| Concerto in Eb Major Trumpet, Piano Carl Fischer
For Trumpet in Bb and Piano, S. 49. Composed by Johann Nepomuk Hummel (17...(+)
For Trumpet in Bb and Piano, S. 49. Composed by Johann Nepomuk Hummel (1778-1837). Edited by Elisa Koehler. Arranged by Elisa Koehler. Romantic. Score and part(s). With Standard notation. 36 8 pages. Carl Fischer #W002681. Published by Carl Fischer (CF.W2681).
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| Concerto in E Major Trumpet Carl Fischer
Chamber Music Piano, Trumpet SKU: CF.W2682 For Trumpet in E and Piano,...(+)
Chamber Music Piano, Trumpet SKU: CF.W2682 For Trumpet in E and Piano, S.49. Composed by Johann Hummel. Edited by Elisa Koehler. Set of Score and Parts. With Standard notation. 36+8 pages. Carl Fischer Music #W2682. Published by Carl Fischer Music (CF.W2682). ISBN 9781491144954. UPC: 680160902453. 9 x 12 inches. Key: E major. Edited by Elisa Koehler, Associate Professor and Chair of the Music Department at Goucher College, this new edition of Johann Nepomuk Hummel's Concerto in E Major for trumpet in E and piano presented in its original key. The concerto by Johann Nepomuk Hummel (1778–1837)holds a unique place in the trumpet repertoire. Like theconcerto by Joseph Haydn (1732–1809) it was written forthe Austrian trumpeter Anton Weidinger (1766–1852) andhis newly invented keyed trumpet, performed a few timesby Weidinger, and then forgotten for more than 150 yearsuntil it was revived in the twentieth century. But unlikeHaydn’s concerto in Eb major, Hummel’s Concerto a Trombaprincipale (1803) was written in the key of E major for atrumpet pitched in E, not E≤. This difference of key proved tobe quite a conundrum for trumpeters and music publishersin the twentieth century. The first modern edition, publishedby Fritz Stein in 1957, transposed the concerto down onehalf step into the key of E≤ to make it more playable on atrumpet in Bb, which had become the standard instrumentfor trumpeters by the middle of the twentieth century.Armando Ghitalla made the first recording of the Hummel in1964 in the original key of E (on a C-trumpet) after editinga performing edition in 1959 in the transposed key of E≤ (forBb trumpet) published by Robert King Music. Needless tosay, the trumpet had changed dramatically in terms of design,manufacture, and cultural status between 1803 and 1957, andthe notion of classical solo repertoire for the modern trumpetwas still in its formative stages when the Hummel concertowas reborn.These factors conspired to create confusion regarding thenumerous interpretative challenges involved in performingthe Hummel concerto according to the composer’s originalintentions on modern trumpets. For those seeking the bestscholarly information, a facsimile of Hummel’s originalmanuscript score was published in 2011 with a separatevolume of analytical commentary by Edward H. Tarr,1 whoalso published the first modern edition of the concertoin the original key of E major (Universal Edition, 1972).This present edition—available in both keys: Eb and Emajor—strives to build a bridge between scholarship andperformance traditions in order to provide viable options forboth the purist and the practitioner.Following the revival of the Haydn trumpet concerto, acase could be made that some musicians were influencedby a type of normalcy bias that resulted in performancetraditions that attempted to make the Hummel morelike the Haydn by putting it in the same key, insertingunnecessary cadenzas, and adding trills where they mightnot belong.2 Issues concerning tempo and ornamentationposed additional challenges. As scholarship and performancepractice surrounding the concerto have become betterknown, trumpeters have increasingly sought to performthe concerto in the original key of E major—sometimes onkeyed trumpets—and to reconsider more recent performancetraditions in the transposed key of Eb.Regardless of the key, several factors need to be addressedwhen performing the Hummel concerto. The most notoriousof these is the interpretation of the wavy line (devoid of a “tr†indication), which appears in the second movement(mm. 4–5 and 47–49) and in the finale (mm. 218–221). InHummel’s manuscript score, the wavy line resembles a sinewave with wide, gentle curves, rather than the tight, buzzingappearance of a traditional trill line. Some have argued that itmay indicate intense vibrato or a fluttering tremolo betweenopen and closed fingerings on a keyed trumpet.3 In Hummel’s1828 piano treatise, he wrote that a wavy line without a “trâ€sign indicates uneigentlichen Triller oder den getrillertenNoten [“improper†trills or the notes that are trilled], andrecommends that they be played as main note trills that arenot resolved [ohne Nachschlag].4 Hummel’s piano treatisewas published twenty-five years after he wrote the trumpetconcerto, and his advocacy for main note trills (rather thanupper note trills) was controversial at the time, so trumpetersshould consider all of the available options when formingtheir own interpretation of the wavy line.Unlike Haydn, Hummel did not include any fermatas wherecadenzas could be inserted in his trumpet concerto. The endof the first movement, in particular, includes something likean accompanied cadenza passage (mm. 273–298), a featureHummel also included at the end of the first movement ofhis Piano Concerto No. 5 in Ab Major, Op. 113 (1827). Thethird movement includes a quote (starting at m. 168) fromCherubini’s opera, Les Deux Journées (1802), that diverts therondo form into a coda replete with idiomatic fanfares andvirtuosic figuration.5 Again, no fermata appears to signal acadenza, but the obbligato