ensemble. Apex String Orchestra. Score and parts. Kendor Music Inc #37270. Published by Kendor Music Inc (KN.37270). UPC: 822795372700. This beautiful and nostalgic piece looks to musically illustrate a child moving from a beautiful baby to a maturing young adult. Written from the perspective of a parent witnessing and experiencing their child's growth, the music offers the listener, as well as the performer, an innocent melody that develops into a fully orchestrated piece. All voices within the ensemble actively help to create this feeling throughout the grade 3+ composition, including an optional percussion part that is designed to enhance the colors of the piece (wind chimes, glockenspiel, tam-tam, and suspended cymbal. The composition ultimately concludes by quoting the original melody and leading the listener to a peaceful place, dreaming of yesterday's memories. Each set includes three copies of the optional 3rd Violin/Viola T.C., and percussion parts. Duration ca. 4:25. Available in SmartMusic. $56.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
|