gymnastics in the solo trumpetpart function like an accompanied cadenza.Other necessary considerations include tempo choicesand ornamentation. Hummel did not include metronomemarkings to quantify his desired tempi for the movements,but clues may be gleaned through the surface evidence(metric pulse, beat values, figuration) and from the stratifiedtempo table that Hummel included in his 1828 piano treatise,where the first movement’s “Allegro con spirito†is interpretedas faster than the “Allegro†(without a modifier) of the finale.6In the realm of ornamentation, Hummel includes severalturns and figures that are open to interpretation. This editionincludes Hummel’s original symbols (turns and figuration)along with suggested realizations to provide musicians withoptions for forming their own interpretation.Finally, trumpeters are encouraged to listen to Mozart pianoconcerti as an interpretive context for Hummel’s trumpetconcerto. Hummel was a noted piano virtuoso at the end ofthe Classical era, and he studied with Mozart in Vienna asa young boy. Hummel also composed his own cadenzas forsome of Mozart’s piano concerti, and the twenty-five-year-oldcomposer imitated Mozart’s orchestral gestures and melodicfiguration in the trumpet concerto (most notably in the secondmovement, which resembles the famous slow movement ofMozart’s Piano Concerto No. 21 in C Major, K. 467). $34.99 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Sonatas and Pieces, Volume I Piano solo [Sheet music] Kalmus
Volume 1. Opus 11, 13, 18, 20, 55. Composed by Johann Nepomuk Hummel (1778-1837)...(+)
Volume 1. Opus 11, 13, 18, 20, 55. Composed by Johann Nepomuk Hummel (1778-1837). Masterworks; Piano Collection. Kalmus Edition. Form: Sonata. Classical; Masterwork. Book. 88 pages. Kalmus Classic Edition #00-K09894. Published by Kalmus Classic Edition
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| Konzert fur Klavier und Orchester a-moll op. 85 [Reduction] Breitkopf & Härtel
Composed by Johann Nepomuk Hummel (1778-1837). Edited by Andrew Brownell. Editio...(+)
Composed by Johann Nepomuk Hummel (1778-1837). Edited by Andrew Brownell. Edition Breitkopf. Piano reduction. 92 pages. Published by Breitkopf and Haertel (BR.EB-8900).
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| Trumpet Concerto in E-Flat Trumpet, Piano Leduc, Alphonse
Music for Brass No. 801 Version for Trumpet and Piano. Composed by Johann Nep...(+)
Music for Brass No. 801
Version for Trumpet and
Piano. Composed by Johann
Nepomuk Hummel (1778-1837).
Robert King. Classical. CD
only. 44 pages. Alphonse
Leduc #AL28564. Published by
Alphonse Leduc
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| Hummel Tripartita Op85 String Quartet: 2 violins, viola, cello [Score and Parts] Schott
Accordion and string quartet (P/ST) - difficult SKU: HL.49033250 For A...(+)
Accordion and string quartet (P/ST) - difficult SKU: HL.49033250 For Accordion and String Quartet. Composed by Johann Nepomuk Hummel. This edition: Saddle stitching. Sheet music. Edition Schott. Score and Parts. Composed 1985/1986. Op. 85. 84 pages. Duration 21'. Schott Music #ED 9711. Published by Schott Music (HL.49033250). ISBN 9790001136310. 9.25x12.0x0.25 inches. $51.00 - See more - Buy online | | |
| Trumpet Concerto Trumpet Leduc, Alphonse
Trumpet SKU: HL.48185231 Composed by Johann Nepomuk Hummel. Robert King. ...(+)
Trumpet SKU: HL.48185231 Composed by Johann Nepomuk Hummel. Robert King. Classical. Alphonse Leduc #AL28593. Published by Alphonse Leduc (HL.48185231). UPC: 888680990749. 9x12 inches. “Written in 1803 by Johann Nepomuk Hummel (1778-1837), this Trumpet Concerto is a classical piece of the Trumpet repertoire. This version of the concerto features the score and part for Trumpet and band. Composed in the spirit of Mozart, the band is composed of: - Flute I & II (2) - Oboes I & II (2) - Clarinet I (2) - Clarinet II (2) - Clarinet III (2) - Horns I & II (2) - Trumpets I & II (2) - Timpani - Solo Trumpet - Bass Clarinet (2) - Bassoons I & II (2) - Countrabassoon Former student of Mozart, Johann Nepomuk Hummel (1778-1837) was a brilliant composer, pianist, conductor and teacher. Evolving at the same period as Beethoven, he became as famous and wrote numerous concertos (for Piano, Oboe, Trumpet, Violin and others), operas and some wind music pieces.&rdquo. $160.10 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Potpourri Viola, Piano Kunzelmann
By Johann Nepomuk Hummel. Edited by Beyer. For viola, piano. Op.94. Published by...(+)
By Johann Nepomuk Hummel. Edited by Beyer. For viola, piano. Op.94. Published by Edition Kunzelmann.
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| Oeuvres Choisies Pour Piano(lp61) Piano solo Heugel
Piano SKU: HL.48188455 Composed by Johann Nepomuk Hummel. Leduc. Classica...(+)
Piano SKU: HL.48188455 Composed by Johann Nepomuk Hummel. Leduc. Classical. Softcover. 161 pages. Heugel & Cie #HE32572. Published by Heugel & Cie (HL.48188455). UPC: 888680859718. 9.0x12.0x0.503 inches. Rondo quasi una Fantasia Op.19; Fantaisie in E flat major Op.18; 6 Bagatelles Op.107; Rondeau brillant Op.109; 24 Grandes Etudes Op.125. $161.80 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Ecossaise / Menuet Op. 13 No. 5 Piano solo [Score] Edition Delrieu
Piano SKU: LM.EXA312 Composed by Luigi Boccherini and Nepomuk Johann Humm...(+)
Piano SKU: LM.EXA312 Composed by Luigi Boccherini and Nepomuk Johann Hummel. Exam. Classical. Score. Edition Delrieu #EXA312. Published by Edition Delrieu (LM.EXA312). ISBN 9790231706185. $10.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
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